Lists

Picture of a movie: Husbands and Wives
Picture of a movie: Crimes and Misdemeanors
Picture of a movie: Hannah and Her Sisters
Picture of a movie: Whatever Works
Picture of a movie: Café Society
Picture of a movie: The Iron Lady
Picture of a movie: The Judge
Picture of a movie: Mud
Picture of a movie: J. Edgar
Picture of a movie: Far from the Madding Crowd
Picture of a movie: The Hundred-Foot Journey
Picture of a movie: Magic in the Moonlight
Picture of a movie: The Florida Project
Picture of a movie: Pay It Forward

14 Movies

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Picture of a movie: Manhattan
movies

Manhattan

1979
Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary Wilkie, the mistress of his best friend, college professor Yale Pollack. Although Isaac's first impression of Mary is that she is a pretentious intellectual, he falls for her. They do become friends with the potential of becoming more than just friends as she knows that being the "other woman" in Yale's life is not a long term role that she wants. An Isaac/Mary coupling may complicate matters even more with Yale being mutually in their lives. Regardless, Isaac may be able to rationalize events after they happen, no matter what those events are.
Picture of a movie: Another Woman
movies

Another Woman

1988
Having recently turned fifty, Marion feels that she has led a so far blessed life. The well-respected Dean of Philosophy at a women's college, she is currently on sabbatical to write her latest book. Although her first husband Sam died tragically fourteen years ago from a mixture of alcohol and pills, she has recently remarried to Ken, who, married at the time, pursued her, while Ken's writer friend, Larry, also professed his love for her. She has a good relationship with her step-daughter Laura, seemingly better than Laura has with either Ken or Laura's own volatile mother, Kathy. Between her and her brother Paul, Marion always had the attention of their academic father. And she and Ken have a wide circle of friends with who they regularly and willingly socialize. But a series of incidents with these people in her life makes Marion wonder about the decisions that she's made, most specifically whether her cerebral and judgmental nature has been alienating to those around her. One of these incidents is the surprise reunion she has with her best childhood friend, an actress named Claire. But arguably the most illuminating incidents involve encounters with Hope, a despondent patient of her workspace neighbor psychiatrist, whose therapy sessions Marion can hear through the building's ventilation system. The questions become if Marion will fully be able to comprehend the extent to which these decisions have negatively affected her life and relationships, and if so if she can make the necessary changes at this stage in her life path to be more fulfilled.
Picture of a movie: Anything Else
movies

Anything Else

2003
Jerry Falk (Jason Biggs) and David Dobel (Woody Allen), who meet at a business meeting, become fast friends. Their commonality is that they are both fledgling New York City based comedy writers, largely writing material for stand-ups, are Jewish (although David is an atheist), and are each of bundle of different neuroses. Their big difference is that Jerry is twenty-one, while David is sixty, with forty more years worth of life experience, knowledge, and neuroses. While Jerry writes full time - he is also working on a novel - David has kept his day job as a public school teacher just in case. In their relationship, David becomes somewhat of Jerry's mentor, providing advice on Jerry's life issues, most which revolve around the fact that Jerry is a product of inertia, having trouble leaving anyone. That's why Jerry's still with the only manager he's ever had, Harvey Wexler (Danny DeVito). Jerry not only being Harvey's only client (which is a testament to his effectiveness in the job), Harvey also has a twenty-five percent take as stipulated in their contract, which he wants to extend for another seven years. That's why Jerry is still in therapy with a psychiatrist who has done him no good, and who advised Jerry to stay in therapy with him as opposed to taking a job in Los Angeles, California. But that not being able to leave largely applies to his love life. Jerry already has one divorce. He is having problems with his current girlfriend Amanda (Christina Ricci), who he believes is the love of his life. He fell in love with her at first sight, when he was already in a cohabitational relationship with Brooke (KaDee Strickland), and Amanda dating Jerry's friend, Bob Stiles (Jimmy Fallon). Even after Jerry began sleeping with Amanda, he could not be up front with Brooke about the situation, leaving her to figure out his lies. What Jerry is unable or unwilling to see is that Amanda not only manipulates him, but that he focuses on the things between them that make them truly compatible, while disregarding those many more things which make them incompatible. What has made their relationship more difficult of late is that her mother, who is trying to find herself, has moved in with them in their small apartment. Despite David's unique view of life, he may be able to see Jerry and Amanda's relationship more clearly as an objective bystander. The question becomes how much of David's advice Jerry will take in its entirety.
Picture of a movie: Celebrity
movies

Celebrity

1998
New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his high school reunion and seeing a roomful of losers, he believing he turning into one of them if he didn't make a drastic change. He gets a job working as a journalist for an entertainment magazine, while he writes screenplays on the side, he believing the latter a good stepping stone to finishing his third novel if the screenplays works out. The journalist job includes conducting interviews with celebrities, not only to who he can pedal his completed screenplay, but also what he quickly learns to who he has easy access to an abundance of sex with the "beautiful people". Regardless, Lee enters into a relationship with Bonnie, a publishing house story editor who encourages him to complete that novel, which she truly believes will be better than the first two if only due to maturity. Meanwhile, Robin, who is not taking the divorce well, is convalescing at a Catholic retreat before she, with the support of her friends Jan and Cheryl, decides what next to do with her life, she believing that returning to teaching not the answer. During her search, Robin unexpectedly stumbles onto her own connection with celebrity when she meets television producer Tony Gardella, who hires her to be a production assistant with his company. Lee and Robin's resulting stories take them in two different directions, one toward and the other away from the true happiness that was absent from their marriage.