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Sara's a video artist whose work primarily explores the intimacy of lonely men. One online advert intrigues her so much, she replies, thinking she may have found the subject for her next project. She drives to a secluded house in the forest, where a man claiming be the advert's poster greets her; and as he said in the posting, he claims to be a serial killer (

In their secluded farmhouse, a mother (a former surgeon) teaches her daughter, Francisca, anatomy, and how life and death are not to be feared. One afternoon, a mysterious visitor shatters the idyll of their family life, and deeply traumatises Francisca, but also awakening curiosities. Years later, Francisca clings to her increasingly distant father, but the trauma she sustained reawaken when her desire to connect with the world around her takes on a dark form.

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

In a lonesome house in the countryside between woods and cornfields live nine-year-old twin brothers who are waiting for their mother in the heat of summer. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. An existential struggle for identity and fundamental trust emerges.

A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

Eva's a mother trying to piece together her life following an incident caused by her odd child, Kevin. Once a successful writer, she's forced to take whatever comes her way, in spite of the increasingly bizarre and dangerous things Kevin says, or does.

When a harmless game between a married couple in a remote retreat suddenly becomes a harrowing fight for survival, wife Jessie must confront long-buried demons within her own mind - and possibly lurking in the shadows of her seemingly empty house.

An elegant and terrifying suspense ride filled with unexpected twists and turns. When troubled musical prodigy Charlotte (Allison Williams) seeks out Elizabeth (Logan Browning), the new star pupil of her former school, the encounter sends both musicians down a sinister path with shocking consequences.

ENTRANCE is about the limits of our perception, how the things lurking on the periphery of our lives can lead to horrific conclusions; about how she fell out of love with the city, but it wouldn't let her go.

When May was a child, she was a lonely girl with a lazy eye and without any friends except a strange, homemade doll kept in a glass case given by her mother on her birthday. May becomes a lonely, weird young woman, working in an animal hospital and assisting the veterinarian in surgeries and sewing operated animals most of the time. Her lesbian colleague Polly has a sort of attraction for her. When the shy May meets the mechanic Adam Stubbs, she loves his hands and has a crush on him. They date, but the bizarre behavior of May one night pushes Adam away from her. Alone, May has a brief affair with Polly, but she feels rejected again when her colleague meets Ambrosia. When her doll is accidentally broken, the deranged May decides to build a friend for her, using the best parts her acquaintances can offer.

Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?

Stained by the brutal death of a young woman, the tranquil and vacant New England mansion of the prolific horror authoress, Iris Blum, has become her silent prison. To take care of the ageing writer who suffers from chronic dementia, the property's manager hires the gentle and soft-spoken live-in hospice nurse, Lily Saylor; however, this is far from an ordinary job. Little by little, Lily's imagination will run wild, as shadowy sightings of eerie female spectres blur the frail boundaries between reality and fantasy, fable and truth. Iris has talked about man's coexistence with the spectral realm in her novels that chill the bone to the marrow. Could her secluded white house at the end of the road be an aerial limbo caught in the middle of life and death?

When a videographer answers an advert of the website Craigslist for a one-day job in a remote mountain town to video the last messages of a dying man, the job takes a strange turn when the last messages get darker and darker. The videographer continues to see the job through, but when it is time to leave he is unable to find his keys, and when he receives a strange phone call he finds his client is not at all what he initially seemed to be.

In a quiet suburban town in the summer of 1958, two recently orphaned sisters, Meg and disabled Susan are placed in the care of their mentally unstable aunt Ruth. But Ruth's depraved sense of discipline will soon lead to unspeakable acts of abuse and torture that involve her young sons, Willie, Ralphie, and Donny the neighborhood children, and one 12-year-old boy, David whose life will be changed forever.

During a rough period in her life, beautiful Samantha reluctantly decides to attend her best friend's party, and even though she still struggles with a previous addiction, she unwisely accepts a drink from a complete stranger. As a result, shortly after, hapless Samantha considerably inebriated, she will end up raped in the backseat of the malicious predator's car, however, from that point on, the terrible incident will be the least of her problems. Straight away and rather inexplicably, poor Samantha will begin noticing rapid and drastic organic changes in her body, and being unable to pinpoint the origin of the dramatic transformation, within the next 72 hours, she will embrace her gruesome and pitiless fate as well as the certainty that she is falling apart. Literally.

Having escaped her abusive ex-husband Goss, recently released from state prison, Agnes, a lonely waitress with a tragic past moves into a sleazy, rundown motel. Her lesbian co-worker R.C. introduces her to Peter, a peculiar, paranoiac drifter and they begin a tentative romance. However, things aren't always as they appear and Agnes is about to experience a claustrophobic nightmare reality as the bugs begin to arrive...

John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.