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With this influential study, French historian Numa Denis Fustel de Coulanges initiated a new approach to Greek and Roman city organization. Fustel de Coulanges' 1864 masterpiece, La Cité antique, drew upon physical evidence as well as ancient documents rather than the usual post-Classical histories. The result is a fresh, accurate, and detailed portrait of the religious, family, and civic life of Periclean Athens and Rome during the time of Cicero.This fascinating sociological account reveals the significance of kinship and the cult of the family hearth and ancestors to ancient Hellenic and Latin urban culture. It chronicles the rise of family-centered pagan belief systems, tracing their gradual decline to the spread of Christianity. Fustel cites ancient Indian and Hebrew texts as well as Greek and Roman sources. The ingenuity of his interpretations, along with his striking prose style, offer readers a vital and enduring historic survey.

Ever since the Greeks coined the language we commonly use for scientific description, mythology &amp; science have developed separately. But what came before the Greeks? What if we could prove that all myths have one common origin in a celestial cosmology? What if the gods, the places they lived &amp; what they did are but ciphers for celestial activity, a language for the perpetuation of complex astronomical data? Drawing on scientific data, historical &amp; literary sources, the authors argue that our myths are the remains of a preliterate astronomy, an exacting science whose power &amp; accuracy were suppressed &amp; then forgotten by an emergent Greco-Roman world view. This fascinating book throws into doubt the self-congratulatory assumptions of Western science about the unfolding development &amp; transmission of knowledge. This is a truly seminal &amp; original thesis, a book that should be read by anyone interested in science, myth &amp; the interactions between the two.

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

The Overlords appeared suddenly over every city--intellectually, technologically, and militarily superior to humankind. Benevolent, they made few demands: unify earth, eliminate poverty, and end war. With little rebellion, humankind agreed, and a golden age began.But at what cost? With the advent of peace, man ceases to strive for creative greatness, and a malaise settles over the human race. To those who resist, it becomes evident that the Overlords have an agenda of their own. As civilization approaches the crossroads, will the Overlords spell the end for humankind . . . or the beginning?

Machiavelli needs to be looked at as he really was. Hence: Can Machiavelli, who makes the following observations, be Machiavellian as we understand the disparaging term? 1. So it is that to know the nature of a people, one need be a Prince; to know the nature of a Prince, one need to be of the people. 2. If a Prince is not given to vices that make him hated, it is unsusal for his subjects to show their affection for him. 3. Opportunity made Moses, Cyrus, Romulus, Theseus, and others; their virtue domi-nated the opportunity, making their homelands noble and happy. Armed prophets win; the disarmed lose. 4. Without faith and religion, man achieves power but not glory. 5. Prominent citizens want to command and oppress; the populace only wants to be free of oppression. 6. A Prince needs a friendly populace; otherwise in diversity there is no hope. 7. A Prince, who rules as a man of valor, avoids disasters, 8. Nations based on mercenary forces will never be solid or secure. 9. Mercenaries are dangerous because of their cowardice 10. There are two ways to fight: one with laws, the other with force. The first is rightly man’s way; the second, the way of beasts.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government. Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in “one of the darkest places on earth.” Marlow suspects something else of Kurtz: he has gone mad.A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.

Heart of Darkness and Selected Short Fiction, by Joseph Conrad, is part of the Barnes &amp; Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes &amp; Noble Classics: * New introductions commissioned from today's top writers and scholars * Biographies of the authors * Chronologies of contemporary historical, biographical, and cultural events * Footnotes and endnotes * Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work * Comments by other famous authors * Study questions to challenge the reader's viewpoints and expectations * Bibliographies for further reading * Indices &amp; Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes &amp; Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.One of the most haunting stories ever written, Joseph Conrad’s Heart of Darkness follows Marlow, a riverboat captain, on a voyage into the African Congo at the height of European colonialism. Astounded by the brutal depravity he witnesses, Marlow becomes obsessed with meeting Kurtz, a famously idealistic and able man stationed farther along the river. What he finally discovers, however, is a horror beyond imagining. Heart of Darkness is widely regarded as a masterpiece for its vivid study of human nature and the greed and ruthlessness of imperialism. This collection also includes three of Conrad’s finest short stories: “Youth,” the author’s largely autobiographical tale of a young man’s ill-fated sea voyage, in which Marlow makes his first appearance, “The Secret Sharer,” and “Amy Forster.” Features a map of the Congo Free State.A. Michael Matin is a professor in the English Department of Warren Wilson College in Asheville, North Carolina. He has published articles on various twentieth-century British and postcolonial writers.

