Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it ...Dr Felix Hoenikker, one of the founding 'fathers' of the atomic bomb, has left a deadly legacy to the world. For he's the inventor of 'ice-nine', a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three ecentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker's Death Wish comes true when his last, fatal gift to humankind brings about the end, that for all of us, is nigh...

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

Lyra is rushing to the cold, far North, where witch clans and armored bears rule. North, where the Gobblers take the children they steal--including her friend Roger. North, where her fearsome uncle Asriel is trying to build a bridge to a parallel world.Can one small girl make a difference in such great and terrible endeavors? This is Lyra: a savage, a schemer, a liar, and as fierce and true a champion as Roger or Asriel could want--but what Lyra doesn't know is that to help one of them will be to betray the other.

Nine Stories (1953) is a collection of short stories by American fiction writer J. D. Salinger published in April 1953. It includes two of his most famous short stories, "A Perfect Day for Bananafish" and "For Esmé – with Love and Squalor". (Nine Stories is the U.S. title; the book is published in many other countries as For Esmé - with Love and Squalor, and Other Stories.)The stories are:"A Perfect Day for Bananafish""Uncle Wiggily in Connecticut""Just Before the War with the Eskimos""The Laughing Man""Down at the Dinghy""For Esmé – with Love and Squalor""Pretty Mouth and Green My Eyes""De Daumier-Smith's Blue Period""Teddy"

The short story, Franny, takes place in an unnamed college town and tells the tale of an undergraduate who is becoming disenchanted with the selfishness and inauthenticity she perceives all around her.The novella, Zooey, is named for Zooey Glass, the second-youngest member of the Glass family. As his younger sister, Franny, suffers a spiritual and existential breakdown in her parents' Manhattan living room -- leaving Bessie, her mother, deeply concerned -- Zooey comes to her aid, offering what he thinks is brotherly love, understanding, and words of sage advice.Salinger writes of these works: "FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, I suppose that sooner or later I'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I'm very hopeful. I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill."

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

Guile is the Prism, the most powerful man in the world. He is high priest and emperor, a man whose power, wit, and charm are all that preserves a tenuous peace. Yet Prisms never last, and Guile knows exactly how long he has left to live.When Guile discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he's willing to pay to protect a secret that could tear his world apart.

Under the streets of London there's a place most people could never even dream of. A city of monsters and saints, murderers and angels, knights in armour and pale girls in black velvet. This is the city of the people who have fallen between the cracks.Richard Mayhew, a young businessman, is going to find out more than enough about this other London. A single act of kindness catapults him out of his workday existence and into a world that is at once eerily familiar and utterly bizarre. And a strange destiny awaits him down here, beneath his native city: Neverwhere.

