Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

There is a door at the end of a silent corridor. And it’s haunting Harry Pottter’s dreams. Why else would he be waking in the middle of the night, screaming in terror?Harry has a lot on his mind for this, his fifth year at Hogwarts: a Defense Against the Dark Arts teacher with a personality like poisoned honey; a big surprise on the Gryffindor Quidditch team; and the looming terror of the Ordinary Wizarding Level exams. But all these things pale next to the growing threat of He-Who-Must-Not-Be-Named - a threat that neither the magical government nor the authorities at Hogwarts can stop.As the grasp of darkness tightens, Harry must discover the true depth and strength of his friends, the importance of boundless loyalty, and the shocking price of unbearable sacrifice.His fate depends on them all.

My name is Katniss Everdeen.Why am I not dead?I should be dead.Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss's family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding.It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans - except Katniss.The success of the rebellion hinges on Katniss's willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels' Mockingjay - no matter what the personal cost.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

SPARKS ARE IGNITING.FLAMES ARE SPREADING.AND THE CAPITAL WANTS REVENGE.Against all odds, Katniss Everdeen has survived the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol - a rebellion that Katniss and Peeta may have helped create.Much to her shock, Katniss has fueled an unrest that she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying. Katniss is about to be tested as never before.

What happens when the most beautiful girl in the world marries the handsomest prince of all time and he turns out to be...well...a lot less than the man of her dreams?As a boy, William Goldman claims, he loved to hear his father read the S. Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

Now available in a handsome paperback box set for the first time, these four paperback chapter books of "The Lion, the Witch and the Wardrobe" each have unique movie covers from the blockbuster Walt Disney Pictures and Walden Media film and black-and-white interior movie photographs. Each book tells the movie story of "The Lion, the Witch and the Wardrobe" from the perspective of one of the four Pevensie heroes: Peter, Susan, Edmund, and Lucy.

WINNING MEANS FAME AND FORTUNE.LOSING MEANS CERTAIN DEATH.THE HUNGER GAMES HAVE BEGUN. . . .In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

Journeys to the end of the world, fantastic creatures, and epic battles between good and evil—what more could any reader ask for in one book? The book that has it all is The Lion, the Witch and the Wardrobe, written in 1949 by Clive Staples Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia.For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a land where magic meets reality, and the result is a fictional world whose scope has fascinated generations.This edition presents all seven books—unabridged—in one impressive volume. The books are presented here in chronlogical order, each chapter graced with an illustration by the original artist, Pauline Baynes. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to readers of all ages, even fifty years after they were first published.

Alternate Cover Edition ISBN 0618260269 (copyright page ISBN is 0618346252 - different from back cover)One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkeness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit.In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.--back cover

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel's story is about to be completely rewritten.Insightful, bold, irreverent, and raw, The Fault in Our Stars is award-winning author John Green's most ambitious and heartbreaking work yet, brilliantly exploring the funny, thrilling, and tragic business of being alive and in love.

I feel more conflicted about this book than any of the other Narnia books. On the plus side, the story is stronger and CS Lewis manages to keep his blatant editorializing to a minimum (maybe because none of the characters are transplants from wartime London). But holy crap, the modern reader will find his racist descriptions pretty hard to swallow. He reintroduces his devious, smelly, turban-clad race, the Calormen. A lost white boy is raised among them and he is sad until he is finally reunited with the beautiful white people of Narnia.I've read an argument that Lewis isn't *really* racist because he portrays one Calormene character in a positive light. But that's like Sarah Palin gushing about her gay friends to prove she's not homophobic. Inviting a lesbian coworker to your annual moose BBQ is not enough to overcome an active campaign against gay rights. For Lewis, commenting that one Calormene lady is a good storyteller is not enough to over come the contempt he feels towards his own Arab stand-ins.

About three things I was absolutely positive.First, Edward was a vampire.Second, there was a part of him—and I didn't know how dominant that part might be—that thirsted for my blood.And third, I was unconditionally and irrevocably in love with him.Deeply seductive and extraordinarily suspenseful, Twilight is a love story with bite.

Lost in a new world, Lyra finds Will—a boy on the run, a murderer—a worthy and welcome ally. For this is a world where soul-eating Specters stalk the streets and witches share the skies with troops of angels.Each is searching—Lyra for the meaning of Dark Matter, Will for his missing father—but what they find instead is a deadly secret, a knife of untold power. And neither Lyra nor Will suspects how tightly their lives, their loves, and their destinies are bound together... until they are split apart.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

Lyra is rushing to the cold, far North, where witch clans and armored bears rule. North, where the Gobblers take the children they steal--including her friend Roger. North, where her fearsome uncle Asriel is trying to build a bridge to a parallel world.Can one small girl make a difference in such great and terrible endeavors? This is Lyra: a savage, a schemer, a liar, and as fierce and true a champion as Roger or Asriel could want--but what Lyra doesn't know is that to help one of them will be to betray the other.

