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Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis.Published in 1965, it won the Hugo Award in 1966 and the inaugural Nebula Award for Best Novel. Dune is frequently cited as the world's best-selling sf novel.

The astonishing novel Brave New World, originally published in 1932, presents Aldous Huxley's vision of the future--of a world utterly transformed. Through the most efficient scientific and psychological engineering, people are genetically designed to be passive and therefore consistently useful to the ruling class. This powerful work of speculative fiction sheds a blazing critical light on the present and is considered to be Aldous Huxley's most enduring masterpiece.The non-fiction work Brave New World Revisited, published in 1958, is a fascinating work in which Huxley uses his tremendous knowledge of human relations to compare the modern-day world with his prophetic fantasy envisioned in Brave New World, including the threats to humanity, such as over-population, propaganda, and chemical persuasion.

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

A THOUSAND-YEAR EPIC, A GALACTIC STRUGGLE, A MONUMENTAL WORK IN THE ANNALS OF SCIENCE FICTION FOUNDATION begins a new chapter in the story of man's future. As the Old Empire crumbles into barbarism throughout the million worlds of the galaxy, Hari Seldon and his band of psychologists must create a new entity, the Foundation-dedicated to art, science, and technology-as the beginning of a new empire. FOUNDATION AND EMPIRE describes the mighty struggle for power amid the chaos of the stars in which man stands at the threshold of a new enlightened life which could easily be destroyed by the old forces of barbarism. SECOND FOUNDATION follows the Seldon Plan after the First Empire's defeat and describes its greatest threat-a dangerous mutant strain gone wild, which produces a mind capable of bending men's wills, directing their thoughts, reshaping their desires, and destroying the universe.

English (Second Foundation) / Italiano«The First Galactic Empire had endured for tens of thousands of years»But now it no longer exists. The present is the Foundation, at war with an enemy with a terrible "psychic" power, i.e. the ability to influence the minds. The third chapter of the Foundation series is better than the two preceding it, with more action and suspense. It's the final showdown between the "Mule" and the Second Foundation, represented in the final battle by its "First Speaker". But above all the homeworld of the Second Foundation will now be revealed. Surprise!Vote: 7,5«Il Primo Impero Galattico era esistito per decine di migliaia d'anni»Ma adesso non esiste più. Il presente è della Fondazione, in lotta contro un nemico dotato di poteri "psichici" terribili, ovvero la capacità di influenzare le menti. Il terzo capitolo del ciclo della Fondazione è meglio dei due precedenti, secondo me, più ricco in azione e suspense. Siamo alla resa dei conti tra il "Mulo" e la Seconda Fondazione, rappresentata nello scontro decisivo dal suo "Primo Oratore". Ma soprattutto ci sta per essere rivelato il pianeta madre della Seconda Fondazione. Sorpresa!Voto: 7,5

Foundation and Empire tells the incredible story of a new breed of man who create a new force for galactic government. Thus, the Foundation hurtles into conflict with the decadent, decrepit First Empire. In this struggle for power amid the chaos of the stars, man stands at the threshold of a new, enlightened life which could easily be put aside for the old forces of barbarism. The Foundation novels of Isaac Asimov constitute what is very likely the most famed epic in all of science-fiction

For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future -- to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save mankind, Seldon gathers the best minds in the Empire -- both scientists and scholars -- and brings them to a bleak planet at the edge of the Galaxy to serve as a beacon of hope for a future generations. He calls his sanctuary the Foundation.But soon the fledgling Foundation finds itself at the mercy of corrupt warlords rising in the wake of the receding Empire. Mankind's last best hope is faced with an agonizing choice: submit to the barbarians and be overrun -- or fight them and be destroyed.

[Penguin Readers Level 4]Winston Smith lives in a society where the government controls people every second of the day. He fights this world with love. But it's dangerous: love for another person can be punished by death - and Big Brother is always watching.Orwell's classic story shows that there is no freedom unless ideas and beliefs can be questioned. This is as true today as when it was written, more than fifty years ago.

Battle Royale (Japanese: バトル・ロワイアル, Hepburn: Batoru Rowaiaru) is the first novel by the Japanese author Koushun Takami. Originally completed in 1996, it was not published until 1999. The story tells of junior high school students who are forced to fight each other to the death in a program run by a fictional authoritarian Japanese government known as the Republic of Greater East Asia.The dystopian novel was previously entered into the 1997 Japan Horror Fiction Awards but was eventually rejected in the final round due to concerns over its depictions of students killing each other. Upon publication in 1999, the novel became a surprise bestseller.In 2000, one year after publication, Battle Royale was adapted into a manga series, written by Takami himself, and a feature film. The film was both controversial and successful, becoming one of the year's highest-grossing films as well as prompting condemnation by Japan's National Diet. The film spawned a sequel, and two more brief manga adaptations were also created.

