Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Which is more dangerous, a gun or a swimming pool? What do schoolteachers and sumo wrestlers have in common? Why do drug dealers still live with their moms? How much do parents really matter? What kind of impact did Roe v. Wade have on violent crime? Freakonomics will literally redefine the way we view the modern world.These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He is a much heralded scholar who studies the stuff and riddles of everyday life -- from cheating and crime to sports and child rearing -- and whose conclusions regularly turn the conventional wisdom on its head. He usually begins with a mountain of data and a simple, unasked question. Some of these questions concern life-and-death issues; others have an admittedly freakish quality. Thus the new field of study contained in this book: freakonomics.Through forceful storytelling and wry insight, Levitt and co-author Stephen J. Dubner show that economics is, at root, the study of incentives -- how people get what they want, or need, especially when other people want or need the same thing. In Freakonomics, they set out to explore the hidden side of ... well, everything. The inner workings of a crack gang. The truth about real-estate agents. The myths of campaign finance. The telltale marks of a cheating schoolteacher. The secrets of the Ku Klux Klan.What unites all these stories is a belief that the modern world, despite a surfeit of obfuscation, complication, and downright deceit, is not impenetrable, is not unknowable, and -- if the right questions are asked -- is even more intriguing than we think. All it takes is a new way of looking. Steven Levitt, through devilishly clever and clear-eyed thinking, shows how to see through all the clutter.Freakonomics establishes this unconventional premise: If morality represents how we would like the world to work, then economics represents how it actually does work. It is true that readers of this book will be armed with enough riddles and stories to last a thousand cocktail parties. But Freakonomics can provide more than that. It will literally redefine the way we view the modern world.(front flap)

With the publication of Bright Lights, Big City in 1984, Jay McInerney became a literary sensation, heralded as the voice of a generation. The novel follows a young man, living in Manhattan as if he owned it, through nightclubs, fashion shows, editorial offices, and loft parties as he attempts to outstrip mortality and the recurring approach of dawn. With nothing but goodwill, controlled substances, and wit to sustain him in this anti-quest, he runs until he reaches his reckoning point, where he is forced to acknowledge loss and, possibly, to rediscover his better instincts. This remarkable novel of youth and New York remains one of the most beloved, imitated, and iconic novels in America.

San Francisco, 1976. A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches and sleeping with her "head-for-the-hills bag". In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard.Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism. The family was so isolated from mainstream society that there was no one to ensure the children received an education and no one to intervene when one of Tara's older brothers became violent.Then, lacking any formal education, Tara began to educate herself. She taught herself enough mathematics and grammar to be admitted to Brigham Young University, where she studied history, learning for the first time about important world events like the Holocaust and the civil rights movement. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge. Only then would she wonder if she'd traveled too far, if there was still a way home.Educated is an account of the struggle for self-invention. It is a tale of fierce family loyalty and of the grief that comes with severing the closest of ties. With the acute insight that distinguishes all great writers, Westover has crafted a universal coming-of-age story that gets to the heart of what an education is and what it offers: the perspective to see one's life through new eyes and the will to change it.

David Sedaris's beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favorites as the diaries of a Macy's elf and the annals of two very competitive families, are Sedaris's tales of tardy trick-or-treaters (Us and Them); the difficulties of explaining the Easter Bunny to the French (Jesus Shaves); what to do when you've been locked out in a snowstorm (Let It Snow); the puzzling Christmas traditions of other nations (Six to Eight Black Men); what Halloween at the medical examiner's looks like (The Monster Mash); and a barnyard secret Santa scheme gone awry (Cow and Turkey).