Steppenwolf is a poetical self-portrait of a man who felt himself to be half-human and half-wolf. This Faust-like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle-aged misanthrope. Yet his novel can also be seen as a plea for rigorous self-examination and an indictment of the intellectual hypocrisy of the period. As Hesse himself remarked, "Of all my books Steppenwolf is the one that was more often and more violently misunderstood than any of the others".

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

High Quality Content by WIKIPEDIA articles! Johann Wolfgang von Goethe's Faust is a tragic play in two parts: Faust. Der Tragdie erster Teil (translated as: Faust: The First Part of the Tragedy) and Faust. Der Tragdie zweiter Teil (Faust: The Second Part of the Tragedy). Although written as a closet drama, it is the play with the largest audience numbers on German-language stages. Faust is Goethe's most famous work and considered by many to be one of the greatest works of German literature. Goethe completed a preliminary version of Part One in 1806. The 1808 publication was followed by the revised 1828-1829 edition, which was the last to be edited by Goethe himself. Prior to these appeared a partial printing in 1790 of Faust, a Fragment. The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775; however, the details of that development are no longer entirely clear.

Loosely based on the Odyssey, this landmark of modern literature follows ordinary Dubliners in 1904. Capturing a single day in the life of Dubliner Leopold Bloom, his friends Buck Mulligan and Stephen Dedalus, his wife Molly, and a scintillating cast of supporting characters, Joyce pushes Celtic lyricism and vulgarity to splendid extremes. Captivating experimental techniques range from interior monologues to exuberant wordplay and earthy humor. A major achievement in 20th century literature.

Thus Spoke Zarathustra is a foundational work of Western literature and is widely considered to be Friedrich Nietzsche’s masterpiece. It includes the German philosopher’s famous discussion of the phrase ‘God is dead’ as well as his concept of the Superman. Nietzsche delineates his Will to Power theory and devotes pages to critiquing Christian thinking, in particular Christianity’s definition of good and evil.

Friedrich Nietzsche (1844-1900) is famous for his statement that God is dead and his provocative account of Master and Slave moralities and for the fact that Adolf Hitler and the Nazis claimed that Nietzsche was one of their great inspirations. Were the Nazis right to do so or did they misappropriate Nietzsche's philosophy? In this book, based on the 2006 documentary, Professor Stephen Hicks asks and answers the following questions: * What were the key elements of Hitler and the National Socialists' political philosophy? * How did the Nazis come to power in a nation as educated and civilized as Germany? * What was Friedrich Nietzsche's philosophy the philosophy of "Live dangerously" and "That which does not kill us makes us stronger"? * And to what extent did Nietzsche's philosophy provide a foundation for the horrors perpetrated by the Nazis?About the Author: Dr. Stephen Hicks is Professor of Philosophy at Rockford College, Illinois, and Executive Director of the Center for Ethics and Entrepreneurship. He has been a visiting professor at Georgetown University in Washington, D.C. and a visiting scholar at the Social Philosophy and Policy Center in Bowling Green, Ohio. He is also the author of Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault (Scholargy, 2004), The Art of Reasoning: Readings for Logical Analysis (Second edition, W. W. Norton &amp; Co., 1998), and articles in academic journals such as The Review of Metaphysics and other publications such as The Wall Street Journal.