I can't remember being this violently conflicted about a book in quite some time. There are some areas where it's just so well done, with the author absolutely nailing it, and then others where I found myself grinding my teeth in frustration. I'm going to abandon my usual practice of writing short, pithy reviews and just drunkenly ramble on a few things here. (Still no spoilers, though.) That OK with y'all?Language. About two and a half chapters into this book, I found myself asking, "Why does this feel like a kids' fantasy book?" It wasn't the subject material or the plot, both of which are much more sophisticated than Harry Potter and his ilk. While I would feel perfectly comfortable having a 12-year old read this PG13-violent and utterly asexual book, I don't feel as though it's necessarily written for tweens. Finally it occurred to me: it's the language. This book is one of the most simply written books I've ever read, using only the most basic vocabulary. That isn't a bad thing, as I'd rather read something direct and simple than something flowery and overwritten, but Sanderson's language is so simple here that it's almost as if he's drawing with the Crayola 16-set when other authors have the big 64. (One notable exception: having apparently become recently enamored of the word, he uses maladroitly at least three times. Maybe he was jamming some Weezer while he wrote.) I haven't read any of his other works (yet; Mistborn #2 is on deck), but I have to assume this simplicity is by conscious choice, and it's an interesting choice at that. I'm just not sure yet how I feel about it.One language choice that I am sure how I feel about is Sanderson's decision to have his characters speak good old American English. The narration is similarly plainspoken, with a fair amount of American slang thrown in, rather than the twee, faux-Elizabethan style of a lot of fantasy authors. I like the approach. One of the most time-honored fantasy tropes is having all the characters thee and thou each other, with a few ne'er did yon stars of Yomama glimmer so resplendently, my suzerain for good measure. And I can handle that stuff, having been weaned on Tolkien and everything that came after, but I found Sanderson's decision to move away from that convention refreshing. I interpreted it as Sanderson saying, "The unspoken assumption here is that this book has been translated from whatever languages they speak on this made-up world, so why translate it to anything other than what is most understandable and comfortable for you to read? To couch this story in funky language is to insult your imagination by implying that you need that in order to realize you're reading a fantasy novel."Setting and Plot. The setting is a typical high fantasy world - feudal-style nobility and peasantry; shadowy, powerful priesthood; mysterious evil lord, etc. - with some odd, almost steampunk flourishes thrown in. There are wristwatches. Men's formal wear is described as something more like Victorian coat and tails than medieval garb. Magic in this world is fueled by elemental and alloyed metals, which are described rather exactly, using percentages. It's a unique and interesting blend.The basic plot is about as stock as it gets. If you're familiar with the Star Wars films, the Harry Potter or Percy Jackson books, Eragon, the Dragonriders of Pern trilogy, Dune, Ender's Game, or any one of about a million other works, please play Mad Libs with me:Dear [kid with weird name], I know you are only a [farmer / orphan / urchin / child of a minor noble], and this will be hard for you to accept, but you [have Great Powers / are the Chosen One / insert name of funky power here]. You are the only one who can [save the world / save the universe / defeat the Empire / restore order to the Force / kill the Big Boss]. Luckily, even though you just learned your destiny fifteen minutes ago, you will make up for lost time by quickly becoming better than anyone in the history of ever at [Quidditch / dragon riding / sandworm riding / Allomancy]. Any questions?Needless to say, the book's plot could have been a ticket to Hack City, but it really isn't. Vin's growth and development are handled well.Exposition. This is a fantasy book for the video game generation. By that, I mean that the book follows the general path of a first person RPG:1) Introduction to the world and the main characters2) A few early levels whose only apparent purpose is to teach the player how to use the buttons3) Quests of increasing difficulty, with progressive reveals of the Big Plot4) Fight with the Main Boss, including the inevitable twist5) Denouement and teaser for the next installment.Not that that's a bad thing! But I was really surprised at the way Allomancy (the main "magic" in this world) was laid out. In the two towering fantasy/sci-fi works of the 20th century, The Lord of the Rings and Dune, the supernatural elements of the story operated behind a sort of curtain or screen. The One Ring in LotR and the spice Melange in Dune both held great, mysterious powers, but the specific effects and extent of those powers were seen only in fits and flashes, and never understood completely by the characters or the reader. In contrast, fairly early in this book, Kelsier takes Vin on a practice run where he explains how her powers work and what their advantages and limitations are, using plain language and real-world physics, and lets her fly and mess around and just generally exult in her magic. It left me, the reader, as well as Vin the character, feeling that even if we didn't understand this magic perfectly right now, we might at some point in the future, which was a very different feel.OK, after enough rambling about things I feel ambivalently about, let's wrap up with one big win and one big fail:WIN: Brandon Sanderson can write the hell out of an action scene. (And since the final quarter of this book is pretty much all action, playing directly into Sanderson's strengths, it kicks all kinds of ass.) The fights in this book are gut-wrenching without being overly gory, and the chases and sneaks are heart-stopping as well. Perfect combination of pace and detail. Amazing. Possibly the best I've ever read from an author in this genre, and if he's able to do that so effortlessly, so early in his career, it gives me hope that he can fix...FAIL: ...the dialogue. In spite of being favorably disposed due to the use of informal American English, I eventually found the dialogue here really clunky. Everyone is too wordy. Everyone says one sentence too many. Over and over again, I found myself going, "Real people don't talk like this" and especially, "Real people who are supposed to be close friends don't talk anything like this to each other." Seriously, think of how you talk to your best friends in private, then compare it to this book. In addition, there was always that odd feeling of unneeded exposition, as if the characters were talking half to each other and half to the reader. It was unfortunate, especially in contrast to how slick and fast-moving and just plain awesome a lot of the other writing was.All in all, this was a fun, kinetic read...with a few holes in it. It builds, it explodes, and the ending is really good. If half-stars were allowed, this would have been a 3 1/2. Good stuff.Also, here are my (spoiler-free, suitable as previews) reviews of the second and third books in the series, if you enjoyed this one!

