Jaspreet Singh

Hector Jaime Oropesa

aasta Haukland

Jayden

Alokym ya Bassa

Joseph Greer

Catalina Olmos

George Balaskas

Ojasw Upadhyay

Taylor Robinson

Carly Hylton

Daniel Mariani

During the heart of World War II, in March of 1943, cryptoanalysts at Britain's code-breaking center have discovered to their horror that Nazi U-boats have changed their Enigma Code. Authorities enlist the help of a brilliant young man named Tom Jericho to help them break the code again. The possibility of a spy within the British code-breakers' ranks looms and Tom's love, Claire, has disappeared. To solve the mysteries, Tom recruits Claire's best friend, Hester Wallace. In investigating Claire's personal life, the pair discovers personal and international betrayals.

France, 1940. In the first days of occupation, beautiful Lucile Angellier (

During the London Blitz of World War II, Catrin Cole is recruited by the British Ministry of Information to write scripts for propaganda films that the public will actually watch without scoffing. In the line of her new duties, Cole investigates the story of two young women who supposedly piloted a boat in the Dunkirk Evacuation. Although it proved a complete misapprehension, the story becomes the basis for a fictional film with some possible appeal. As Cole labors to write the script with her new colleagues such as Tom Buckley, veteran actor Ambrose Hilliard must accept that his days as a leading man are over as he joins the project. Together, this disparate trio must struggle against such complications such as sexism against Cole, jealous relatives, and political interference in their artistic decisions even as London endures the bombs of the enemy. In the face of those challenges, they share a hope to contribute something meaningful in this time of war and in their own lives.

Approaching their senior years, British sisters Sandra and Bif have been estranged for ten years because of their differences. Sandra, newly minted Lady Abbott in her lawyer husband Mike Abbott having been knighted, does whatever needed to present a perfect upper crust life and marriage, including maintaining a proper decorum. Older Bif is the carefree one, living for the moment, including not caring that her council estate apartment in inner city London is a pigsty, just as long as she can find whatever she needs. While Sandra has no place for someone like Bif in her life, Bif laments what Sandra has become when she married Mike, Sandra once having had a real zest for life. When Sandra learns first hand that Mike has been having an affair for five years with one of her closest friends Pamela and eventually asks for a divorce in wanting to marry Pamela, Sandra, feeling like her planned retirement life with Mike has been pulled out from under her, turns to Bif for emotional support in not being able to turn to any of her friends in the shame. While Bif does whatever she can to accommodate Sandra, Sandra feels like a fish out of water in Bif's environs, which includes the adult community dance class she attends and which is populated by who are her closest friends. Among those is Charlie Glover, who, like Sandra, is going through a relationship crossroads in his marriage as his institutionalized wife Lilly is slowly slipping away from him with her Alzheimer's. In finally opening up to the joys of the dance and making connections with Bif's friends including Charlie, Sandra will have to evaluate her life in its entirety including if she is ready to put her upper crust life behind her and embrace a new life with someone caring like Charlie. Bif going through her own challenges may provide a deeper perspective for Sandra in what she really wants.

Ladies in Black is set in Sydney in the summer of 1959, against the backdrop of Australia's cultural awakening, breakdown of class structures, and liberation of women. It tells the coming-of-age story of suburban schoolgirl Lisa, who while waiting for her final high school exam results with dreams of going to the University of Sydney, takes a summer job at a large department store. Here she works side-by-side with a group of saleswomen who open her eyes to a world beyond her sheltered existence, and foster her metamorphosis.

The family of talented cook, Hassan Kadam (Manish Dayal), has a life filled with both culinary delights and profound loss. Drifting through Europe after fleeing political violence in India that killed the family restaurant business and their mother, the Kadams arrive in France. Once there, a chance auto accident and the kindness of a young woman, Marguerite (Charlotte Le Bon), in the village of Saint-Antonin-Noble-Val inspires Papa Kadam (Om Puri) to set up a Indian restaurant there. Unfortunately, this puts the Kadams in direct competition with the snobbish Madame Mallory's acclaimed haute cuisine establishment across the street where Marguerite also works as a sous-chef. The resulting rivalry eventually escalates in personal intensity until it goes too far. In response, there is a bridging of sides initiated by Hassan, Marguerite, and Madame Mallory (Dame Helen Mirren), both professional and personal, that encourages an understanding that will change both sides forever.

Ireland, early 1950s. Eilis Lacey (Saoirse Ronan) is a young woman working in a grocery shop. She has greater ambitions and moves to Brooklyn, New York, leaving her mother and sister, Rose (Fiona Glascott), behind. She is terribly homesick but eventually settles down, finding a job, studying to be a bookkeeper and meeting a nice young Italian man, Tony Fiorello (Emory Cohen). Things are going well, but then she learns that Rose has died, and decides to return to Ireland, temporarily. She and Tony hastily get married, and then she sets off back to Ireland, alone. Life is about to get complicated.

