Elena Rainn

KRKY Y

Kyrsten Iris

Coen Van loo

_ eshago@uw.edu

Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

It's all about family ...Sookie Stackhouse is dealing with a whole host of family problems, ranging from her own kin (a non-human fairy and a telepathic second cousin) demanding a place in her life, to her lover Eric's vampire sire, an ancient being who arrives with Eric's 'brother' in tow at a most inopportune moment. And Sookie's tracking down a distant relation of her ailing neighbour (and ex), Vampire Bill Compton.In addition to the multitude of family issues complicating her life, the werewolf pack of Shreveport has asked Sookie for a special favour, and since Sookie is an obliging young woman, she agrees. But this favour for the wolves has dire results for Sookie, who is still recovering from the trauma of her abduction during the Fairy War.

Dating both a vampire and a werewolf isn't easy. But just to complicate Anita's already messy life, someone has put a price on her head. Love cannot save her this time, so she turns to Edward, hitman extraordinaire, for help. But finding the person behind the threat won't be easy, because as both a vampire hunter and zombie reanimator, Anita has made a lot of enemies-both human and otherwise.

Cerulean Sins, the eleventh entry in the hugely-popular Anita Blake series, finds everyone’s favorite vampire hunter keeping house and kicking butt.Anita Blake is trying to get her life back to “normal” after a break-up with her werewolf lover. She has settled into a pattern of domesticity, which means that the new man in her life, the leopard shapeshifter Micah, has no problem sharing her with Jean-Claude, Master Vampire of the City. Things are as peaceful as they ever get for someone who raises the dead, when Jean-Claude receives an unexpected and unwelcome visitor: Musette, the very beautiful, very twisted representative of the European Council of Vampires. Anita soon finds herself caught up in a dangerous game of vampire power politics.To add to her troubles, she is asked to consult on a series of brutal killings, which seem to be the work of something un-human. The investigation leads her to Cerulean Sins, a vampire-run establishment that deals in erotic videos, videos that cater to very specific tastes. Anita knows one creature of the night who has such interests — Jean-Claude’s visitor. But if Anita brings Musette down, the repercussions could cost her everything she holds dear.Once a sworn enemy of all monsters, Anita is now the human consort of both Master Vampire Jean Claude and leopard shapeshifter Micah. When a centuries-old vampire hits St. Louis, Anita finds herself needing all the dark forces her passion can muster to save the ones she loves.Anita Blake returns to find hell hath no fury like a vampire scorned.

