Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she wants a divorce. They both go through a series of different emotions related to their situation, Mark's which is generally obsessive about learning why Anna, who he still loves, wants the divorce, and Anna's which is generally increasingly histrionic in getting away from Mark. Caught in the middle is their infant son Bob, who Mark uses as a gage to Anna's mental state. Anna states that her want for the divorce is not because of another man, but Mark finds out that Anna has a lover named Heinrich. In the meantime, Mark also meets Bob's teacher Helen, who looks exactly like Anna, but is her polar opposite in temperament. Starting a relationship with Helen lessens his obsession with Anna. But as Mark and Anna's encounters together reach more emotional and violent levels, Mark, with help of a private investigative firm, learns that Anna's love life is not all that it appears. Anna's true obsession has a somewhat gruesome process and nothing will stop her from reaching her end goal.

French film (dir. Andrzej Żuławski; 1981)

A band straying into a secluded part of the Pacific Northwest stumbles onto a horrific act of violence. Because they are the only witnesses, they become the targets of a terrifying gang of skinheads who want to make sure all the evidence is eliminated.

New England, 1630: William and Katherine try to lead a devout Christian life, homesteading on the edge of an impassible wilderness, with five children. When their newborn son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unraveling within their own sins, leaving them prey for an inconceivable evil.

Justine, raised as a rigorous vegetarian, arrives as a freshman at the reputable Saint-Exupéry Veterinary School. As she leaves the family home, Justine abruptly moves into a mad new world of strange school traditions and vicious initiation tests, and before long, she must chew over her unshakable herbivorous beliefs. More and more, as Justine descends deeper and deeper into a hidden world of uncharted animalistic tendencies, an unprecedented and equally morbid craving for meat will transform her into a very different being, but now that her corporeal awakening is finally complete, is there a point in denying her hunger for raw flesh?

In Serbia, the retired porn star Milos is married with his beloved wife Marija and they have a little son, Peter, that is their pride and joy. The family is facing financial difficulties, but out of the blue, Milos is contacted by the porn actress Lejla who offers him a job opportunity in an art film. Milos is introduced to the director Vukmir who offers a millionaire contract to Milos to act in a film. However, Vukmir neither show the screenplay nor tells the story to Milos. Milos discusses the proposal with Marija and he signs the contract. But soon he finds that Vukmir and his crew are involved in sick snuff films of pedophilia, necrophilia and torture and there is no way back for him and maybe it is too late to protect his family.

When a videographer answers an advert of the website Craigslist for a one-day job in a remote mountain town to video the last messages of a dying man, the job takes a strange turn when the last messages get darker and darker. The videographer continues to see the job through, but when it is time to leave he is unable to find his keys, and when he receives a strange phone call he finds his client is not at all what he initially seemed to be.

Realizing the urban legend of their youth has actually come true; two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.

2009 documentary film by Joshua Zeman and Barbara Brancaccio

2016 film by Rod Blackhurst, Brian McGinn

Four timeless urban legends continue to haunt the psyche of the American public. This documentary follows filmmakers Joshua Zeman and Rachel Mills as they investigate the true crimes that may have spawned these urban legends, while exploring how these myths evolved and why we continue to believe. The documentary probes the following legends: The Candyman: The film travels viewers to Houston, Texas, to explore the legend of tainted candy that strikes fear in parents every Halloween. Though the legend is prolific, in actuality there is only one documented case of a child dying from tainted candy: 8-year-old Timothy O'Bryan. Timothy was poisoned on Halloween by a real life monster who used the legend to hide his crime, earning him the nickname, The Candyman. The Baby-Sitter and the Man Upstairs: As the legend goes, a babysitter tormented by a twisted caller, learns that the sadistic calls are coming from inside the house. While the babysitter has become the go-to victim in so many of our horror films, does the same hold true in real life? Tragically, the answer is yes - as our filmmakers discover in the unsolved murder of Janett Christman - a babysitter who was slain in Columbia, MO, in 1950. The Hookman: The filmmakers investigate the "Moonlight Murders" of Texarkana that some believe sparked "The Hook" urban legend of the 50s & 60s. Based upon the legend of two teens lovers terrorized by a madman with a hook for a hand, Killer Legends will investigate this real life case of a killer known as The Phantom, who in 1946 attacked five couples parked on lovers' lanes. This unsolved crime that has created its own unique urban legend in Texarkana, perpetuated by a town that refuses to forget. The Killer Clown: In Chicago, the filmmakers investigate the "phantom clown" scares that have been spontaneously occurring since the 1980s. In cities across the globe, clowns have been spotted in vans trying to snatch children. Is this just a case of hysteria, manifested by fears of coulrophobia (the fear of clowns), or is there something much more serious at work? Chicago's creepy clown past, from John Wayne Gacy to Bozo, is explored in an attempt to answer the question of how clowns became so evil, and why they continue to haunt our nightmares.