This is not a review. This is a story, a story about a man who opened the first pages of Mistborn: The Final Empire.Back in August 2016, there was a man who lived in emptiness. He was probably clinically depressed, but he would never know; he didn’t get himself checked. His heart didn’t ache, his smile was freely given, but he was never happy; he felt empty every day. Damages were added when he realized his hobbies didn’t interest him that much anymore, which resulted in reluctant social interaction with his friends. His insomnia was so acute that he couldn’t sleep without alcohol so he drowned in it every night. These symptoms were most likely the aftermath of cumulative mental damage afflicted by those closest to him. His best friend spread lies about him, his closest cousin stole tons of money from him, and then he lost his job and his then girlfriend dumped him. He was alone. He told himself, this can’t be it. There’s always a way to come back stronger. He decided to do something new; he decided to fully immerse himself in reading novels. There were countless choices out there and he didn’t know what to choose first, but on the 1st of September 2016, he dived into the mist and hope was born.He was completely addicted. By the end of the trilogy, reading fiction, especially fantasy, became a drug for him. Amazed by the five-year struggle, the characters in the book became incredibly real to him and he lived through every single event with them. He knew that the end of this trilogy was the beginning of what he hoped would be an everlasting adventure. He knew that he had become deeply entrenched by the power of words.This is not a review; this is a story. A story about a renewed man who closed the last page on The Hero of Ages as a different person from the one who first picked up the book. A story about me, rising out of the mist a better man. \
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    “I am, unfortunately, the Hero of Ages.”\
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Picture: The Hero of Ages by breath-artI’ve read and reviewed more than 200 novels within the past two and a half years. I won’t lie; during that journey, I’ve read series that I think are better than this trilogy. However, when it comes to a matter of importance, this trilogy stands at the utmost top and there will never exist another that could change that situation for me. Finishing this trilogy watered the flower of hope in my garden. I found a lot of friends who have the same hobby as me, I found a new job, I found a new girlfriend who loves to read and understand my passions; I’m not empty anymore.Some readers will consider Brandon Sanderson a weak author who doesn’t deserve his success. Some will consider his books or characters to be poorly written. Some will envy Sanderson because he’s more successful than their favorite authors. All of these are views they have every right to hold; after all, we’re all entitled to our opinions. For me, he’s none of these things. Sometimes I wonder if I would have become the man I am today if I had picked a different series to start my literary adventure. Maybe I wouldn’t have fallen in love with fantasy novels so deeply; maybe all the blessings I mentioned before would not have aligned with my stars. However, that’s a question I can’t answer.I know that I haven’t talked about this concluding installment and what made the book superb. But thinking about it, when a book has managed to change the core of my lifestyle, I doubt I need to fully explain what made this trilogy amazing. Like I said, I won’t claim this trilogy is the best series out there, because it’s not. It’s one of my favorites but I’ve encountered plenty that are definitely better. However, nothing can change the fact that the Mistborn trilogy will always be the most important novels in my life. It sparked my love for reading fantasy novels; it’s an alpha in my endless journey to find omega. I haven’t met Sanderson and I don’t know if I ever will; he most likely won’t ever read these words and that’s okay. A reader and author are connected most of the time by a monetary relationship. I pay to read their story, and they need money to keep on making stories; I’m content with doing that. It’s time for me to put an end to this portion of my story; more adventure awaits. Brandon Sanderson, here are my closing sentences for you:No matter what anyone else says about you, your works are responsible for changing my life for the better. For that, no words will ever be enough to express my gratitude.This is not a review; this is a story. A story about me, and I’d like to thank Brandon Sanderson for sparking my love for reading novels. \
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    “You are, fortunately, my hero of ages.” - Petrik\
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Picture: Mistborn trilogy by Marc Simonetti\
  Series Review:\
Mistborn: The Final Empire: \
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    5/5 stars\
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The Well of Ascension: \
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    5/5 stars\
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The Hero of Ages: \
  5/5 stars\
Mistborn trilogy: \
  15/15 stars\
You can order the book from: Book Depository (Free shipping)You can find this and the rest of my reviews at Novel Notions

