Elena Rainn

Zach P

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Karl Halmos-Westram

lonely loser

Ljsly Bernard

Miguel Barreto Carrillo

Leonel González

Tim M

Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character, Tender Is the Night is lyrical, expansive, and hauntingly evocative.

Long acknowledged as a master of nightmarish vision, H.P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries --and their encounter with an untold menace in the ruins of a lost civilization--is a milestone of macabre literature.

This book is a masterpiece for students beginning with neuroscience. Its way of simplifying complex concepts in a digestible writing without losing its powerful context is entirely captivating. It also makes it really entertaining in how it links basic science with the clinical aspect by tracking it down from discovery to practice. Even though the first 6 chapters may seem familiar and’ve been already covered in physiology courses, it has its own taste and beauty and makes reading it feel like the first time. For anyone who has interest in neuroscience, this book is the ideal way to start with. It’s fairly comprehensive in its topics. However, I don’t recommend it for postgraduate studies because it, to a limited extent, lacks some basic and crucial details.Overall, the book is completely amazing and I just can’t understand how could this book be ever rated by 1 or 2 stars!There’s a newer edition by the way.

A lucid translation of the well-known Taoist classic by a leading scholar-now in a Shambhala Pocket Library edition. Written more than two thousand years ago, the Tao Teh Ching, or -The Classic of the Way and Its Virtue, - is one of the true classics of the world of spiritual literature. Traditionally attributed to the legendary -Old Master, - Lao Tzu, the Tao Teh Ching teaches that the qualities of the enlightened sage or ideal ruler are identical with those of the perfected individual. Today, Lao Tzu's words are as useful in mastering the arts of leadership in business and politics as they are in developing a sense of balance and harmony in everyday life. To follow the Tao or Way of all things and realize their true nature is to embody humility, spontaneity, and generosity. John C. H. Wu has done a remarkable job of rendering this subtle text into English while retaining the freshness and depth of the original. A jurist and scholar, Dr. Wu was a recognized authority on Taoism and the translator of several Taoist and Zen texts and of Chinese poetry.This book is part of the Shambhala Pocket Library series. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.

This is the story of a man who said that he would stop the motor of the world and did. Was he a destroyer or the greatest of liberators?Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the world’s motor — and the motive power of every man? You will know the answer to these questions when you discover the reason behind the baffling events that play havoc with the lives of the characters in this story. Tremendous in its scope, this novel presents an astounding panorama of human life — from the productive genius who becomes a worthless playboy — to the great steel industrialist who does not know that he is working for his own destruction — to the philosopher who becomes a pirate — to the composer who gives up his career on the night of his triumph — to the woman who runs a transcontinental railroad — to the lowest track worker in her Terminal tunnels. You must be prepared, when you read this novel, to check every premise at the root of your convictions.This is a mystery story, not about the murder — and rebirth — of man’s spirit. It is a philosophical revolution, told in the form of an action thriller of violent events, a ruthlessly brilliant plot structure and an irresistible suspense. Do you say this is impossible? Well, that is the first of your premises to check.

Since it appeared in 1971, John Rawls's A Theory of Justice has become a classic. The author has now revised the original edition to clear up a number of difficulties he and others have found in the original book.Rawls aims to express an essential part of the common core of the democratic tradition - justice as fairness - and to provide an alternative to utilitarianism, which had dominated the Anglo-Saxon tradition of political thought since the nineteenth century. Rawls substitutes the ideal of the social contract as a more satisfactory account of the basic rights and liberties of citizens as free and equal persons. "Each person," writes Rawls, "possesses an inviolability founded on justice that even the welfare of society as a whole cannot override." Advancing the ideas of Rousseau, Kant, Emerson, and Lincoln, Rawls's theory is as powerful today as it was when first published.

