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Harini Sen

Vastralaya

Evan Shively (Perseus271)

Vin, the street urchin who has grown into the most powerful Mistborn in the land, and Elend Venture, the idealistic young nobleman who loves her, must build a healthy new society in the ashes of an empire. Three separate armies attack. As the siege tightens, an ancient legend seems to offer a glimmer of hope. But even if it really exists, no one knows where to find the Well of Ascension or what manner of power it bestows.

I can't remember being this violently conflicted about a book in quite some time. There are some areas where it's just so well done, with the author absolutely nailing it, and then others where I found myself grinding my teeth in frustration. I'm going to abandon my usual practice of writing short, pithy reviews and just drunkenly ramble on a few things here. (Still no spoilers, though.) That OK with y'all?Language. About two and a half chapters into this book, I found myself asking, "Why does this feel like a kids' fantasy book?" It wasn't the subject material or the plot, both of which are much more sophisticated than Harry Potter and his ilk. While I would feel perfectly comfortable having a 12-year old read this PG13-violent and utterly asexual book, I don't feel as though it's necessarily written for tweens. Finally it occurred to me: it's the language. This book is one of the most simply written books I've ever read, using only the most basic vocabulary. That isn't a bad thing, as I'd rather read something direct and simple than something flowery and overwritten, but Sanderson's language is so simple here that it's almost as if he's drawing with the Crayola 16-set when other authors have the big 64. (One notable exception: having apparently become recently enamored of the word, he uses maladroitly at least three times. Maybe he was jamming some Weezer while he wrote.) I haven't read any of his other works (yet; Mistborn #2 is on deck), but I have to assume this simplicity is by conscious choice, and it's an interesting choice at that. I'm just not sure yet how I feel about it.One language choice that I am sure how I feel about is Sanderson's decision to have his characters speak good old American English. The narration is similarly plainspoken, with a fair amount of American slang thrown in, rather than the twee, faux-Elizabethan style of a lot of fantasy authors. I like the approach. One of the most time-honored fantasy tropes is having all the characters thee and thou each other, with a few ne'er did yon stars of Yomama glimmer so resplendently, my suzerain for good measure. And I can handle that stuff, having been weaned on Tolkien and everything that came after, but I found Sanderson's decision to move away from that convention refreshing. I interpreted it as Sanderson saying, "The unspoken assumption here is that this book has been translated from whatever languages they speak on this made-up world, so why translate it to anything other than what is most understandable and comfortable for you to read? To couch this story in funky language is to insult your imagination by implying that you need that in order to realize you're reading a fantasy novel."Setting and Plot. The setting is a typical high fantasy world - feudal-style nobility and peasantry; shadowy, powerful priesthood; mysterious evil lord, etc. - with some odd, almost steampunk flourishes thrown in. There are wristwatches. Men's formal wear is described as something more like Victorian coat and tails than medieval garb. Magic in this world is fueled by elemental and alloyed metals, which are described rather exactly, using percentages. It's a unique and interesting blend.The basic plot is about as stock as it gets. If you're familiar with the Star Wars films, the Harry Potter or Percy Jackson books, Eragon, the Dragonriders of Pern trilogy, Dune, Ender's Game, or any one of about a million other works, please play Mad Libs with me:Dear [kid with weird name], I know you are only a [farmer / orphan / urchin / child of a minor noble], and this will be hard for you to accept, but you [have Great Powers / are the Chosen One / insert name of funky power here]. You are the only one who can [save the world / save the universe / defeat the Empire / restore order to the Force / kill the Big Boss]. Luckily, even though you just learned your destiny fifteen minutes ago, you will make up for lost time by quickly becoming better than anyone in the history of ever at [Quidditch / dragon riding / sandworm riding / Allomancy]. Any questions?Needless to say, the book's plot could have been a ticket to Hack City, but it really isn't. Vin's growth and development are handled well.Exposition. This is a fantasy book for the video game generation. By that, I mean that the book follows the general path of a first person RPG:1) Introduction to the world and the main characters2) A few early levels whose only apparent purpose is to teach the player how to use the buttons3) Quests of increasing difficulty, with progressive reveals of the Big Plot4) Fight with the Main Boss, including the inevitable twist5) Denouement and teaser for the next installment.Not that that's a bad thing! But I was really surprised at the way Allomancy (the main "magic" in this world) was laid out. In the two towering fantasy/sci-fi works of the 20th century, The Lord of the Rings and Dune, the supernatural elements of the story operated behind a sort of curtain or screen. The One Ring in LotR and the spice Melange in Dune both held great, mysterious powers, but the specific effects and extent of those powers were seen only in fits and flashes, and never understood completely by the characters or the reader. In contrast, fairly early in this book, Kelsier takes Vin on a practice run where he explains how her powers work and what their advantages and limitations are, using plain language and real-world physics, and lets her fly and mess around and just generally exult in her magic. It left me, the reader, as well as Vin the character, feeling that even if we didn't understand this magic perfectly right now, we might at some point in the future, which was a very different feel.OK, after enough rambling about things I feel ambivalently about, let's wrap up with one big win and one big fail:WIN: Brandon Sanderson can write the hell out of an action scene. (And since the final quarter of this book is pretty much all action, playing directly into Sanderson's strengths, it kicks all kinds of ass.) The fights in this book are gut-wrenching without being overly gory, and the chases and sneaks are heart-stopping as well. Perfect combination of pace and detail. Amazing. Possibly the best I've ever read from an author in this genre, and if he's able to do that so effortlessly, so early in his career, it gives me hope that he can fix...FAIL: ...the dialogue. In spite of being favorably disposed due to the use of informal American English, I eventually found the dialogue here really clunky. Everyone is too wordy. Everyone says one sentence too many. Over and over again, I found myself going, "Real people don't talk like this" and especially, "Real people who are supposed to be close friends don't talk anything like this to each other." Seriously, think of how you talk to your best friends in private, then compare it to this book. In addition, there was always that odd feeling of unneeded exposition, as if the characters were talking half to each other and half to the reader. It was unfortunate, especially in contrast to how slick and fast-moving and just plain awesome a lot of the other writing was.All in all, this was a fun, kinetic read...with a few holes in it. It builds, it explodes, and the ending is really good. If half-stars were allowed, this would have been a 3 1/2. Good stuff.Also, here are my (spoiler-free, suitable as previews) reviews of the second and third books in the series, if you enjoyed this one!