Nostromo, Joseph Conrad’s South American novel reminds me somehow of Ayn Rand’s Atlas Shrugged, perhaps the setting of mines in South America. The underlying political ideologies are also reminiscent to some extent on Rand’s objectivism, and both author’s guileless mistrust of democracy ambles towards, but never wholly approaches, a Nietzschean ideal. In this aspect, Nostromo “the incorruptible” can be compared and contrasted with Kurtz, Conrad's archetypal villain from Heart of Darkness. Whereas Kurtz was a tragic, fallen figure, Nostromo can be seen as perhaps Conrad’s vision of an ideal (though also a tragic hero). This philosophy can be glimpsed obliquely in Rand’s flawed masterpiece and can be read serenely and politely in Conrad’s noble prose. Perhaps Rand complimented Conrad in her own romantic realism with vague but discernable allusions to Conrad’s earlier work. Nostromo is also reminiscent of Hemingway’s For Whom the Bell Tolls with its glaringly simple, straightforward and blunt depiction of revolution and of the ugliness that follows along with it; yet Conrad describes the revolution indirectly, almost as an off stage action in a play, and looks back on the time abstractly, and with not some little sympathy. Finally, Nostromo is also representative of Conrad’s brilliant use of time and transition, piecing the tale together almost surreptitiously, eluding the reader with casual dismissals of a chronological timeline and varying scope and perspective.One of his best.

This is Goethe's first novel, published in 1774. Written in diary form, it tells the tale of an unhappy, passionate young man hopelessly in love with Charlotte, the wife of a friend - a man who he alternately admires and detests. 'The Sorrows of Young Werther' became an important part of the 'Sturm und Drang movement, and greatly influenced later 'Romanticism'. The work is semi-autobiographical - in 1772, two years before the novel was published, Goethe had passed through a similar tempestuous period, when he lost his heart to Charlotte Buff, who was at that time engaged to his friend Johann Christian Kestner.

The Hobbit, or There and Back Again is a children's fantasy novel by English author J. R. R. Tolkien. It was published on 21 September 1937 to wide critical acclaim, being nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction. The book remains popular and is recognized as a classic in children's literature.The Hobbit is set within Tolkien's fictional universe and follows the quest of home-loving Bilbo Baggins, the titular hobbit, to win a share of the treasure guarded by Smaug the dragon. Bilbo's journey takes him from light-hearted, rural surroundings into more sinister territory.The story is told in the form of an episodic quest, and most chapters introduce a specific creature or type of creature of Tolkien's geography. Bilbo gains a new level of maturity, competence, and wisdom by accepting the disreputable, romantic, fey, and adventurous sides of his nature and applying his wits and common sense. The story reaches its climax in the Battle of Five Armies, where many of the characters and creatures from earlier chapters re-emerge to engage in conflict.

A title in the Bristol Classical Press German Texts series, in German with English notes, vocabulary and introduction. Thomas Mann (1875-1955), was awarded the Nobel Prize for literature in 1929, and "Tonio Kroger" occupies a central position in his spiritual and artistic development. A study of youth, it draws together many strands of his life and work: the duality of his parentage; his abhorrence of discipline; and the influence of Schopenhauer and Wagner on his early phase of writing.

A young punk recruited by a car repossession agency finds himself in pursuit of a Chevrolet Malibu that is wanted for a $20,000 bounty - and has something otherworldly stashed in its trunk.

An examination of the machinations behind the scenes at a real estate office.

1992 American drama directed by James Foley

Five years later, Ralphie has his eyes fixed on a car. But trouble is sure to follow.

During the 1800s, paroled Brazilian bandit Cobra Verde is sent to West Africa with a few troops to man an old Portuguese fort and to convince the local African ruler to resume the slave trade with Brazil.

France, 1801. Due to a minor, perceived slight mild-mannered Lieutenant d'Hubert is forced into a duel with the hot-headed, irrational Lieutenant Feraud. The disagreement ultimately results in scores of duels, spanning several years.

Hoping to escape destruction by human developers and save their community, a colony of rabbits, led by Hazel and Fiver, seek out a safe place to set up a new warren.

A devastating and heart-rending take on grizzly bear activists Timothy Treadwell and Amie Huguenard, who were killed in October of 2003 while living among grizzly bears in Alaska.

2005 documentary film directed by Werner Herzog

In the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado.

The story of Brian Sweeney Fitzgerald, an extremely determined man who intends to build an opera house in the middle of a jungle.

This is a follow-up to the comedy Beetle Juice (1988), about a ghost who's recruited to help haunt a house.

During the Johnson County War in 1890 Wyoming, a sheriff born into wealth does his best to protect immigrant farmers from rich cattle interests.

1980 American Western film directed by Michael Cimino

A farming family battles severe storms, a bank is threatening to repossess their farm, and there are other hard times in a battle to save and hold on to their farm.