The Walking Deadis an American post-apocalyptic comic book series created by writer Robert Kirkman. It focuses on Rick Grimes, a Kentucky deputy who is shot in the line of duty and awakens from a coma in a zombie apocalypse that has resulted in a state-wide quarantine. After joining with some other survivors, he gradually takes on the role of leader of a community as it struggles to survive the zombie apocalypse.First issued in 2003 by publisher Image Comics, the comic is written by Kirkman with art by Moore (issues No. 1–6) and Charlie Adlard (issue No. 7 onward). Moore continued to provide the covers through issue No. 24. The series ran for 193 issues, with Kirkman opting to end the series in July 2019 as a surprise to its readers.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

It's the movie event of the year--and the action-packed book you've been waiting for. Outcasts from society, the X-MEN are genetic mutants, born with superhuman powers, who harness their special abilities for the greater good. But the human race they fight to protect rejects and fears--even hates--them. Not all mutants seek to protect mankind. One terrorist group--led by the supremely powerful Magneto--seeks to strike first. Battling against prejudice and agents of intolerance, the X-MEN must establish a peaceful coexistence between mutant and mankind or they will surely perish . . .

Winner of the Hugo, Nebula, and Philip K. Dick AwardsCase was the sharpest data thief in the Matrix, until an ex-employer crippled his nervous system. Now a new employer has recruited him for a last-chance run against an unthinkably powerful artificial intelligence. With a mirror-eyed girl street-samurai riding shotgun, he's ready for the silicon-quick, bleakly prophetic adventure that upped the ante on an entire genre of fiction.Alternate cover for ISBN: 9780441569595

The League of Extraordinary Gentlemen is a comic book series co-created by writer Alan Moore and artist Kevin O'Neill which began in 1999. The series spans four volumes, an original graphic novel, and a spin-off trilogy of graphic novella. Volume I and Volume II (originally released as two six-issue limited series) and the graphic novel Black Dossier were published by the America's Best Comics imprint of DC Comics. After leaving the America's Best imprint, the series moved to Top Shelf and Knockabout Comics, which published Volume III: Century (originally released as three graphic novella), the Nemo Trilogy (a spin-off of three graphic novella centered on the character of Nemo), and Volume IV: The Tempest (originally released as a six-issue limited series). According to Moore, the concept behind the series was initially a "Justice League of Victorian England" but he quickly developed it as an opportunity to merge elements from many works of fiction into one world.

To pay back an old debt, Pike is coerced into protecting Larkin Barkley, a hard-partying young heiress whose life is in danger after a "wrong place wrong time" encounter that quickly escalates and spins out of control. The enemy is shadowy, violent and relentless—but the fierce, focused Pike, one of the strongest characters in modern crime fiction, is equal to the challenge. The breathless pace and rich styling are sure to appeal to readers of hard-boiled fiction in general, but since up to now Pike has mostly remained in the background, some fans of the Elvis Cole series (The Forgotten Man, etc.) may find the explicit picture that emerges of Pike at odds with the image they've constructed for themselves.

For the first time the Joker's origin is revealed in this tale of insanity and human perseverance. Looking to prove that any man can be pushed past his breaking point and go mad, the Joker attempts to drive Commissioner Gordon insane. After shooting and permanently paralyzing his daughter Barbara (a.k.a. Batgirl), the Joker kidnaps the commissioner and attacks his mind in hopes of breaking the man. But refusing to give up, Gordon maintains his sanity with the help of Batman in an effort to beset the madman.