I can't remember being this violently conflicted about a book in quite some time. There are some areas where it's just so well done, with the author absolutely nailing it, and then others where I found myself grinding my teeth in frustration. I'm going to abandon my usual practice of writing short, pithy reviews and just drunkenly ramble on a few things here. (Still no spoilers, though.) That OK with y'all?Language. About two and a half chapters into this book, I found myself asking, "Why does this feel like a kids' fantasy book?" It wasn't the subject material or the plot, both of which are much more sophisticated than Harry Potter and his ilk. While I would feel perfectly comfortable having a 12-year old read this PG13-violent and utterly asexual book, I don't feel as though it's necessarily written for tweens. Finally it occurred to me: it's the language. This book is one of the most simply written books I've ever read, using only the most basic vocabulary. That isn't a bad thing, as I'd rather read something direct and simple than something flowery and overwritten, but Sanderson's language is so simple here that it's almost as if he's drawing with the Crayola 16-set when other authors have the big 64. (One notable exception: having apparently become recently enamored of the word, he uses maladroitly at least three times. Maybe he was jamming some Weezer while he wrote.) I haven't read any of his other works (yet; Mistborn #2 is on deck), but I have to assume this simplicity is by conscious choice, and it's an interesting choice at that. I'm just not sure yet how I feel about it.One language choice that I am sure how I feel about is Sanderson's decision to have his characters speak good old American English. The narration is similarly plainspoken, with a fair amount of American slang thrown in, rather than the twee, faux-Elizabethan style of a lot of fantasy authors. I like the approach. One of the most time-honored fantasy tropes is having all the characters thee and thou each other, with a few ne'er did yon stars of Yomama glimmer so resplendently, my suzerain for good measure. And I can handle that stuff, having been weaned on Tolkien and everything that came after, but I found Sanderson's decision to move away from that convention refreshing. I interpreted it as Sanderson saying, "The unspoken assumption here is that this book has been translated from whatever languages they speak on this made-up world, so why translate it to anything other than what is most understandable and comfortable for you to read? To couch this story in funky language is to insult your imagination by implying that you need that in order to realize you're reading a fantasy novel."Setting and Plot. The setting is a typical high fantasy world - feudal-style nobility and peasantry; shadowy, powerful priesthood; mysterious evil lord, etc. - with some odd, almost steampunk flourishes thrown in. There are wristwatches. Men's formal wear is described as something more like Victorian coat and tails than medieval garb. Magic in this world is fueled by elemental and alloyed metals, which are described rather exactly, using percentages. It's a unique and interesting blend.The basic plot is about as stock as it gets. If you're familiar with the Star Wars films, the Harry Potter or Percy Jackson books, Eragon, the Dragonriders of Pern trilogy, Dune, Ender's Game, or any one of about a million other works, please play Mad Libs with me:Dear [kid with weird name], I know you are only a [farmer / orphan / urchin / child of a minor noble], and this will be hard for you to accept, but you [have Great Powers / are the Chosen One / insert name of funky power here]. You are the only one who can [save the world / save the universe / defeat the Empire / restore order to the Force / kill the Big Boss]. Luckily, even though you just learned your destiny fifteen minutes ago, you will make up for lost time by quickly becoming better than anyone in the history of ever at [Quidditch / dragon riding / sandworm riding / Allomancy]. Any questions?Needless to say, the book's plot could have been a ticket to Hack City, but it really isn't. Vin's growth and development are handled well.Exposition. This is a fantasy book for the video game generation. By that, I mean that the book follows the general path of a first person RPG:1) Introduction to the world and the main characters2) A few early levels whose only apparent purpose is to teach the player how to use the buttons3) Quests of increasing difficulty, with progressive reveals of the Big Plot4) Fight with the Main Boss, including the inevitable twist5) Denouement and teaser for the next installment.Not that that's a bad thing! But I was really surprised at the way Allomancy (the main "magic" in this world) was laid out. In the two towering fantasy/sci-fi works of the 20th century, The Lord of the Rings and Dune, the supernatural elements of the story operated behind a sort of curtain or screen. The One Ring in LotR and the spice Melange in Dune both held great, mysterious powers, but the specific effects and extent of those powers were seen only in fits and flashes, and never understood completely by the characters or the reader. In contrast, fairly early in this book, Kelsier takes Vin on a practice run where he explains how her powers work and what their advantages and limitations are, using plain language and real-world physics, and lets her fly and mess around and just generally exult in her magic. It left me, the reader, as well as Vin the character, feeling that even if we didn't understand this magic perfectly right now, we might at some point in the future, which was a very different feel.OK, after enough rambling about things I feel ambivalently about, let's wrap up with one big win and one big fail:WIN: Brandon Sanderson can write the hell out of an action scene. (And since the final quarter of this book is pretty much all action, playing directly into Sanderson's strengths, it kicks all kinds of ass.) The fights in this book are gut-wrenching without being overly gory, and the chases and sneaks are heart-stopping as well. Perfect combination of pace and detail. Amazing. Possibly the best I've ever read from an author in this genre, and if he's able to do that so effortlessly, so early in his career, it gives me hope that he can fix...FAIL: ...the dialogue. In spite of being favorably disposed due to the use of informal American English, I eventually found the dialogue here really clunky. Everyone is too wordy. Everyone says one sentence too many. Over and over again, I found myself going, "Real people don't talk like this" and especially, "Real people who are supposed to be close friends don't talk anything like this to each other." Seriously, think of how you talk to your best friends in private, then compare it to this book. In addition, there was always that odd feeling of unneeded exposition, as if the characters were talking half to each other and half to the reader. It was unfortunate, especially in contrast to how slick and fast-moving and just plain awesome a lot of the other writing was.All in all, this was a fun, kinetic read...with a few holes in it. It builds, it explodes, and the ending is really good. If half-stars were allowed, this would have been a 3 1/2. Good stuff.Also, here are my (spoiler-free, suitable as previews) reviews of the second and third books in the series, if you enjoyed this one!

Lovely Sorcha is the seventh child and only daughter of Lord Colum of Sevenwaters. Bereft of a mother, she is comforted by her six brothers who love and protect her. Sorcha is the light in their lives: they are determined that she know only contentment.But Sorcha's joy is shattered when her father is bewitched by his new wife, an evil enchantress who binds her brothers with a terrible spell, a spell which only Sorcha can lift—by staying silent. If she speaks before she completes the quest set to her by the Fair Folk and their queen, the Lady of the Forest, she will lose her brothers forever.When Sorcha is kidnapped by the enemies of Sevenwaters and taken to a foreign land, she is torn between the desire to save her beloved brothers, and a love that comes only once. Sorcha despairs at ever being able to complete her task, but the magic of the Fair Folk knows no boundaries, and love is the strongest magic of them all...

In the land of Eileanan, the Pact of Peace has not meant the end of unrest. And, though Isabeau would like to return home to help her family in these uncertain times, she must first venture to the Skull of the World where she will discover her true talents as a witch. And when she does return home, she does so transformed with the power to overcome her family's enemies once and for all.

In the Celtic land of Eileanan, witches and magic have been outlawed, and those caught for practicing witchcraft are put to death! It is a land ruled by an evil Queen, where sea-dwelling Fairgean stir, and children vanish in the night. But in a valley deep in the mountains, young Isabeau grows to womanhood under the guidance of an elderly witch, and must set out on a quest, carrying the last hopes of the persecuted witches.

