Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Days before his release from prison, Shadow's wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break.Scary, gripping and deeply unsettling, American Gods takes a long, hard look into the soul of America. You'll be surprised by what - and who - it finds there...This is the author's preferred text, never before published in the UK, and is about 12,000 words longer than the previous UK edition.

I say this all of the time, but reading old school fantasy books is like reading with a friend. And they remind me of when I was young. I don't know why. Maybe because I'm old school. Happy Reading! Mel ❤️

The first series that showed it was possible to do an uninspired rewrite of Tolkien and make a mint was Shannara. After that the doors were flung wide, and the next to profit off the scheme was was Robert Jordan. Of course, I'm not suggesting it's bad to take inspiration from older authors--all authors do this, as Virgil did from Homer, and Milton from Virgil, and Byron from Milton. Tolkien himself drew on the Norse Eddas, Welsh myths, English fairy tales, and Blake's myth-making.But when a skilled author takes inspiration, they expand and change what came before, combining many influences to produce their own unique voice and vision. Jordan didn't have the knowledge of language, history, or culture to truly copy Tolkien's style, nor was he able to add a unique spin.The Eye of The World is a more accessible version of Tolkien, but Tolkien is already a simplified version of the Norse Sagas, meaning that Jordan felt a need to dumb-down the accessible, which doesn't leave his book with much personality.Jordan also takes influence from the Sword &amp; Sorcery tradition, particularly R.E. Howard (Jordan even wrote and published some of his own Conan stories). However, unlike other authors of rollicking adventure Fantasy, like Leiber or Charles Saunders, Jordan kept Tolkien's plodding length. It is difficult to comprehend how an author could take such a simple, familiar story and stretch it out over so many pages.The hero is an orphan who looks different, he gets his father's magic sword, he goes on a quest with an old, wily mentor, gets attacked by evil (dark-skinned) mongoloids from the mysterious East, meets the princess by accident, becomes embroiled in an ancient prophecy, discovers a magic 'force' which controls fate (and the plot), &amp;c., &amp;c. Stop me if you've heard this one before. Like a lot of modern fantasy, the plot and characters are nothing new. If you've seen Star Wars, then you know it by heart. Every fantasy fan has read this same story again and again from countless authors--some, apparently on purpose. Of course, when this old story is told well, with slick pacing and vivid characters, we can forgive the cliches, or even enjoy them freshly, recognizing their universal appeal. But when an author is simply trotting out an old, tired story and doing nothing to make it shine anew, then the only appeal it can lay claim to is bland nostalgia.There's no reason for this sort of repetition: a new book should be more than just fanfic of an older, financially successful book. There are countless different influences out there, long before Tolkien or Howard ever touched pen to paper (many of which can be found in the link at the end of this review), so it's disappointing to see authors continually rehashing the same tedious cliches completely unchanged half a century later.Jordan's long-winded style can't even boast the wealth of meticulous details with which Tolkien filled his pages (often to the detriment of his story). It's clear that Jordan's trying to build a one of those massively detailed worlds so prevalent in pop fantasy, but it's not an interesting, original world--it's just another generic, pseudo-Medieval Europe without any of the genuinely interesting bits that made that time period unique. It's just modern characters with modern psychology swinging around magic swords in a Disneyland version of history.It might not be so bad if the lengthy asides were actually interesting, in and of themselves. If each little piece was amusing in its own right, we might forgive. If they gave us some odd bit of defamiliarization that caused us to look at our own, modern world in a new way, that would be something. Instead, we get dry, lengthy explanations of extraneous facts that we had no reason to be curious about in the first place.Some readers have pointed out that these facts show up in later books of the series, which is probably true, but then, what are they doing in this book? If Mary doesn't appear until book three, it is not useful or interesting to stop in the middle of book one and tell us she has blonde hair. Facts should not be evenly distributed throughout a series, they should be placed in close proximity to scenes that relate to them. That way they make sense to the reader and we have a reason to care about them. That's the difference between foreshadowing and a word