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This book freaked my shit out.Yeah. How's that for a blurb? "This freaked my shit out."  - Patrick RothfussThe truth is, this book is amazing. I've read a lot of great comics this last year, and out of all of them, this is the one that had the most profound emotional effect on me. It's not gory, or graphic. It's... unsettling. It's creepy. It's like the darkest of the old-school faerie tales.I read it at night before I was going to go to bed. And when I was done, I was too unnerved to go to sleep. I had to read something else to settle myself down first. Seriously. I'm 40 years old. And still this thing got to me. Highly *highly* recommended.

You only think you know this story. In 1991, Jeffrey Dahmer — the most notorious serial killer since Jack the Ripper — seared himself into the American consciousness. To the public, Dahmer was a monster who committed unthinkable atrocities. To Derf Backderf, “Jeff” was a much more complex figure: a high school friend with whom he had shared classrooms, hallways, and car rides. In My Friend Dahmer, a haunting and original graphic novel, writer-artist Backderf creates a surprisingly sympathetic portrait of a disturbed young man struggling against the morbid urges emanating from the deep recesses of his psyche — a shy kid, a teenage alcoholic, and a goofball who never quite fit in with his classmates. With profound insight, what emerges is a Jeffrey Dahmer that few ever really knew, and one readers will never forget.

The team is despondent following the near apocalypse created by one of their own and the death of their beloved mentor Pogo. So it's a great time for another catastrophic event to rouse the team into action. Trouble is - each member of the team is distracted by some very real problems of their own. The White Violin is bedridden due to an unfortunate blow to the head. Rumor has lost her voice - the source of her power. Spaceboy has eaten himself into a near-catatonic state, while Number Five dives into some shady dealings at the dog track and the Kraken starts looking at his littlest brother as the key to unraveling a mysterious series of massacres… all leading to a blood-drenched face-off with maniacal assassins, and a plot to kill JFK!Chosen as BookExpo America's 2009 Hot Graphic Novel for Libraries and Teens!"It's the X-Men for cool people." - Grant Morrison (All-Star Superman)2009 Eisner Award nominations (The Umbrella Academy: Apocalypse Suite): Gerard Way and Gabriel Bá: Best Graphic Album; Gabriel Bá: Best Cover Artist, Best Penciller/Inker; James Jean: Best Cover Artist; Dave Stewart: Best ColoringCollecting: The Umbrella Academy: Dallas 1-6

One Day in the Life of Ivan Denisovich (Russian: Оди́н день Ива́на Дени́совича Odin den' Ivana Denisovicha pronounced [ɐˈdʲin ˈdʲenʲ ɪˈvanə dʲɪˈnʲisəvʲɪtɕə]) is a novel by the Russian writer and Nobel laureate Aleksandr Solzhenitsyn, first published in November 1962 in the Soviet literary magazine Novy Mir (New World). The story is set in a Soviet labor camp in the 1950s and describes a single day in the life of ordinary prisoner, Ivan Denisovich Shukhov.The book's publication was an extraordinary event in Soviet literary history, since never before had an account of Stalinist repression been openly distributed. Novy Mir editor Aleksandr Tvardovsky wrote a short introduction for the issue entitled "Instead of a Foreword" to prepare the journal's readers for what they were about to experience.

Two years before Beatrice Prior made her choice, the sixteen-year-old son of Abnegation’s faction leader did the same. Tobias’s transfer to Dauntless is a chance to begin again. Here, he will not be called the name his parents gave him. Here, he will not let fear turn him into a cowering child.Newly christened “Four,” he discovers during initiation that he will succeed in Dauntless. Initiation is only the beginning, though; Four must claim his place in the Dauntless hierarchy. His decisions will affect future initiates as well as uncover secrets that could threaten his own future—and the future of the entire faction system.Two years later, Four is poised to take action, but the course is still unclear. The first new initiate who jumps into the net might change all that. With her, the way to righting their world might become clear. With her, it might become possible to be Tobias once again.From #1 New York Times bestselling author Veronica Roth comes a companion volume to the worldwide bestselling DIVERGENT series, told from the per-spective of the immensely popular character Tobias. The four pieces included here—THE TRANSFER, THE INITIATE, THE SON, and THE TRAITOR—plus three additional exclusive scenes, give readers an electrifying glimpse into the history and heart of Tobias, and set the stage for the epic saga of the DIVERGENT trilogy.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

