Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

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  My vagina is a shell, a round pink tender shell, opening and closing, closing and opening. My vagina is a flower, an eccentric tulip, the center acute and deep, the scent delicate, the petals gentle but sturdy.\
No it isn't. It isn't a flower, it isn't a tulip, it isn't a shell or a piece of coral or an exotic orchid. It's a tract of epithelial tissue, just like everyone else's.Don't get me wrong, vaginas are lovely – I'm a massive fan – but these monologues represent the sort of facile, pseudo-feminist waffle that is actually anti-feminist. First of all, it's questionable that reducing women to their vaginas can really be helpful in the first place; but since that's the premise of the whole thing, I won't go on about it. More to the point though, this is simply the other side of the coin from standard, run-of-the-mill patriarchy: the idea that women are ‘other’ – wild, mysterious, lunar creatures, with baffling anatomies and magical hidden depths that can be reawakened if they would only discover themselves and get comfortable with their own menstrual blood. It's just utter bullshit from start to finish. Or it's not what I believe, anyway: I think women are just normal people, same as men are. Why can't someone write a play about that revolutionary idea.I do feel bad slagging this off, because the stories in here are clearly meaningful for the people that experienced them, and maybe if you have had a certain kind of upbringing then this might be useful or liberating. I don't want to devalue the positive experiences some people have obviously found here. Particularly when I don't have a vagina myself. But Christ, it's all so po-faced and earnest and humourless. My wife has never seen it staged but she started the book and threw it across the room on page 46. The passage that finally finished her:My vagina amazed me. I couldn't speak when it came my turn in the workshop. I was speechless. I had awakened to what the woman who ran the workshop called “vaginal wonder.” I just wanted to lie there on my mat, my legs spread, examining my vagina forever.It was better than the Grand Canyon, ancient and full of grace. It had the innocence and freshness of a proper English garden. It was funny, very funny. It made me laugh. It could hide and seek, open and close. It was a mouth. It was the morning.(‘Why do Americans have to turn every part of my body into some psycho-sexual epiphany?’ — Hannah.) OK, this book isn't aimed at me. And it's probably not cool to borrow Hannah's reactions to try and make my own review seem more valid. But with all of that said and understood, my own humble opinion for what little it's worth is that this goes for lazy, feel-good ‘community’ spirit at the expense of genuine insight, and I suspect that ultimately it's pointing gender relations in the wrong direction. Maybe it's a generational thing.

In Amy Poehler’s highly anticipated first book, Yes Please, she offers up a big juicy stew of personal stories, funny bits on sex and love and friendship and parenthood and real life advice (some useful, some not so much), like when to be funny and when to be serious. Powered by Amy’s charming and hilarious, biting yet wise voice, Yes Please is a book full of words to live by.

An intrepid voyage out to the frontiers of the latest thinking about love, language, and family.Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.

Though they have the vote and the Pill and haven't been burned as witches since 1727, life isn't exactly a stroll down the catwalk for modern women. They are beset by uncertainties and questions: Why are they supposed to get Brazilians? Why do bras hurt? Why the incessant talk about babies? And do men secretly hate them? Caitlin Moran interweaves provocative observations on women's lives with laugh-out-loud funny scenes from her own, from adolescence to her development as a writer, wife, and mother.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes. Heartburn is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.

This one got quite a bit of publicity when it came out a few months back. An excerpt in the Guardian. A positive review from Julie Myerson, admiring its honesty, candour, bravery etc. The author is the friend of a friend. And I am particularly interested in autobiography. I am also preoccupied by the issue of the extent to which its possible to write well about the physical side of relationships. So it seemed a good idea to get hold of this memoir about one woman's 'sexual odyssey.'Unfortunately I pretty much hated it. Yes, there is a sort of grim fascination when people start revealing the messiness of their emotional lives, their failures, the embarrassing moments. (It's a bit like watching bad auditions on the X-factor.) So I did carry on to the end. Which took some time given that there are nearly 500 pages. However I developed the strategy of reading very quickly.The most boring passages were - oddly enough - the accounts of the writer's more unorthodox sexual activities. Her 'dates' with people she met via an internet site for people who want casual encounters, the goings on at Tantra workshops, and at a holiday resort for swingers. However varied the activities or the setting might be, the language itself seemed strained and repetitive. There was precious little humour.Instead there was a terrible unremitting earnestness in the author's quest for sexual knowledge and understanding. Her curiosity leads her to explore some 'therapies' that - to a sceptical reader - sound very flaky indeed. I suspect that the self-absorption of anyone undergoing therapy - and the tendency to idealise the counsellor/therapist/guru - is at odds with the detachment needed to write about the process.I felt she was better at writing about romance. The most powerful parts of the book concern her ex-lover. But even here I felt the writer just goes on too long. In real life, it may take a great deal of time to recover from breaking up with a partner. But readers can be heartless and unsympathetic. 'Get on with it,' I muttered, at regular intervals. Or 'Oh for God's sake,' when the author tells us about yet another anguished reunion with her former beloved.Just occasionally there were memorable descriptions, good lines, which did me think I'd like to give Monique Roffey's novels a try. But with this book, my feeling was that 'less' would almost certainly have been 'more'.....