search puzzle.If an author has to stop the story every few paragraphs to explain what's going on, then his writing is simply not working. The world should be revealed to us through characters, through their interactions, through small details of verisimilitude that are lovely or interesting on their own, and through scenes designed specifically to illustrate a point without losing focus and falling into lengthy digressions.But Jordan's characters are dull and shallow, his dialogue bland, and his plot (though it possesses many parts) lacks twists or turns. We are given an unending parade of new characters and lengthy asides, which masterfully suck all the drive, purpose, and life from an otherwise simplistic story. At half this length, the book would have been merely another two-star fantasy rehash. At a third the length, it might have started to show some pep--but Jordan had to stretch out his all-to-familiar story to doorstop proportions.In Tolkien, the first hundred pages takes place in quaint Hobbiton. This prelude prepares us for the rest of the book, allowing us to understand the strange world and characters and setting a mood. When the action takes us away, we find we have formed a certain attachment to the bucolic charm of Hobbiton (sickly-sweet as it may be). Finally, when we do depart, the world we meet is much grander in comparison. In Eye of the World, you spend the first hundred and fifty pages in a drab farming community, so that when the characters finally leave, it will seem like something is happening. This is only an illusion.Some of Jordan's fans have pointed to the 'Wheel of Time' aspect as his unique contribution to the genre--mixing Eastern philosophy and the idea of eternal recurrence in with his mock-feudal world, but it's the same thing that E.R. Eddison was doing in the 1920s, and which Michael Moorcock has been exploring and expanding on since the sixties. As such, I don't see it as some new twist that Jordan has added to fantasy, but as another bland rehash of an interesting idea some other author had decades before.Also, like most fantasy authors, Jordan seems to have a problem writing female characters. They are either whiny and snotty, or emasculating ice queens. They all speak in the exact same voice--and the joke in the writing community is that anyone who has met his wife know exactly where every one of his female characters comes from. I couldn't count on both hands the fantasy authors who seem to think 'strong woman' means 'insufferable, unapologetic shrew'. Then again, it isn't as if his male characters aren't any more interesting or fleshed-out, even if they do get a more flattering depiction.I've also been led to understand that later on in the series, we get a magical band of lipstick lesbians who 'go straight' when they grow up (and meet 'real men', like our heroes), plus a bunch of sex-fetish weirdness about punishment by naked public spanking. But I suppose that if Jordan resembles other genre writers in terms of plot, length, setting, and character, he might as well go all the way and throw in some of his own unprocessed sexual hangups.And as the series goes on, the many problems with pacing, plotting, and unfocused asides only grow worse. If Jordan can't keep everything straight in his opening book, how will he possibly deal when the story starts branching out (as stories inevitably do)? It is hardly surprising that such a tenuous grasp will inevitably slip away--as it has for so many other authors in pop fantasy, from Martin to Goodkind, who start off intending to write a trilogy and end up with ten books, each of which takes five years to write, and none of which even manage to finish the plot started in book I.So, take the plot of Star Wars, add the long-windedness of Tolkien, the piecemeal structure of Howard, the cosmology of Moorcock, add in a pinch of awkward sexual hangups, and you have yet another crap pop fantasy, ready to sell a million copies to folks who want nothing more than to read the same story over and over as written by a succession of chubby, bearded, awkward dudes. I'm sure a violent, breast-baring miniseries is already in preproduction.UPDATE: one might point to the endless repetition in modern literature as a sure sign that there is no God, no grand plan, and no purpose to the universe. A benevolent power would surely spare us the pain of such unending mediocrity.However, if there were some deity, and he had a sense of humor, then he would allow the uncreative authors to publish, to gain fame, win awards, and rake in the cash, until their series piled self-indulgently to the length of a minor encyclopedia. Then our clownish deity would let the author announce that he is finally approaching The End (for real this time!), only to perish on the cusp. Since this is precisely what happened to Jordan, I will have to keep an eye out for other signs of this humorous demiurge, possibly in the form of leper-curing banana peels and hagiographic fright wigs.My Fantasy Book Suggestions