Before there was a “cop on every corner” in New York, there were some of the most interesting characters frolicking around, bounding up and down the streets as if they were players in a real-life version of a very fucked up Wonderland. Pimps and prostitutes and transvestites and junkies and businessmen and children and you-name-it all blended together and somehow figured out a way to live a somewhat harmonious existence in this concrete jungle. This was the land of Jim Carrol. And it was in this land that Carrol wrote THE BASKETBALL DIARIES. It was within this surreal playground that a fourteen year old basketball phenom decided to record his thoughts as his life slowly unraveled because of heroin. The diaries start in the fall of ’63. JFK is not yet dead. Nuclear holocaust is on everyone’s minds. But to Jim Carrol the only pressing matter is basketball and girls. As a white kid, Carrol is an unusual basketball standout in New York City. He is rated as one of the top twenty prep players in the nation…the world is his oyster. Then, Carrol experiences his first big party. Girls and drugs abound. His life has entered into a phase were the inhabitants of Sodom might be jealous. It is also during this time that Carrol finds his voice. The entries during this time are slowly built upon, giving the reader a unique insight into the vast array of New York City. However, it also during this time that I have to question the veracity of some of Carrol’s adventures. I’m not going to say they never happened. But, I will be skeptical of how they happened. You see, to me, a diary is only the rebirth of previous memories. Sometimes these memories are shrouded in the fog of time; sometimes these memories have been tinkered with and are no longer a memory of what happened as they are a memory of what has been reconstructed. Regardless, Carrol’s memories of this time evoke a sense of innocence that is about to be corrupted in a manner that can never be uncorrupted. As the diary progresses, Carrol begins to flirt more and more with H. Never buying at first, only using when others around him supply the deadly euphoric, Carrol begins a dance that starts off as a waltz but turns into a frenetic assemblage of hands and feet that no choreographer could put any semblance to. As the diary moves from year to year, Carrol’s decline becomes obvious as his basketball status slowly loses its luster. Folks know he has game, but they never know exactly what game is going to show up at any given time. Besides the decline of his basketball prowess, Carrol notes, often in a sideway glance, what is happening in his beloved New York. It is within these segments that Carrol shines. As Carrol recounts how his relationship with his father is tenuous at best, the reader is given a sneak peak into the psyche of a child that only wants approval of the man he knows will never accept him. And as Carrol lets his hair grow long, and begins to travel with less-than-desirables, a war rages in a small country named Vietnam. To Carrol, this war is never a prominent fixture in his life, but to New Yorkers, who were constantly living in fear that the Russians would use this war as a way to attack the US, fear permeates through the streets. Kids, especially kids with long hair, are looked upon with disdain. War protestors were looked upon as if they were spies or insurgents. Sadly, during this time, Carrol was fighting this war; he just didn’t know that his battles came in the form of H and basketball and family. When the diaries conclude, some three-and-a-half years later, Carrol is a shell of the person he could have become. But he is also so much more of what the man he is about to become. Let me explain. As his H problem increased, his basketball abilities decreased to a point where he was no longer looked upon in awe. But, also, as his H addiction increased, his will to adequately convey his journey through thoughts and images and words increased, too. Carroll remarks about this strange change, describing it as though he needs to write just as much as he needs to find where his next score is coming from. THE BASKETBALL DIARIES takes Carrol from Harlem to Manhattan to Riker’s Island and everywhere in between. This is so much more than a story about being a junky or a disenchanted street kid from New York; this is a story about loss and real-life, about hope and the everlasting truth that hope is sometimes only found in the minds of those that are still crazy enough to believe in it; it is about finding the apparition of happiness within a world of phantoms. Woefully, it is about knowing that life is not all about happy endings. And as I sit here and type this review, I am still contemplating the last sentence of his diary. What does it mean? Was it his last confession? Did he know that his life was only going to get darker and decide that the reader was no longer invited on his journey? It was written in the summer of ’66 after Carrol had lost almost everything. “I just want to be pure…” he says. What an incredibly haunting admission. All I can say is: Don’t we all? HIGHLY RECOMMENDED

In Just Kids, Patti Smith's first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work--from her influential 1975 album Horses to her visual art and poetry.

