Lists

Picture of a movie: Stephanie
Picture of a movie: Dig Two Graves
Picture of a movie: The Blazing World
Picture of a movie: Daniel Isn't Real
Picture of a movie: I Think We're Alone Now
Picture of a movie: Aniara
Picture of a movie: Lapsis
Picture of a movie: The Church
Picture of a movie: Nine Days
Picture of a TV show: The Leftovers
Picture of a TV show: Station Eleven
Picture of a movie: Under the Skin
Picture of a movie: Solaris
Picture of a movie: Stalker
Picture of a movie: Solaris
Picture of a movie: Coherence

94 Movies, 20 Shows, 3 Books

To Watch

Sort by:
Recent Desc

Or Not to Watch

Inspired by this list

Picture of a movie: Saint Maud
movies

Saint Maud

2021
There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.
Picture of a movie: Border
movies

Border

2018
Tina, who has grotesque, almost animal-like physical features, has always felt self-conscious about her looks. Regardless, she has: a live-in boyfriend, Roland, a dog trainer, at her isolated house in the woods, although they have never had sex, and Tina's father, who is in the early stages of Alzheimer's, believing he is solely using her; the unconditional love and support of her father; a small group of friends; and the admiration of her bosses and coworkers in her job as a customs agent at the Ferry terminal, as she is literally able to "smell" human emotions, especially guilt and fear. It is using that innate ability that she stops a seemingly straight-laced person entering the country, he who was found to be carrying a memory card containing child pornography. As such, her immediate supervisor, Agneta, places her on a small investigative unit to discover the producers of this material. Tina is surprised when she is found to be incorrect about another person going through customs, Vore, an entomologist who, like her, possesses those similar grotesque, almost animal-like physical features, he who is found not to be carrying anything incriminating. In Vore and Tina's multiple encounters at customs, the two begin a friendship, Tina, for the first time, believing she having found a kindred spirit. As Tina learns more and more about Vore, the more she learns about herself. As more and more information comes to light, Tina has to decide whether to abandon the life she has known in its entirety for the future that Vore offers her, that future which may go against what she has always believed to be the good about being human.