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Life is full of missed opportunities and hard decisions. Sometimes it’s difficult to know what to actually do.  Dubliners  creates an image of an ever movie city, of an ever moving exchange of people who experience the reality of life. And that’s the whole point: realism. Not everything goes well, not everything is perfectly constructed. Life is random and unpredictable. If we’re not careful it may escape from us entirely. There are two types of stories in  Dubliners. The first, and by far the most effective, are those associated with despair, nihilism and death. The second type deals with more ordinary aspects of modern life, the representation of the city and social exchanges. As a collection they provide an image of dark, murky city struggling to cope with the problems associated with rapid urbanisation. The stories do not intertwine, but you are left with the impression that they are not that far from each other: their proximity feels close as you read further into each one. The true mastery of Joyce’s writing reveals itself in what he doesn’t say, the subtle suggestions, the lingering questions, as each story closes without any sense of full resolution. And, again, is this not true of real life? In narrative tradition there is a structured beginning, middle and end, but in the reality of existence it doesn’t quite work this way. Life carries on. It doesn’t have a form of narrative closure, a convenient wrapping up of plot, after each wound we take in life. It carries on. We carry on. And for the Dubliners isolation carries on. \
  “He could not feel her near him in the darkness nor hear her voice touch his ear. He waited for some minutes listening. He could hear nothing: the night was perfectly silent. He listened again: perfectly silent. He felt that he was alone.” \


American writer and journalist (1925-2009)

More than two million copies of Things Fall Apart have been sold in the United States since it was first published here in 1959. Worldwide, there are eight million copies in print in fifty different languages. This is Chinua Achebe's masterpiece and it is often compared to the great Greek tragedies, and currently sells more than one hundred thousand copies a year in the United States.A simple story of a "strong man" whose life is dominated by fear and anger, Things Fall Apart is written with remarkable economy and subtle irony. Uniquely and richly African, at the same time it reveals Achebe's keen awareness of the human qualities common to men of all times and places.

From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new.Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

Rarely am I left speechless, I usually have plenty to say, but as I reflected on this novel, I realized there would be no surefire way to describe this book. It is a complete conundrum. Readers will either love or hate this book, I don’t think it there is much of a middle road with this one. It will speak to those with similar personal experiences. I enjoyed the format. It gives the reader snapshots of Dex and Em’s life, like flipping through a stack of polaroids, just a flash of what was going on at a particular time. Picking the same day established a sequence and highlighted that life and circumstances can change so quickly at times, or not change at all as was in Em’s case when two days start exactly the same. I think this was an intelligent way to approach a story that spans 20 years. We don’t really need a full depiction of every single event in their lives to have a sense of what they are going through. Characterization was excellent. Dex and Em quickly became real in my mind, as if I was peeking into the lives of a couple of friends, or reading their journal pages. I too quickly began to know what Emma would or would not like just as Dex did. The characters were genuine. Some reviews say that they were stereotypical…but I find that some people latch onto stereotypes, it helps them define themselves. I feel this is what Emma was doing in her youth with her political stances and thus why they are not as important as she grows older. So are they really stereotypical characters? Or are they just portraying their ideal personas as so many people do?I find that comparisons to When Harry met Sally fall short. I understand the reasons for the comparisons in that they are both about friends that seem to circle back every few years and make sarcastic quips to one another. But I feel like it ends there. To me, this is more of a modernized Wuthering Heights. The author’s ability to write from a woman’s POV is refreshing. I am hesitant when I read something written by a man, trying to sound like a woman. I generally feel like it’s not authentic,like there is something off. Not with this book. Em thought the way I would think, said things that I would say. In the end, this novel deeply affected me. I have not read something that has touched me this much in some time. It spoke to me completely as I was tortured by my own Dex in my youth and early adulthood. The emotions are portrayed as they should be; the frustration, the yearning are, from my perspective, completely legitimate. I found myself feeling like I was reading bits and pieces of my own story. I had knots in my stomach through most of the book and after finishing this at 1 am this morning, I could do nothing but stare at the ceiling and walls, absorbing what I had read, tearing it apart mentally, and extracting lessons from it to be applied in life. That, for me, is the mark of a wonderful novel, reading that reaches into your soul and touches your heart, writing that moves you to feel. 

'Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you could have lived. To see how things would be if you had made other choices... Would you have done anything different, if you had the chance to undo your regrets?' A dazzling novel about all the choices that go into a life well lived, from the internationally bestselling author of Reasons to Stay Alive and How To Stop Time.Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. While we all wonder how our lives might have been, what if you had the chance to go to the library and see for yourself? Would any of these other lives truly be better?In The Midnight Library, Matt Haig's enchanting novel, Nora Seed finds herself faced with this decision. Faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realizing her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place.

Herman Hesse's classic novel has delighted, inspired, and influenced generations of readers, writers, and thinkers. In this story of a wealthy Indian Brahmin who casts off a life of privilege to seek spiritual fulfillment. Hesse synthesizes disparate philosophies--Eastern religions, Jungian archetypes, Western individualism--into a unique vision of life as expressed through one man's search for true meaning.

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

Lionel Essrog is Brooklyn’s very own self-appointed Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in the most startling and original ways. Together with three veterans of the St. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel’s colleagues lands in jail, the other two vie for his position, and the victim’s widow skips town. Lionel’s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original homage to the classic detective novel by one of the most acclaimed writers of his generation.

393.	In Watermelon Sugar, Richard BrautiganIn Watermelon Sugar is an American post-apocalyptic novel by Richard Brautigan written in 1964 and published in 1968. Set in the aftermath of a fallen civilization, it focuses on a commune organized around a central gathering house which is named "iDEATH". In this environment, many things are made of watermelon sugar (though the inhabitants also use pine wood and stone for building material and fuel made from trout oil). The landscape of the novel is constantly in flux; each day has a different colored sun which creates different colored watermelons, and the central building also changes frequently. The novel's narrator, who is left unnamed, claims to be writing an investigative book on his experiences at iDEATH.در قند هندوانه - ریچارد براتیگان (چشمه)؛ تاریخ نخستین خوانش: روز بیست و سوم ماه جولای سال 2012 میلادیعنوان: در قند هندوانه؛ نویسنده: ریچارد براتیگان؛ مترجم: مهدی نوید؛ تهران، نشر چشمه، 1384؛ در 184 ص؛ چلپ دوم: 1386؛ چپ چهارم 1387؛ شابک: 9789643622183؛ چاپ پنجم 1389؛ چاپ هفتم 1394؛مترجم: مهراداد واشقانی فراهانی؛ تهران، کوله پشتی، 1392؛ در 143 ص؛ شابک: 9786009310197؛ نقل از متن: مارگریت را دیدم که از یک درخت سیب در کنار کلبه اش بالا میرفت. گریه میکرد و یک روسری دور گردنش گره زده بود. طرف دیگر روسری را که رها بود گرفت و به یکی از شاخه ها که پر از سیبهای کال بود، بست. شاخه را رها کرد و بعد در هوا معلق شد. دیگر به مجسمه ی آیینه ها نگاه نکردم. به قدر کافی برای آنروز دیده بودم. روی نیمکت کنار رودخانه نشستم و به برکه ی عمیقی که در آنجا بود خیره شدم. مارگریت مرده بود. پایان نقل. ا. شربیانی

In his startling and singular new short story collection, David Foster Wallace nudges at the boundaries of fiction with inimitable wit and seductive intelligence. Venturing inside minds and landscapes that are at once recognisable and utterly strange, these stories reaffirm Wallace's reputation as one of his generation's pre-eminent talents, expanding our ides and pleasures fiction can afford.Among the stories are 'The Depressed Person', a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World', which reveals a woman's agonised consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men', a dark, hilarious series of portraits of men whose fear of women renders them grotesque. Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many different guises. Thought-provoking and playful, this collection confirms David Foster Wallace as one of the most imaginative young writers around. Wallace delights in leftfield observation, mining the ironic, the surprising and the illuminating from every situation. His new collection will delight his growing number of fans, and provide a perfect introduction for new readers.