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the mania for memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview—a sensibility at once take-no-prisoners sharp and deeply charitable. A tart-tongued mother does dead-on imitations of her young son's nervous tics, to the great amusement of his teachers; a stint of Kerouackian wandering is undertaken (of course!) with a quadriplegic companion; a family gathers for a wedding in the face of imminent death. Through it all is Sedaris's unmistakable voice, without doubt one of the freshest in American writing.

Middlesex tells the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family, who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City and the race riots of 1967 before moving out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

The true story of an outlaw childhood where rules were unheard of, the Christmas tree stayed up all year round, Valium was consumed like candy, and if things got dull an electroshock-therapy machine could provide entertainment.Running with Scissors is the true story of a boy whose mother (a poet with delusions of Anne Sexton) gave him away to be raised by her unorthodox psychiatrist who bore a striking resemblance to Santa Claus. So at the age of twelve, Burroughs found himself amidst Victorian squalor living with the doctor’s bizarre family, and befriending a pedophile who resided in the backyard shed. The story of an outlaw childhood where rules were unheard of, and the Christmas tree stayed up all year round, where Valium was consumed like candy, and if things got dull an electroshock- therapy machine could provide entertainment. The funny, harrowing and bestselling account of an ordinary boy’s survival under the most extraordinary circumstances.

 National Bestseller From the #1 New York Times bestselling author of Running with Scissors comes Augusten Burroughs's most provocative collection of true stories yet. From nicotine gum addiction to lesbian personal ads to incontinent dogs, Possible Side Effects mines Burroughs's life in a series of uproariously funny essays. These are stories that are uniquely Augusten, with all the over-the-top hilarity of Running with Scissors, the erudition of Dry, and the breadth of Magical Thinking. A collection that is universal in its appeal and unabashedly intimate, Possible Side Effects continues to explore that which is most personal, mirthful, disturbing, and cherished, with unmatched audacity. A cautionary tale in essay form. Be forewarned--hilarious, troubling, and shocking results might occur.

Mindy Kaling has lived many lives: the obedient child of immigrant professionals, a timid chubster afraid of her own bike, a Ben Affleck–impersonating Off-Broadway performer and playwright, and, finally, a comedy writer and actress prone to starting fights with her friends and coworkers with the sentence “Can I just say one last thing about this, and then I swear I’ll shut up about it?”  Perhaps you want to know what Mindy thinks makes a great best friend (someone who will fill your prescription in the middle of the night), or what makes a great guy (one who is aware of all elderly people in any room at any time and acts accordingly), or what is the perfect amount of fame (so famous you can never get convicted of murder in a court of law), or how to maintain a trim figure (you will not find that information in these pages). If so, you’ve come to the right book, mostly! In Is Everyone Hanging Out Without Me?, Mindy invites readers on a tour of her life and her unscientific observations on romance, friendship, and Hollywood, with several conveniently placed stopping points for you to run errands and make phone calls. Mindy Kaling really is just a Girl Next Door—not so much literally anywhere in the continental United States, but definitely if you live in India or Sri Lanka.

„Dnevnici“ Endija Vorhola su izdati daleke 1989. godine i do danas su doživeli nebrojeno mnogo izdanja, a i objavljeni su na svim važnim svetskim jezicima. Iako je većini čitalaca prva asocijacija na Endija Vorhola njegova izjava da će u budućnosti svako imati svojih 15 minuta slave, njegovi dnevnici nam daju uvid u jednu od najbitnijih decenija u svetskoj umetnosti. U vreme kada umetnici i poznate ličnosti nisu živeli samo za 15 minuta slave. Bez obzira na činjenicu da je neprekidno živeo pod zaslepljujućim svetlima reflektora, „Dnevnici“ nam daju istinsku sliku umetnika Endija Vorhola, sa svim vrlinama i manama, nadama i strahovima. Kroz više od deceniju dnevničkih zapisa vidimo kako se menjao Vorhol, ali i savremena umetnost, kao i svet u kome je živeo. Zbog toga su za njega govorili da je kao ogledalo, jer je savršeno odslikavao društvo i trenutak u kome je živeo. Desetine hiljada stranica svakodnevnih dnevničkih zapisa Endija Vorhola, pripremila je njegova dugogodišnja saradnica Pet Heket, tako da „Dnevnici“ pored potpunog uvida u ‎ličnost samog umetnika, slikaju i portrete svih značajnih ljudi koje je Vorhol tokom svog života sretao, od Lu Rida, Peti Smit, Mika Džegera, Džona Lenona, preko Frenka Sinatre, Majkla Džeksona, Joko Ono, do Džeki Kenedi, Frensisa Bejkona i Salvadora Dalija.