In 1979, intent on venturing into the vast and unexplored areas of the virgin Amazon rainforest, a small American film crew attempts to make a documentary about the region's indigenous cannibalistic tribes, only to disappear without a trace. As the noted anthropologist, Harold Monroe, and his team of seasoned guides embark on a rescue mission to locate the missing documentarians in the heart of the Green Inferno, fearful tribes, that no white has ever seen before, will soon start to take an interest in them. Inevitably, as the professor unearths more evidence about the fate of the film crew by sheer luck, a desperate battle to recover the raw footage that was paid in blood will commence--after all, the world must learn all about the savage and unspeakable atrocities captured on the riveting unedited footage. In the end, what has happened to the overambitious explorers, and the shocking final two reels?

Christina Delassalle suffers greatly at the hands of her brutish husband Michel. She inherited the boys' boarding school they run but it's clearly Michel who is in charge. She and Nicole Horner, one of the teachers and Michel's former lover, decide to kill him. Christina, who has a serious condition, is terrified when, by chance, she meets a retired police inspector who decides to look into the case.

After the birth of his baby daughter Cynthia, a Parisian horse butcher soon finds himself abandoned, responsible to raise and care for his newborn girl, completely on his own. Moreover, as his little girl grows into an adolescent, nothing much seems to change in the butcher's life, who day in, day out, experiences the same numbing and tedious repetition, up until Cynthia's first signs of puberty. Under those circumstances and after a dreadful incident coupled with an ungovernable paroxysm of violence, the butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Potter to take over the town. Thinking of his wife, their young children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in a gentle angel named Clarence coming to earth to help George, with the promise of earning his wings. He shows George what things would have been like if he had never been born.

In 1992, teenager Sandi Tan and her friends Sophie and Jasmine shot Singapore's first indie-a road movie called "Shirkers"-with their enigmatic American mentor, Georges Cardona. Sandi wrote the script and played the lead, a killer named S. After shooting wrapped, Georges vanished with all the footage! 20 years later, the 16mm cans are recovered in New Orleans, sending Sandi-now a novelist in Los Angeles-on a new personal odyssey across two continents and many media: 16mm, digital, Hi8, Super8, slides, animation and handwritten letters. A kaleidoscopic punk rock ghost story!

Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her regimented life where she has no freedom and must always do and say the politically correct things, not what is truly on her mind or in her heart. In wanting just a little freedom, she seized upon a chance opportunity to escape from the royal palace where she was staying, albeit with no money in her pockets. Joe believes he can get an exclusive interview with her without she even knowing that he's a reporter or that he's interviewing her. As Joe accompanies "Anya Smith" - her name as she tells him in trying to hide her true identity - around Rome on her incognito day of freedom somewhat unaware that the secret service is searching for her, along for the ride is Joe's photographer friend, Irving Radovich, who Joe has tasked with clandestinely taking photographs of her, those photos to accompany the story. As the day progresses, Joe and Ann slowly start to fall for each other. Their feelings for each other affect what both decide to do, Ann with regard to her royal duties, Joe with regard to the story, and both with regard to if there is a future for them together.

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