The new Sissy Sawyer adventure - The discovery of a murdered office worker in the elevator of a condemned building sets in motion a chain of events that will make the streets of Cincinnati run with blood. Police artist Molly and her alternative, chain-smoking, fortune-telling mother-in-law, Sissy Sawyer, become inextricably involved. Sissys tarot cards seem to be offering her clues, if only she can decipher them in time . . .

Mistborn: The Hero of Ages is an epic fantasy novel written by American author Brandon Sanderson. It was published on October 14, 2008 by Tor Books and is the third novel in the Mistborn trilogy. It is preceded by The Well of Ascension in 2007 and followed by The Alloy of Law in the Mistborn: Era 2 series, Wax and Wayne in 2011.The Hero of Ages is the prophesied savior of the Terris people, foretold to find and give up the power at the Well of Ascension, in a selfless act to save the world from the Deepness. However, the Terris prophecies proved to have been altered, in a ruse allowing the powerful force named Ruin to escape imprisonment.Ruin wanted to destroy the world instantaneously but his power was too weak, as part of it had been taken and hidden by the opposing force, Preservation, long ago. Freedom from the Well of Ascension enabled Ruin to directly affect the world more, increasing ashfall from the ashmounts and summoning earthquakes to break the world apart; he could also influence people and control entire koloss armies. He used his thousand years of imprisonment to plot his escape and the subsequent destruction he would reap.