Set in the 1790s, Love and Friendship centers on beautiful widow Lady Susan Vernon, who has come to the estate of her in-laws to wait out colorful rumors about her dalliances circulating through polite society. Whilst there, she decides to secure a husband for herself and her rather reluctant debutante daughter, Frederica.

War threatens London as Miss Pettigrew, a destitute governess, filches a client's card from her agency and presents herself at the door. A singer named Delysia Lafosse wants a social secretary as she seeks a West End role by sleeping with a feckless producer in the bed of Nick, a smarmy nightclub owner with whom she also dallies. She ignores Michael, her piano player, who loves her and has tickets for New York on the Queen Mary. Miss Pettigrew's job is to make sure Delysia gets the part. Over 24 hours, Miss Pettigrew is also called upon to help an ambitious and unfaithful fashion editor patch things up with her older fiancé, a lingerie designer. Has Miss Pettigrew found her calling?

Mrs. Palfrey (Dame Joan Plowright), recently widowed after a long happy marriage, moves into a London residential hotel more lively and elegant on-line than in fact. She determines to make the best of it amongst an odd assortment of people, and she particularly hopes her grandson, a London resident, will visit. When she slips on a walk and is aided by penniless young writer Ludo (Rupert Friend), she invites him to dine at the Claremont and plays along when her dining mates assume he's her grandson. A friendship develops giving her a companion with whom she can talk about memories and poetry and giving him ideas and support for his writing. But what of her actual family? How it plays out is the movie's story.

Middle aged Chris Harper (Dame Helen Mirren) and Annie Clarke (Dame Julie Walters) are best friends. They spend much of their time at their local Knapely, Yorkshire County chapter of the Women's Institute (WI), whose motto is "enlightenment, fun, and friendship". Although they like most of the women at the WI (the friendship part), they, but the perceived flaky Chris in particular, hold the way Marie (Geraldine James), the local President, runs the chapter with derision. They find much of what goes on there, especially the monthly presentations, banal and devoid of enlightenment and fun. Equally as banal was last year's fund-raising calendar, featuring local bridges, which raised a meager £75.60, with this year's proposed calendar, local churches, promising to be even more so. After Annie's husband John (John Alderton) dies from leukemia, Chris wants the WI to provide a memorial in his memory: a new sofa for the family room at the hospital. The one Chris wants to buy costs nine hundred ninety-nine pounds sterling, which she proposes to raise by changing the fund-raising calendar to one featuring tasteful photographs of nude Knapely WI members. She got the idea by seeing all around her the notion of the old adage that sex sells. Annie likes the idea as it is analogous to one of horticultural-loving John's last statements about plants being the most glorious in the latter stages of their life, after which they quickly go to seed. To get the project off the ground, they not only have to convince nine other WI members to pose (December to be a group photograph), but they have to find a photographer they trust that will treat this task as an art project. Conversely, they aren't sure if they and the calendar will meet with the same contempt from Marie, the national WI organization and their friends and family that they are so trying to change in the Knapely WI, and in the process not only not raise the necessary money, but, in fact lose money instead. or the project in any form may have its own consequences, especially for Chris.

Recently widowed well-to-do Mrs. Laura Henderson (Dame Judi Dench) is at a bit of a loose end in inter-war London. On a whim, she buys the derelict Windmill theatre in the West End and persuades impresario Vivian Van Damm (Bob Hoskins) to run it, despite the fact the two don't seem to get along at all. Although their idea of a non-stop revue is at first a success, other theatres copy it and disaster looms. Laura suggests they put nudes in the show, but Van Damm points out that the Lord Chamberlain, Lord Rowland Baring, 2nd Earl of Cromer (Christopher Guest), who licenses live shows in Britain, is likely to have something to say about this. Luckily, Mrs. Henderson is friends with him.

A correspondence begins between Juliet Ashton (Lily James) and members of The Guernsey Literary and Potato Peel Pie Society, with them sharing their experiences of Nazi-occupied Guernsey Island. When an idea for a book catches Juliet, she goes to visit the island, making life-long friends and taking life changing steps along the way. This book is told by way of letters, and as the reader, you become enchanted by the writers of them and the love Juliet comes to feel for each of the Islanders; Dawsey Adams (Michiel Huisman), Amelia Maugery (Dame Penelope Wilton), Isola Pribby (Katherine Parkinson), Eben Ramsey (Sir Tom Courtenay), Kit (Florence Keen), and Elizabeth McKenna (Jessica Brown Findlay).

Sharon Hoffman

Charlotte (Cate Blanchett), a young Scottish woman, who has studied in France, is living in London during World War II. Within a few weeks she falls in love with a young pilot and is recruited by the Secret Service to act as a courier for the French Resistance. However, her mission behind enemy lines becomes a personal mission to find her lover who has been shot down. Assigned to a Communist Resistance group, she encounters acts of betrayal from sometimes unexpected sources, but meets the violence of war and her own disappointment with hope.

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