Eight stories—longer and more emotionally complex than any Lahiri has yet written—that take us from Cambridge and Seattle to India and Thailand as they enter the lives of sisters and brothers, fathers and mothers, daughters and sons, friends and lovers.From the internationally best-selling, Pulitzer Prize–winning author, a superbly crafted new work of fiction: eight stories—longer and more emotionally complex than any she has yet written—that take us from Cambridge and Seattle to India and Thailand as they enter the lives of sisters and brothers, fathers and mothers, daughters and sons, friends and lovers.In the stunning title story, Ruma, a young mother in a new city, is visited by her father, who carefully tends the earth of her garden, where he and his grandson form a special bond. But he’s harboring a secret from his daughter, a love affair he’s keeping all to himself. In “A Choice of Accommodations,” a husband’s attempt to turn an old friend’s wedding into a romantic getaway weekend with his wife takes a dark, revealing turn as the party lasts deep into the night. In “Only Goodness,” a sister eager to give her younger brother the perfect childhood she never had is overwhelmed by guilt, anguish, and anger when his alcoholism threatens her family. And in “Hema and Kaushik,” a trio of linked stories—a luminous, intensely compelling elegy of life, death, love, and fate—we follow the lives of a girl and boy who, one winter, share a house in Massachusetts. They travel from innocence to experience on separate, sometimes painful paths, until destiny brings them together again years later in Rome. Unaccustomed Earth is rich with Jhumpa Lahiri’s signature gifts: exquisite prose, emotional wisdom, and subtle renderings of the most intricate workings of the heart and mind. It is a masterful, dazzling work of a writer at the peak of her powers.

At a café table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful encounter…Changez is living an immigrant's dream of America. At the top of his class at Princeton, he is snapped up by an elite valuation firm. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore.But in the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica shifting. And Changez's own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love. "Extreme times call for extreme reactions, extreme writing. Hamid has done something extraordinary with this novel." —Washington Post"One of those achingly assured novels that makes you happy to be a reader." —Junot Diaz "Brief, charming, and quietly furious . . . a resounding success." —Village Voice A Washington Post and San Francisco Chronicle Best Book of the Year A New York Times Notable Book

C. P. Cavafy (1863-1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature. Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text. About the first edition: The best [English version] we are likely to see for some time.--James Merrill, The New York Review of Books [Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry.--Walter Kaiser, The New Republic ?

Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he finds the answer to all his problems.