The day after they moved in, Coraline went exploring....In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own. Only it's different. At first, things seem marvelous in the other flat. The food is better. The toy box is filled with wind-up angels that flutter around the bedroom, books whose pictures writhe and crawl and shimmer, little dinosaur skulls that chatter their teeth. But there's another mother, and another father, and they want Coraline to stay with them and be their little girl. They want to change her and never let her go. Other children are trapped there as well, lost souls behind the mirrors. Coraline is their only hope of rescue. She will have to fight with all her wits and all the tools she can find if she is to save the lost children, her ordinary life, and herself. Critically acclaimed and award-winning author Neil Gaiman will delight readers with his first novel for all ages.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

Now that he's won the chocolate factory, what's next for Charlie?Last seen flying through the sky in a giant elevator in Charlie and the Chocolate Factory, Charlie Bucket's back for another adventure. When the giant elevator picks up speed, Charlie, Willy Wonka, and the gang are sent hurtling through space and time. Visiting the world’' first space hotel, battling the dreaded Vermicious Knids, and saving the world are only a few stops along this remarkable, intergalactic joyride.

The Dursleys were so mean and hideous that summer that all Harry Potter wanted was to get back to the Hogwarts School for Witchcraft and Wizardry. But just as he's packing his bags, Harry receives a warning from a strange, impish creature named Dobby who says that if Harry Potter returns to Hogwarts, disaster will strikeAnd strike it does. For in Harry's second year at Hogwarts, fresh torments and horrors arise, including an outrageously stuck-up new professor, Gilderoy Lockhart, a spirit named Moaning Myrtle who haunts the girls' bathroom, and the unwanted attentions of Ron Weasley's younger sister, Ginny.But each of these seem minor annoyances when the real trouble begins, and someone -- or something -- starts turning Hogwarts students to stone. Could it be Draco Malfoy, a more poisonous rival than ever? Could it possibly be Hagrid, whose mysterious past is finally told? Or could it be the one everyone at Hogwarts most suspects . . . Harry Potter himself?

Doomed to - or blessed with - eternal life after drinking from a magic spring, the Tuck family wanders about trying to live as inconspicuously and comfortably as they can. When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune.

The beautiful Princess Giselle (Amy Adams) is banished by evil Queen Narissa (Susan Sarandon) from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale Prince back home - she has to wonder: Can a storybook view of romance survive in the real world?

2007 American live-action/animated musical film

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.

Ace Ventura, emerging from self-imposed exile in a remote Himalayan hideaway, travels to Africa with explorer Fulton Greenwall to find a sacred bat which is told will avert a war between with Wachootoo and Wachati tribes. Of course, when Ace gets involved, all hell breaks loose...

A department store executive (Flanery) tries to resist falling in love with a young woman (Gellar), who he believes has possessed magical powers after inheriting a restaurant.

Kate and Charlie have the perfect life planned out: buying a house, marriage, kids, the whole works. Kate's fear of flying keeps her in Canada while Charlie goes to Paris for a medical convention. While there Charlie is smitten by the lovely Juliette. He calls off his wedding to Kate and she nervously boards a plane to get him back. She ends up sitting next to the petty French thief Luc Teyssier. He hides a stolen necklace and smuggled grapevine in her bag to get it through customs. Her bag is stolen, the necklace apparently lost, and Kate and Luc head to Cannes--Luc to find the necklace and Kate to get Charlie back. Along the way, Kate and Luc begin to have feelings for each other, which change the course of their lives.

A brightly-colored, light-hearted homage to the early-1960s sex comedies that starred Rock Hudson and Doris Day. The story follows a best-selling female advice author who has all the answers until a sly journalist playboy starts asking the questions.

A modern day retelling of the classic story The Frog Prince. The Princess and the Frog finds the lives of arrogant, carefree Prince Naveen and hardworking waitress Tiana crossing paths. Prince Naveen is transformed into a frog by a conniving voodoo magician and Tiana, following suit, upon kissing the amphibian royalty. With the help of a trumpet-playing alligator, a Cajun firefly, and an old blind lady who lives in a boat in a tree, Naveen and Tiana must race to break the spell and fulfill their dreams.

2009 American animated musical romantic fantasy film by Disney

Set in Sin City, story revolves around two people who discover they've gotten married following a night of debauchery, with one of them winning a huge jackpot after playing the other's quarter. Unhappy pair try to undermine each other and get their hands on the money -- falling in love along the way.