There is much want in the kingdom and the tales of Jackaroo, the masked outlaw who helps the poor in times of trouble, are on everyone's lips. Gwyn, the innkeeper's lively daughter, pays little attention to the tales. But when she is stranded during a snowstorm in a cabin with the lordling Gaderian, and finds a strange garment that resembles the costume Jackaroo is said to wear, she begins to wonder....

On Discworld, a dying wizard tries to pass on his powers to an eighth son of an eighth son, who is just at that moment being born. The fact that the son is actually a daughter is discovered just a little too late. The town witch insists on turning the baby into a perfectly normal witch, thus mending the magical damage of the wizard's mistake. But now the young girl will be forced to penetrate the inner sanctum of the Unseen University--and attempt to save the world with one well-placed kick in some enchanted shins! Reissue.

Terry Pratchett's profoundly irreverent novels are consistent number one bestseller in England, where they have catapulted him into the highest echelons of parody next to Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.In this Discworld installment, Death comes to Mort with an offer he can't refuse -- especially since being, well, dead isn't compulsory. As Death's apprentice, he'll have free board and lodging, use of the company horse, and he won't need time off for family funerals. The position is everything Mort thought he'd ever wanted, until he discovers that this perfect job can be a killer on his love life.

How have I never read Terry Pratchett before? He's like ... Shakespeare and Wodehouse and Monty Python all wrapped into one!A student gave me this book while we were studying Macbeth in class. Wyrd Sisters is a sort of parallel story, which manages to poke fun at the play, revere the play, make inside jokes about the play, and ... well, generally turn the play on its head. All the while, you, the reader, get to feel very smart and superior for getting all the jokes and allusions.And yet it manages to avoid being gimmicky. It really is a good story with good characters, too. This is no Life of Brian where the story itself matters less than the hilarity of the parody. Wyrd Sisters may draw a good deal of life from Macbeth, but its real liveliness comes from Pratchett's skilled characterizations of a regicidal Duke, his murderess Dutchess, their depressed Fool, and three very colorful witches.Oh, it's just genius. My only problem is figuring out what Pratchett novel to read next ... he's dauntingly prolific!

Dear Mrs. McCaffrey,What were you thinking? You had done a brilliant job with the first two books in this "trilogy", so please do explain why you felt compelled to switch your focus from our beloved heroine Menolly to her rambunctious sidekick, Piemur? This is no trilogy. Do you think you can just skip ahead three years and make Menolly a peripheral player? Do you think that you can write a slow-moving, rather repetitive adventure story that lacks the resonance of the first two books in this trilogy, and we won't notice? We notice; and we are not happy.This story would be fine as a stand alone story. It still would not be a great story. Despite jumping across the map of your mythical Pern, this story goes virtually nowhere. Anticlimactic is an understatement. Piemur is not even close to being fleshed out as a character and, due to this, does not have enough weight as a driving force for this story.Why this final book jumps gears so completely is beyond me. Obviously, it left me rather frustrated. The story of Menolly was good, layered and exciting. As of book two, it was also nowhere near complete. In Dragondrums she is viewed from afar. She is understood only to the degree that Piemur understands her. This is at odds with the idea of a trilogy whose arc seemed to be the coming of age of a young girl.I would really like to know if Mrs. McCaffrey views these three books as a trilogy or if the publisher decided to lump them together and advertise them as one. I'm more inclined to believe the latter. Not just because I want to (though I do indeed want to), but because the sense of story in the first two books flowed with a confidence utterly lacking in this final one.

I won't go into depth as this is a book I've read several times since first encountering it as a teenager ages ago and there are literally hundreds of detailed reviews. One thing that inspires me about Dragonsinger, though, is that it doesn't follow the contemporary form of having everything go wrong for the main character all the way through until the end. In contrast, Menolly actually succeeds in almost every chapter--a victory for her shared with the reader--and yet somehow McCaffrey still made the drama feel genuine throughout.

A book doesn't have to be Great Literature or even particularly good to appear on my "formative fiction" shelf, it just has to be a book with a meaning that changed me or helped me to understand myself and the world in a new way. Fortunately, Dragonsong is also a very good book of its type.The best friend of my childhood was different from me in many ways: middle-class to my trailer-trash, older, weak where I was strong (he suffered from a heart condition that would kill him while still a teenager), and part of a large and functioning family.We both lived in religious households that discouraged "worldly" reading but, while my folks were strict, his were lax. During a winter holiday sleep-over, he smuggled Dragonsong and some of its many sequels to me. We sprawled in front of the wood-stove and read all day and long into the night. I'd scrimped to save for treats and, feeling very elegant, served us Ritz crackers with Cheeze-Whiz (the big jar!) and vienna sausages. I was so anxious to impress, I put my finger on the side of the stove to show him how long I could stand to sizzle.There were other sleep-overs and other books, but this is was the important one, the one I remember whenever I open a new book and read merely for the pleasure of escape into another kind of life.Menolly, the protagonist of Dragonsinger, escapes in a more literal way. Denied the expression of her natural abilities, she runs away to live independently. She fed my tomboy fantasies by living rough, making her own shelter, killing and skinning a large bird, and taming wild animals. Just when she is settling into her new rustic life, disaster strikes. Finally, her talents are recognized by kindly people who whisk her away on dragon-back to a new community of people who can value her for the reasons she values herself.It is not a complicated story, but it is well-told and the theme is universal. It has resonated in my life as I have tried, with only some measure of success, to find a safe place where my own talents are recognized and friends who care for me not in spite of, but because of who I am. The irony for me, of course, is how that place is located in the past, with that dead boy who loved me enough to smuggle books.