Eighteenth-century Spanish Jesuits try to protect a remote South American tribe in danger of falling under the rule of pro-slavery Portugal.

1986 British drama film directed by Roland Joffé

A group of dated appliances embark on a journey to the city to find their master after being abandoned in a cabin in the woods.

1987 American animated musical comedy film directed by Jerry Rees

In a troubled African village, an unusual baby is born.

After his happy life spins out of control, a preacher from Texas changes his name, goes to Louisiana and starts preaching on the radio.

A young man and his telepathic dog wander a post-apocalyptic wasteland.

1975 American post-apocalyptic black comedy science fiction film directed by L. Q. Jones

American singer and songwriter, member of Fleetwood Mac

American recording artist; singer-songwriter

American singer and songwriter, whose musical career spanned soul, country, pop and musical theater. (1940-2011)

Classic vaudville stage and movie theatre

A working class man constantly squabbles with his family over the important issues of the day.

This is a sketch-comedy show. The twist here is that all of the sketches (even the monologue) are connected in some strange way.

A sketch comedy show based on the seminal Mad Magazine.

1995-2009 American sketch comedy television series

A group of spirits restlessly squabble in an abandoned country home.

A clueless yet clever loner bungles his way through life in London.

an animated television series of Mr. Bean

Mr. Bean is a British sitcom created by Rowan Atkinson and Richard Curtis, produced by Tiger Aspect and starring Atkinson as the title character. The sitcom consists of 15 episodes that were co-written by Atkinson alongside Curtis and Robin Driscoll; for the pilot, it was co-written by Ben Elton. The series was originally broadcast on ITV, beginning with the pilot on 1 January 1990 and ending with "The Best Bits of Mr. Bean" on 15 December 1995.

Don't Hug Me I'm Scared (often abbreviated as DHMIS) is a British surrealist musical comedy horror web and television series created by Becky Sloan, Joe Pelling, and Baker Terry. The series consists of a short six-episode web series that was released from 29 July 2011 to 19 June 2016 on YouTube, and a television series in 2022 on All 4 and Channel 4. The series incorporates puppetry, live action, stop motion, traditional animation, flash animation, clay animation, and computer animation.In the series, each episode starts like a typical children's series, consisting of anthropomorphic puppets akin to those featured in Sesame Street and other popular children's television programmes. The series parodies and satirises these TV programmes by contrasting its childlike, colourful environment and its inhabitants against disturbing themes; each episode features a surreal plot twist in the climax, including psychedelic content and imagery involving graphic violence, dark humour, existentialism, and psychological horror.

A drama about one of New York's most prestigious ad agencies at the beginning of the 1960s, focusing on one of the firm's most mysterious but extremely talented ad executives, Donald Draper.

The life and times of Larry David and the predicaments he gets himself into with his friends and complete strangers.

A woman becomes obsessed with a sofa she has seen in a shop window. Unable to think of anything else, she goes to desperate lengths to possess the furniture of her dreams.

Sarah's immature, only thinks of herself and has no inhibition nor work. Her sister Laura pays her rent. She has a gay couple as neighbors. Laura's seeing cop Jay.

In an unstable South American country, capable Nostromo, a person of trust and a legend among his shipmates, is ordered to secure a shipment of silver and stop any revolutionaries who might try to take it. But even the bravest can be

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.

American drama television series from 1990–1991

Adventures of two boys, Riley and Huey Freeman, who undergo a culture clash when they move from Chicago to the suburbs to live with their grandfather.

The wacky misadventures of an Australian wallaby and his friends as he finishes his transition to American life.

Cathy Come Home is a 1966 BBC television play about homelessness. It was written by Jeremy Sandford, produced by Tony Garnett and directed by Ken Loach. A 1998 Radio Times readers' poll voted it the "best single television drama" and a 2000 industry poll rated it as the second-best British television programme ever made. Filmed in a gritty, realistic drama documentary style, it was first broadcast on 16 November 1966 on BBC1. The play was shown in the BBC's The Wednesday Play anthology strand, which often tackled social issues.

The misadventures of a milkshake, an order of fries, a meatball, and their retired next door neighbor in the suburbs of New Jersey.

Comedian Dave Chappelle hosts this sketch-comedy show that parodies many of the nuances of race and culture.

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