Hellboyis a fictional superhero created by writer-artist Mike Mignola. The character first appeared inSan Diego Comic-Con Comics#2 (August 1993), and has since appeared in various eponymous miniseries, one-shots and intercompany crossovers. The character has been adapted into three live-action feature films. Two starring Ron Perlman in 2004 and 2008 in the title role, and one in 2019 which starred David Harbour, as well as two straight-to-DVD animated films, and three video games –Asylum Seeker,The Science of Evil, and as a playable character inInjustice 2.A well-meaning half-Demon (or Cambion) whose true name isAnung Un Rama("and upon his brow is set a crown of flame"), Hellboy was summoned from Hell to Earth as a baby by Nazi occultists (spawning his hatred for the Third Reich). He was discovered on a fictional Outer Hebrides Island by the Allied Forces; amongst them, Professor Trevor Bruttenholm, who formed the United States Bureau for Paranormal Research and Defense (B.P.R.D.). In time, Hellboy grew to be a large, red-skinned adult with a tail, horns (which he files off, leaving behind circular stumps on his forehead), cloven hooves for feet, and an oversized right hand made of stone (the "Right Hand of Doom"). He has been described as smelling of dry-roasted peanuts. Although a bit gruff, he shows none of the malevolence thought to be intrinsic to classical demons and has an ironic sense of humor. This is said to be because of his upbringing under Professor Bruttenholm, who raised him as a normal boy.

I first saw the Batman 1989 version when I was 8 years old, and I thought it was the coolest movie ever since Star Wars! I've been a die-hard Batman film ever since. Michael Keaton was a great Batman and Jack Nicholson was phenomenal as The Joker.The book follow the movie fairly well. Batman wages war on the criminal underworld of Gotham City, but when the Joker comes to power, he takes over the underworld and wants to rule Gotham City, but also shows interest in Photographer Vicki Vale, who show's a professional interest in Batman, and is also dating Bruce Wayne, who as we all know is also the Caped Crusader, Batman!

John Constantine, Hellblazer is an American contemporary horror comic book series published by DC Comics since January 1988, and subsequently by its Vertigo imprint since March 1993 when the imprint was introduced. Its central character is the streetwise magician John Constantine, who was created by Alan Moore and Stephen R. Bissette, and first appeared as a supporting character in Swamp Thing (vol. 2) #37 (June 1985), during that creative team's run on that title. Hellblazer had been published continuously since January 1988, and was Vertigo's longest running title, the only remaining publication from the imprint's launch. In 2013, the series concluded with issue 300, and was replaced by a DC Universe title, Constantine. The original series was revived in November 2019 as part of The Sandman Universe line of comics. Well known for its political and social commentary, the series has spawned a film adaptation, television show, novels, and multiple spin-offs and crossovers.

This masterpiece of modern comics storytelling brings to vivid life a dark world and an even darker man. Together with inker Klaus Janson and colorist Lynn Varley, writer/artist Frank Miller completely reinvents the legend of Batman in his saga of a near-future Gotham City gone to rot, ten years after the Dark Knight's retirement. Crime runs rampant in the streets, and the man who was Batman is still tortured by the memories of his parents' murders. As civil society crumbles around him, Bruce Wayne's long-suppressed vigilante side finally breaks free of its self-imposed shackles. The Dark Knight returns in a blaze of fury, taking on a whole new generation of criminals and matching their level of violence. He is soon joined by this generation's Robin—a girl named Carrie Kelley, who proves to be just as invaluable as her predecessors.But can Batman and Robin deal with the threat posed by their deadliest enemies, after years of incarceration have made them into perfect psychopaths? And more important, can anyone survive the coming fallout of an undeclared war between the superpowers—or a clash of what were once the world's greatest superheroes?Over fifteen years after its debut, Batman: The Dark Knight Returns remains an undisputed classic and one of the most influential stories ever told in the comics medium.Collecting Batman: The Dark Knight Returns #1-4

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After moving to a new town, two brothers discover that the area is a haven for vampires.

1987 film by Joel Schumacher, Richard Donner

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

Six complete strangers with widely varying personalities are involuntarily placed in an endless maze containing deadly traps.

1997 Canadian independent science-fiction horror film by Vincenzo Natali

In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

1971 dystopian crime film directed by Stanley Kubrick

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

Memento is a 2000 American neo-noir psychological thriller film written and directed by Christopher Nolan, based on the 2001 short story "Memento Mori" by Jonathan Nolan. Guy Pearce stars as Leonard Shelby, a man who suffers from anterograde amnesia, resulting in short-term memory loss and the inability to form new memories. He searches for the people who attacked him, raped and killed his wife, using an elaborate system of Polaroid photographs, handwritten notes, and tattoos to track information he won't remember. Carrie-Anne Moss and Joe Pantoliano co-stars in the film.The film's non-linear narrative is presented as two different sequences of scenes interspersed during the film: a series in black-and-white that is shown chronologically, and a series of color sequences shown in reverse order (simulating for the audience the mental state of the protagonist). The two sequences meet at the end of the film, producing one complete and cohesive narrative.

