Emo Nemo

Mily

Yourneighbor

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

‘It is best to do nothing! The best thing is conscious inertia! So long live the underground!’Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky’s groundbreaking Notes from Underground tells the story of his tortured life. With bitter sarcasm, he describes his refusal to become a worker in the ‘ant-hill’ of society and his gradual withdrawal to an existence ‘underground’. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who exactly resembles him – his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly study of human consciousness.Jessie Coulson’s introduction discusses the stories’ critical reception and the themes they share with Dostoyevksy’s great novels.

(...) Toma um fósforo. Acende teu cigarro! O beijo, amigo, é a véspera do escarro, A mão que afaga é a mesma que apedreja.Se a alguém causa inda pena a tua chaga, Apedreja essa mão vil que te afaga, Escarra nessa boca que te beija("Versos íntimos" – 1901)Augusto dos Anjos (1884-1914) foi ignorado pela crítica do começo do século. Se alguma exceção se abriu, foi para reputá-lo como autor de versos estapafúrdios e aberrantes. Nas décadas seguintes acabou reconhecido como um dos mais admirados e originais poetas brasileiros. Este volume inclui Eu (1912), único livro publicado em vida, e outras poesias publicadas de maneira esparsa. Augusto dos Anjos é, certamente, o precursor da moderna poesia brasileira, poesia esta que daria seu voo somente em 1922, na célebre Semana da Arte Moderna.

Senhora is a novel written by the Brazilian writer José de Alencar. It was first published in 1875, two years before the author's death. It was the third book by the author about the position of women in Brazil's 19th century Rio de Janeiro society (the other two being Diva and Lucíola), published under the pseudonym G.M.Aurélia Camargo, daughter to a poor family, fell in love with Fernando Seixas, an ambitious man, who she had been engaged to. However, Fernando ended the relationship, wanting to marry a rich lady, Adelaide Amaral, from whose father he would be given a dowry as the law stated. Some time after her father's death, Aurélia receives a large inheritance from her grandfather (who she didn't know to be rich) and rises socially. Being the owner of great beauty, she then starts to be the big sensation on the parties and events of that time. Torn between love and her hurt pride, she puts her uncle Lemos in charge of a negotiation to offer Fernando a large amount of money to marry her. The deal, however, states that the identity of the bride should remain a secret until the day after the wedding ceremony. When he finds out that Aurélia is his bride, Fernando is very happy, for he never really stopped loving her. He then opens his heart to her and confesses his love. The young woman, however, on their first night together, makes it very clear: she "bought" him to be the husband a woman of her social position should have. They sleep in different rooms. She doesn't want to be his and takes every opportunity she has to criticize him with sarcasm and irony.

Primeiro romance de José de Alencar, Cinco Minutos foi um verdadeiro sucesso. Inicialmente publicada em forma de folhetins pelo jornal Diário do Rio de Janeiro, ao final de todos os capítulos já publicados, foram juntados em uma única edição e oferecida de brinde aos assinantes. Porém, como diversas pessoas que não assinavam o jornal procuraram por um volume do romance, foi publicada a primeira edição em 1856. Trata-se de uma deliciosa história de amor vivida pelo narrador e sua amada Carlota. No entanto, pode-se perceber que a história não é dirigida para o leitor em geral, mas a uma prima do autor. Ao mesmo tempo em que tenta levar o leitor a pensar que tudo é imaginário e que faz parte das fantasias do autor, o autor faz questão de narrar fatos verídicos da época.Fonte: http://www.superdownloads.com.br/down...

Atenção: Esse livreto é da coleção da Folha e não o livro de Lispector.Nordestina, semianalfabeta e perdida na paisagem de concreto paulistana, a quase invisível Macabéa sobrevive mal-remunerada, subnutrida e maltratada. Quando sonha, perde a vida.A crônica trágica de uma brasileira semelhante a milhões de outras foi o último livro de Clarice Lispector, publicado pouco antes da morte da escritora, em dezembro de 1977. Em 1985, a diretora Suzana Amaral enfrentou e venceu o desafio de adaptar para o cinema a complexa escrita de Lispector.Fernanda Montenegro faz uma participação muito especial e, no papel central, a atriz Marcelia Cartaxo traduz com perfeição a transformação desse ser em nada. Pela atuação, conquistou a prêmio de melhor atriz no Festival de Berlim.

