Joe Gideon is a Broadway director, choreographer and filmmaker, he in the process of casting the chorus and staging the dance numbers for his latest Broadway show, starring his ex-wife Audrey Paris in what is largely a vanity project for her in playing a role several years younger than her real age, and editing a film he directed on the life of stand-up comic Davis Newman. Joe's professional and personal lives are intertwined, he a chronic philanderer, having slept with and had relationships with a series of dancers in his shows, Victoria Porter, who he hired for the current show despite she not being the best dancer, in the former category, and Kate Jagger, his current girlfriend, in the latter category. That philandering has led to relationship problems, with Audrey during their marriage, and potentially now with Kate who wants a committed relationship with Joe largely in not wanting the alternative of entering the dating world again. Joe also lives a hard and fast life, he chain smoking, drinking heavily, listening to hard driving classical music and popping uppers to keep going. In addition to pressures from investors and meeting film deadlines above and beyond his own self-induced hard life, he is teetering on the brink physically and emotionally. With Kate, Audrey, and his and Audrey's teenage daughter Michelle looking over him as best they can, Joe flirts with "Angelique" in the process, he potentially succumbing to her if he doesn't listen to them or what his body is telling him.

The 1977 Broadway musical returns to the big screen with this Overbrook Entertainment/Sony Pictures production surrounding a 10-year-old Harlem foster child (played by Beasts of the Southern Wild's Quvenzhané Wallis) taken in by a calculating billionaire (Jamie Foxx) who's campaigning to be mayor. Abandoned by her biological parents as a baby, Annie (Wallis) spends every moment of every day attempting to avoid the wrath of her cruel foster mother Miss Colleen Hannigan (Cameron Diaz). Thing start to look up for Annie, however, when she has a very public encounter with Will Stacks (Foxx), a local cell-phone mogul with mayoral ambitions. Stacks' campaign isn't going too well until he meets Annie and invites her into his home at the suggestion of his trusted top assistant Grace (Rose Byrne) and his ambitious PR advisor Guy (Bobby Cannavale). Meanwhile, what was originally conceived as a PR stunt to win over skeptical voters becomes something much more personal when the jaded tycoon realizes his little friend is much more than a mere good-luck charm.

Tracy Turnblad, a teenager with all the right moves, is obsessed with the Corny Collins Show. Every day after school, she and her best friend Penny run home to watch the show and drool over the hot Link Larkin, much to Tracy's mother Edna's dismay. After one of the stars of the show leaves, Corny Collins holds auditions to see who will be the next teen regular. With the help of her friend Seaweed, Tracy is chosen, angering evil dance queen Amber Von Tussle and her mother Velma. Tracy then decides that it's not fair that black kids can only dance on the show once a month (on "Negro Day"), and with the help of Seaweed, Link, Penny, Motormouth Maybelle, her father, and Edna, she's going to integrate the show.....without denting her 'do.

The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine...

Murderesses Velma Kelly (Catherine Zeta-Jones) (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (Renée Zellweger) (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

In 1930's Austria, a young woman named Maria (Dame Julie Andrews) is failing miserably in her attempts to become a nun. When Navy Captain Georg Von Trapp (Christopher Plummer) writes to the convent asking for a governess that can handle his seven mischievous children, Maria is given the job. The Captain's wife is dead, and he is often away, and runs the household as strictly as he does the ships he sails on. The children are unhappy and resentful of the governesses that their father keeps hiring, and have managed to run each of them off one by one. When Maria arrives, she is initially met with the same hostility, but her kindness, understanding, and sense of fun soon draws them to her and brings some much-needed joy into all their lives - including the Captain's. Eventually he and Maria find themselves falling in love, even though the Captain is already engaged to a Baroness named Elsa and Maria is still a postulant. The romance makes them both start questioning the decisions they have made. Their personal conflicts soon become overshadowed, however, by world events. Austria is about to come under the control of Germany, and the Captain may soon find himself drafted into the German Navy and forced to fight against his own country.

Rodgers & Hammerstein's musical retelling of the classic fairy tale. Cinderella is a teenage girl forced to do all of the menial tasks in the home she shares with her coldhearted stepmother and homely stepsisters. One day when home alone, Cinderella shares a cup of water with a thirsty and handsome traveler, not realizing until he continues on his journey that he is the crown prince of the kingdom. Shortly thereafter, the king and queen invite every young maiden in the kingdom to a royal ball so that the crown prince can find a girl to marry. Cinderella's stepmother and stepsisters go to the ball, leaving Cinderella behind to wish about how her life could be. While she is daydreaming, she is visited by her fairy godmother, who makes it possible for her wishes to come true.

