To be watched

In the small southern town of Azalea Springs, the country club set still rules. Here, being a member of "The League" is a must, big hair is still favored by the ladies who lunch, and only hair-dressers and interior designers are supposed to be gay. The addition of an AIDS facility in Azalea Springs has The League unsettled. And the announcement that their charity work will include contact with "those people" leaves them stunned. But the real frenzy begins with a drunken comment regarding the local drinking water. Rumor has it that the water is contaminated with something that actually "turns" people gay. Mix in Brother Daniel's "Homo-No-Mo" meetings, the local newspaper, and a group of rabid homophobic picketers, and you've got a recipe for panic. Heads reel. Women weep. Mothers, hide your children! In the midst of it all, we find Alex Stratton, a young woman dealing with a distant husband, an overbearing mother, and the tedium of meaningless society chatter and endless shoe critics. Going against her husband's and her mother's wishes, Alex accepts a job at the Hospice where she is reacquainted with Grace Miller, her best friend from high school who has returned to Azalea Springs after a nasty divorce. It is here that Alex falls out of 'grace' with society when the two are caught kissing in the Hospice supply room. Mark Anderson works at the local newspaper his father owns and regularly attends Brother Daniel's Turn-or-Burn meetings. As the rumor about the water and the protesters get plenty of front page coverage, Mark finds himself becoming involved with Tomas, a Latin house painter who mistakes the ex-gay meeting for an A.A. meeting. The events that unravel as a result of these two love affairs bear witness to what happens when hysteria and homophobia take control of their lives.

Semi-follow-up of If These Walls Could Talk (1996), with three segments set in the same house, but with different occupants, spanning nearly forty years. While the first movie dealt with the topic of abortion, this deals with the topic of lesbianism.

In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully - unaware that she is a lesbian. Anne is recording her thoughts and exploits in a coded diary. When her lover Mariana Belcombe makes a marriage of convenience to rich old Charles Lawton she feels betrayed and, although Mariana visits her,the relationship is going nowhere. Helped by old flame Tib she makes a play for innocent Miss Browne but sees she is barking up the wrong tree and diverts herself by renovating the family hall. A drunken Tib almost exposes her secret and scornful mine-owner Christopher Rawson, whose marriage proposal she rejects, tells her that her sexuality is a subject of local gossip....

Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.

An enigmatic young woman in conflict - torn between reason and passion; between her woman's body and being raised as a prince; between the ancient and modern worlds and between the brilliance of her educated mind and the conservative forces around her. Crowned Queen at the age of six, Kristina of Sweden was thrust into a labyrinth of power and tradition, where a court of austere, Lutheran men pressure her to marry and produce an heir to fulfill her destiny. She finds sanctuary and love with her lady-in-waiting, the beautiful and elegant, countess Ebba Sparre, although the Chancellor, Axel Oxenstierna, pressures her to pair with his son, Johan. Soon the forces around the Queen realize that Ebba is the key to controlling her, but they underestimate Kristina's brilliant mind and her drive to be free.

Chase Phillips (Dame Helen Mirren), a lifetime resident of Martha's Vineyard, married Richard (Beau Bridges), and like the area, grew into the upper middle class. Her distaste for artificiality leads her to a wild breakdown, and Richard dutifully tries to restore their family unit as best he knows how by hiring a "Mother's Helper", Elizabeth (Kyra Sedgwick). Chase is broken, and wickedly caustic towards Elizabeth, until they discover each other's similarities. A strong relationship develops, affecting their personal and familial salvation, and destruction.

Set during the years between the "Rebecca" trial and the writing of Du Maurier's short story "The Birds", including her relationship with her husband Frederick 'Boy' Browning, and her largely unrequited infatuations with American publishing tycoon's wife Ellen Doubleday and the actress Gertrude Lawrence.

A lesbian couple escape from their nursing home and head up to Canada to get married. Along the way, they pick up a young, male hitchhiker.

In The Secrets, two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out. Naomi, the studious, devoutly religious daughter of a prominent rabbi, convinces her father to postpone her marriage for a year so that she might study at a Jewish seminary for women in the ancient Kabalistic seat of Safed. Naomi's quest for individuality takes a defiant turn when she befriends Michelle, a free-spirited and equally headstrong fellow student. When the pair encounters a mysterious, ailing foreigner with a disturbing past named Anouk (the iconic French actress Fanny Ardant) they begin a risky journey into forbidden realms. In the hopes of easing her suffering, Naomi and Michelle secretly lead Anouk through a series of Kabalistic cleansing rituals. The process opens up overwhelming new horizons for the girls who find themselves caught between the rigid male establishment they grew up in, and the desire to be true to themselves, no matter the cost.

A tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. The film charts the emotional and physical hothouse effects that bloom one summer for two young women: Mona, behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life; Tamsin is well-educated, spoiled and cynical. Complete opposites, each is wary of the other's differences when they first meet, but this coolness soon melts into mutual fascination, amusement and attraction. Adding volatility is Mona's older brother Phil, who has renounced his criminal past for religious fervor - which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. "We must never be parted," Tamsin intones to Mona but can Mona completely trust her?

Syd, who lives with her boyfriend James, goes to complain to her neighbor about the leak in the ceiling. Her neigbor is photographer Lucy Berliner and Syd starts to fall in love with her.

MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each other for the first time at their parents' engagement party. Mia's father, Lasse (Krister Henriksson), is about to get married to Frida's mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse's daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.

It is 1950s Nevada, and Professor Vivian Bell arrives to get a quickie divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly drawn to Cay Rivers, an open and self-assured lesbian, and the ranchowner's daughter. The emotions released by their developing intimacy, and Vivian's insecurities about her feelings towards Cay, are played out against a backdrop of rocky landscapes and country and western songs.

Camille and Martin are in love and teachers at a christian college; they get the opportunity to get a better job, but they would have to marry for that. But when Camille's dog dies, she recognizes that her love for Martin is not even as big as the love for her dog. After that, Camille gets to know Petra, and Petra falls in love with Camille. They meet again, but Camille is very unsure about her feelings. When Martin is away for a weekend, Camille and Petra meet in the Circus where Petra is working as an acrobat. They spend the night together, but Martin finds out about it and is shocked. He has an argument with Camille, and she goes burying her dog in the snow, and falls asleep...

This all-woman production is set in provincial France in the early 1930s. Two young, country sisters enter domestic service in the bourgeois household of a penurious widow and her homely daughter. Neither pair speaks to the other: two sets of women separated and confined by social convention, personality, and the house itself. The relationship of the sisters slowly evolves into obsession, brought about by isolation and by emotions left from childhood. Trapped in a garret room, the sisters' violent downstairs-upstairs collision with Madame Danzard (Dame Julie Walters) and the lumpy Isabelle Danzard (Sophie Thursfield) seems certain.

Berlin 1943/44 ("The Battle of Berlin"). Felice, an intelligent and courageous Jewish woman who lives under a false name, belongs to an underground organization. Lilly, a devoted mother of four, though an occasional unfaithful wife, is desperate for love. An unusual and passionate love between them blossoms despite the danger of persecution and nightly bombing raids.

German film in which a sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers. One of the earliest narrative films to explicitly portray homosexuality.

The story of two girls, Randy and Evie. Randy is a low economic class lesbian living with other lesbians including her aunt. Evie is a wealthy, popular girl with a boyfriend. When Evie befriends Randy, she begins to feel a passion for her she's never felt before. What follows is a sweet, tender romance between the two while Evie is cast away by her friends and Randy is chided by her family. The two don't care, though, because they are in love.