In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!”This book features that now-classic essay with six perfect complements, including an examination of the writer Virginia Woolf ’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

When the van door slammed on Offred's future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead for her--freedom, prison or death.With The Testaments, the wait is over.Margaret Atwood's sequel picks up the story more than fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.In this brilliant sequel to The Handmaid's Tale, acclaimed author Margaret Atwood answers the questions that have tantalized readers for decades."Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in." --Margaret Atwood

From Eve Ensler, author of one of the most influential works of the twentieth century--The Vagina Monologues--and one of Newsweek's "150 Women Who Changed the World," comes a powerful, life-changing examination of abuse and atonement.Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused from the age of 5 by her father, Eve has struggled and suffered her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an artist and anti-violence activist, she decided she was no longer waiting; an apology could be imagined, by her, for her, to her. This book, The Apology, written by Eve from her father's point of view in the words she longed to hear attempts to transform the abuse she suffered, with unflinching truthfulness, compassion, and an expansive vision for the future.Through The Apology Eve has set out to provide a new way for herself and a possible road for others, so that survivors of abuse may finally imagine how to be free. In it, she grapples with questions she has sought answers to since she began to understand the impact of her father's abuse on her life: How do we offer a doorway rather than only a locked cell? How do move from humiliation to revelation, from curtailing behavior to changing it, from condemning perpetrators to calling them to reckoning?The Apology is a remarkably original book that explores the deepest and most intimate questions that can be asked at this moment: Why do men carry out abuse, often against the people they know and love the most? How can we--together--stop it? What does it mean to apologize for these acts? What will it take for the men who have committed abuse to make a deep reckoning and actually apologize? As Tony Porter from A Call to Men says, “We've called men out, now how do we call them in?”The Apology is an acutely transformational book--about how, from the wounds of sexual abuse, we can begin to re-emerge and heal. It is a revolutionary book asking everything of each of us: courage, truthfulness, and forgiveness.

From a leader of feminist punk music at the dawn of the riot-grrrl era, a candid and deeply personal look at life in rock and roll. Before Carrie Brownstein codeveloped and starred in the wildly popular TV comedy Portlandia, she was already an icon to young women for her role as a musician in the feminist punk band Sleater-Kinney. The band was a key part of the early riot- grrrl and indie rock scenes in the Pacific Northwest, known for their prodigious guitar shredding and their leftist lyrics against war, traditionalism, and gender roles.Hunger Makes Me a Modern Girl is the deeply personal and revealing narrative of Brownstein's life in music, from ardent fan to pioneering female guitarist to comedic performer and luminary in the independent rock world. Though Brownstein struggled against the music industry's sexist double standards, by 2006 she was the only woman to earn a spot on Rolling Stone readers' list of the "25 Most Underrated Guitarists of All-Time." This book intimately captures what it feels like to be a young woman in a rock-and-roll band, from her days at the dawn of the underground feminist punk-rock movement that would define music and pop culture in the 1990s through today.

A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of ‘Americanah’ and ‘Half of a Yellow Sun’, based on her 2013 TEDx Talk of the same name.What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay – adapted from her much-viewed Tedx talk of the same name – by Chimamanda Ngozi Adichie, the award-winning author of ‘Americanah’ and ‘Half of a Yellow Sun’. With humour and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century – one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviours that marginalise women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences – in the U.S., in her native Nigeria – offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a best-selling novelist, here is one remarkable author’s exploration of what it means to be a woman today – and an of-the-moment rallying cry for why we should all be feminists.