A war fueled by the powers of dark sorcery is about to engulf the peaceful land of Osten Ard—for Prester John, the High King, lies dying. And with his death, the Storm King, the undead ruler of the elf-like Sithi, seizes the chance to regain his lost realm through a pact with the newly ascended king. Knowing the consequences of this bargain, the king’s younger brother joins with a small, scattered group of scholars, the League of the Scroll, to confront the true danger threatening Osten Ard.  Simon, a kitchen boy from the royal castle unknowingly apprenticed to a member of this League, will be sent on a quest that offers the only hope of salvation, a deadly riddle concerning long-lost swords of power. Compelled by fate and perilous magics, he must leave the only home he’s ever known and face enemies more terrifying than Osten Ard has ever seen, even as the land itself begins to die. After the landmark Memory, Sorrow, and Thorn trilogy, the epic saga of Osten Ard continues with the brand-new novel, The Heart of What Was Lost. Then don’t miss the upcoming trilogy, The Last King of Osten Ard, beginning with The Witchwood Crown!

The bestselling novel by Irvine Welsh that provided the inspiration for Danny Boyle’s hit film Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.

The year is 1327. Benedictines in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon—all sharpened to a glistening edge by wry humor and a ferocious curiosity. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey, where “the most interesting things happen at night.”

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

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A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which began when five criminals met at a seemingly random police lineup.

1995 German-American neo-noir crime thriller film directed by Bryan Singer

In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

1971 dystopian crime film directed by Stanley Kubrick

A punk rock band is forced to fight for survival after witnessing a murder at a neo-Nazi skinhead bar.

A frontiersman on a fur trading expedition in the 1820s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.

2015 film directed by Alejandro González Iñárritu

In 1980s Italy, romance blossoms between a seventeen-year-old student and the older man hired as his father's research assistant.

A Polish Jewish musician struggles to survive the destruction of the Warsaw ghetto of World War II.

2002 biographic film on the Warsaw Ghetto directed by Roman Polanski

The Boy in the Striped Pyjamas is a 2008 historical drama film written and directed by Mark Herman. It is based on the 2006 novel of the same name by John Boyne. Set in Nazi-occupied Poland, the film follows the son of an SS officer who befriends a Holocaust prisoner of his age. It was released in the United Kingdom on 12 September 2008. It received generally positive reviews from critics for being touching but was panned by scholars for misrepresenting elements of the Holocaust.

After the Rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued across the galaxy by Darth Vader and bounty hunter Boba Fett.

1980 American epic space opera flim directed by Irvin Kershner

Blacksmith Will Turner teams up with eccentric pirate "Captain" Jack Sparrow to save his love, the governor's daughter, from Jack's former pirate allies, who are now undead.

2003 American adventure fantasy film directed by Gore Verbinski

Two Jedi escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to claim their original glory.

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Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan Kenobi investigates an assassination attempt on the senator and discovers a secret clone army crafted for the Jedi.

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Five friends go for a break at a remote cabin, where they get more than they bargained for, discovering the truth behind the cabin in the woods.

Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives.

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Star Wars is a 1977 American epic space opera film written and directed by George Lucas, produced by Lucasfilm and distributed by 20th Century Fox. It is the first film in the Star Wars film series and fourth chronological chapter of the "Skywalker Saga". Set "a long time ago" in a fictional universe where the galaxy is ruled by the tyrannical Galactic Empire, the story focuses on a group of freedom fighters known as the Rebel Alliance, who aim to destroy the Empire's newest weapon, the Death Star. Luke Skywalker becomes caught in the conflict while learning the ways of a metaphysical power known as "the Force" from Jedi Master Obi-Wan Kenobi. The cast includes Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, David Prowse, James Earl Jones, Anthony Daniels, Kenny Baker, and Peter Mayhew.

An intellectually nonconformist friar investigates a series of mysterious deaths in an isolated abbey.

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A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.

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A traveling theater company gives its audience much more than they were expecting.

A young orphaned boy raised by underground cave-dwelling trash collectors tries to save his friends from an evil exterminator.