Even bad code can function. But if code isn t clean, it can bring a development organization to its knees. Every year, countless hours and significant resources are lost because of poorly written code. But it doesn t have to be that way. Noted software expert Robert C. Martin presents a revolutionary paradigm with  Clean Code: A Handbook of Agile Software Craftsmanship . Martin has teamed up with his colleagues from Object Mentor to distill their best agile practice of cleaning code on the fly into a book that will instill within you the values of a software craftsman and make you a better programmer but only if you work at it. What kind of work will you be doing? You ll be reading code lots of code. And you will be challenged to think about what s right about that code, and what s wrong with it. More importantly, you will be challenged to reassess your professional values and your commitment to your craft.  Clean Code  is divided into three parts. The first describes the principles, patterns, and practices of writing clean code. The second part consists of several case studies of increasing complexity. Each case study is an exercise in cleaning up code of transforming a code base that has some problems into one that is sound and efficient. The third part is the payoff: a single chapter containing a list of heuristics and smells gathered while creating the case studies. The result is a knowledge base that describes the way we think when we write, read, and clean code. Readers will come away from this book understandingHow to tell the difference between good and bad code How to write good code and how to transform bad code into good code How to create good names, good functions, good objects, and good classes How to format code for maximum readability How to implement complete error handling without obscuring code logic How to unit test and practice test-driven development This book is a must for any developer, software engineer, project manager, team lead, or systems analyst with an interest in producing better code. "

Em is locked in a bare, cold cell with no comforts. Finn is in the cell next door. The Doctor is keeping them there until they tell him what he wants to know. Trouble is, what he wants to know hasn't happened yet. Em and Finn have a shared past, but no future unless they can find a way out. The present is torture - being kept apart, overhearing each other's anguish as the Doctor relentlessly seeks answers. There's no way back from here, to what they used to be, the world they used to know. Then Em finds a note in her cell which changes everything. It's from her future self and contains some simple but very clear instructions. Em must travel back in time to avert a tragedy that's about to unfold. Worse, she has to pursue and kill the boy she loves to change the future.

An alternate cover edition can be found here.An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price. Until something goes wrong. . . .--back cover

Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia) is a satirical work of fiction and political philosophy by Thomas More (1478–1535) published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

Making friends has never been Elise Dembowski’s strong suit. All throughout her life, she’s been the butt of every joke and the outsider in every conversation. When a final attempt at popularity fails, Elise nearly gives up. Then she stumbles upon a warehouse party where she meets Vicky, a girl in a band who accepts her; Char, a cute, yet mysterious disc jockey; Pippa, a carefree spirit from England; and most importantly, a love for DJing.Told in a refreshingly genuine and laugh-out-loud funny voice, This Song Will Save Your Life is an exuberant novel about identity, friendship, and the power of music to bring people together.

Jerry Spinelli’s novel Stargirl, published in 2000, became an instant bestseller, beloved for its nonconformist heroine with a heart of gold. With over 1.4 million copies in print in North America alone and licenses in 27 languages, it's gone on to become an international hit. The acclaimed companion novel, Love, Stargirl, was published in 2007 and quickly became a New York Times Bestseller. We're pleased to offer hardcover editions of both novels in this eye-popping new boxed set.

A celebration of nonconformity; a tense, emotional tale about the fleeting, cruel nature of popularity--and the thrill and inspiration of first love. Ages 12+Leo Borlock follows the unspoken rule at Mica Area High School: don't stand out--under any circumstances! Then Stargirl arrives at Mica High and everything changes--for Leo and for the entire school. After 15 years of home schooling, Stargirl bursts into tenth grade in an explosion of color and a clatter of ukulele music, enchanting the Mica student body.But the delicate scales of popularity suddenly shift, and Stargirl is shunned for everything that makes her different. Somewhere in the midst of Stargirl's arrival and rise and fall, normal Leo Borlock has tumbled into love with her.In a celebration of nonconformity, Jerry Spinelli weaves a tense, emotional tale about the fleeting, cruel nature of popularity--and the thrill and inspiration of first love.