The Age of Kings is dead . . . and I have killed it. It's a bloody business overthrowing a king...Field Marshal Tamas' coup against his king sent corrupt aristocrats to the guillotine and brought bread to the starving. But it also provoked war with the Nine Nations, internal attacks by royalist fanatics, and the greedy to scramble for money and power by Tamas's supposed allies: the Church, workers unions, and mercenary forces.Stretched to his limit, Tamas is relying heavily on his few remaining powder mages, including the embittered Taniel, a brilliant marksman who also happens to be his estranged son, and Adamat, a retired police inspector whose loyalty is being tested by blackmail.But when gods are involved...Now, as attacks batter them from within and without, the credulous are whispering about omens of death and destruction. Just old peasant legends about the gods waking to walk the earth. No modern educated man believes that sort of thing. But they should...In a rich, distinctive world that mixes magic with technology, who could stand against mages that control gunpowder and bullets?

The shorter a Sanderson read is, the less impressed I am with myself if I figure out the twisty paths of that man's genius mind . . . That being said, I GUESSED THE TWIST AGAIN!!! *gloats* *booty shakes* Anyway, MITOSIS was a short entertaining story that gave just a (possible) hint more insight into the mysterious ways of Epics. PLUS, you know, there's all the horribly hilarious metaphors a la David. Highly recommended.My other reviews for this series:\
  Steelheart (The Reckoners, #1)\
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  Firefight (The Reckoners, #2)\
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  Calamity (The Reckoners, #3)\


Babylon Restored, formerly Manhattan, may give David answers. Ruled by the mysterious High Epic, Regalia, David is sure Babylon Restored will lead him to what he needs to find. And while entering another city oppressed by a High Epic despot is a gamble, David's willing to risk it. Because killing Steelheart left a hole in David's heart. A hole where his thirst for vengeance once lived. Somehow, he filled that hole with another Epic—Firefight. And he's willing to go on a quest darker, and more dangerous even, than the fight against Steelheart to find her, and to get his answers.

From #1 New York Times bestselling author Brandon Sanderson: his debut novel for the young-adult audience.More than anything, Joel wants to be a Rithmatist. Chosen by the Master in a mysterious inception ceremony, Rithmatists have the power to infuse life into two-dimensional figures known as Chalklings. Rithmatists are humanity’s only defense against the Wild Chalklings—merciless creatures that leave mangled corpses in their wake. Having nearly overrun the territory of Nebrask, the Wild Chalklings now threaten all of the American Isles.As the son of a lowly chalkmaker at Armedius Academy, Joel can only watch as Rithmatist students learn the magical art that he would do anything to practice. Then students start disappearing—kidnapped from their rooms at night, leaving trails of blood. Assigned to help the professor who is investigating the crimes, Joel and his friend Melody find themselves on the trail of an unexpected discovery, one that will change Rithmatics—and their world—forever.Bestselling author Brandon Sanderson brings his unique brand of epic storytelling to the teen audience with an engrossing tale of danger and suspense—the first of a series. With his trademark skills in worldbuilding, Sanderson has created a magic system that is so inventive and detailed that readers who appreciate games of strategy and tactics just may want to bring Rithmatics to life in our world.

For a thousand years, the people of Alera have united against the aggressive and threatening races that inhabit the world, using their unique bond with the furies - elementals of earth, air, fire, water, and metal. But now, Gaius Sextus, First Lord of Alera, grows old and lacks an heir. Ambitious High Lords plot and maneuver to place their Houses in positions of power, and a war of succession looms on the horizon. Far from city politics in the Calderon Valley, the boy Tavi struggles with his lack of furycrafting. At fifteen, he has no wind fury to help him fly, no fire fury to light his lamps. Yet as the Alerans' most savage enemy - the Marat - return to the Valley, he will discover that his destiny is much greater than he could ever imagine. Caught in a storm of deadly wind furies, Tavi saves the life of a runaway slave named Amara. But she is actually a spy for Gaius Sextus, sent to the Valley to gather intelligence on traitors to the Crown, who may be in league with the barbaric Marat horde. And when the Valley erupts in chaos - when rebels war with loyalists and furies clash with furies - Amara will find Tavi's courage and resourcefulness to be a power greater than any fury - one that could turn the tides of war.