2010: The Year We Make Contact (abbreviated on-screen as simply 2010) is a 1984 American science fiction film written, produced, shot and directed by Peter Hyams. It is a sequel to Stanley Kubrick's 1968 film 2001: A Space Odyssey and is based on Arthur C. Clarke's 1982 sequel novel, 2010: Odyssey Two. The film stars Roy Scheider, Helen Mirren, Bob Balaban and John Lithgow, along with Keir Dullea and Douglas Rain of the cast of the previous film.Nine years after the failure of the Discovery One mission to Jupiter in 2001, in which the crew of five including mission commander David Bowman were lost, an international dispute causes tension between the United States and the Soviet Union while both nations prepare space missions to determine what happened to the Discovery. The Soviet spacecraft Leonov will be ready a year before the American Discovery Two, but the Soviets need Americans to board the Discovery and reactivate the ship's sentient computer, HAL 9000, apparently responsible for the disaster. Upon learning that Discovery will crash into Jupiter's moon Io before the American mission can launch, Dr. Heywood Floyd, Discovery designer Walter Curnow, and HAL 9000's creator Dr. Chandra are permitted to join the Soviet mission.

American musician, singer, songwriter, producer, author, and animal rights activist

English musician, composer, record producer and visual artist

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks.

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Funky hospital-based sketch-comedy-drama type show.

After a group of people, who meet online, discover a bizarre graphic novel which seems to hold mysterious answers, they find themselves being tracked down by a merciless organization known merely as 'The Network'.

The personal exploits of a 16-year-old girl and her family and friends during the Troubles in the early 1990s.

A comedy series adapted from the award-winning play about a young woman trying to cope with life in London whilst coming to terms with a recent tragedy.

Holistic detective Gently relies on the universe to unravel mysteries based on the 'interconnectedness of all things'.

Set in a dystopian future, a woman is forced to live as a concubine under a fundamentalist theocratic dictatorship.

A family saga with a supernatural twist, set in a German town, where the disappearance of two young children exposes the relationships among four families.

James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a road trip in search of her real father.

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Holistic detective Dirk Gently investigates cases involving the supernatural.

An anthology series exploring a twisted, high-tech multiverse where humanity's greatest innovations and darkest instincts collide.

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When a young boy disappears, his mother, a police chief and his friends must confront terrifying supernatural forces in order to get him back.

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A group of seemingly unrelated strangers all receive a mysterious note stating "I know what you did", which sends their lives into a downward spiral.

Socially inept Miranda always gets into awkward situations; working in her joke shop with best friend Stevie, being hounded by her pushy mother, and around her crush Gary.

A modern update finds the famous sleuth and his doctor partner solving crime in 21st century London.

British crime drama television series, first broadcast in 2010

Beau Séjour (the first season is internationally known as Hotel Beau Séjour) is a Dutch-language Belgian supernatural crime drama television series, created by Bert Van Dael and Sanne Nuyens, and directed by Nathalie Basteyns and Kaat Beels. It began airing on Belgian channel Eén on 1 January 2017 and on Arte in France, Germany and French-speaking Belgium on 2 March. It debuted on Netflix in some countries on 16 March 2017.A second season was confirmed for the series in November 2017, and filming began in 2019. It premiered on Eén on January 31st 2021.First season: In the village Lanklaar, in Limburg, Maasland, near Belgium's Dutch border, Belgian teenager Kato Hoeven (Lynn Van Royen) awakens at the small Hotel Beau Séjour to find a bloody corpse in the bathtub – her own. She has no memory of the day before her death or why she was there. She soon discovers that a select few people are able to see her and communicate with her as she desperately tries to find out who was responsible for her murder and why they killed her.

Michel, Guido and Frankie have been co-workers and close friends for years. But when their boss gets fired, Guido gets a promotion and is replaced by the odd Alain Vandam. No normal day passes on this work floor where impossible situ

The Returned is a French supernatural drama television series created by Fabrice Gobert, based on the 2004 French film They Came Back, directed by Robin Campillo. The series debuted on 26 November 2012 on Canal+ and completed its first season, consisting of eight episodes, on 17 December. In 2013, the first season won an International Emmy for Best Drama Series.

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