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Fed up with her father, a young woman moves in with her older half-sister and her fiancé.

A widower is eager to move on from the most difficult year of his life, only to realize he's utterly unprepared to raise his two daughters on his own and equally unprepared for the dating world where he's suddenly a hot commodity.

Newly divorced after fifteen years of marriage, Gary Brooks, a painting contractor, strives to balance work, shared custody of his two children, a controlling ex-wife, and his foxy new girlfriend.

Yes, Dear is a comedy about two young couples and their outrageously contrasting views on parenting. First-time parents Greg and Kim Warner struggle daily to become perfect at the job. Kim is a neurotic stay-at-home mother, and although her husband Greg is a success in his career, his more-difficult job is keeping his wife calm as they raise their year-old son Sam. While Kim is determined to be the perfect mother and perfect wife and to raise the perfect son, her sister, Christine Hughes, a very down-to-earth mother of four-year-old Dominic and one-year-old Logan, continually reminds her that life will never be perfect. Christine's husband Jimmy is employed as a security guard and unconcerned about living in Kim and Greg's guest house and feels compelled to share with his brother-in-law his philosophy about being a husband and father while still remaining a man.

A family comedy narrated by Katie, a strong-willed mother, raising her flawed family in a wealthy town filled with perfect wives and their perfect offspring.

A family comedy told through the separate stories of different family members.

Adam Burns (Matt Leblanc) thinks that taking care of childrens is piece of cake and tells his wife Andi (Liza Snyder) that she can get back to her job and he'll manage the children but what will happen when he looks after his children is a fun rollercoaster ride to watch.

Sympathetic old-school doughnut shop owner Arthur, his spunky young employee and aspiring artist, Franco, and their friends and patrons keep the shop going in a changing culturally-mixed inner city Chicago neighborhood.

A divorced reporter, looking forward to the single life, finds his parents' marital problems derail his plans.

Retired teacher Carol Kenney begins a second career as a doctor.

Danny Burton is a 30-ish carefree single guy who has watched most of his friends move on to serious relationships. When his last remaining friend Shannon moves out to get married, Danny searches for a new roommate. A promising candidate is Justin, the owner of Detroit's Black Eyes Bar (frequently mispronounced "Black Guys Bar"). Justin and his friends--nerdy Burski, oddball Shelly, and recently out-of-the-closet gay guy Brett--all have certain qualities that make them appear "undateable". While Danny himself has good luck getting women into bed, he is unable or unwilling to form a lasting commitment with any of them. Danny's attractive sister Leslie has similar fears about being undateable, having the "baggage" of being a mid-30s divorcee.

A working-class couple raise their genius kids in South Jersey.

Meet Bill and Judy Miller, a toilet salesman and a dental assistant: two high-school lovers who turned in their wild lifestyle to get married years ago. Now, as they creep toward middle age, they're dealing with more "everyday" things, such as their three kids: their intelligent and (to Bill's horror) still sexually-unsure son Brian; their typical drama-queen daughter Lauren; and their smug, sarcastic six-year-old, Tina. With Judy's desperate man-hunting sister Linda, Bill's interfering mother Louise, a lesbian couple as next-door neighbors, and other crazy characters around, it's no wonder that Bill and Judy constantly get into strange, hilarious misadventures as they try to prove that they're not too old to have fun. Along the way, they always end up showing that they still love each other, no matter what.

A time in Mark Feuerstein's adult life when he lived in apartment 9K in the building he grew up in, sandwiched between his parents' apartment, 9J, and his brother, sister-in-law, and their baby's apartment, 9L, and his attempts to set boundaries with his intrusive, but well-meaning family.

At the headquarters of a major American automotive company in Detroit, a floundering group of executives try to rediscover the company identity amid a rapidly changing industry.

Robin Williams returns to series television in The Crazy Ones, a single-camera workplace comedy about a larger-than-life advertising genius whose unorthodox methods and unpredictable behavior would get him fired if he weren't the boss. Simon Roberts is the head of a powerful agency, with the biggest clients and brands in the world, but even more important to him is that his daughter Sydney is by his side. As his partner, Sydney is Simon's exact opposite: focused, organized, and eager to make a name for herself, but also too busy parenting her father, which she'd resent if he weren't so brilliant at what he does. Joining them in the firm are the dashing and talented Zach; art director Andrew, who's as hard-working as he is neurotic; and the beautiful and deceptively smart assistant Lauren. With his team and his daughter behind him, Simon continues to set the advertising world on fire, and it looks like they are definitely buying what these crazy ones are selling.

An adventure reporter must adapt to the times when he becomes the boss to a group of millennials in the digital department of the magazine.