Kell is one of the last Antari—magicians with a rare, coveted ability to travel between parallel Londons; Red, Grey, White, and, once upon a time, Black.Kell was raised in Arnes—Red London—and officially serves the Maresh Empire as an ambassador, traveling between the frequent bloody regime changes in White London and the court of George III in the dullest of Londons, the one without any magic left to see.Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see. It's a defiant hobby with dangerous consequences, which Kell is now seeing firsthand.After an exchange goes awry, Kell escapes to Grey London and runs into Delilah Bard, a cut-purse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure.Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they'll first need to stay alive.

A timeless tale by the incomparable Kate DiCamillo, complete with stunning full-color plates by Bagram Ibatoulline, honors the enduring power of love."Someone will come for you, but first you must open your heart. . . ."Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who treated him with the utmost care and adored him completely. And then, one day, he was lost. Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the top of a garbage heap to the fireside of a hoboes' camp, from the bedside of an ailing child to the bustling streets of Memphis. And along the way, we are shown a true miracle — that even a heart of the most breakable kind can learn to love, to lose, and to love again.

Combined for the first time here are Maus I: A Survivor's Tale and Maus II - the complete story of Vladek Spiegelman and his wife, living and surviving in Hitler's Europe. By addressing the horror of the Holocaust through cartoons, the author captures the everyday reality of fear and is able to explore the guilt, relief and extraordinary sensation of survival - and how the children of survivors are in their own way affected by the trials of their parents. A contemporary classic of immeasurable significance.

This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind.  Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

Esperanza thought she'd always live with her family on their ranch in Mexico--she'd always have fancy dresses, a beautiful home, and servants. But a sudden tragedy forces Esperanza and Mama to flee to California during the Great Depression, and to settle in a camp for Mexican farm workers. Esperanza isn't ready for the hard labor, financial struggles, or lack of acceptance she now faces. When their new life is threatened, Esperanza must find a way to rise above her difficult circumstances--Mama's life, and her own, depend on it.

Percy Jackson & the Olympians, often shortened to Percy Jackson or PJO, is a pentalogy of fantasy adventure novels written by American author Rick Riordan, and the first book series in the Camp Half-Blood Chronicles. Five supplementary books, along with graphic novel versions of each book in the first series have also been released. More than 69 million copies of the books have been sold in more than 35 countries.As of October 28, 2011, the books have been on The New York Times Best Seller list for children's book series for 245 weeks. The first book was adapted into a film titled Percy Jackson & the Olympians: The Lightning Thief in 2010, which was commercially successful, but due to major deviations from the books received mixed reviews from fans around the world. An adaptation of the second book, titled Percy Jackson: Sea of Monsters, was released in 2013.

Joanne Rowling, also known by her pen name J. K. Rowling, is a British author and philanthropist. She wrote Harry Potter, a seven-volume children's fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

Harvard professor of symbology Robert Langdon awakens in an Italian hospital, disoriented and with no recollection of the past thirty-six hours, including the origin of the macabre object hidden in his belongings. With a relentless female assassin trailing them through Florence, he and his resourceful doctor, Sienna Brooks, are forced to flee. Embarking on a harrowing journey, they must unravel a series of codes, which are the work of a brilliant scientist whose obsession with the end of the world is matched only by his passion for one of the most influential masterpieces ever written, Dante Alighieri's The Inferno.  Dan Brown has raised the bar yet again, combining classical Italian art, history, and literature with cutting-edge science in this sumptuously entertaining thriller.

This is a translated version of the late Mihail Sadoveanu's historical novel exploring the life and times of one of Romania's national heroes. The celebrated writer and historian's work is not only a classic of Romanian literature; Stephen and his "Great Moldavia" of the fifteenth century are potent symbols that have profound significance for the nationalist movements in Soviet and Romanian Moldavia today.