"Benjamin Franklin Juvenile Young Adult Fiction Award Nomination ALA/YALSA Best Books for Young Adults SelectionCanadian Children's Book Centre Our Choice Citation"The Dollmage is the wise woman of Seekvalley. As her powers weaken and age comes upon her, she knows she must chose a successor. On the day she predicts to be the birthday of her chosen one, two girls are born: Annakey and Renoa. One must learn the Dollmage's magic, but which one? She chooses Renoa, but as Annakey grows, she discovers that she, too, has magic. When Seekvalley is threatened by outside forces, Annakey is the only one with a plan to save her people. But how can she ever persuade the Dollmage that she has the power to help? Who will believe her?

Martine Leavitt offers a spellbinding story, interweaving elements of classic fantasy and high romance in this National Book Award Finalist. Keturah follows a legendary hart into the king's forest, where she becomes hopelessly lost. Her strength diminishes until, finally, she realizes that death is near. Little does she know that he is a young, handsome lord, melancholy and stern. Renowned for her storytelling, Keturah is able to charm Lord Death with a story and thereby gain a reprieve but only for twenty-four hours. She must find her one true love within that time or all is lost. Keturah searches desperately while the village prepares for an unexpected visit from the king, and Keturah is thrust into a prominent role as mysterious happenings alarm her friends and neighbors. Lord Death's presence hovers over this all until Keturah confronts him one last time in the harrowing climax.

I don't know what just happened, and I'm almost afraid to examine it too closely in case I find things to nitpick (and I certainly could nitpick) and end up lowering my rating.This hasn't been a very good year for me, rating wise, and I was pretty close to giving up on Lackey altogether. I was really tempted to just finish up this trilogy and move on. And for all I know, it goes downhill from here (I know how the next book ends) and this book is a complete fluke. After the dregs of the Vows &amp; Honor series, I wouldn't be surprised if that ends up being the case, but this one gives me hope that there could be other gems in the Valdemar series.This series has certainly had it's ups and downs, and Lackey has quite a few storytelling quirks that irk me more often than not - like her tendency to emphasize words she feels are important but really puts the emphasis on words that end up being completely unimportant and not at all the words I'd emphasize myself. It breaks the natural flow of the sentence structure and I really wish she'd stop trying to help out the readers with the constant italics. Also, she can't write a romance worth a damn. Thankfully, she doesn't really attempt that here, and the little hint of a possible (completely nonsensical) one was mostly ignored and then quickly resolved, taking up maybe a half page out of the whole book total. She has gotten much better at writing action and she's filling in more of the rules of this world with each novel and trilogy that gives new insights into things that didn't quite make sense before. Now I could certainly complain about the "gays don't get happy endings" trope and the "gays must suffer" trope that are definitely in full force here, and I wouldn't blame readers who get annoyed by them, because I certainly do too. But for Vanyel's personal journey, knowing where this character comes from and what he's been through, and knowing already some of the history of this story and how it impacts later generations, what Vanyel goes through here to understand his place in the world and to come to a sort of peace with his hurts and losses makes sense. Also, keeping in mind this was written in 1990, Lackey needed to humanize Van as a character, which means he is going to be used to call attention to many of the stereotypes so prevalent (even to this day) about gay men.I was thrown a bit at first that this jumps ahead in the timeline by about 10 years or so, and some of the cast of supporting characters were new. I was having to catch up at the beginning, but then Vanyel was off for "vacation" back at the homestead with his loving family and things got so good. A former rival turns into a surprising ally, his father ends up being kind of reasonable, there's trouble over the Border and new friends to make. I really liked Medren and Tashir, and it was a treat to actually get to see Vanyel engage in a job rather than just hear about it afterwards. Savil continues to be great, and even Van's brother Mekeal has his shining moments. Everything was just working in this one. Lackey was firing on all cylinders and she proved that when she stays focused and doesn't get wrapped up in unnecessary high school melodrama or half-formed subplots she can actually weave a fantastic story.