Roy Neary, an electric lineman, watches how his quiet and ordinary daily life turns upside down after a close encounter with a UFO.

1977 American science fiction film directed by Steven Spielberg

A terrorist explosion releases a deadly virus on the masses, and it's up the bounty-hunting Bebop crew to catch the cold-blooded culprit.

2001 Japanese anime film by Shin'ichirō Watanabe

The aliens are coming and their goal is to invade and destroy Earth. Fighting superior technology, mankind's best weapon is the will to survive.

1996 American science fiction film directed by Roland Emmerich

In the distant future, a small waste-collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

A squad of U.S. Marines becomes the last line of defense against a global invasion.

sleep potion and flash in pants is not bruce and tom estist means tear of the sun reflective amber point tap not yet if asked at circle 2

The only residents of young Nicholas' sea-side town are women and boys. When he sees a corpse in the ocean one day, he begins to question his existence and surroundings. Why must he, and all the other boys, be hospitalised?

2015 drama film by Lucile Hadžihalilović

Cube²: Hypercube (Cube 2: Hypercube) est un film de science-fiction horrifique canadien réalisé par Andrzej Sekuła, sorti en 2002.Il est la suite de Cube (1997) réalisé par Vincenzo Natali. Un autre film est sorti directement en vidéo en 2004, Cube Zero, mais il s'agit d'une préquelle de Cube.Une jeune femme se réveille dans une pièce cubique. Elle explore sommairement les lieux mais en ouvrant une des issues placées au milieu des murs, elle pousse un cri, attrapée et tirée de force.Paniqué et effrayé, un homme en costume ouvre frénétiquement les panneaux d’issue et constate qu’aucun numéro n’est inscrit, se lamentant de ne pas pouvoir se repérer. Il ouvre sa mallette reliée à son poignet par des menottes mais cette dernière est complètement vide. Effondré, l’homme pleure.

A vampire tells his epic life story: love, betrayal, loneliness, and hunger.

A retired master car thief must come back to the industry and steal fifty cars with his crew in one night to save his brother's life.

2000 American action film directed by Dominic Sena

Batman has not been seen for ten years. A new breed of criminal ravages Gotham City, forcing 55-year-old Bruce Wayne back into the cape and cowl. But, does he still have what it takes to fight crime in a new era?

Affable hillbillies Tucker and Dale are on vacation at their dilapidated mountain cabin when they are mistaken for murderers by a group of preppy college students.

Underworld: Awakening is a 2012 American action horror film directed by Måns Mårlind and Björn Stein. It is the fourth installment in the Underworld franchise, with Kate Beckinsale reprising her role as Selene, joined by Theo James, Michael Ealy, and India Eisley. Filming began in March 2011 in Vancouver, British Columbia and the film was released in Digital 3D, IMAX 3D and 2D theaters on January 20, 2012 and grossed $160 million worldwide. It was followed by Underworld: Blood Wars in 2016.A few years after the events of the second film, both the government and the general public have become aware of the existence of the Vampires and Lycans. A program to study and potentially harness their powers soon escalates into an all-out genocide and shortly after the Purge begins, Selene and Michael are captured by humans. Due to her enhanced vampiric traits, Selene is imprisoned in cryogenic suspension.

Tron: Legacy (stylized as TRON: Legacy) is a 2010 American science fiction action film directed by Joseph Kosinski (in his feature directorial debut) and written by Adam Horowitz and Edward Kitsis, from a story by Horowitz, Kitsis, Brian Klugman, and Lee Sternthal. It serves as a sequel to Tron (1982), whose director Steven Lisberger returned to produce. The cast includes Jeff Bridges and Bruce Boxleitner reprising their roles as Kevin Flynn and Alan Bradley, respectively, as well as Garrett Hedlund, Olivia Wilde, James Frain, Beau Garrett and Michael Sheen. The story follows Flynn's adult son Sam, who responds to a message from his long-lost father and is transported into a virtual reality called "the Grid," where Sam, his father, and the algorithm Quorra must stop the malevolent program Clu from invading the real world.

The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization's name.

English singer-songwriter, bassist of The Beatles

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

A suspended lawyer is forced to enroll in a community college with an eccentric staff and student body.

American comedy television series created by Dan Harmon

Space Ghost, a superhero from a 1960s Hanna-Barbara cartoon, hosts his own talk show.

The program focuses on the misadventures of two unlikely yet somehow biological siblings: Cow and Chicken.

