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In 1865, English author CHARLES LUTWIDGE DODGSON (1832-1898), aka Lewis Carroll, wrote a fantastical adventure story for the young daughters of a friend. The adventures of Alice-named for one of the little girls to whom the book was dedicated-who journeys down a rabbit hole and into a whimsical underworld realm instantly struck a chord with the British public, and then with readers around the world. In 1872, in reaction to the universal acclaim *Alice's Adventures in Wonderland* received, Dodgson published this sequel. Nothing is quite what it seems once Alice journeys through the looking-glass, and Dodgson's wit is infectious as he explores concepts of mirror imagery, time running backward, and strategies of chess-all wrapped up in the exploits of a spirited young girl who parries with the Red Queen, Tweedledee and Tweedledum, and other unlikely characters. In many ways, this sequel has had an even greater impact on today's pop culture than the first book.

Alice's Adventures in Wonderland (commonly Alice in Wonderland) is an 1865 English novel by Lewis Carroll. It details the story of a young girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book. It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating a new era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her given name with Alice Liddell, a girl Carroll knew.

Librarian note: Alternate cover edition of 9780765356154.Sophisticated, witty, and ingeniously convincing, Susanna Clarke's magisterial novel weaves magic into a flawlessly detailed vision of historical England. She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.

What an odd fantasy! No swords, no sorcery, no elves, no thieves, no imaginary beasts, no multiple planes of existence . . . nothing but a cavernous castle peopled by eccentrics with Dickensian names (Sepulchrave, Prunesquallor, Swelter, Flay) whose lives are determined by centuries--perhaps millenia--of complex rituals. Although the people themselves seem to be British, the enormous burden of tradition under which they labor seems Asiatic in its detailed intensity, and it is instructive to learn that Peake spent his formative years in China, not far from the Imperial City.This is superior fantasy, but like The Worm Ouroboros it is not immediately accessible. Peak was a painter, and as a writer he exercises his painterly imagination by creating scenes--particularly his major ones, like the death-duel of Flay and Swelter--as if each moment were a tableau, part of a series of individual canvases. The reader is then faced with the duty of internalizing each of these stationary images, combining them into a progression, and then animating them--sort of like ruffling the pages of a cartoonist's flip book--in order to release the cinematic power of the scene. For someone like myself who possesses a third-rate visual imagination, this requires re-reading certain passages more than a couple of times.I must admit, though, that Peake's approach has a certain cumulative power. It serves to preserve these odd, angular characters of his like flies in amber, trapped forever in their traditions like individual frames in an epic film, circumscribed by the labyrinthine spaces of the monstrous castle that is Gormenghast.

A groundbreaking work of science fiction, The Left Hand of Darkness tells the story of a lone human emissary to Winter, an alien world whose inhabitants can choose - and change - their gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters.Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

It is autumn 1981 when the inconceivable comes to Blackeberg, a suburb in Sweden. The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day.But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

A former circus artist escapes from a mental hospital to rejoin his armless mother - the leader of a strange religious cult - and is forced to enact brutal murders in her name as he becomes "her arms".

Perfect Blue: Yume Nara Samete (PERFECT BLUE 夢なら醒めて……) is a 2002 Japanese fantasy suspense film directed by Toshiki Satō and based on the novel Perfect Blue: Kanzen Hentai by Yoshikazu Takeuchi. It was released on August 24, 2002.Jasper Sharp of Midnight Eye wrote that "for the most part Yume Nara Samete is downright boring".

Dreams is a 1990 magical realist anthology film of eight vignettes written and directed by Akira Kurosawa, starring Akira Terao, Martin Scorsese, Chishū Ryū, Mieko Harada and Mitsuko Baisho. It was inspired by actual recurring dreams that Kurosawa said he had repeatedly. It was his first film in 45 years in which he was the sole author of the screenplay. An international co-production of Japan and the United States, Dreams was made five years after Ran, with assistance from George Lucas and Steven Spielberg, and funded by Warner Bros. The film was screened out of competition at the 1990 Cannes Film Festival, and has consistently received positive reviews.

A collection of four Japanese folk tales with supernatural themes.

A Phoenix secretary embezzles $40,000 from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

1995 American science fiction film by Terry Gilliam

After discovering a mysterious artifact buried beneath the Lunar surface, mankind sets off on a quest to find its origins with help from intelligent supercomputer H.A.L. 9000.

When two girls move to the country to be near their ailing mother, they have adventures with the wondrous forest spirits who live nearby.

A sheriff investigating the disappearance of a young girl from a small island discovers there's a larger mystery to solve among the island's secretive, neo-pagan community.

During her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.

2001 Japanese animated film directed by Hayao Miyazaki

A sex-repulsed woman who disapproves of her sister's boyfriend sinks into depression and has horrific visions of rape and violence.

1965 British film directed by Roman Polanski

Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

1977 surrealist body horror film written and directed by American filmmaker David Lynch

The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.

A team of explorers travel through a wormhole in space in an attempt to ensure humanity's survival.

2014 British-American science fiction film directed by Christopher Nolan

After a space merchant vessel receives an unknown transmission as a distress call, one of the crew is attacked by a mysterious life form and they soon realize that its life cycle has merely begun.

1979 British-American science-fiction horror film by Ridley Scott

Mulholland Drive is a 2001 surrealist neo-noir mystery film written and directed by David Lynch and starring Naomi Watts, Laura Harring, Justin Theroux, Ann Miller, Mark Pellegrino, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an amnesiac woman (Harring) recovering from a car accident. The story follows several other vignettes and characters, including a Hollywood film director (Theroux).

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

A bureaucrat rents a Paris apartment where he finds himself drawn into a rabbit hole of dangerous paranoia.

A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.

1980 British-American horror film by Stanley Kubrick

Riget is a Danish absurdist supernatural horror miniseries trilogy created by Lars von Trier and Tómas Gislason. Set in the neurosurgical ward of Copenhagen's Rigshospitalet, each episode of the show takes place over a single day, and follows the hospital's eccentric staff and patients as they encounter bizarre and sometimes supernatural phenomena. The series is notable for its wry humor, its muted sepia colour scheme, and the appearance of a chorus of dishwashers with Down syndrome, who discuss in intimate detail the strange occurrences in the hospital. The main theme's song was written by von Trier himself.

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