I had been warned. I sort of knew what was going to happen. I had no expectations, considering the trainwreck that was the first book. But when I read the ending, I was pretty muchI mean, after pretty much everything you've done for Valdemar, that's what you get in the end? Forget about duty, responsibility, and doing what was right because you can't do otherwise. As Pat Jr from Silver Linings Playbook more or less said, there's enough shit we have to deal with in real life, why can't we have a happy ending in books? And don't tell me that Vanyel had a happy ending. He was a hero in the end. But just fucking once, couldn't he have been selfish and not punished for it?(view spoiler)[Such as when he promised Savil that he would add to her shields but got distracted by Stefen. Vanyel needed the rest! He needed the sex, he needed that quiet moment with his lover. But no, Mercedes Lackey couldn't leave him alone, so Savil has to die because Vanyel dared let his guard down. WTF (hide spoiler)]

Mage-Craft—Though Vanyel has been born with near-legendary abilities to work both Herald and Mage magic, he wants no part of such things. Nor does he seek a warrior's path, wishing instead to become a Bard. Yet such talent as his if left untrained may prove a menace not only to Vanyel but to others as well. So he is sent to be fostered with his aunt, Savil, one of the famed Herald-Mages of Valdemar.But, strong-willed and self-centered, Vanyel is a challenge which even Savil can not master alone. For soon he will become the focus of frightening forces, lending his raw magic to a spell that unleashes terrifying wyr-hunters on the land. And by the time Savil seeks the assistance of a Shin'a'in Adept, Vanyel's wild talent may have already grown beyond anyone's ability to contain, placing Vanyel, Savil, and Valdemar itself in desperate peril...

I have three issues with this book:1 - It's choppy. The story jumps and jerks along and nothing is ever finished or explained. The writing is short sentences and abrupt dialog.2 - An over use of characters that know something the reader doesn't. All the way thru you see lines like "I have a theory" or "I might know" but there's no explanation and since the reader doesn't know every experience of the character (this being the first book) we can't come up with our own theory. Personally, I hate that in a story.3 - The ending. There isn't one. The story just stops and moves to a followup from something in the very beginning of the book. If there's going to be a second in the series, do some setup! Give us some minimal resolution, at least!

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower's magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.

High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin.

This sweet romantic comedy reunites Sleepless In Seattle stars Meg Ryan and Tom Hanks. He's the owner of a bookstore chain; she's the woman he falls for online. Both are unaware that she runs the little shop his company is trying to shut down.

Holly Kennedy is beautiful, smart and married to the love of her life - a passionate, funny, and impetuous Irishman named Gerry. So when Gerry's life is taken by an illness, it takes the life out of Holly. The only one who can help her is the person who is no longer there. Nobody knows Holly better than Gerry. So it's a good thing he planned ahead. Before he died, Gerry wrote Holly a series of letters that will guide her, not only through her grief, but in rediscovering herself. The first message arrives on Holly's 30th birthday in the form of a cake, and to her utter shock, a tape recording from Gerry, who proceeds to tell her to get out and "celebrate herself". In the weeks and months that follow, more letters from Gerry are delivered in surprising ways, each sending her on a new adventure and each signing off in the same way; P.S. I Love You. Holly's mother and best friends begin to worry that Gerry's letters are keeping Holly tied to the past, but in fact, each letter is pushing her further into a new future. With Gerry's words as her guide, Holly embarks on a journey of rediscovery in a story about marriage, friendship and how a love so strong can turn the finality of death into a new beginning for life.

Longing to roam free in the vast landscapes of Mother Africa, Marty, the bored and dejected zebra of the famous Central Park Zoo, escapes his prison on the night of his tenth birthday celebration. However, after a botched rescue attempt by Marty's companions--Alex, the content lion; Melman, the skittish giraffe, and Gloria, the resolute hippo--the friends will find themselves crated up and shipped off to a remote wildlife preserve, only to end up on the sandy shores of exotic Madagascar. At last, Marty's dream will come true; nevertheless, what does it really mean to be a truly wild animal?

2005 American computer-animated comedy film

Charlie B. Barkin (Burt Reynolds), a rascally German Shepherd with a shady past, breaks out of the New Orleans Dog Pound with the help of his faithful friend Itchy (Dom De Luise), a nervously hyperactive dachshund. He then makes tracks to reunite with his gambling casino partner Carface Malone (Vic Tayback), a shifty pitbull who has planned a dastardly, and potentially deadly, double cross. Suddenly, Charlie finds himself at the Pearly Gates, face to face with the Heavenly Whippet (Melba Moore). Charlie weasels his way back to earth and reunites with Itchy. He plots his revenge against Carface and, along the way, acquires help from a little girl named Anne-Marie (who can talk to animals). After a series of fiendish schemes, close scrapes and unexpected adventures, both Charlie and Anne Marie find their lives at stake. Only one can be saved and the outcome is in Charlie's paws...

The movie is about the life of Tarzan. Tarzan was a small orphan who was raised by an ape named Kala since he was a child. He believed that this was his family, but on an expedition Jane Porter is rescued by Tarzan. He then finds out that he's human. Now Tarzan must make the decision as to which family he should belong to...

In the Town of Derry, the local kids are disappearing one by one. In a place known as 'The Barrens', a group of seven kids are united by their horrifying and strange encounters with an evil clown and their determination to kill It.

Lady, a golden cocker spaniel, meets up with a mongrel dog who calls himself the Tramp. He is obviously from the wrong side of town, but happenings at Lady's home make her decide to travel with him for a while. This turns out to be a bad move, as no dog is above the law.