Guts is a skilled swordsman who joins forces with a mercenary group named 'The Band of the Hawk', lead by the charismatic Griffith, and fights with them as they battle their way into the royal court.

A 12-year old boy named Naota one day meets a strange woman, riding a Vespa and wielding a big guitar. As soon as she appears, mysterious things start happening.

A teenage girl periodically travels back in time to feudal Japan to help a young half-demon recover the shards of a jewel of great power.

A sketch comedy show involving five friends.

An international team of scientists and military personnel discover a Stargate network in the Pegasus Galaxy and come face-to-face with a new, powerful enemy, The Wraith.

Аніме-серіал Rurouni Kenshin, режисером якого був Кадзухіро Фурухасі, демонструвався в Японії на телеканалі Fuji TV з 10 січня 1996 року по 8 вересня 1998 року. Остання 95-я серія по японському телебаченню не транслювалася, проте присутня на відеокасетах та DVD-дисках.Продюсерами серіалу виступили компанії Aniplex та Fuji TV, анімацією займалися Studio Gallop (з 1-ї по 70-ю серію) та Studio DEEN (з 71-ї по 95-ю)..Серіал, який складався з 3-х сезонів, досить точно повторював перші дві частини манґи, проте потім сценаристи відійшли від її сюжету. Це робилося для того, щоб дозволити Нобухіро Вацукі закінчити роботу над третьою частиною манґи, яку також планувалося адаптувати та включити в серіал. Але цим планам не судилося збутися: велика кількість серій, які не відносяться до сюжету основного твору, привела до падіння популярності аніме, і робота над ним була припинена.

Naruto Uzumaki, is a loud, hyperactive, adolescent ninja who constantly searches for approval and recognition, as well as to become Hokage, who is acknowledged as the leader and strongest of all ninja in the village.

X-Men are a fictional team of superheroes appearing in American comic books published by Marvel Comics.X-Men or X Men may also refer to:

Adventure Time is an American fantasy animated television series created by Pendleton Ward for Cartoon Network and distributed by Warner Bros. Domestic Television. The series follows the adventures of a boy named Finn (Jeremy Shada) and his best friend and adoptive brother Jake (John DiMaggio)—a dog with the magical power to change size and shape at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with Princess Bubblegum (Hynden Walch), the Ice King (Tom Kenny), Marceline (Olivia Olson), BMO (Niki Yang), and others. The series is based on a 2007 short film that aired on Nicktoons. After the short became a viral hit on the Internet, Nickelodeon's executives passed on its option before Cartoon Network commissioned a full-length series from Fred Seibert and Ward, which was previewed on March 11, 2010. The same year, the series premiered on Cartoon Network on April 5, and ended its eight-year run on September 3, 2018.

The vampire Alucard, his master Sir Integra Fairbrook Wingates Hellsing, and his newly sired ward Seras Victoria, try to protect England from a war-crazed SS-Major who seeks to start an eternal war with his vampire army.

Street Fighter: Assassin's Fist takes us back to the formative years of the iconic characters, Ryu and Ken, as they live a traditional warrior's life in the secluded mountain wilderness of Japan.

After his hometown is destroyed and his mother is killed, young Eren Yeager vows to cleanse the earth of the giant humanoid Titans that have brought humanity to the brink of extinction.

Yu Yu Hakusho (Japanese: 幽☆遊☆白書, Hepburn: Yū Yū Hakusho) is a Japanese manga series written and illustrated by Yoshihiro Togashi. The series tells the story of Yusuke Urameshi, a teenage delinquent who is struck and killed by a car while attempting to save a child's life. After a number of tests presented to him by Koenma, the son of the ruler of the afterlife Underworld, Yusuke is revived and appointed the title of "Underworld Detective", with which he must investigate various cases involving demons and apparitions in the human world. The manga becomes more focused on martial arts battles and tournaments as it progresses. Togashi began creating Yu Yu Hakusho around November 1990, basing the series on his interests in the occult and horror films and an influence of Buddhist mythology.

A hedonistic jingle writer's free-wheeling life comes to an abrupt halt when his brother and 10-year-old nephew move into his beach-front house.

A woman who moves into an apartment across the hall from two brilliant but socially awkward physicists shows them how little they know about life outside of the laboratory.

In a war-torn world of elemental magic, a young boy reawakens to undertake a dangerous mystic quest to fulfill his destiny as the Avatar, and bring peace to the world.

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