Elantris was the capital of Arelon: gigantic, beautiful, literally radiant, filled with benevolent beings who used their powerful magical abilities for the benefit of all. Yet each of these demigods was once an ordinary person until touched by the mysterious transforming power of the Shaod. Ten years ago, without warning, the magic failed. Elantrians became wizened, leper-like, powerless creatures, and Elantris itself dark, filthy, and crumbling.Arelon's new capital, Kae, crouches in the shadow of Elantris. Princess Sarene of Teod arrives for a marriage of state with Crown Prince Raoden, hoping -- based on their correspondence -- to also find love. She finds instead that Raoden has died and she is considered his widow. Both Teod and Arelon are under threat as the last remaining holdouts against the imperial ambitions of the ruthless religious fanatics of Fjordell. So Sarene decides to use her new status to counter the machinations of Hrathen, a Fjordell high priest who has come to Kae to convert Arelon and claim it for his emperor and his god.But neither Sarene nor Hrathen suspect the truth about Prince Raoden. Stricken by the same curse that ruined Elantris, Raoden was secretly exiled by his father to the dark city. His struggle to help the wretches trapped there begins a series of events that will bring hope to Arelon, and perhaps reveal the secret of Elantris itself.A rare epic fantasy that doesn't recycle the classics and that is a complete and satisfying story in one volume, Elantris is fleet and fun, full of surprises and characters to care about. It's also the wonderful debut of a welcome new star in the constellation of fantasy.

When Calamity lit up the sky, the Epics were born. David’s fate has been tied to their villainy ever since that historic night. Steelheart killed his father. Firefight stole his heart. And now Regalia has turned his closest ally into a dangerous enemy.David knew Prof’s secret, and kept it even when the Reckoners’ leader struggled to control the effects of his Epic powers. But facing Obliteration in Babilar was too much. Prof has now embraced his Epic destiny. He’s disappeared into those murky shadows of menace Epics are infamous for the world over, and everyone knows there’s no turning back. . . . But everyone is wrong. Redemption is possible for Epics—Megan proved it. They’re not lost. Not completely. And David is just about crazy enough to face down the most powerful High Epic of all to get his friend back. Or die trying.

Originally appearing in the Dangerous Women anthology and now available as a solo ebook, Shadows for Silence in the Forests of Hell is a chilling novella of the Cosmere, the universe shared by Brandon Sanderson's Mistborn series and the #1 New York Times bestselling Stormlight Archive.  When the familiar and seemingly safe turns lethal, therein danger lies. Amid a forest where the shades of the dead linger all around, every homesteader knows to follow the Simple Rules: "Don't kindle flame, don't shed the blood of another, don't run at night. These things draw shades." Silence Montane has broken all three rules on more than one occasion. And to protect her family from a murderous gang with high bounties on their heads, Silence will break every rule again, at the risk of becoming a shade herself.

#1 NEW YORK TIMES BESTSELLER • Red Rising thrilled readers and announced the presence of a talented new author. Golden Son changed the game and took the story of Darrow to the next level. Now comes the exhilarating conclusion to the Red Rising Trilogy: Morning Star.Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within. Finally, the time has come. But devotion to honor and hunger for vengeance run deep on both sides. Darrow and his comrades-in-arms face powerful enemies without scruple or mercy. Among them are some Darrow once considered friends. To win, Darrow will need to inspire those shackled in darkness to break their chains, unmake the world their cruel masters have built, and claim a destiny too long denied—and too glorious to surrender.