London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

 "No Lumiar" "Era um dia de Abril; a PrimaveraMostrava apenas seu virgíneo seioEntre a folhagem tenra; não vencera,De todo, o Sol o misterioso enleioDa névoa rara e fina que estenderaA manhã sobre as flores; o gorjeioDas aves inda tímido e infantil...Era um dia de Abril.E nós íamos lentos passeandoDe vergel em vergel, no descuidadoSossego d'alma que se está lembrandoDas lutas do passado,Das vagas incertezas do porvir.E eu não cansava de admirar, de ouvir,Porque era grande, um grande homem deverasAquele duque - ali maior ainda,Ali no seu Lumiar, entre as sincerasBelezas desse parque, entre essas flores,A qual mais bela e de mais longe vindaEsmaltar de mil coresBosque, jardim, e as relvas tão mimosas,Tão suaves ao pé - muito há cansadoDe pisar alcatifas ambiciosas,De tropeçar no perigoso estradoDas vaidades da Terra.E o velho duque, o velho homem de Estado,Ao falar dessa guerraDistante - e das paixões da humanidade,Sorria maliciosoDaquele sorrir fino sem maldade,Que tão seu era, que, entre desdenhosoE benévolo, a quanto lhe saíaDos lábios dava um cunho de nobreza,De razão superior.E então como ele a amava e lhe queriaA esta pobre terra portuguesa!Velha tinha a razão, velha a experiência,Jovem só esse amor.Tão jovem, que inda cria, inda esperava,Inda tinha a fé viva da inocência!...Eu, na força da vida,Tristemente de mim me envergonhava.- Passeávamos assim, e em reflectidaMeditação tranquila descuidadosÍamos sós, já sem falar, descendoPor entre os velhos olmos tão copados,Quando sentimos para nós crescendoRumor de vozes finas que zumbiaComo enxame de abelhas entre as flores,E vimos, qual Diana entre os menoresAstros do céu, a forma que se erguia,Sobre todas gentil, dessa estrangeiraQue se esperava ali. Perfeita, inteiraNo velho amável renasceu a vidaE a graça fácil. Cuidei ver o antigoO nobre Portugal que ressurgiaNo venerando amigo;E na formosa dama que sorria,O génio da subida,Rara e fina elegância que a nobreza,O gosto, o amor do Belo, o instinto da ArteReúne e faz irmãos em toda a parte;Que afere a grandezaPela medida só dos pensamentos,Do 'stilo de viver, dos sentimentos,Tudo o mais como fútil desprezando.Pensei que a saudar o velho ilustreEm seus últimos diasE a despedir-se, até Deus sabe quando,De nossas praias tristes e sombrias,Vinha esse génio... Tristes e sombrias,Que o sol lhe foge, lhe esmorece o lustre,E onde tudo que é alto vai baixando ...O triste, o que não tem já sol que o aqueçaSou eu talvez - que, à míngua de fé, sintoO cérebro gelar-me na cabeçaPorque no coração o fogo é extinto.Ele não era assim,Ou sabia fingir melhor do que eu!- Como o nobre corcel que envelheceuNas guerras, ao sentir o áureo telimE as armas sobre o dorso descarnado,Remoça o garbo, em juvenil meneioFranja de espuma o freio,E honra os brasões da casa em que foi nado.Nunca me há-de esquecer aquele dia!Nem os olhos, as falas, e a sinceraAdmiração da bela dama inglesaPor tudo quanto via;O fruto, a flor, o aroma, o sol que os gera,E esta vivaz, veemente natureza,Toda de fogo e luz,Que ama incessante, que de amar não cansa,E contínua produzNos frutos o prazer, na flor a esp'rança.Ali as nações todas se juntaram,Ali as várias línguas se falaram;A Europa convidadaVeio ao festim - não ao festim, ao preito.Vassalagem rendida foi prestadaAo talento, à beleza,A quanto n'alma infunde amor, respeito,Porque é deveras grande - que a grandezaOs homens não a dão; Põe-na por sua mãoNaqueles que são seus,Nos que escolheu - só Deus.Oh!, minha pobre terra, que saudadesDaquele dia! Como se me apertaO coração no peito coas vaidades,Coas misérias que aí vejo andar alerta,À solta apregoando-se! Na intriga,Na traição, na calúnia é forte a liga,É fraca em tudo o mais...Tu, sossegadoDescansa no sepulcro; e cerra, cerraBem os olhos, amigo venerado,Não vejas o que vai por nossa terra.Eu fecho os meus, para trazer mais vivaNa memória a tua imagemE a dessa bela Inglesa que se esquivaDe nós entre a folhagemDos bosques de Parténope. Cansado,Fito nesta miragemOs olhos d'alma, enquanto que, arrastado,Vai o tardio péPor este que inda é,Que cedo não será, bem cedo - em mal!O velho Portugal."

