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The Color of Paradise (Persian: رنگ خدا, Rang-e Khodā, literally The Color of God) is a 1999 Iranian film directed by Majid Majidi.The story revolves around a blind boy named Mohammad who is released from his special school in Tehran for summer vacation. His father, Hashem, shamed and burdened by Mohammad's blindness, arrives late to pick him up and then tries to convince the headmaster to keep Mohammad over the summer. The headmaster refuses, so Hashem eventually takes him home.Hashem, who is a widower, now wants to marry a local woman and prepares for the wedding. He approaches the woman's parents with gifts, and they give him their blessing. He attempts to hide the fact that his son is blind because he fears that the girl's family will see it as a bad omen.

A man shuffles through a dream meeting various people and discussing the meanings and purposes of the universe.

Three Colours: Blue (French: Trois couleurs: Bleu, Polish: Trzy kolory. Niebieski) is a 1993 French drama film directed and co-written by Polish filmmaker Krzysztof Kieślowski. Blue is the first of three films that comprise the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality, and fraternity; it is followed by White and Red. According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning.Set in Paris, the film is about a woman whose husband and child are killed in a car accident. Suddenly set free from her familial bonds, she attempts to cut herself off from everything and live in isolation from her former ties, but finds that she can't free herself from human connections.

A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.

A look at the lives and relationships among girls at an elite boarding school.

Orthodox teacher and wigmaker, Ruchama and Tikva, embark on a journey to fulfill their dream of making movies within the closed society in which they live. Ruchama is writing and producing her first film while Tikva prepares for her 

2011 Israeli documentary film directed by Efrat Shalom Danon

Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.

The Double Life of Veronique (French: La double vie de Véronique, Polish: Podwójne życie Weroniki) is a 1991 drama film directed by Krzysztof Kieślowski and starring Irène Jacob. Written by Kieślowski and Krzysztof Piesiewicz, the film explores the themes of identity, love, and human intuition through the characters of Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. The two women do not know each other, and yet they share a mysterious and emotional bond that transcends language and geography.The Double Life of Véronique was Kieślowski's first film to be produced partly outside his native Poland. It won the Prize of the Ecumenical Jury and the FIPRESCI Prize at the 1991 Cannes Film Festival, and the Best Actress Award for Jacob. The Double Life of Véronique was selected as the Polish entry for the Best Foreign Language Film at the 64th Academy Awards, but was not accepted as a nominee.

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

Amélie is an innocent and naive girl in Paris with her own sense of justice. She decides to help those around her and, along the way, discovers love.

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