1955 American animated musical romance film

After the beautiful Princess Aurora is born into royalty, everyone gathers to celebrate. Everything is perfectly fine until an unwanted guest appears, the evil fairy Maleficent. Maleficent curses the young princess and announces that she will die by pricking her finger on the spindle of a spinning wheel before sunset on her 16th birthday. Fortunately, one of the good fairies, Merryweather, changes the spell so Aurora will fall into a deep sleep instead, and the only way to wake her from her sleep is true love's kiss. Finally the day comes.

1959 American animated musical fantasy film produced by Walt Disney

Howard Langston, a salesman for a mattress company, is constantly busy at his job, and he also constantly disappoints his son, Jamie. After he misses his son's karate exposition, he tries hard to come up with a way to make it up to him. Jamie says he all he wants for Christmas is an action figure of television hero Turbo Man. Unfortunately for Howard, it is Christmas Eve, and every store is sold out of Turbo Man figures; now Howard must travel all over town and compete with everybody else including a mail man named Myron to find a Turbo Man action figure, and to make it to the Wintertainment Parade, which will feature Turbo Man.

Inside a snowflake exists the magical land of Whoville, wherein live the Whos, an almost-mutated sort of Munchkin-like people who all love Christmas. Just outside of their beloved town lives the Grinch (Jim Carrey), a nasty creature that hates Christmas and plans to steal it from the Whos, which he equally abhors. Little Cindy Lou Who (Taylor Momsen) decides to befriend the Grinch.

The Newton family live in their comfortable home, but there seems to something missing. This "hole" is filled by a small puppy, who walks into their home and their lives. Beethoven, as he is named, grows into a giant of a dog... a St Bernard. Doctor Varnick, the local vet has a secret and horrible sideline, which requires lots of dogs for experiments. Beethoven is on the bad doctor's list.

Everyone's favorite kid from the comics is back. When his parents have to go out of town, he stays with George (Walter Matthau) and Martha Wilson (Dame Joan Plowright). The little menace is driving Mr. Wilson crazy, but Dennis Mitchell (Mason Gamble) is just trying to be helpful. Even to the thief who's arrived in town.

This is the Disney animated tale of the romance between a young Native American woman named Pocahontas (Irene Bedard) and Captain John Smith (Mel Gibson), who journeyed to the New World with other settlers to begin fresh lives. Her powerful father, Chief Powhatan (Russell Means), disapproves of their relationship and wants her to marry a native warrior. Meanwhile, Smith's fellow Englishmen hope to rob the Native Americans of their gold. Can Pocahontas' love for Smith save the day?

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

This series is set in the fictional Beach City, where ageless alien warriors, the Crystal Gems, live in an ancient beachside temple, protecting the world from evil. They project female humanoid forms from magical gemstones that are the core of their being. The Crystal Gems are Garnet, Amethyst, Pearl and Steven, a young half-human, half-Gem boy who inherited his gemstone from his mother, the Gems' former leader Rose Quartz. As Steven tries to figure out his powers, he spends his days with his human father Greg, his friend Connie, other people in Beach City, or the other Gems, whether to help them save the world or just to hang out. He explores the abilities passed down to him by his mother, which include fusion (the ability of Gems to merge their identities and bodies to form a new and more powerful personality).

The Good Place is a town where those who have been good throughout their lives go once they have passed away. Michael (Danson) is the architect who oversees the town--and this is the first one he has been in charge of creating. Eleanor (Bell) arrives at the Good Place and realizes they have her name right, but everything else is wrong. She isn't meant to be there at all. With the help of Chidi, her soul mate (Harper), Eleanor tries to right her wrongs, seeking to finally earn her spot in the Good Place.

2016 American fantasy comedy television series

Ensemble cast of off-the-wall Warner Brothers characters, appearing in a wide variety of roles. Mainly staring the Warner Siblings Wakko, Yakko, and Dot, who were created by the WB Studios but found they were just too "zany" to be of any use to the studio. Other popular characters in the series include: Pinky and the Brain, two lab mice bent on world domination. Rita and Runt, a cat and dog team who get into perilous situations every episode but always seem to find time to sing a song, Bobby, Pesto, and Squit, the Goodfeathers, part of a New York City mob of pigeons, who take orders from The Godpigeon and worship

In a major city, Robin the Boy Wonder leads his own team of superheroes, The Teen Titans. With his teammates, the dark Raven, the powerful Cyborg, the flighty alien princess Starfire and the flippant Beast Boy; the team battles the forces of evil where ever they appear like the enigmatic Slade, the diabolical Brother Blood or the malevolently cosmic Trigon.

A genetically engineered mouse (who sounds like Orson Welles) and his insane cohort make nightly attempts to take over the world.

This show tells the adventures of four turtles who were transformed into humanoids by a strange ooze and were trained as ninja by a human martial arts master, Hamato Yoshi, who was changed into a humanoid rat, Splinter, by the same substance. Together with the intrepid reporter, April O'Neil, they fight against the threats against the world, like Shredder and Krang.

