Movies

A woman misses the 1:30 train from New York to Boston and a street musician spends the night trying to help her make it back home before her husband does. Throughout the night they learn a lot about one another and eventually find a romance.

The Girl in the Book charts the journey of young woman's transformation. At the outset, Alice Harvey is a lost and self-destructive 29 year old girl unable to write, too damaged for love. When her past invades her present and forces her to confront painful memories, she shatters. Helped by her friend and a new love interest, she slowly rediscovers her creative voice.

Finding it hard to settle down and commit himself to only one woman, the unrepentant philanderer and undeniable ladies' man, Alfie, is a charming British bachelor who cruises the streets of New York as a limousine chauffeur. In his impeccable suits, the silver-tongued Casanova is simply irresistible; however, things will take a turn for the unexpected, when a night of unrestrained passion seriously tests Alfie's frivolous approach to life. In the end, is Alfie happy, and, above all, what's it all about, then?

Cal (Steve Carell) and Emily (Julianne Moore) have the perfect life together living the American dream... until Emily asks for a divorce. Now Cal, Mr Husband, has to navigate the single scene with a little help from his professional bachelor friend Jacob Palmer (Ryan Gosling). Make that a lot of help...

Thirty-five-year-old Jesse Fisher, an admissions officer at a New York City post-secondary institution he who loves English and literature, has somewhat lost his passion in life, which includes recently being unceremoniously dumped by his latest girlfriend, who could no longer be the person to prop him up emotionally. He has a chance to find that passion again when he is invited to the retirement dinner of his second-favorite Ohio University college professor, Peter Hoberg, as his time there was when his life held the most passion. Jesse's encounters with five people there may determine if he does find that passion again. They are: Hoberg, who is resisting the notion of retirement; Judith Fairfield, Jesse's favorite professor, although for a different reason than his like of Hoberg; Nat, a free spirit who navigates life at the institution on his own terms; undergraduate student Dean, who Jesse sees as a younger more destructive version of himself; and nineteen-year-old undergraduate student Zibby, who is seemingly wise beyond her years and with who Jesse embarks on a relationship despite their sixteen-year-age difference.

There's a right way to be single, a wrong way to be single, and then...there's Alice. And Robin. Lucy. Meg. Tom. David. New York City is full of lonely hearts seeking the right match, be it a love connection, a hook-up, or something in the middle. And somewhere between the teasing texts and one-night stands, what these unmarrieds all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love. Sleeping around in the city that never sleeps was never so much fun.

A teen artist living in 1970s San Francisco enters into an affair with her mother's boyfriend.

Katherine Ann Watson has accepted a position teaching art history at the prestigious Wellesley College. Watson is a very modern woman, particularly for the 1950s, and has a passion not only for art but for her students. For the most part, the students all seem to be biding their time, waiting to find the right man to marry. The students are all very bright and Watson feels they are not reaching their potential. Altough a strong bond is formed between teacher and student, Watson's views are incompatible with the dominant culture of the college.

Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.

Eleven articulate people work through affairs of the heart in Los Angeles. Paul produces Hannah's television cooking show, and they must move beyond gentle barbs when she wants to know about an affair of his years ago. Mark is dying of A.I.D.S., and his mother comes to his bedside: they must speak truthfully. Men have scalded Meredith, so she rebuffs Trent's charm, but he persists. The trendy, prolix Joan tries to pull the solitary Keenan into her orbit: why is he reluctant? An adulterous couple meets at hotels for evening sex, but she is unwilling for the relationship to grow. Hugh tells tall tales, usually tragic, to women in bars. By the week's end, their parallel stories converge.

Holly Kennedy is beautiful, smart and married to the love of her life - a passionate, funny, and impetuous Irishman named Gerry. So when Gerry's life is taken by an illness, it takes the life out of Holly. The only one who can help her is the person who is no longer there. Nobody knows Holly better than Gerry. So it's a good thing he planned ahead. Before he died, Gerry wrote Holly a series of letters that will guide her, not only through her grief, but in rediscovering herself. The first message arrives on Holly's 30th birthday in the form of a cake, and to her utter shock, a tape recording from Gerry, who proceeds to tell her to get out and "celebrate herself". In the weeks and months that follow, more letters from Gerry are delivered in surprising ways, each sending her on a new adventure and each signing off in the same way; P.S. I Love You. Holly's mother and best friends begin to worry that Gerry's letters are keeping Holly tied to the past, but in fact, each letter is pushing her further into a new future. With Gerry's words as her guide, Holly embarks on a journey of rediscovery in a story about marriage, friendship and how a love so strong can turn the finality of death into a new beginning for life.

Milly and Jess have been best friends forever. They've shared everything since they were kids - secrets, clothes, laughs, substances, boyfriends... now they are trying to be grown-ups. Milly has a high-flying job and lives in a beautiful townhouse with husband Kit and their two kids. Jess is a town planner and she and her boyfriend Jago live on a bohemian houseboat on a London canal. Their friendship is as rock solid as ever. That is until Jess struggles to have a much longed-for baby and Milly finds out she has breast cancer. How do you share that?

When a successful New York City advertising executive suffers a great tragedy, he retreats from life. While his concerned friends try desperately to reconnect with him, he seeks answers from the universe by writing letters to Love, Time, and Death. But it's not until his notes bring unexpected personal responses that he begins to understand how these constants interlock in a life fully lived, and how even the deepest loss can reveal moments of meaning and beauty.

Griffin is divorced, living in a flat in Manhattan while his sons and ex live in the family home in Westchester. He gets bad news from his oncologist: cancerous lesions have spread through his chest, and he has only a year or so to live. He audits a psychology class on death and dying at a nearby college where he chats up a woman who turns out to be an assistant dean. She's Phoenix; she smiles but keeps her distance, warming to him slowly. He tells her nothing of his situation. At his apartment a few days later, she finds a stash of books on death, dying, and terminal illness: will she put two and two together, and what will she do about it?

Finn is a young graduate student, finishing a master's thesis, and preparing for marriage to her fiance Sam. But thoughts of the end of the free life, and a potential summer fling, intrude. She goes home to her grandmother, where, over the making of her wedding gift by a group of quilting-bee friends, laughter, bickering, love, and advice lead her toward a more open-eyed examination of her course.

After his parents' death, Jacob Jankowski is left penniless and homeless. Events lead him to joining the circus as their vet, working under their unstable boss August whose violent tendencies give everyone reason to be cautious around him, including his beautiful and quiet wife Marlena, whom August is very possessive of and who Jacob finds himself soon falling in love with.

Pippa Lee feels dislocated when she and her husband Herb move from Manhattan to a retirement community. He's older than she, they have two children who are young adults, and the daughter hardly speaks to Pippa. Pippa tells us about her life, in long flashbacks, starting with her birth to a mom who was a social dynamo and addicted to pills. As a teen, Pippa moves out and lives a hippie life until meeting Herb, who was then married to a young siren. Pippa discloses tragedies and discoveries. In the present, she's sleepwalking at night and talking from time to time with a burned-out case, the 35-year-old son of a neighbor. Can Pippa connect?

It's 1955. Frank and April Wheeler, are in the 'seven year itch' of their marriage; they're not happy. April has forgone her dream of being an actress, and Frank hates his job. One day, April suggests they move to Paris as a means to rejuvenate their life.