In this extraordinary coming-of-age odyssey, Wally Lamb invites us to hitch a wild ride on a journey of love, pain, and renewal with the most heartbreakingly comical heroine to come along in years.Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Stranded in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally orbits into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before she really goes under.

Sylvia Plath's shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity. Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

This film looks at life in the Bedford-Stuyvesant district of Brooklyn on a hot summer Sunday. As he does everyday, Sal Fragione opens the pizza parlor he's owned for 25 years. The neighborhood has changed considerably in the time he's been there and is now composed primarily of African-Americans and Hispanics. His son Pino hates it there and would like nothing better than to relocate the eatery to their own neighborhood. For Sal however, the restaurant represents something that is part of his life and sees it as a part of the community. What begins as a simple complaint by one of his customers, Buggin Out - who wonders why he has only pictures of famous Italian-Americans on the wall when most of his customers are black - eventually disintegrates into violence as frustration seemingly brings out the worst in everyone.

High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin.

The world is astounded when Willy Wonka, for years a recluse in his factory, announces that five lucky people will be given a tour of the factory, shown all the secrets of his amazing candy, and one will win a lifetime supply of Wonka chocolate. Nobody wants the prize more than young Charlie, but as his family is so poor that buying even one bar of chocolate is a treat, buying enough bars to find one of the five golden tickets is unlikely in the extreme. But in movieland, magic can happen. Charlie, along with four somewhat odious other children, get the chance of a lifetime and a tour of the factory. Along the way, mild disasters befall each of the odious children, but can Charlie beat the odds and grab the brass ring?

Alvy Singer, a forty year old twice divorced, neurotic, intellectual Jewish New York City stand-up comic, reflects on the demise of his latest relationship, to Annie Hall, an insecure, flighty, Midwestern WASP aspiring nightclub singer. Unlike his previous relationships, Alvy believed he may have worked out all the issues in his life through fifteen years of therapy to make this relationship with Annie last, among those issues being not wanting to date any woman that would want to date him, and thus subconsciously pushing those women away. Alvy not only reviews the many ups and many downs of their relationship, but also reviews the many facets of his makeup that led to him starting to date Annie. Those facets include growing up next to Coney Island in Brooklyn, being attracted to the opposite sex for as long as he can remember, and enduring years of Jewish guilt with his constantly arguing parents.

A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them...

Marty McFly, a typical American teenager of the Eighties, is accidentally sent back to 1955 in a plutonium-powered DeLorean "time machine" invented by a slightly mad scientist. During his often hysterical, always amazing trip back in time, Marty must make certain his teenage parents-to-be meet and fall in love - so he can get back to the future.

In a castle high on top of a hill lives an inventor's greatest creation - Edward, a near-complete person. The creator died before he could finish Edward's hands; instead, he is left with metal scissors for hands. Since then, he has lived alone, until a kind lady called Peg discovers him and welcomes him into her home. At first, everyone welcomes him into the community, but soon things begin to take a change for the worse.

Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same).