In The Unbearable Lightness of Being, Milan Kundera tells the story of a young woman in love with a man torn between his love for her and his incorrigible womanizing and one of his mistresses and her humbly faithful lover. This magnificent novel juxtaposes geographically distant places, brilliant and playful reflections, and a variety of styles, to take its place as perhaps the major achievement of one of the world’s truly great writers.

The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

Winner of the National Book Award for FictionNominated for the National Book Critics Circle AwardAn American Library Association Notable BookJonathan Franzen's third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.

At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her housekeeping job at Marianne’s house, a strange and indelible connection grows between the two teenagers—one they are determined to conceal.A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years in college, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. Then, as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.Sally Rooney brings her brilliant psychological acuity and perfectly spare prose to a story that explores the subtleties of class, the electricity of first love, and the complex entanglements of family and friendship.

I bought this book cause I was walking through a bookstore with a friend of mine... a friend I adore more than newborn puppies and tiny rabbits hopping in fields of grass, and she said, "MIRANDA JULY! I love her. She made the movie You, Me, and Everyone We Know." I hadn't seen the movie, but I remember seeing an ad in the paper and thinking, "I want to see that movie."And it was because of that, and because I adore this girl more than newborn puppies, and rabbits hopping in fields of grass, and moonlit nights, and sundrenched mornings, that I bought two copies of the book (one for her, and one for me. One could say "Jeff: Nice boy." One has said, "Jeff: Helpless romanitc sucker." I loath both definitions.A book of short stories. Most are delicate. Like something you'd find in your grandmother's junk drawer. Not the one in her kitchen. The one that's the top drawer of her dresser. The one that's filled with pearl buttons, and half knitted doilies, and old black and white photos with a younger version of your grandmother, and complete strangers. You wonder who those people were? What kind of double life did your grandmother lead? Are these people still alive? Does she keep in contact with them? It's a whole world of possibility. You start to see your grandmother in a wholey different light. She's no longer this older woman who is constantly trying to feed or, or berating you for not wearing shoes or not having a job befitting of a college graduate. She's a real person now, with half knitted doilies, and pictures of random people. Old patches that look as if they were ripped off a G.I. uniform. It would break your heart if you asked, and your Grandmother said, "Oh, look at that. You found that in my drawer? No, I have no idea what that is."So you just let your imagination run wild. Some stories fall flat. Like opening your grandmother's junk drawer and finding nail clippers. But at least they're sharp nail clippers... not the kind that break your nails when you try to use them. And sometimes, that's enough to get you through the day.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness.First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.--jacket flap

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last - inexorably - into evil.

The terrifyingly prophetic novel of a post-literate future.Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.--back cover

It's the early 1980s - the country is in a deep recession, and life after college is harder than ever. In the cafés on College Hill, the wised-up kids are inhaling Derrida and listening to the Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead - charismatic loner, college Darwinist, and lost Portland boy - suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus - who's been reading Christian mysticism and generally acting strange - resurfaces, obsessed with the idea that Madeleine is destined to be his mate. Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love. Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.

When Jack Kerouac’s On the Road first appeared in 1957, readers instantly felt the beat of a new literary rhythm. A fictionalised account of his own journeys across America with his friend Neal Cassady, Kerouac’s beatnik odyssey captured the soul of a generation and changed the landscape of American fiction for ever.Influenced by Jack London and Thomas Wolfe, Kerouac always wanted to be a writer, but his true voice only emerged when he wrote about his own experiences in On the Road. Leaving a broken marriage behind him, Sal Paradise (Kerouac) joins Dean Moriarty (Cassady), a tearaway and former reform school boy, on a series of journeys that takes them from New York to San Francisco, then south to Mexico. Hitching rides and boarding buses, they enter a world of hobos and drifters, fruit-pickers and migrant families, small towns and wide horizons. Adrift from conventional society, they experience America in the raw: a place where living is hard, but ‘life is holy and every moment is precious’.With its smoky, jazz-filled atmosphere and its restless, yearning spirit of adventure, On the Road left its mark on the culture of the late 20th century, influencing countless books, films and songs. Kerouac’s prose is remarkable both for its colloquial swing and for the pure lyricism inspired by the American landscape – ‘the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy’. This Folio Society edition is illustrated with evocative photographs of Kerouac and the landscapes of 1950s America. Now acknowledged as a modern classic, On the Road remains a thrilling and poignant story of the road less travelled.