The Hunger Games Trilogy: these are my issues, let me show you them.Most of the good fiction/fantasy/scifi literature these days is coming out of the Young Adult and Juvenile areas, so every six months or so I round up the new stuff and go on a reading spree. Around two years ago that included the Hunger Games trilogy (thanks to an ARC copy of Mockingjay). I did a review on that for my work newsletter which made me think about it for a good long while. (It wasn’t my best review because we’re encouraged not to say anything bad about the books, the object being to get people to read, not to drive them away.)The first book, Hunger Games, is awesome. Beyond awesome. I loved it and I greatly encourage anyone who hasn’t read it to pick it up now and get to reading! Engaging characters, tight (in both senses of the word) narrative, a plot that, while being far from original, seems shiny and new for all the different spins Suzanne Collins puts on it. It draws out your emotions and engages them, keeps you on the edge of your seat. Highly, highly recommended.The problem is, it’s best if you stop there. I sure wish the story had. At least Hunger Games stands on its own, and after reading the other two in the trilogy, I know that I can go back and just reread the first one and never have to touch the other two to have a complete fulfilling story.That’s not to say that the second book is terrible. Catching Fire is actually pretty good. Not up to the same standards as the first book - it does feel like exactly what it is, the middle book in a trilogy - but not a bad read at all. Basically it both asks and answers the age-old question, “If you could go back and do it all over, knowing everything you do now, would you do anything differently?” Which is intriguing, definitely. But at the same time, it is kind of a rehash of the first book, which is what makes it less engaging. The characters, the politics and the good narrative stop it from feeling tired and dull, and again, it’s a good read, but it’s lost its originality and some of the excitement that made the first book so entertaining.And then there’s the real problem; Catching Fire isn’t a complete narrative on its own. To know the whole story you have to read the third book, Mockingjay.Oh man, Mockingjay. The book that had all the potential to be a wonderful, heart-racing, utterly amazing finale to the trilogy. So much potential; so much fail. The ideas were there, but the execution was...just that. An execution. It’s like everything that would’ve made it a phenomenal book was taken out back and double-tapped.Even a couple years later I’m still somewhat angry when I think about it. Still so disappointed. I keep asking myself, did the author have a word limit she had to adhere to? Was she over her deadline by too much and had to rush? Was she simply bored/tired of this world? What on earth could’ve made her do this?Going against one of the major rules of good writing, Mockingjay is an exercise in telling instead of showing. Nothing big happens in the book that the author isn’t telling us about it instead of giving us the wonderful descriptions of the previous two books. With very few exceptions, events happen off screen and we get an info dump explaining them. That alone was just terrible to read. But then there’s poor Katniss.Remember the spitfire, kick-ass woman of the previous two books, the one who was determined to do whatever she could to survive and thus ensure her family’s survival? Yeah, well, say goodbye to her before reading this last book because you won’t be seeing much of her again.It’s like she just floats through events, letting things happen to her and barely reacting. She just lets herself be used, over and over, turns into something akin to a leaf in the wind. The few decisions she does make often don’t make any sort of good sense and we’re left wondering if this is really Katniss or a robot in a Katniss skin.The introduction of new characters should help things, but the narrative fails there too. The characters (heck, even the old ones we’re familiar with!) aren’t given nearly enough fleshing out; they’re just there. They don’t feel as real, as three dimensional as characters did in the last two books.The combination of all that leaves us with a flat, lifeless book and what amounts to a boring read. You want to get excited, I mean, there are serious, emotional things going on! Or at least they’re supposed to be. Hard to say when you don’t feel it and it’s just words on a page. The originality, excitement and all the drive behind the first two books is just gone. Vanished. And it’s painful to see.Yeah, two years gone and I’m still not over that. Such a let-down.I still encourage people to pick up The Hunger Games, but I barely give the next two in the trilogy more than a cursory mention. I reserve all my glowing praise for the first book and try to pretend the third never happened.