1994 American crime film directed by Quentin Tarantino

It's the late 1980s. Twenty-seven year old Wall Streeter Patrick Bateman travels among a closed network of the proverbial beautiful people, that closed network in only they able to allow others like themselves in in a feeling of superiority. Patrick has a routinized morning regimen to maintain his appearance of attractiveness and fitness. He, like those in his network, are vain, narcissistic, egomaniacal and competitive, always having to one up everyone else in that presentation of oneself, but he, unlike the others, realizes that, for himself, all of these are masks to hide what is truly underneath, someone/something inhuman in nature. In other words, he is comprised of a shell resembling a human that contains only greed and disgust, greed in wanting what others may have, and disgust for those who do not meet his expectations and for himself in not being the first or the best. That disgust ends up manifesting itself in wanting to rid the world of those people, he not seeing them as people but only of those characteristics he wants to rid.

Enid and Rebecca after they finish the high school. Both have problems relating to people and they spend their time hanging around and bothering creeps. When they meet Seymour who is a social outsider who loves to collect old 78 records, Enid's life will change forever.

At the end of the 1940's, abstract expressionist Jackson Pollock (1912-1956) is featured in Life magazine. Flashback to 1941, he's living with his brother in a tiny apartment in New York City, drinking too much, and exhibiting an occasional painting in group shows. That's when he meets artist Lee Krasner, who puts her career on hold to be his companion, lover, champion, wife, and, in essence, caretaker. To get him away from booze, insecurity, and the stress of city life, they move to the Hamptons where nature and sobriety help Pollock achieve a breakthrough in style: a critic praises, then Life magazine calls. But so do old demons: the end is nasty, brutish, and short.

Basquiat tells the story of the meteoric rise of youthful artist

Berlinger and Sinofsky's documentary of a gruesome triple murder in West Memphis, Arkansas and the subsequent trials of three suspects, takes a hard look at both the occult and the American justice system in 'small-town' America. Three teenagers are accused of this horrific crime of killing three children, supposedly as a result of involvement in Satanism. As in their previous documentary, things turn out to be more complex than initial appearances and this film presents the real-life courtroom drama to the viewer, as it unfolds.

1996 film by Joe Berlinger and Bruce Sinofsky

In late 2007, filmmakers Ariel Schulman and Henry Joost sensed a story unfolding as they began to film the life of Ariel's brother, Nev. They had no idea that their project would lead to the most exhilarating and unsettling months of their lives. A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.

The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains footage of Banksy, Shephard Fairey, Invader and many of the world's most infamous graffiti artists at work.

Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends.

English singer and songwriter (born 1945)

British musician, actor, record producer and arranger

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

A documentary series that follows four of 16 & Pregnant's first season stars, Farrah, Maci, Amber and Catelynn as they face the challenges of motherhood.

American reality television series broadcast by MTV

In a small town where everyone knows everyone, a peculiar incident starts a chain of events that leads to the disappearance of a child, which begins to tear at the fabric of an otherwise peaceful community. Dark government agencies and seemingly malevolent supernatural forces converge on the town, while a few of the locals begin to understand that there's more going on than meets the eye.

American science fiction horror Netflix series

A spin-off of the MTV documentary series '16 and Pregnant'. The show follows the stories of four girls from the second season of '16 and Pregnant' and documents the challenges of their first years of motherhood. Each episode interweaves stories of four teenage girls who are navigating the bumpy terrain of adolescence, growing pains, and coming of age - all while facing the responsibility of being a young mother. Each story offers a unique look into the wide variety of challenges young mothers can face: marriage, relationships, family support, or lack thereof, adoption, finances, rumors among the community, graduating high school, starting college, getting (or losing) a job and the daunting and exciting step of moving out of the nest to create their own families.

A reality-based look at the vapid lives of several New Jersey 20-somethings and their respective friends and/or hook-ups.