From #1 New York Times bestselling author Brandon Sanderson, Words of Radiance, Book Two of the Stormlight Archive, continues the immersive fantasy epic that The Way of Kings began.Expected by his enemies to die the miserable death of a military slave, Kaladin survived to be given command of the royal bodyguards, a controversial first for a low-status "darkeyes." Now he must protect the king and Dalinar from every common peril as well as the distinctly uncommon threat of the Assassin, all while secretly struggling to master remarkable new powers that are somehow linked to his honorspren, Syl.The Assassin, Szeth, is active again, murdering rulers all over the world of Roshar, using his baffling powers to thwart every bodyguard and elude all pursuers. Among his prime targets is Highprince Dalinar, widely considered the power behind the Alethi throne. His leading role in the war would seem reason enough, but the Assassin's master has much deeper motives.Brilliant but troubled Shallan strives along a parallel path. Despite being broken in ways she refuses to acknowledge, she bears a terrible burden: to somehow prevent the return of the legendary Voidbringers and the civilization-ending Desolation that will follow. The secrets she needs can be found at the Shattered Plains, but just arriving there proves more difficult than she could have imagined.Meanwhile, at the heart of the Shattered Plains, the Parshendi are making an epochal decision. Hard pressed by years of Alethi attacks, their numbers ever shrinking, they are convinced by their war leader, Eshonai, to risk everything on a desperate gamble with the very supernatural forces they once fled. The possible consequences for Parshendi and humans alike, indeed, for Roshar itself, are as dangerous as they are incalculable.

I long for the days before the Last Desolation.The age before the Heralds abandoned us and the Knights Radiant turned against us. A time when there was still magic in the world and honor in the hearts of men.The world became ours, and yet we lost it. Victory proved to be the greatest test of all. Or was that victory illusory? Did our enemies come to recognize that the harder they fought, the fiercer our resistance? Fire and hammer will forge steel into a weapon, but if you abandon your sword, it eventually rusts away.There are four whom we watch. The first is the surgeon, forced to forsake healing to fight in the most brutal war of our time. The second is the assassin, a murderer who weeps as he kills. The third is the liar, a young woman who wears a scholar's mantle over the heart of a thief. The last is the prince, a warlord whose eyes have opened to the ancient past as his thirst for battle wanes.The world can change. Surgebinding and Shardwielding can return; the magics of ancient days become ours again. These four people are key.One of them may redeem us. And one of them will destroy us.From Brandon Sanderson-who completed Robert Jordan's The Wheel of Time-comes The Stormlight Archive, an ambitious new fantasy epic in a unique, richly imagined setting. Roshar is a world relentlessly blasted by awesome tempests, where emotions take on physical form, and terrible secrets hide deep beneath the rocky landscape.Speak again the ancient oathsLife before death. Strength before weakness. Journey before destination.and return to men the Shards they once bore. The Knights Radiant must stand again!

"I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day...or wondering who did the heart breaking and wondering why."Charlie is a freshman. And while he's not the biggest geek in the school, he is by no means popular. Shy, introspective, intelligent beyond his years yet socially awkward, he is a wallflower, caught between trying to live his life and trying to run from it. Charlie is attempting to navigate his way through uncharted territory: the world of first dates and mixed tapes, family dramas and new friends; the world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that perfect song on that perfect drive to feel infinite. But Charlie can't stay on the sideline forever. Standing on the fringes of life offers a unique perspective. But there comes a time to see what it looks like from the dance floor.The Perks of Being a Wallflower is a deeply affecting coming-of-age story that will spirit you back to those wild and poignant roller-coaster days known as growing up.

An intimate portrait of two men who cherish the slim bond between them and the dream they share in a world marred by petty tyranny, misunderstanding, jealousy, and callousness. Clinging to each other in their loneliness and alienation, George and his simple-minded friend Lennie dream, as drifters will, of a place to call their own—a couple of acres and a few pigs, chickens, and rabbits back in Hill Country where land is cheap. But after they come to work on a ranch in the fertile Salinas Valley of California, their hopes, like "the best laid schemes o' mice an' men," begin to go awry.Of Mice and Men also represents an experiment in form, as Steinbeck described his work, "a kind of playable novel, written in novel form but so scened and set that it can be played as it stands." A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. Steinbeck's tale of commitment, loneliness, hope, and loss remains one of America's most widely read and beloved novels.--front flap

Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow.Although gifted with a superbly logical brain, for fifteen-year-old Christopher everyday interactions and admonishments have little meaning. He lives on patterns, rules, and a diagram kept in his pocket. Then one day, a neighbor's dog, Wellington, is killed and his carefully constructive universe is threatened. Christopher sets out to solve the murder in the style of his favourite (logical) detective, Sherlock Holmes. What follows makes for a novel that is funny, poignant and fascinating in its portrayal of a person whose curse and blessing are a mind that perceives the world entirely literally.