The central theory of 'synchronicity' relies on an unfortunate combination of flawed research and misapplied statistics. Jung hems and haws but is never able to demonstrate that any acausal connection between events exists.The first problem is his reliance on research by Joseph Rhine, who coined the term 'parapsychology' to describe his studies. Throughout his career, Rhine's work was plagued with errors, and his ESP experiments were so poorly-designed as to be useless.To produce good results means setting up a good test. If there are flaws in the test, the results will be useless. When Rhine began to speak about the 'remarkable findings' in his research, he gained interest and his papers were widely read. Sadly, it was immediately clear to professionals in the field that the results were unreliable.Through the course of his early experiments, Rhine did not lay out a system by which the testing took place. He used a set of twenty-five Zener cards to test his subjects, but never specified any method by which the cards be randomized or presented. One of the most successful tests took place in a moving car.The expected outcomes were also underestimated, so that subjects reported as performing 'above chance' were in fact quite average. Each deck contained five symbols with five cards each, and Rhine reported this meant a one-in-five (20%) chance of guessing the correct card. However, the cards were not returned to the deck and reshuffled after each one was drawn, so every card after the first had a greater than 20% chance of being guessed.If the first card drawn is a star, the subject knows that only four star cards remain. That means the other symbols in the deck now have a greater than 20% chance of being drawn. If eight cards have been drawn and none of them are a cross, the subject now has a 30% chance of being correct if he guesses a cross, since there are more crosses remaining in the deck than any other card. The odds of guessing correctly increase for every card drawn.Beyond counting cards, it was later discovered that several of Rhine's assistants were helping certain subjects to cheat, that subjects were often allowed to handle the cards, and that the original cards were often thin enough that the symbols could be seen through them when backlit.After changing the tests to make cheating more difficult and getting rid of assistants caught cheating, Rhine never again produced any meaningful results. Sadly, he revealed his prejudice when he refused to publish any experiment that did not support his theories.He then tried to excuse his lack of evidence by the so-called 'Decline Effect', which is just another misunderstanding of how statistics operate. Imagine you roll a large number of dice, then get rid of any that roll five or lower. You continue rolling, and continue keeping only those that roll high. Eventually, you're down to a handful of dice. If you keep rolling them, they will average out.They were never super dice, after all, we just happened to decide to keep the ones that rolled high--which some of the dice were bound to do, by sheer chance. That's not an anomaly, it's our own selection bias. It's like someone who doesn't like red skittles, and so only eats the other ones, and then is surprised when the bag has only red skittles remaining by the end.Rhine did the same thing: he tested large numbers of people, and kept only those who scored highly. He was selecting only the data that confirmed his theory. Then, when he retested them, they averaged out. This is not a magic 'decline effect', it is the natural correction of his own selection bias averaging out over time.The fact that Jung did not recognize the flawed methodology throughout the experiments troubled me. A theorist needs to be able to recognize and avoid using flawed data, and the fact that Jung has so quickly embraced it suggests a lack of rigor in his own approach.Besides these contentious studies, Jung often relies on anecdotes--examples from his life, or from other people which suggest that coincidences are in some way important. For example, he remarks that one patient was telling of a dream she had about a beetle, at which point a beetle flew into the window of his office.Anecdotes are like metaphors: they are useful for illustrating an idea, but only a fool mistakes the illustration for the idea. One can 'burn the midnight oil' without actually having any oil at hand, and just because a man gets attacked by an escaped tiger in NYC, that is not evidence of an urban tiger epidemic. Beyond that, memory is an untrustworthy thing, and human beings assign more importance to events which confirm what they already believe, tending not to remember things that conflict with their beliefs.In this specific case, coincidences like the kind he describes are not actually uncommon. While it is unlikely that a bug would fly in while a woman spoke about bugs, that is only one of many coincidences that might have happened that day. If a person has a thousand small moments in a day where a coincidence might happen, then statistically, each person will experience a one-in-a-thousand coincidence every day.Given enough time, the coincidence actually becomes more likely to occur than not to occur. It is unlikely that a roulette wheel will land on seven if you spin it once. If you spin it a thousand times, it would be miraculous if it didn't eventually land on seven. With a world population of 6.8 billion, 6,800 people are experiencing a one-in-a-million coincidence right now.Unfortunately, Jung never overcomes either the flawed studies or the vague arguments which undermine his theory. He speaks back and forth at some length about various suppositions and possibilities, but never develops any convincing insight. A good piece of philosophy contains not only an interesting theory, but also presents the flaws and contradictions which that theory must overcome in order to be relevant. It is impossible to discuss the necessity of an idea without first dealing with the problems amassed against it. Only if its power and accuracy prove greater than these problems can the idea truly emerge as a workable concept. Jung never manages to cross this important threshold.It is clear that he has passion, and that there is a great desire within him to explore and understand, but this is simply not enough. He tells us that there have