Debra Newell (Connie Britton) has a seemingly perfect life: she's successful, beautiful and lives in one of California's most desirable coastal cities, Newport Beach. The only thing missing is love. So when she finally meets charming and handsome doctor John Meehan (Eric Bana), she's quickly swept into a whirlwind romance, much to the dismay of her daughters Terra (Julia Garner) and Veronica (Juno Temple). Their fast-tracked relationship creates tension between Debra and the girls, leaving them no choice but to investigate the stranger who has swept their mother off her feet. And with a fraught family history, the backstory of Debra and her mother Arlane (Jean Smart) provides insight into why she may have been so vulnerable to John in the first place. As Debra gets drawn deeper into his lies and sinister game of psychological manipulation, it results in horrific consequences for an entire family.

When Madeline and Celeste take new-in-town single mom Jane under their wing, none of them realize how the arrival of Jane and her inscrutable little boy will affect them all. Big Little Lies is a brilliant take on ex-husbands and second wives, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive.

Rebecca Pearson once had a difficult pregnancy with triplets. The resulting births occurred on the same day as her husband Jack Pearson's thirty-sixth birthday. The lives of Rebecca, Jack and their three offspring - Kevin, Kate and Randall - are presented at different points in time. The Rebecca and Jack stories generally take place during the early stage of their marriage, surrounding the birth of the three children or at different phases of the children's upbringing, which was not always smooth sailing for any of the five. Separate stories concerning Kevin, Kate and Randall are also presented in their adult years, each who has his or her own baggage resulting from that upbringing: Kevin who was generally the neglected one because he had no outward issues; Kate who has always had weight issues; Randall, the gifted one, being the visible outsider and being the "non-K" child. These stories may demonstrate the emotional ties that exist not only because of being family, but also because of four of them having the same birthday and some of them having always been together, meaning since conception.

Four female New Yorkers gossip about their sex lives (or lack thereof) and find new ways to deal with being a woman in the late 1990s.

Set nearly a decade after the finale of the original series, this revival follows Lorelai, Rory and Emily Gilmore through four seasons of change.

Originally based around the lives of a group of high school students living in the wealthy Beverly Hills neighborhood, then later moving on to their college days as they got older. The kids become friends and enemies, fall in and out of love, and go through an endless series of crises as this small group somehow becomes personally involved in every newsworthy social issue from alcoholism to South African apartheid to pregnancy to AIDS.

1990 American teen drama television series

A family tree with Zeek (Craig T. Nelson) and Camille Braverman (Bonnie Bedelia) serving as the patriarch and matriarch. After forty-six years of marriage, they've managed to keep their foundation intact by burying their problems underneath the surface for the sake of their now-adult children. Adam (Peter Krause) is the first-born and the ripest apple the tree has to offer. He runs a shoe company, has a supportive wife, two children (boy and girl) and a beautiful home to share with them. He's a dog short of "The American Dream". Sarah (Lauren Graham), is the unstable daughter returning home at thirty-eight years of age with her rebellious daughter and sensitive son to live with Zeek and Camille. Crosby (Dax Shepard), is a happy-go-lucky bachelor living in the now, on a docked boat. He has no idea that his frivolous life is about to change tremendously. Then there is Julia (Erika Christensen). She is the bread-winning shot-calling lawyer, whose husband mans the stay-at-home-dad duties. Each family will face their own challenges, but how they propose to deal with them is what will keep them together or tear them apart.

Thirty-two year old single mom, Lorelai, lives with her teenage daughter Rory in the small town of Stars Hollow, Connecticut, with crazy neighbors and many ups and downs.

American comedy-drama series for The WB and The CW (2000–2007)

Follows the cast of the third season of "16 and Pregnant" and their trials as their little ones grow up.

Explores the friendships of some of the residents living in New Jersey, having to deal with everyday drama and relationship problems.

The notoriously closed society of Charleston, South Carolina unlocks the gates of their centuries-old plantation homes for a real-life look at how modern-day Southern aristocracy lives. Get charmed by the social scene which is bound by tradition and ostentation unlike any other culture in America, through a group of the city's most charismatic gentlemen and their Southern belle equals.

Follows the crew of a multi million dollar charter boat in the Caribbean.

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