From the New York Times bestselling author of Bad Feminist: a searingly honest memoir of food, weight, self-image, and learning how to feed your hunger while taking care of yourself.“I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I was because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one that I barely recognized or understood, but at least I was safe.”In her phenomenally popular essays and long-running Tumblr blog, Roxane Gay has written with intimacy and sensitivity about food and body, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she explores her past—including the devastating act of violence that acted as a turning point in her young life—and brings readers along on her journey to understand and ultimately save herself.With the bracing candor, vulnerability, and power that have made her one of the most admired writers of her generation, Roxane explores what it means to learn to take care of yourself: how to feed your hungers for delicious and satisfying food, a smaller and safer body, and a body that can love and be loved—in a time when the bigger you are, the smaller your world becomes.

Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman of color while also taking readers on a ride through culture of the last few years and commenting on the state of feminism today. The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.

you get a first-person perspective as a real crowd reacts to the notes you play. Or switch over to GHTV...

LEGO Marvel Super Heroes features an original story where players take control of Iron Man, Spider-Man, the Hulk, Captain America, Wolverine and many more Marve...

A retired 70-year-old widower, Ben (played by Robert De Niro), is bored with retired life. He applies to a be a senior intern at an online fashion retailer and gets the position. The founder of the company is Jules Ostin (Anne Hathaway), a tireless, driven, demanding, dynamic workaholic. Ben is made her intern, but this is a nominal role - she doesn't intend to give him work and it is just window dressing. However, Ben proves to be quite useful and, more than that, a source of support and wisdom.

Ireland, early 1950s. Eilis Lacey (Saoirse Ronan) is a young woman working in a grocery shop. She has greater ambitions and moves to Brooklyn, New York, leaving her mother and sister, Rose (Fiona Glascott), behind. She is terribly homesick but eventually settles down, finding a job, studying to be a bookkeeper and meeting a nice young Italian man, Tony Fiorello (Emory Cohen). Things are going well, but then she learns that Rose has died, and decides to return to Ireland, temporarily. She and Tony hastily get married, and then she sets off back to Ireland, alone. Life is about to get complicated.

The three Halliwell sisters discover that they are descendents of a line of female witches. Each has a special ability (stopping time, moving objects, seeing the future), and they can also combine their abilities into the "Power of Three" to fight demons, warlocks, and other evils.

American supernatural drama / fantasy television series (1998–2006)

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

Riley is a single mother living in a small Texas town and leading a shocking double life. Her secret would send shockwaves through the community and possibly land her in jail if it was ever exposed. Riley's taken a job at a seemingly traditional day spa, but soon realizes that the parlor offers a little more than just massage therapy. It's not the happy ending she was expecting but it does open her eyes to a world she's never seen before.

People all over the U.S and the world start to realize they have special abilities, like telekinesis, healing abilities, flying powers, time travel, invisibility, and the ability to absorb other's abilities. One man, known as Sylar, wants to gain all the power of these "heroes" so he can be the most powerful and evolved human of all, and stops at nothing to gruesomely kill these people. In order to protect themselves from him, these people must help one another before Sylar can destroy them all, while they each deal with problems of their own.

American science fiction television drama series

Set in a world only minutes from our own, "Black Mirror", a UK and USA non-hosted anthology series; unveils how modern technologies can backfire and be used against their makers, every episode set in a slightly different reality with different characters combating different types of technologies. The series ran from 2011 until 2019.

Eric Forman is a typical high school student growing up in Wisconsin in 1976 with his family and his friends. Together, they have the same kind of joys and sorrows that just about every teenager has while growing up. This show parodied many of the attitudes, events and fads of the 70s, along with those who grew up at the time.

In the mythical continent of Westeros, several powerful families fight for control of the Seven Kingdoms. As conflict erupts in the kingdoms of men, an ancient enemy rises once again to threaten them all. Meanwhile, the last heirs of a recently usurped dynasty plot to take back their homeland from across the Narrow Sea.

Set in modern times, vampires roam the Earth and are humans' mortal enemies. However, a substitute has been found for human blood, a substitute that vampires can consume with the same effect as human blood. This is True Blood. Now humans and vampires can co-exist in harmony, and even form relationships. But there will always be rogue elements on both sides ready to exploit the uneasy truce.

Physical and psychological horrors affect a decomposing family, workers and residents of an insane asylum, a coven of witches, a cast of circus freaks, the employees and guests at a struggling hotel, a family who moved into a mysterious farmhouse, the members of a small suburb in Michigan, the surviving members of the Apocalypse and the counselors of a creepy summer camp in this haunting anthology series, focusing on the themes of infidelity, sanity, oppression, discrimination, addiction and exploitation.