been many ideas throughout history which were considered unpalatable, which were rejected outright, and only accepted as truth later. He reminds us that it is vital to keep pushing the boundary--yet again he forgets statistics--for every great idea that was rejected for being before its time, there are ten or a hundred ideas which ended up being flat out wrong. The lesson of history is that the odds are against the radical idea. We might think of great successes like Kepler or Newton, who changed our conception of the world with radical notions--but both men also had passionate ideas which they worked on their whole lives, and which turned out to be baseless--for Kepler, the notion that the orbits of the planets were based on the platonic solids, and for Newton the study of alchemy.While reading, I had my own moment of synchronous coincidence, when Jung quoted Kepler's notion of 'Geometric Unity' as an example of a philosophy of synchronicity--despite the fact that it turned out to be incorrect. Mankind is better served by thinkers who work on likely theories rather than ones who chase white rabbits. Yet, I am not numb to the passion that drives a man who works to prove the impossible. There is a part of me that has always wanted magic to exist. A world with magic seems a more interesting and wonderful world. Part of the reason I am skeptical, the reason that I searched so hard for truth, for proofs, was that I wanted to believe. But a simple desire does not make reality:\
  "Do you want a piece of cake?""Yes!""Then have one.""I don't see it . . .""You aren't looking hard enough.""I've checked the whole kitchen and I still don't see any cake.""You just don't want the cake enough. If you really wanted the cake, you'd be eating it already.""But there isn't any cake here!""Well, you can't expect to find the cake with a negative outlook like that. Cakes don't respond well to negative energy.""I'm pretty sure that even if I wanted this cake more than I ever wanted anything, it still wouldn't be here.""What a hopeless cynic!"\
One of my favorite articles is a piece by Dr. Susan Blackmore, entitled 'Why I Have Given Up", which goes into great detail about how difficult it is to try to study unusual theories. She searched in vain for evidence of fantastical claims for a quarter century. In the beginning, she hoped they were true--that she would find something definitive, and that the way we look at the world might be changed forever. By the end, she had still not found a single shred of evidence.Believers attacked her. They said she didn't have an open mind. All the people who had contacted her over the years, sure that they had proof, blamed her when they couldn't demonstrate it. People have a passion for wondrous notions, even when there is nothing to suggest they might be true. It's important to have an open mind as a student of the world, but it's also important to make sure you don't open it so wide that your brain falls out.A place with unicorns and psychic powers where all things are connected and directed by fate seems exciting and interesting. Yet these things are only interesting because they are impossible. They are only fantastical because they do not exist. If they did exist, we would come to expect them. They would be normal to us, and we would no longer find them wondrous.Yet that would not decrease how remarkable they were. The ability to communicate one's thoughts remotely and immediately to a person across the world is terribly fantastical--yet it is something we can now do at a whim. It is no less fantastical to do it with a cellphone, rather than psychic energies, and the only reason the psychic power seems interesting is because we cannot do it. It is the lure of the thing we cannot possess.Instead of losing the self in the contemplation of things that are wondrous because they are impossible, why not contemplate things which are wondrous, but which are all around us all the time? Is it not fantastical that we can see and measure stars as they were countless years before our race was born? Is it not fantastical that we can comprehend the invisible particles which make up all substance in the world?God is a fantastical impossibility: contemplating him means withdrawing from the world and wishing for another existence. Natural laws are a fantastical reality: to contemplate them is to come closer to a grand understanding.If you were walking in the middle of the woods with a friend and came across an arched bridge of stone that gracefully spanned a deep ravine, it would be a beautiful and awing thing to behold. If you asked your friend where it came from, which would be the more fantastical answer: that the natural laws which govern the depositing and erosion of stone naturally created this wonder, or that some guy built it? And yet what is god besides the notion that 'some guy built it'?To me, the notions of gods, angels, psychic powers, magic, astrology, and all the rest do not make the world a more remarkable place, because they are all of man, not of the world. They are not explanations, they provide no understanding, and they indicate no grander existence. They are attempts to make the world more like us.We are programmed to see ourselves everywhere--we see a face in the light socket, we yell at the car for breaking down, we apply complex psychological motivations to our cat. What is god but the attempt to make the universe more like us--to make it living, breathing, thinking, moral, creative, thoughtful, emotional, and answerable? It allows us to pretend for a moment that we are important, that we are in control in some grand, real way. The man-shaped universe does not appeal to me. It is not necessary, nor is it remarkable. It does not make things grander and more wonderful, it makes it small and personal and simple. This world is already magical and fantastical to me. I already find it beautiful and surprising and beyond comprehension. To sit and study the tiny fraction of what we know and understand delights and overwhelms me. Why obsess over a world of false fantasies when there is a world of real, living, breathing miracles out there waiting for you, every day?When a thinker creates and inhabits an empty world of hopes and sympathies, he murders everything sublime and touching in life. It is a tragic thing to kill real wonder in the name of false ones.