I hardly know where to begin bashing this book. Do I start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? The imperial measurements (miles, feet) despite the German setting? The German boy, raised in Berlin, who thinks that Der Führer is "The Fury" and Auschwitz is "Out-With," despite being corrected several times and seeing it written down? The other English-language idioms and mis-hearings, despite our being told that he speaks only German? And that he believes that "Heil Hitler!" is a fancy word for hello, because he understands neither "Heil" nor "Hitler"?So maybe these are fussy issues, and I shouldn't trash the book on these minor linguistic flaws. Instead, I can start with the plot holes big enough to drive a truck through: that Bruno, whose father is a high-ranking official in "The Fury"'s regime, doesn't know what a Jew is, or that he's living next door to a concentration camp. Or that the people wearing the "striped pajamas" are being killed, and THAT's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." Or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, AND that nobody would try to get OUT through this hole. Or that Bruno's friend Shmuel, a frail 9-year-old boy, would survive over a year in a Nazi camp. Or even the author's refusal to ever use the word "Auschwitz," in an effort to "make this book about any camp, to add a universality to Bruno's experience."That last is from an interview with the author that appears at the end of the audio version. I can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that Bruno is too innocent, too naive, and they are trivializing the message of this book." Um, no. I'm not trivializing the message; I'm objecting to his trivializing of the Holocaust. I find his treatment of the Holocaust to be superficial, misleading, and even offensive.As an audio recording, I'm pretty neutral. The narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. Other chapters had no music at all. Sometimes the music appeared in the middle of a chapter. Two other incidental notes: first, normally you can't say anything negative about a Holocaust-themed book without being an asshole, because the books are so tied in with the Holocaust itself. In this case, though, I feel like, due to the fictionalizing of it, the book is far enough removed from Auschwitz that it's okay to be negative about the book without being insensitive about the Holocaust. Second, this doesn't land on my "run away! Save yourself!" shelf, because that's more for books that are comically bad--books that I can bash with glee and mock with abandon. I can't find anything funny about what makes this book so bad; it's just plain offensive and shallow.

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

A professor enters a cave and goes missing. Some of his students come looking for him and get trapped in the cave as well.

Who Am I (German: Who Am I – Kein System ist sicher; English: "Who Am I: No System Is Safe") is a 2014 German techno-thriller film directed by Baran bo Odar. It is centered on a computer hacker group in Berlin geared towards global fame. It was screened in the Contemporary World Cinema section at the 2014 Toronto International Film Festival. The film was shot in Berlin and Rostock. Because of its storyline and some elements, the film is often compared to Fight Club and Mr. Robot.Benjamin Engel, a hacker from Berlin, sits in an interrogation room. The officer in charge tells Hanne Lindberg, Head of the Cyber Division of Europol, that Benjamin asked to conduct the interrogation. Benjamin says that he has information regarding FR13NDS (), a notorious hacking group of four members connected to the Russian cyber mafia, and MRX, an infamous hacker known on Darknet; he tells her that he could give them both to Hanne if she listens to him. Having no choice, Hanne sits down.

Clara doesn't know what she wants to do with her life, until one day she meets Guilherme who helps her to find her own path.

A teenager who's spent her whole life confined to her home falls for the boy next door.

Following an embarrassing viral video, a New York model decides to escape from her suffocating existence by visiting her faraway aunt in Australia.

2017 Australian film by Rhiannon Bannenberg

Marty McFly, a 17-year-old high school student, is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his close friend, the eccentric scientist Doc Brown.

In turbulent action comedy OFFLINE, champion gamer Jan (Moritz Jahn) has to fight for his digital identity, winning back his real life as well.

George, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.

An F.B.I. Agent and an Interpol Detective track a team of illusionists who pull off bank heists during their performances, and reward their audiences with the money.

In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.

Desperate to get out from under her overprotective mother, a home-schooled teen runs off to live with her dad, and forms a bond with his much-younger boyfriend.

Erik, a loner, finds a friend in Dexter, an eleven-year-old boy with AIDS. They vow to find a cure for AIDS together and save Dexter's life in an eventful summer.

A clinically depressed teenager gets a new start after he checks himself into an adult psychiatric ward.

High school student Nick O'Leary, member of the Queercore band The Jerk Offs, meets college-bound Norah Silverberg when she asks him to be her boyfriend for five minutes.

Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding the unborn child.

2007 American comedy-drama film directed by Jason Reitman

An offbeat romantic comedy about a woman who doesn't believe true love exists, and the young man who falls for her.

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High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.

In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a 

A boy growing up in Dublin during the 1980s escapes his strained family life by starting a band to impress the mysterious girl he likes.

2016 musical comedy-drama film directed by John Carney

High-school life gets even more unbearable for Nadine when her best friend, Krista, starts dating her older brother.

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In the book Speak, by Laurie Halse Anderson, Melinda Sordino is forced into the worst year of her life. Her best friend, Rachel Bruin, has turned agai

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