"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them.""I live for you," I say sadly.Eo kisses my cheek. "Then you must live for more."Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations.Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children.But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class.Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

As a Red, Darrow grew up working the mines deep beneath the surface of Mars, enduring backbreaking labor while dreaming of the better future he was building for his descendants. But the Society he faithfully served was built on lies. Darrow’s kind have been betrayed and denied by their elitist masters, the Golds—and their only path to liberation is revolution. And so Darrow sacrifices himself in the name of the greater good for which Eo, his true love and inspiration, laid down her own life. He becomes a Gold, infiltrating their privileged realm so that he can destroy it from within. A lamb among wolves in a cruel world, Darrow finds friendship, respect, and even love—but also the wrath of powerful rivals. To wage and win the war that will change humankind’s destiny, Darrow must confront the treachery arrayed against him, overcome his all-too-human desire for retribution—and strive not for violent revolt but a hopeful rebirth. Though the road ahead is fraught with danger and deceit, Darrow must choose to follow Eo’s principles of love and justice to free his people. He must live for more.

Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics. But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his will.Nobody fights the Epics...nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them.And David wants in. He wants Steelheart — the Epic who is said to be invincible. The Epic who killed David's father. For years, like the Reckoners, David's been studying, and planning — and he has something they need. Not an object, but an experience.He's seen Steelheart bleed. And he wants revenge.

This is not a review. This is a story, a story about a man who opened the first pages of Mistborn: The Final Empire.Back in August 2016, there was a man who lived in emptiness. He was probably clinically depressed, but he would never know; he didn’t get himself checked. His heart didn’t ache, his smile was freely given, but he was never happy; he felt empty every day. Damages were added when he realized his hobbies didn’t interest him that much anymore, which resulted in reluctant social interaction with his friends. His insomnia was so acute that he couldn’t sleep without alcohol so he drowned in it every night. These symptoms were most likely the aftermath of cumulative mental damage afflicted by those closest to him. His best friend spread lies about him, his closest cousin stole tons of money from him, and then he lost his job and his then girlfriend dumped him. He was alone. He told himself, this can’t be it. There’s always a way to come back stronger. He decided to do something new; he decided to fully immerse himself in reading novels. There were countless choices out there and he didn’t know what to choose first, but on the 1st of September 2016, he dived into the mist and hope was born.He was completely addicted. By the end of the trilogy, reading fiction, especially fantasy, became a drug for him. Amazed by the five-year struggle, the characters in the book became incredibly real to him and he lived through every single event with them. He knew that the end of this trilogy was the beginning of what he hoped would be an everlasting adventure. He knew that he had become deeply entrenched by the power of words.This is not a review; this is a story. A story about a renewed man who closed the last page on The Hero of Ages as a different person from the one who first picked up the book. A story about me, rising out of the mist a better man. \
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    “I am, unfortunately, the Hero of Ages.”\
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Picture: The Hero of Ages by breath-artI’ve read and reviewed more than 200 novels within the past two and a half years. I won’t lie; during that journey, I’ve read series that I think are better than this trilogy. However, when it comes to a matter of importance, this trilogy stands at the utmost top and there will never exist another that could change that situation for me. Finishing this trilogy watered the flower of hope in my garden. I found a lot of friends who have the same hobby as me, I found a new job, I found a new girlfriend who loves to read and understand my passions; I’m not empty anymore.Some readers will consider Brandon Sanderson a weak author who doesn’t deserve his success. Some will consider his books or characters to be poorly written. Some will envy Sanderson because he’s more successful than their favorite authors. All of these are views they have every right to hold; after all, we’re all entitled to our opinions. For me, he’s none of these things. Sometimes I wonder if I would have become the man I am today if I had picked a different series to start my literary adventure. Maybe I wouldn’t have fallen in love with fantasy novels so deeply; maybe all the blessings I mentioned before would not have aligned with my stars. However, that’s a question I can’t answer.I know that I haven’t talked about this concluding installment and what made the book superb. But thinking about it, when a book has managed to change the core of my lifestyle, I doubt I need to fully explain what made this trilogy amazing. Like I said, I won’t claim this trilogy is the best series out there, because it’s not. It’s one of my favorites but I’ve encountered plenty that are definitely better. However, nothing can change the fact that the Mistborn trilogy will always be the most important novels in my life. It sparked my love for reading fantasy novels; it’s an alpha in my endless journey to find omega. I haven’t met Sanderson and I don’t know if I ever will; he most likely won’t ever read these words and that’s okay. A reader and author are connected most of the time by a monetary relationship. I pay to read their story, and they need money to keep on making stories; I’m content with doing that. It’s time for me to put an end to this portion of my story; more adventure awaits. Brandon Sanderson, here are my closing sentences for you:No matter what anyone else says about you, your works are responsible for changing my life for the better. For that, no words will ever be enough to express my gratitude.This is not a review; this is a story. A story about me, and I’d like to thank Brandon Sanderson for sparking my love for reading novels. \
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    “You are, fortunately, my hero of ages.” - Petrik\
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Picture: Mistborn trilogy by Marc Simonetti\
  Series Review:\
Mistborn: The Final Empire: \
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    5/5 stars\
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The Well of Ascension: \
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    5/5 stars\
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The Hero of Ages: \
  5/5 stars\
Mistborn trilogy: \
  15/15 stars\
You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