Today nearly everyone is familiar with holograms, three-dimensional images projected into space with the aid of a laser. Now, two of the world's most eminent thinkers -- University of London physicists David Bohm, a former protege of Einstein's and one of the world's most respected quantum physicists, and Stanford neurophysiologist Karl Pribram, one of the architects of our modern understanding of the brain -- believe that the universe itself may be a giant hologram, quite literally a kind of image or construct created, at least in part, by the human mind. This remarkable new way of looking at the universe explains not only many of the unsolved puzzles of physics, but also such mysterious occurrences as telepathy, out-of-body and near death experiences, "lucid" dreams, and even religious and mystical experiences such as feelings of cosmic unity and miraculous healings.

Ask the Dust is the story of Arturo Bandini, a young Italian-American writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer's life he fought so hard to attain.

In 1936 George Orwell travelled to Spain to report on the Civil War and instead joined the fight against the Fascists. This famous account describes the war and Orwell’s own experiences. Introduction by Lionel Trilling.

John Wainwright is a freak - a human mutation with an extraordinary intelligence which is both awesome and frightening to all who come into contact with him. Ordinary humans were just playthings to John - subjects for an endless chain of experiments. Their feelings, and sometimes even their lives, are expendable.Odd John has a plan - to create a new order on Earth, a new supernormal species. But the world is not ready for such a change...

Famous the world over for the creative brilliance of his insights into the physical world, Nobel Prize-winning physicist Richard Feynman also possessed an extraordinary talent for explaining difficult concepts to the nonscientist. QED--the edited version of four lectures on quantum electrodynamics that Feynman gave to the general public at UCLA as part of the Alix G. Mautner Memorial Lecture series--is perhaps the best example of his ability to communicate both the substance and the spirit of science to the layperson.The focus, as the title suggests, is quantum electrodynamics (QED), the part of the quantum theory of fields that describes the interactions of the quanta of the electromagnetic field-light, X rays, gamma rays--with matter and those of charged particles with one another. By extending the formalism developed by Dirac in 1933, which related quantum and classical descriptions of the motion of particles, Feynman revolutionized the quantum mechanical understanding of the nature of particles and waves. And, by incorporating his own readily visualizable formulation of quantum mechanics, Feynman created a diagrammatic version of QED that made calculations much simpler and also provided visual insights into the mechanisms of quantum electrodynamic processes.In this book, using everyday language, spatial concepts, visualizations, and his renowned "Feynman diagrams" instead of advanced mathematics, Feynman successfully provides a definitive introduction to QED for a lay readership without any distortion of the basic science. Characterized by Feynman's famously original clarity and humor, this popular book on QED has not been equaled since its publication.

Bertolt Brecht's Stories of Mr. Keuner is a collection of fables, aphorisms, and comments on politics, everyday life, and exile. From 1930 til his death in 1956, Brecht penned these ironic portraits of his times as he was "changing countries more often than shoes." An ardent antifascist, Brecht roamed across Europe just ahead of Hitler's armies—only to wind up poolside in Los Angeles and then interrogated by Senator Joe McCarthy's infamous committee.Bertolt Brecht wrote The Threepenny Opera, Mahagonny, Mother Courage, The Life of Galileo, and many other plays. A major poet of the twentieth century, Brecht also wrote extensively on the theater. At war's end, Brecht became director of the renowned Berliner Ensemble in East Germany.

The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

Set in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. They have everything in common from noodle shops to martial arts. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates.

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind.

Johann Christoph Haizmann, who lived in the 1650s, was a painter and a deeply disturbed individual. His intricate paintings of the devil and his elaborate journal entries depicting encounters with him led Sigmund Freud to diagnose him as one of the first known schizophrenics. Legend has it that Haizmann made a pact with the devil in 1650 to be his son here on earth, and therefore gained immortality. Now, in present day, washed-up child actor Julian, the free-spirited Hannah, and former teacher Grace, along with a documentary film crew, go on a search for this man, who may be the embodiment of all evil. Along the way, they get tips from various experts, which include performances from George Kennedy, Tippi Hedren, Erick Avari, and Stephen Furst. The journey takes them from the inner city to a satanic black mass ceremony, and into the depths of their own souls, as they search for Johann Christoph Haizmann, the Antichrist.