In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he'd completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a dozen critically acclaimed books, he reflects upon the influence the sport has had on his life and--even more important--on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and takes us to places ranging from Tokyo's Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvelous lens of sport emerges a panorama of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in distance running."

Japan's most highly regarded novelist now vaults into the first ranks of international fiction writers with this heroically imaginative novel, which is at once a detective story, an account of a disintegrating marriage, and an excavation of the buried secrets of World War II.In a Tokyo suburb a young man named Toru Okada searches for his wife's missing cat. Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo. As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid sixteen-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.Gripping, prophetic, suffused with comedy and menace, The Wind-Up Bird Chronicle is a tour de force equal in scope to the masterpieces of Mishima and Pynchon.Three books in one volume: The Thieving Magpie, Bird as Prophet, The Birdcatcher. This translation by Jay Rubin is in collaboration with the author.

In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, the setting of his famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

In this comedy, Lars Lindstrom is an awkwardly shy young man in a small northern town who finally brings home the girl of his dreams to his brother and sister-in-law's home. The only problem is that she's not real - she's a sex doll Lars ordered off the Internet. But sex is not what Lars has in mind, but rather a deep, meaningful relationship. His sister-in-law is worried for him, his brother thinks he's nuts, but eventually the entire town goes along with his delusion in support of this sweet natured boy that they've always loved.

Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope.

Calvin is a genius novelist who begins to type a new novel on his manual typewriter about Ruby, his dream girl. He can't believe his eyes, because the next day, Ruby becomes a real person, and they begin to have a beautiful relationship together. If the relationship isn't perfect, all Calvin has to do is simply type the words on the page and Ruby's actions change to what he needs.

2012 film by Jonathan Dayton and Valerie Faris

Single father Dan Burns dedicates his life to his children, but one day he meets Marie at a bookstore. They get to know each other, but then Dan finds out that Marie is actually dating his brother, Mitch.

A touching tale of a wayward young man who struggles to find his identity, living in a world where he can solve any problem, except the one brewing deep within himself, until one day he meets his soul mate who opens his mind and his heart.

Much to his surprise, timid Joel Barish is shocked to discover that the love of his life, sparky Clementine, has had him erased from her memory. To pay her back in the same coin, poor Joel summons up the courage to undergo a painless but intricate medical procedure to do the same, utterly unaware that darkness is an essential part of the light. Now, as hurt and angry Joel's ugly recollections of Clementine gradually fade away, giving way to a soulless black void, suddenly, he begins having second thoughts, toying with the idea of stopping the irreversible process. In the end, is ignorance really bliss?

Forrest Gump is a simple man with a low I.Q. but good intentions. He is running through childhood with his best and only friend Jenny. His 'mama' teaches him the ways of life and leaves him to choose his destiny. Forrest joins the army for service in Vietnam, finding new friends called Dan and Bubba, he wins medals, creates a famous shrimp fishing fleet, inspires people to jog, starts a ping-pong craze, creates the smiley, writes bumper stickers and songs, donates to people and meets the president several times. However, this is all irrelevant to Forrest who can only think of his childhood sweetheart Jenny Curran, who has messed up her life. Although in the end all he wants to prove is that anyone can love anyone.

1994 American film directed by Robert Zemeckis

Painfully shy Todd Anderson has been sent to the school where his popular older brother was valedictorian. His roommate, Neil Perry, although exceedingly bright and popular, is very much under the thumb of his overbearing father. The two, along with their other friends, meet Professor Keating, their new English teacher, who tells them of the Dead Poets Society, and encourages them to go against the status quo. Each does so in his own way, and is changed for life.