American anthology horror television series

Marianne and Connell's time at secondary school in County Sligo on Ireland's Atlantic coast, and later as undergraduates at Trinity College Dublin. The focus is mainly Connell's and Marianne's complex relationship. Among her peers at secondary school Marianne is regarded as an oddball, though she rejects having any care for social standing. Despite her academic achievements, her home life is complicated by her dismissive mother, Denise, and resentful brother, Alan. Her father is deceased and is revealed to have been a domestic abuser, though her family avoids mentioning him. Connell is a high-achieving athletic student living with his single mother Lorraine, who is employed by Denise as a cleaner. He is popular in the school community, though he is diminished by remaining silent during the bullying of Marianne. This creates complexity as their relationship develops.

"Socially awkward high school student Otis may not have much experience in the lovemaking department, but he gets good guidance on the topic in his personal sex ed course -- living with mom Jean, who is a sex therapist. Being surrounded by manuals, videos and tediously open conversations about sex, Otis has become a reluctant expert on the subject. When his classmates learn about his home life, Otis decides to use his insider knowledge to improve his status at school, so he teams with whip-smart bad girl Maeve to set up an underground sex therapy clinic to deal with their classmates' problems. But through his analysis of teenage sexuality, Otis realizes that he may need some therapy of his own.

This show focuses on Queen Elizabeth II as a young newlywed faced with leading the world's most famous monarchy, while forging a relationship with legendary Prime Minister Sir Winston Churchill. The British Empire is in decline, the political world is in disarray, but a new era is dawning. Peter Morgan's masterfully researched scripts reveal the Queen's private journey behind the public façade with daring frankness. Prepare to see into the coveted world of power and privilege behind the locked doors of Westminster and Buckingham Palace.

British–American television drama series

Eve is a bored, whip-smart security services operative whose desk-bound job doesn't fulfill her fantasies of being a spy. Villanelle is a talented killer, who clings to the luxuries her violent job affords her. These two fierce women, equally obsessed with each other, will go head to head in an epic game of cat and mouse, toppling the typical spy-action thriller.

A dry-witted woman, known only as Fleabag, has no filter as she navigates life and love in London while trying to cope with tragedy. The angry, grief-riddled woman tries to heal while rejecting anyone who tries to help her, but Fleabag continues to keep up her bravado through it all. Comic actress Phoebe Waller-Bridge stars as the titular character on the series, which is based on Waller-Bridge's 2013 one-woman show of the same name.

Set in 1950s Manhattan, The Marvelous Mrs. Maisel is a 60-minute dramedy that centers on Miriam "Midge" Maisel, a sunny, energetic, sharp Jewish woman who had her life mapped out: go to college, find a husband, have kids, and throw the best Yom Kippur breakfasts in town. Soon enough, she finds herself exactly where she had hoped to be, living happily with her husband and two children on the Upper West Side. A woman of her time, Midge is a cheerleader wife of a man who dreams of a stand-up comedy career, but her perfect life is upended when her husband suddenly leaves her for another woman. Utterly unprepared, Midge is left with no choice but to reevaluate her life. When she accidentally stumbles onto the stage at a nightclub, she discovers her own comedic skills and decides to use this newfound talent to help her reinvent her life. The series follows the trajectory of Midge's journey as she pursues a career in the male-dominated stand-up comedy profession, and it transforms from uptown society matron to East Village club performer.

A religion-based autocracy has taken over most of the United States, renaming the country Gilead. In this country women are second-class citizens. Anyone trying to escape is punished. One such person is June, who is captured while trying to escape with her husband and child and is sentenced to be a handmaid, bearing children for childless government officials. As a handmaid, June is renamed Offred. This is her story.

When Madeline and Celeste take new-in-town single mom Jane under their wing, none of them realize how the arrival of Jane and her inscrutable little boy will affect them all. Big Little Lies is a brilliant take on ex-husbands and second wives, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive.

In this popular African-American sitcom, Will Smith (played by

Thirteen Reasons Why, based on the best-selling books by Jay Asher, follows teenager Clay Jensen (Dylan Minnette) as he returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers a group of cassette tapes recorded by Hannah Baker (Katherine Langford) -his classmate and crush-who tragically committed suicide two weeks earlier. On tape, Hannah unfolds an emotional audio diary, detailing the thirteen reasons why she decided to end her life. Through Hannah and Clay's dual narratives, Thirteen Reasons Why weaves an intricate and heartrending story of confusion and desperation that will deeply affect viewers.

2017 American teen drama television series

The assorted humiliations, disasters and rare triumphs of four very different twenty-something girls: Hannah, an aspiring writer; Marnie, an art gallery assistant and cousins Jessa and Shoshanna.

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