A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. Svankmajer's Faust is a nondescript man who, after being lured by a strange map into a sinister puppet theatre, finds himself immersed in an indescribably weird version of the play, blending live actors, clay model animation and giant puppets.

1994 Czech film directed by Jan Švankmajer

Véronique is a beautiful young French woman who aspires to be a renowned singer. Weronika lives in Poland, has a similar career goal, and looks identical to Véronique, though the two are not related. Both women contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with a puppeteer who may be able to help her with her existential issues. Véronique and Weronika are unaware of each other's existence, yet they sense a spectral companion and an inexplicable, profound bond.

After a lavish dinner party, the guests find themselves mysteriously unable to leave the room... and over the next few days all the elaborate pretenses and facades that they've built up by virtue of their position in society collapse completely as they become reduced to living like animals...

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.

Andreiv Rublev charts the life of the great icon painter through a turbulent period of 15th Century Russian history, a period marked by endless fighting between rival Princes and by Tatar invasions.

Kanji Watanabe is a civil servant. He has worked in the same department for 30 years. His life is pretty boring and monotonous, though he once used to have passion and drive. Then one day he discovers that he has stomach cancer and has less than a year to live. After the initial depression he sets about living for the first time in over 20 years. Then he realises that his limited time left is not just for living life to the full but to leave something meaningful behind...

April 1945. In Germany, as World War II was drawing to a close and the Allied Forces were swarming into Berlin, groups of freshly trained combat cameramen documented the gruesome scenes behind the recently liberated Nazi concentration camps. Named "German Concentration Camps Factual Survey", the 1945 documentary for the British government was produced by Sidney Bernstein, with Alfred Hitchcock's participation. For nearly seven decades, the film was shelved in the British archives and was abandoned without a public screening--for either political reasons or shifted Government priorities--to be ultimately completed by a team of historians and film scholars of the British Imperial War Museum, who meticulously restored the original footage. Intertwined with interviews of both survivors and liberators, as well as short newsreel films and raw footage from the original film, the 2014 documentary chronicles the atrocities that occurred in the concentration and labour camps of Bergen-Belsen, Auschwitz, Majdanek, Dachau, and Buchenwald, also including footage from Soviet cameramen. Without shying away, the camera pans on the German SS officers, lingering on the bony, emaciated faces of the piled-up-like-dolls bodies of men and women who were mercilessly thrown into pits during the mass-grave digging operations. However--even though the film documents a world of nightmare, exposing the undeniable truth of what has been going on within these camps--it also focuses on the healing process of the completely dehumanised survivors, in an attempt not only to serve as a testimony of the Nazi crimes, but also as an important lesson for all mankind.

2014 documentary film directed by Andre Singer

In a small, unnamed country there's an area called the Zone. It's an unusual area, and within its a place known as the Room, where it's believed wishes are granted. The government declared The Zone a no-go area and have sealed it off. This hasn't stopped people from entering the Zone. A writer, and a professor, want to reach the Zone. Their guide - a man known as a stalker, has a special relation with the Zone.

Kevin Lomax, a ruthless young Florida attorney who never lost a case, is recruited by the most powerful law firm in the world. In spite of his mother's disagreement (she compares New York City to Babylon), he accepts the offer and the money that comes along. But soon, his wife starts feeling homesick and seeing devilish apparitions. However, Kevin is sinking in his new cases and pays less and less attention to his wife. His boss and mentor, John Milton, seems to always know how to overcome every problem and that just freaks out Kevin.

German composer, organist, harpsichordist, violist, and violinist

Lucifer Morningstar, bored from his sulking life in hell, comes to live in Los Angeles. While there, he helps humanity with its miseries through his experience and telepathic abilities to bring people's deepest desires and thoughts out of them. While meeting with a Detective in his nightclub (Lux), a shootout involving him and the Detective leads him to become an LAPD consultant who tries to punish people for their crimes through law and justice.

Tastebuds