Vin, the street urchin who has grown into the most powerful Mistborn in the land, and Elend Venture, the idealistic young nobleman who loves her, must build a healthy new society in the ashes of an empire. Three separate armies attack. As the siege tightens, an ancient legend seems to offer a glimmer of hope. But even if it really exists, no one knows where to find the Well of Ascension or what manner of power it bestows.

King Jorg Ancrath is twenty now—and king of seven nations. His goal—revenge against his father—has not yet been realized, and the demons that haunt him have only grown stronger. Yet no matter how tortured his path, he intends to take the next step in his upward climb. Jorg would be emperor. It is a position not to be gained by the sword but rather by vote. And never in living memory has anyone secured a majority of the vote, leaving the Broken Empire long without a leader. Jorg plans to change that. He’s uncovered the lost technology of the land, and he won’t hesitate to use it. But he soon finds an adversary standing in his way, a necromancer unlike any he has ever faced—a figure hated and feared even more than himself: the Dead King.

The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations with the formidable Anomander Rake and his Tiste Andii, ancient and implacable sorcerers. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins.For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze.However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand...Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice.

4.5/5 starsA colorful, vibrant, and highly character-driven standalone fantasy.If you haven’t seen the tenth-anniversary leatherbound edition of Warbreaker, I suggest you take a look now by clicking here: https://www.brandonsanderson.com/the-...No, I don’t have one; I simply can’t afford it. However, staring at how gorgeous it is, it certainly solidified my decision to reread Warbreaker; this time with the annotated edition which I haven’t done before, and I will recommend reading this edition only if you’ve read the book before. It’s terrifying how fast time flies; I can’t believe that it has been three years since I first read this book. Warbreaker was the first book by Brandon Sanderson that I read after I finished his brilliant Mistborn trilogy. Back then, I didn’t even realize how important this standalone would become in the overarching magnitude of Sanderson’s Cosmere universe. Having read all of Sanderson’s Cosmere books and going back to this made me realize how much Sanderson has improved as an author, and how beneficial it would be to read Warbreaker first before you dive into The Stormlight Archives. Seriously, do it.Picture: Siri and God King by Dan dos SantosTaking place in the world of Nalthis, Warbreaker is a standalone novel within Sanderson’s Cosmere universe, since its publication and for many more years to come, it will remain standalone. The story in Warbreaker follows the tale of two sisters princesses from Idris: Siri and Vivenna. Idris is on the brink of war with Hallandren, and to prevent war from happening, the king of Idris decides to send Vivenna—who has practiced and learned the culture and religion in Hallandran for years—to marry the God King. The king couldn’t go through with it at the last minute, and send his other daughter—Siri—to marry the God-King instead. Other than Siri, Vivenna, and Susebron, we also follow two other main characters, the reluctant god of bravery Lightsong the Bold, and a mysterious swordsman with a sentient sword, Vasher and Nightblood.Picture: Vasher and Vivenna by Dan dos SantosSanderson takes his time here. Warbreaker is mostly paced like the second book of Mistborn trilogy, The Well of Ascension. It’s slow-paced, and I thank Sanderson for it. Sanderson slowly and gradually builds up the tension of the storyline while making sure each main characters receive proper development and distinctive voices first. Contrast and differences in perspectives are a very huge driving factor of the story here. Sanderson himself has mentioned that Warbreaker is a book with many tone; this is also what made Warbreaker so good to read. An event, even when they’re witnessed together, can be perceived very differently depending on where you stand; everyone justifies their actions through the belief that they’re truly doing what’s best for themselves and society. The clash of opinions and beliefs the kind of theme constantly explored in this book, and it also made the characters more colorful in personality.\