The Worst Person in the World (Norwegian: Verdens verste menneske) is a 2021 romantic black comedy-drama film directed by Joachim Trier. It is the third film in the director's "Oslo Trilogy", following Reprise (2006) and Oslo, August 31st (2011). The film premiered in competition at the 2021 Cannes Film Festival to widespread critical acclaim, with Renate Reinsve winning the award for Best Actress for her performance in the film. At the 94th Academy Awards, the film was nominated for Best International Feature Film and Best Original Screenplay. The score for the film was written by Ola Fløttum.Julie is a medical student in Oslo who transfers to psychology and then photography. In her late 20s, she starts a relationship with Aksel Willman, a comic artist 15 years older than her. Now dabbling in writing, she spends a weekend with Aksel at his parents' house. Aksel floats the idea of starting a family with Julie, but Julie is uncertain. While walking home from a publishing event for Aksel, Julie crashes a wedding reception and meets Eivind, a barista. Though both are in relationships, they spend the night together sharing jokes and intimacies, but without sexual relations. They exchange only their first names and part ways.

Set in a tropical resort, it follows the exploits of various guests and employees over the span of a week.

American satire comedy-drama television series from 2021's HBO

Sam is a true Kansan on the surface, but, beneath it all, struggles to fit the hometown mold.

A deep cut into the days and nights of a public schoolteacher in the San Fernando Valley.

A young Ob/Gyn doctor balances her personal and professional life, surrounded by quirky co-workers in a small office.

American romantic comedy television series

A look at life for a group of high school students as they grapple with issues of drugs, sex, and violence.

2019 American teen drama television series

Comedy series about four Native American teenagers growing up on a reservation in eastern Oklahoma.

A fan of music, pop culture and Top Five lists runs a local record store in her hometown. An adaptation of Nick Hornby's novel "High Fidelity".

The series will follow Carrie, Miranda and Charlotte as they navigate the journey from the complicated reality of life and friendship in their 30s to the even more complicated reality of life and friendship in their 50s.

Set nearly a decade after the finale of the original series, this revival follows Lorelai, Rory and Emily Gilmore through four seasons of change.

A woman struggling in her life as a quietly tortured housewife, finds an unconventional path to power through an unlikely source: the world of aerobics.

Intertwined groups of friends in Chicago fumble through the modern maze of love, sex, technology and culture.

A program that follows a couple who must navigate the exhilarations and humiliations of intimacy, commitment and other things they were hoping to avoid.

American romantic comedy web television series

The complicated life of a modern-day first generation Indian American teenage girl, inspired by Mindy Kaling's own childhood.

Shrinking is an American comedy-drama television series created by Brett Goldstein, Bill Lawrence and Jason Segel. The series premiered on January 27, 2023 on Apple TV+.A therapist, Jimmy Laird, dealing with severe grief begins to breach ethical barriers by telling his patients what he completely thinks, resulting in massive changes to his and their lives.It was announced in October 2021 that Apple TV+ had ordered a ten-episode season for the series, which will star Jason Segel, who co-created alongside Brett Goldstein and Bill Lawrence. In April 2022, Harrison Ford, Jessica Williams, Christa Miller, Michael Urie, Luke Tennie, and Lukita Maxwell joined the cast, with James Ponsoldt joining the production as a director and executive producer. Production began in April 2022. The series was released on January 27, 2023, with the first two episodes available immediately and the rest debuting on a weekly basis.

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