US animated television series produced by Murakami-Wolf-Swenson, running from 1987 to 1996

Somewhere, lost in the clouded annals of history, lies a place that few have seen. A mysterious place called The Unknown... Two Brothers, Wirt and Greg find themselves lost in the strange woods, adrift in a time. With the help of a shadowy Woodsmen and a foul-tempered bluebird named Beatrice, they travel through the foggy land in Hope of finding a way home.

Jackie Chan, an amateur archelogist, would prefer to quietly do his work for the local university, but fate has dealt another hand. That happens when he finds a shield containing a talisman is but the first of a dozen pursued by a criminal organization called The Dark Hand led a man called Valmont and guided by a spirit called Shendu. Against this Jackie, his niece Jade, and their uncle must cooperate with the secret law enforcement organization, Section 13, to oppose this threat. Along the way, our heroes must face wild dangers that will demand all of Jackie's skill in martial arts and his daring to overcome.

In the Dark Ages, there was a race of heroic warrior monsters known as Gargoyles. These creatures existed as stone during the day, but become flesh and blood at night. One Scottish clan made an alliance with humans to help protect a castle by night if the humans would protect their stone forms by day. The uneasy alliance was shattered when human prejudice provoked a betrayal that allowed the castle to be sacked and most of the resident clan destroyed, leaving only six adult survivors and a rookery of unhatched eggs. A further misunderstanding during the clan's retaliation on the invaders and rescue of their hostages left the clan frozen in stone by a magic spell that would only be broken when the "castle rises above the clouds." For a thousand years, the castle laid abandoned and the clan condemned by this curse. In 1994, a wealthy multibillionare named David Xanatos (Jonathan Frakes) bought the castle and transported the whole structure to Manhattan, where he placed it on top of the Eyrie building which he owned. It is high enough to be above the clouds, thus the conditions of the spell were met and the Gargoyles were revived. Now, this clan must adjust to this new age and gain friends, like Detective Elisa Maza (Salli Richardson-Whitfield), who reveals that Xanatos revived them to exploit them for his unscrupulous ends. This is coupled by the fact that another Gargoyle comrade, Demona (Marina Sirtis), is alive from their age, and is now an insane renegade bent on the extermination of humanity. Rebelling against them, the clan abandon the castle and pledge to protect New York City like they protected the castle in the past.

1994–1997 American animated television series

The world is divided into four elemental nations: The Northern and Southern Water Tribes, the Earth Kingdom, the Fire Nation, and the Air Nomads. The Avatar upholds the balance between the nations, but everything changed when the Fire Nation invaded. Only the Avatar, master of all four elements, can stop them. But when the world needs him most, he vanishes. A hundred years later Katara and Sokka discover the new Avatar, an airbender named Aang. Together they must help Aang master the elements and save the world.

An offbeat, laugh track-lacking sitcom about a bizarrely dysfunctional family, the center of which is Malcolm, the middle of the two brothers who still live at home. His eldest (and favorite) sibling, Francis, boards at military school because his parents believe it will reform him and keep him out of trouble. Malcolm often has a hard time coping with his family life, but he has more troubles to contend with when he starts receiving special treatment at school after being diagnosed as an intellectually advanced genius.

Mankind has colonised the stars, yet humanity remains the same desperate and power-hungry species in 2071. A ragtag duo of spacefaring bounty-hunters, Spike Spiegel and Jet Black, struggle to make ends meet living amongst the stars; and things are about to get a hell of a lot more complicated when they adopt the super-dog Ein, persuade the seductive femme-fatale known as Faye Valentine, and the teenage-hacker Edward. These five figures are about to come across things crazier than the crew of the Bebop itself.

1998-1999 Japanese anime television series

Taking place 70 years after the events of "Avatar: The Last Airbender," this story follows the adventures of the Avatar after Aang - a passionate, rebellious, and fearless teenage girl from the Southern Water Tribe named Korra. With three of the four elements under her belt (Earth, Water, and Fire), Korra seeks to master the final element, Air. Her quest leads her to the epicenter of the modern "Avatar" world, Republic City - a metropolis that is fueled by steampunk technology. It is a virtual melting pot where benders and non-benders from all nations live and thrive. However, Korra discovers that Republic City is plagued by crime as well as a growing anti-bending revolution that threatens to rip it apart. Under the tutelage of Aang's son, Tenzin, Korra begins her airbending training while dealing with the dangers at large.