Ben and Leslie Cash live largely off the grid with their offspring -- Bodevan, Kielyr, Vespyr, Rellian, Zaja and Nai -- in a cabin in the mountains of Washington state. The parents have passed their socialist and survivalist ideals to their children. Ben considers most of Western society to be fascist, especially corporate America. He also believes that no one will or should be there for you, so you'd better learn how to take care of yourself. As such, the children have been subject to vigorous physical training; know how to deal with minor bumps, bruises, cuts, sprains, and even fractures; and know how to hunt, forage, and grow their own food. The children are also non-registered home schooled, meaning that they have no official academic records. Ben and Leslie have tried to make the children critical thinkers, however, within the context of their ideals. Beyond these issues, Ben and Leslie made the decision to live this lifestyle for Leslie's health. Formerly an attorney, Leslie was diagnosed as bipolar. Ben believes that this disorder started with her postpartum depression with Bo. Yet Leslie's condition has worsened. Despite not believing in Western medicine, Ben sends Leslie to a hospital close to Ben's sister, Harper, so that there can be family close by. While hospitalized, Leslie commits suicide. Beyond the collective grief, Leslie's act brings out a battle between Ben and Leslie's father, Jack Bertrang, a Christian who not only blames Ben for Leslie's death, but believes that what he is doing "to" the children can legally be considered abuse. Jack takes over the funeral arrangements as per his and his complacent wife Abby's Christian morals, against what Ben knows was Leslie's wishes, as she believed in Buddhist philosophies. Although Jack threatens to call the police if Ben shows up to the funeral, Ben and the children believe it is their mission to honor Leslie's last wishes to be cremated as per Buddhist philosophy. This mission not only may bring the divide between Jack and Ben to a head, but may also bring out some long dormant issues between the Cash children as they are exposed to commercial America in all its good and bad, and as Bo grows into manhood, he may have his own ideas of what he should do with the next phase of his life.

Since birth, a big fat lie defines the well-organised but humdrum life of the kind-hearted insurance salesman and ambitious explorer, Truman Burbank. Utterly unaware of the thousands of cleverly hidden cameras watching his every move, for nearly three decades, Truman's entire existence pivots around the will and the wild imagination of the ruthlessly manipulative television producer, Christof--the all-powerful TV-God of an extreme 24/7 reality show: The Truman Show. As a result, Truman's picturesque neighbourhood with the manicured lawns and the uncannily perfect residents is nothing but an elaborate state-of-the-art set, and the only truth he knows is what the worldwide television network and its deep financial interests dictate. Do lab rats know they are forever imprisoned?

At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand.

After it looks as if she's left his life for good this time, Tom Hansen reflects back on the just over one year that he knew Summer Finn. For Tom, it was love at first sight when she walked into the greeting card company where he worked, she the new administrative assistant. Soon, Tom knew that Summer was the woman with whom he wanted to spend the rest of his life. Although Summer did not believe in relationships or boyfriends - in her assertion, real life will always ultimately get in the way - Tom and Summer became more than just friends. Through the trials and tribulations of Tom and Summer's so-called relationship, Tom could always count on the advice of his two best friends, McKenzie and Paul. However, it is Tom's adolescent sister, Rachel, who is his voice of reason. After all is said and done, Tom is the one who ultimately has to make the choice to listen or not.

In rural Texas, welder and hunter Llewelyn Moss (

2007 film directed by Ethan and Joel Coen

The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.

1977 American epic space opera film directed by George Lucas

Luke Skywalker, Han Solo, Princess Leia and Chewbacca face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi Master's help will Luke survive when the Dark Side of the Force beckons him into the ultimate duel with Darth Vader.

1980 American epic space opera flim directed by Irvin Kershner

Chronicles the experiences of a formerly successful banker as a prisoner in the gloomy jailhouse of Shawshank after being found guilty of a crime he did not commit. The film portrays the man's unique way of dealing with his new, torturous life; along the way he befriends a number of fellow prisoners, most notably a wise long-term inmate named Red.

1994 American drama film directed by Frank Darabont

Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time.

Earth's future has been riddled by disasters, famines, and droughts. There is only one way to ensure mankind's survival: Interstellar travel. A newly discovered wormhole in the far reaches of our solar system allows a team of astronauts to go where no man has gone before, a planet that may have the right environment to sustain human life.

In the end of the nineteenth century, in London, Robert Angier, his beloved wife Julia McCullough, and Alfred Borden are friends and assistants of a magician. When Julia accidentally dies during a performance, Robert blames Alfred for her death, and they become enemies. Both become famous and rival magicians, sabotaging the performance of the other on the stage. When Alfred performs a successful trick, Robert becomes obsessed trying to disclose the secret of his competitor with tragic consequences.

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible, inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea, but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.

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