A faded television actor and his stunt double strive to achieve fame and success in the final years of Hollywood's Golden Age in 1969 Los Angeles.

A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up

2018 mystery-horror film directed by Luca Guadagnino

It Chapter Two is a 2019 American supernatural horror film directed by Andy Muschietti, with a screenplay by Gary Dauberman. A follow-up to It (2017), it is the second of a two-part adaptation of the It by Stephen King, primarily covering the second half of the book. It stars Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, and Bill Skarsgård as Pennywise. Set in 2016, 27 years after the events of the first film, the story centers on the Losers Club and their relationships as they reunite to destroy It once and for all.Talks for an It sequel began in February 2016. By September 2017, New Line Cinema announced that the film would be released in September 2019, with Dauberman writing the script and Muschietti to direct. Principal photography began on June 19, 2018, at Pinewood Toronto Studios and on locations in and around Port Hope, Oshawa, and Toronto and wrapped on October 31, 2018. The film was produced by New Line Cinema, Double Dream, Vertigo Entertainment, and Rideback, and distributed by Warner Bros. Pictures.

A couple travels to Scandinavia to visit a rural hometown's fabled Swedish mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.

In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: the Joker.

Lara Jean and Peter have just taken their relationship from pretend to officially official when another recipient of one of her old love letters enters the picture.

In rural 1977 Georgia, a misfit girl dreams of life in outer space. When a competition offers her a chance to be recorded on NASA's Golden Record, she recruits a makeshift troop of Birdie Scouts, forging friendships that last a lifet

In early 18th-century England, the status quo at the court is upset when a new servant arrives and endears herself to a frail Queen Anne.

An introverted teenage girl tries to survive the last week of her disastrous eighth grade year before leaving to start high school.

A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

2019 American film directed by Tom Hooper

After splitting with the Joker, Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to save a young girl from an evil crime lord.

Zombieland is a 2009 American post-apocalyptic zombie comedy film directed by Ruben Fleischer and written by Rhett Reese and Paul Wernick. It stars Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, and Bill Murray. In the film, Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone), and Little Rock (Breslin) make their way on an extended crosscountry road trip to find a sanctuary free from zombies.

Two elven brothers embark on a quest to bring their father back for one day.

2020 computer-animated film directed by Dan Scanlon

A Chinese family discovers their grandmother has only a short while left to live and decide to keep her in the dark, scheduling a wedding to gather before she dies.

Teenage friends find their lives upended by the wonders and horrors of puberty.

A teenage boy with a sex therapist mother teams up with a high school classmate to set up an underground sex therapy clinic at school.

As her 16th birthday nears, Sabrina must choose between the witch world of her family and the human world of her friends. Based on the Archie comic.

James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a road trip in search of her real father.

2017 British comedy-drama television series

Follows teenager Clay Jensen, in his quest to uncover the story behind his classmate and crush, Hannah, and her decision to end her life.

2017 American teen drama web television series

Princess Tiabeanie, 'Bean', is annoyed at her imminent arranged marriage to Prince Merkimer. Then she meets Luci, a demon, and Elfo, an elf, and things get rather exciting, and dangerous.

satirical fantasy sitcom created by Matt Groening

Set in the late 1970s, two FBI agents are tasked with interviewing serial killers to solve open cases.

Four people and their otherworldly frienemy struggle in the afterlife to define what it means to be good.

2016 American fantasy comedy television series

A look at life for a group of high school students as they grapple with issues of drugs, sex, and violence.

2019 American teen drama television series

Tom Clancy's Jack Ryan is an American political action thriller television series, based on characters from the fictional "Ryanverse" created by Tom Clancy, that premiered on August 31, 2018, on Amazon Prime Video. The series was created by Carlton Cuse and Graham Roland. Cuse serves as an executive producer alongside John Krasinski, Michael Bay, and Mace Neufeld, among others. Krasinski also stars in the series as the title character, making him the fifth actor to portray the character after Alec Baldwin, Harrison Ford, Ben Affleck, and Chris Pine from the film series.

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