J Howland

Heather Ransome

"Strange man, how can you have eyes for sale? Eyes? Eyes?"The disturbing tale of a young man's obsession with the Sandman, stealer of eyes, which has inspired writers from Sigmund Freud to Neil Gaiman.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

I laughed out loud. While reading. In a Japanese rice bowl joint. Okay, so maybe it was more of a chortle, but it was definitely out loud. And more than just the once. Patrons quietly minding their own business while slogging through their Number Three Specials With Extra Tokyo Beef would be startled into wakefulness to see me - chopsticks in one hand, book in the other - as my grizzled maw broke forth with guffaws and irrepressible smiles.Really, Anansi Boys may be the first thing I've read from Neil Gaiman that I liked. I never got into Sandman (though I'm told I should have persevered). I never finished American Gods (though I'm told I should have persevered). I never finished 1602 (despite guessing that I should have persevered).Still, not only did I like it but I loved it. Enough that I gave my copy to someone else to read and purchased a second copy for another friend. And I'm certain they'll want to do similar things with the book.Anansi Boys is at all times funny, adventurous, and charming. And several other over-used adjectives. In fact, Anansi Boys may be the prototype from which overused adjectives should have come - before they were overused. I'm not sure that Anansi Boys is great literature and I'm not sure that it isn't. What I am certain of beyond any shadow of doubtfulness is that Anansi Boys may be the most fun I have ever had reading a novel.There may be others that I enjoyed more but my experience of this book was such that it pushed (if even momentarily) all other books from my mind. Someone on the back suggests that the book will make you love and be grateful for spiders. Critics and the things they say, huh? Well, I don't love spiders, but dang was this book good.The end.p.s. Anyone thinking of reading Blue like Jazz or Against Christianity or something by Karl Barth should definitely read this first. 'Cuz I mean what if you died after finishing the next book on your queue? It would be an all time tragedy to have wasted hours reading Donald Miller when there is something like Anansi Boys out there. Plus, it's just as spiritual.

An alternative cover for this ISBN can be found hereSophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl's castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there's far more to Howl—and herself—than first meets the eye.

Fitz is a royal bastard, cast out into the world with only his magical link with animals for solace and companionship.But when Fitz is adopted into the royal household, he must give up his old ways and learn a new life: weaponry, scribing, courtly manners; and how to kill a man secretly. Meanwhile, raiders ravage the coasts, leaving the people Forged and soulless. As Fitz grows towards manhood, he will have to face his first terrifying mission, a task that poses as much a risk to himself as it does to his target: Fitz is a threat to the throne… but he may also be the key to the future of the kingdom.Cover illustration by John Howe

Books To Read

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The comedic misadventures of Roy, Moss and their grifting supervisor Jen, a rag-tag team of IT support workers at a large corporation headed by a hotheaded yuppie.

Set in the fictional Sacred Heart hospital in California, John "J.D" Dorian makes his way through the overwhelming world of medicine, with the help of his best friend, his fellow rookie doctors, and the arrogant, but brilliant attending physician he views as his mentor.

American medical comedy-drama television series

The Golden Girls is based on the lives and interactions of four older women who have all been divorced/widowed, and are now roommates. Dorothy's main goal during the series is to find a companion she can relate to while her mother Sophia adds her comical outlook and frequent "Picture This" stories. Rose's St. Olaf-ness makes her a little corny but lovable. One thing that changes nearly every episode is whom Blanche is courting.

Shows To Watch

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Alice, an unpretentious and individual 19-year-old, is betrothed to a dunce of an English nobleman. At her engagement party, she escapes the crowd to consider whether to go through with the marriage and falls down a hole in the garden after spotting an unusual rabbit. Arriving in a strange and surreal place called "Underland," she finds herself in a world that resembles the nightmares she had as a child, filled with talking animals, villainous queens and knights, and frumious bandersnatches. Alice realizes that she is there for a reason--to conquer the horrific Jabberwocky and restore the rightful queen to her throne.

Sherlock Holmes and Watson are on the trail of a criminal and scientific mastermind who seems to control monsters and creations which defy belief.

Angelenos Doug Billings and Tracy Garner are about to get married. Two days before the wedding, the four men in the wedding party - Doug, Doug's two best buddies Phil Wenneck and Stu Price, and Tracy's brother Alan Garner - hop into Tracy's father's beloved Mercedes convertible for a 24-hour stag party to Las Vegas. Phil, a married high school teacher, has the same maturity level as his students when he's with his pals. Stu, a dentist, is worried about everything, especially what his controlling girlfriend Melissa thinks. Because she disapproves of traditional male bonding rituals, Stu has to lie to her about the stag, he telling her that they are going on a wine tasting tour in the Napa Valley. Regardless, he intends on eventually marrying her, against the advice and wishes of his friends. And Alan seems to be unaware of what are considered the social graces of the western world. The morning after their arrival in Las Vegas, they awaken in their hotel suite each with the worst hangover. None remembers what happened in the past twelve or so hours. The suite is in shambles. And certain things are in the suite that shouldn't be, and certain things that should be in the suite are missing. Probably the most important in the latter category is Doug. As Phil, Stu and Alan try to find Doug using only what little pieces of information they have at hand, they go on a journey of discovery of how certain things got into the suite and what happened to the missing items. However they are on a race for time as if they can't find Doug in the next few hours, they are going to have to explain to Tracy why they are not yet back in Los Angeles. And even worse, they may not find Doug at all before the wedding.

A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help her find love. His clever ploys, however, lead to an unexpected result.

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