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The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.

Billy Mcbride is going through a rough patch. He has been fired from the law firm he helped build, his wife has left him, and he's now a down on his luck ambulance chaser. A lady (Patty) approaches him to represent her in a wrongful death case. After reluctantly accepting to take on the case, a series of strange events befall Billy. Through death threats, harassment, and trumped up arrests, Billy embarks on obtaining justice, and it is one hell of a ride. Additional unique cases eventually come Billy and Patty's way, making the ride even more entertaining.

Will Travers is an analyst at a New York City-based federal intelligence agency who is thrown into a story where nothing is as it appears to be.

Marco Ruiz is a homicide investigator for the state of Chihuahua, Mexico living in Ciudad Juárez. A family man, Marco is one of the last good men in a corrupt and apathetic police force that is out-gunned by the powerful drug cartels. He's sharp, charming, and observant and painfully aware that his city is in a state of chaos. When a body is dumped on the bridge that spans the El Paso-Ciudad Juárez border, Ruiz is forced to work with his American counterpart, "Detective Sonya Cross."

A pair of deep-cover Soviet spies masquerades as a typical DC couple whose children, neighbors, coworkers, and friends are completely unaware of their activities. At home, they're the stereotypical parents of stereotypical kids; at work, they pose as travel agents; but at night, they weave a web of confidantes, lovers, dupes, and historical figures from the Reagan-era Cold War. The startlingly realistic plot twists force the viewer to consider the real cost of an undeclared war, what it takes to protect one's beliefs, if it's worth it, and if it actually worked for either side.

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

The Byrdes and their teenage kids, Charlotte and Jonah, are, for all intents and purposes, an ordinary family with ordinary lives. Except for the job of Marty, a Chicago financial advisor who also serves as the top money launderer for the second largest drug cartel in Mexico. When things go awry, Marty must uproot his family from the skyscrapers of Chicago and relocate to the lazy lake region of the Missouri Ozarks.

The streets of Baltimore as a microcosm of the US's war on drugs, and of US urban decay in general. Seen not only through the eyes of a few policemen and drug gang members but also the people who influence and inhabit their world - politicians, the media, drug addicts and everyday citizens.

A one-hour drama inspired by David Simon's acclaimed non-fiction book "Homicide: A Year on the Killing Streets." It is at once a mundane yet compelling look in and around a Homicide unit of the Baltimore Police Department, a group of determined individuals who are committed to their grim job at hand.

Two FBI agents, fighting the departmental stigma of backroom boys - those who try to complicate the status quo of simple Means, Motive, Opportunity (MMO) of crime-solving with academics - work to develop an innovative investigative field incorporating psychology, anthropology and sociology as a method to reveal the motive. They acknowledge classic crime-solving - MMO - as no longer sufficient because criminality is becoming more complicated as Motive graduates from need and greed to inexplicable and irrational reasons. They theorize applying deeper psychological evaluation will posit new questions. Simply, asking Why will lead to the Who. This series focuses on the development by two men, two agents, of a new criminal field and does so through story lines of visiting the sociopathic mind.

Intriguing story of a well off family in the Florida Keys that have many dark secrets. The siblings are heirs of a beautiful inn that has been in their family for 50 years. It is their childhood home with many great memories, but the deep dark past holds many untold tales. All combined makes the future very uncertain.

Set in the sprawling mecca of the rich and famous, Ray Donovan does the dirty work for LA's top power players as the go-to guy who makes the problems of the city's celebrities, superstar athletes, and business moguls disappear. This powerful drama unfolds when his father is unexpectedly released from prison, setting off a chain of events that shakes the Donovan family to its core.

A law school graduate becomes the protégée of a successful high-stakes litigator.

In Seattle, Det. Sarah Linden is on what is supposed to be her last day on the job. She and her son Jack are supposed to leave that evening to join her fiancé in Sonoma. Her replacement, Det. Stephen Holder, is ready to take over but they answer a call from a patrol car who have found a bloodied sweater in a field. When the missing girl, Rosie Larsen, is found in the trunk of a car at the bottom of a lake it turns out the car is registered to the campaign committee for councilman Darren Richmond, who is running for mayor. Linden delays her departure for what she hopes will be only a few days.

Ex-cop and recovering alcoholic Hank Dolworth partners with his best friend, former criminal Britt Pollack, in an unlicensed private investigation business.

Before Saul Goodman, he was Jimmy McGill. And if you're calling Jimmy, you're in real trouble. The prequel to "Breaking Bad" follows small-time attorney Jimmy McGill as he transforms into Walter White's morally challenged lawyer, Saul Goodman.

Queen of the South tells the powerful story of Teresa Mendoza, a woman who is forced to run and seek refuge in America after her drug-dealing boyfriend is unexpectedly murdered in Mexico. In the process, she teams up with an unlikely figure from her past to bring down the leader of the very drug trafficking ring that has her on the run.

OZ chronicles McManus' (Terry Kinney) efforts to control the inmates of Em(erald) City as well as the drug trade and the violence. There have been many groups of inmates during the run of the show and not everybody makes it out alive. There are the gangstas (Adebisi, Wangler, Redding, Poet, Keene, Supreme Allah), Muslims (Said, Arif, Hamid Khan), Italians (Pancamo, Nappa, Schiebetta), bikers (Hoyt), Aryans (Schillinger, Robson, Mark Mack), Christians (Cloutier, Cudney), Latinos (Alvarez, Morales, Guerra, Hernandez), gays (Hanlon, Cramer), and a pile of others (the O'Riley brothers, Keller, Stanislovsky, etc.). And a great "everyman" character called Beecher offers a good look at a normal man who made one tragic mistake. Besides the regular inmates, there are guest stars such as Method Man, Luke Perry, Master P, Treach, etc. and a bunch of prison staff doctors (Dr. Nathan), a nun/psychologist (Sister Peter Marie), a bunch of guards--some honest, some crooked--and, of course, the warden, Leo Glynn. The whole thing is narrated and held together by inmate Augustus Hill, who provides the show with context and some sense of theme, and ties everything together nicely.