When Jane and Michael Banks are faced with the prospect of a new nanny, they are pleasantly surprised by the arrival of the magical Mary Poppins. Embarking on a series of fantastical adventures with he and her Cockney performer friend, Bert, they try to pass on some of her sunny attitude to their preoccupied parents.

In Depression-era London, a now-grown Jane (Emily Mortimer) and Michael Banks (Ben Whishaw), along with Michael's three children, are visited by the enigmatic Mary Poppins (Emily Blunt) following a personal loss. Through her unique magical skills, and with the aid of her friend Jack (Lin-Manuel Miranda), she helps the family rediscover the joy and wonder missing in their lives.

Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing.

A musical about teens in love in the 1950s. It's California 1958 and greaser Danny Zuko (John Travolta) and Australian Sandy Olsson (Olivia Newton-John) are in love. They spend time at the beach, and when they go back to school, what neither of them knows is that they both now attend Rydell High. Danny's the leader of the T-Birds, a group of black leather jacket-wearing greasers while Sandy hangs with the Pink Ladies, a group of pink-wearing girls led by Rizzo (Stockard Channing). When they clash at Rydell's first pep rally, Danny isn't the same Danny from the beach. They try to be like each other so they can be together.

1978 romantic musical film directed by Randal Kleiser

Eccentric inventor Caractacus Potts, his two children, and his beautiful lady friend, Truly Scrumptious, go on a picnic at the beach where they are soon whisked into a magical world of pirates, castles, and a flying car called Chitty Chitty Bang Bang. In the adventure that ensues, they journey to Vulgaria and encounter the evil tyrant Baron Bomburst and his child-hating wife, who kidnap Potts' children and steal Chitty Chitty Bang Bang. With the assistance of the kindly village toymaker, Potts plans an elaborate scheme to rescue the kidnapped children and Chitty Chitty Bang Bang from the Baron's castle on his birthday.

Set on a colorful Greek island, the plot serves as a background for a wealth of ABBA songs. A young woman about to be married discovers that any one of three men could be her father. She invites all three to the wedding without telling her mother, Donna Sheridan (Meryl Streep), who was once the lead singer of Donna and the Dynamos. In the meantime, Donna has invited her back-up singers, Rosie Mulligan (Dame Julie Walters) and Tanya Wilkinson (Christine Baranski).

In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts the attention of the corrupt Judge Turpin, who falsely accuses the barber of a crime that he did not commit and abuses Lucy later after gaining custody of her. After fifteen years in exile, Benjamin returns to London under the new identity of Sweeney Todd, seeking revenge against Turpin. He meets the widow Mrs. Lovett who is the owner of a meat pie shop who tells him that Lucy swallowed arsenic many years ago, and Turpin assigned himself tutor of Johanna. He opens a barber shop above her store, initiating a crime rampage against those who made him suffer and lose his beloved family.

1927 Hollywood. Monumental Pictures' biggest stars, glamorous on-screen couple Lina Lamont and Don Lockwood, are also an off-screen couple if the trade papers and gossip columns are to be believed. Both perpetuate the public perception if only to please their adoring fans and bring people into the movie theaters. In reality, Don barely tolerates her, while Lina, despite thinking Don beneath her, simplemindedly believes what she sees on screen in order to bolster her own stardom and sense of self-importance. R.F. Simpson, Monumental's head, dismisses what he thinks is a flash in the pan: talking pictures. It isn't until

1952 film directed by Gene Kelly and Stanley Donen

Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his family, namely his wife Julie Bigelow née Jordan and the child he never met, that problem with which he would now like to head back to Earth to assist in rectifying. Before he is allowed back to Earth, he has to get the OK from the gatekeeper, to who he tells his story... Immediately attracted to each other, he and Julie met when he worked as a carousel barker. Both stated to the other that they did not believe in love or marriage, but they did get married. Because the shrewish carousel owner, Mrs. Mullin, was attracted to Billy herself, and since she believed he was only of use as a barker if he was single to attract the young women to the carousel, she fired him. With no other job skills and unwilling to take just any job, Billy did not provide for Julie but rather lived off Julie's Aunt Nettie. But Billy figured he could be the breadwinner through his association with a criminal lowlife named Jigger Craigin, which led to his death. In going back to Earth, Billy not only hopes to help his child, but "tell" Julie of his true feeling for her.

Life Upon the Wicked Stage

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