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    “Every man is a hero of his own story.” \
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I have always loved Sanderson’s characterizations, and Warbreaker contained, in my opinion, some of his most distinctive characters so far. Siri, Vivenna, Lightsong, Vasher, Nightblood, Susebron, and Denth respectively differ in key personality, and I enjoyed reading their progression immensely. Almost all of the chemistry between the characters in this novel comes in two; Siri with Susebron, Vivenna with Denth or Vasher, Lightsong with Blushweaver or Larimar, and Vasher with Nightblood. The development and the interactions of these characters made the book for me; they felt so natural. The romance development between Siri and God-King, in particular, was endearing and it felt very genuine. Warbreaker is a very heavily character-driven book, which luckily is my favorite type of narrative to read, and these characters have so much to love and for me to feel invested in. I honestly wish the sequel would be published already because I want to know more about them. Picture: Blushweaver and Lightsong by Miranda MeeksAlso, I would like to give a suggestion. If you haven’t read any of Sanderson’s book in his Cosmere universe, Warbreaker would be a great book for you to start your adventure. I usually recommend readers to start with Mistborn trilogy, but if you find the idea of going through a 1500+ pages long series daunting, Warbreaker should be a safer choice. I don’t think you should worry too much about it though, Sanderson has one of the most accessible prose in the genre, and he knows how to write impactful scenes without relying on “beautiful” writing style. His prose allows him to tell a high fantasy story that’s accessible to many readers around the world, and I believe this is one of the many reasons why his books are so damn successful. The internal thoughts of characters were always well-delivered; the dialogues and banter were incredibly entertaining and fun to read. More than any other book in the Cosmere universe, Warbreaker is most likely the one that relies on banter and dialogues the most. Pretty much every appearance that involved Lightsong was utterly delightful to read.\
  \
    “I swear, my dear. Sometimes our conversations remind me of a broken sword."She raised an eyebrow."Sharp as hell," Lightsong said, "but lacking a point.”\
  \
Excluding the vivid and cinematic quality that came from the writing, one of the most important aspects and enhancement that came from Sanderson’s accessible prose would be the ease delivery of the staple hard magic system that’s clearly in play here. Designing an intricate and unique magic system is one of Sanderson’s main talents as an author and storyteller. I won’t even bother to explain to you the in-depths complexity of the magic system in Warbreaker that is called Awakening. The basic explanation for how it works is that Awakeners are capable of combining colors, BioChromatic Breath, and a Command to animate an object. This, however, doesn’t begin to touch the surface of the complexity and intricacies of the magic system. Sanderson ramp up the intensity of the story progressively, eventually leading it all towards the staple “Brandon Avalanche” conclusion in the final ten percent of the book.Picture: Vasher and Nightblood by Micah EpsteinI loved Warbreaker, not a surprise there. I would devour its sequel—currently Nightblood is the title—immediately when it’s out. From what I’ve gathered in the most recent State of Sanderson in 2019, there’s a good chance that we won’t see any continuation to this novel until—at least—2025, that’s sixteen years since Warbreaker was first published; it sounds ridiculously long but that’s just how things work in Sanderson’s multi-volume Cosmere universe. Not only Warbreaker is a wonderful standalone, but it’s also filled with well-realized characters that made the multitude of story elements such as mystery, politics, actions, romance, and intricate magic systems worked. Color me impressed once again, Sanderson. Your book left me breathless on my first read, and it continues to be breathtaking on reread. Yes, I'll let myself out now.You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

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