Rosalee Futch is a grocery clerk living in rural West Virginia. But even a small-town girl can have big dreams, and Rosalee's is to someday--somehow--meet her big-screen idol Tad Hamilton. The somehow arrives in the form of a contest--the grand prize: a date with Tad Hamilton--and the someday is now. Rosalee wins, much to the chagrin of her best friend and co-worker Pete, who is deeply, hopelessly--and secretly--in love with Rosalee. The Win a Date contest was cooked up by Tad's agent, Richard Levy, and his manager, also named Richard Levy, to clean up Tad's bad-boy image. Someone should have told them to be careful what you wish for. When Tad meets Rosalee and gets a taste of what he's been missing in the real world, he decides he wants seconds and moves to West Virginia, turning Rosalee's dream come true into a nightmare for Richard Levy, Richard Levy and, most of all, Pete.

Halley is a young high school student who is disillusioned with love after seeing the many dysfunctional relationships around her. Her parents are now divorced and her father has a new young girlfriend she doesn't care for too much. Her mother is now always alone; and her sister is so overwhelmed by her upcoming wedding that she barely leaves the house anymore. On top of that, the shallowness of all the girls and guys at her school convinces Halley that finding true love is impossible. A tragic accident, however, leads her to meeting Macon, and suddenly Halley finds that true love can occur under unusual circumstances.

1972. Vada Sultenfuss (played by Anna Chlumsky) is an intelligent, bubbly, hypochondriacal 11-year old girl. Her father, Harry (Dan Aykroyd), is a mortician and a widower. Her best friend is Thomas J Sennett (Macaulay Culkin). Then her father hires a new receptionist, Shelly (Jamie Lee Curtis), and life will never be the same again.

Alyssa (a rich girl) and Amanda (an orphan) are two little girls who are identical, but complete strangers, that accidentally meet one day. Together they form a plan to try getting Alyssa's father to prevent making the biggest mistake of his life: marrying an awful woman.

Nursing a secret and hopeless crush on the handsome commuter who passes her booth every day, the charming loner and Chicago "L" ticket seller, Lucy, is about to have a second chance at love. During one seemingly ordinary Christmas shift, Lucy witnesses the object of her desire falling off the platform, and in one of those spur-of-the-moment decisions, she saves him from certain death, only to be mistaken for his fiancée at the hospital. As Lucy enjoys the unexpected stroke of good luck, unable to tell the truth to his welcoming family, unforeseen romantic affairs further complicate matters. Now, the comatose patient's suspicious brother, Jack, thinks he's onto something. Will Lucy face the consequences of what happened while the beautiful stranger was sleeping?

The story begins with Spanky, who is the president of the "He-Man Woman Haters Club" with many school-aged boys from around the neighborhood as members. His best friend, Alfalfa, has been chosen as the driver for the club's prize-winning go-kart, called "The Blur", in the annual Soap Box Derby style race. However, when the announcement is made, Alfalfa is nowhere to be found. The boys catch Alfalfa in the company of Darla -- "a girl!" Alfalfa isn't like his friends because he's in love with Darla, and unfortunately threatens the very existence of their "boys only" club. The club's members try their hardest to break the two apart, eventually causing their beloved clubhouse to burn down. Darla is mistakenly led to believe Alfalfa feels ashamed of her, so she turns her attentions to Waldo, the new rich kid whose father is an oil tycoon. Further trouble ensures when their prized go-cart "The Blur" is stolen by local neighborhood bullies Butch and Woim. How can they win the big race and its prize trophy?! In addition to having to rebuild the clubhouse, the boys now need a new set of wheels. They band together to build "Blur 2: The Sequel." Prior to race day, Spanky and Alfalfa reconcile and decide to ride in the two-seat go-kart together.

Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development project near her childhood Coney Island home where her parents still live. Although Lucy is able to effect the type of change she wanted from this position, she finds she cannot deal with George's expectations of her, namely being his primary confidante and advisor at all hours of the day and night, mostly about issues she considers frivolous. As such, she gives him two weeks notice, although she promises to help George find her replacement. As Lucy begins to review resumes, George himself unilaterally decides to hire June Carver, a fellow Harvardite, but who seems to have her sights set on George as both a boss and personal partner. As June begins to replace Lucy in seemingly all aspects of George's life, Lucy begins to realize that she herself has fallen for George. However, Lucy's feelings for George and her attempts to re-ingratiate herself into George's life are placed into jeopardy when she learns of a Wade Corporation decision against her basic sensibilities.

In Manhattan, the lawyer Liv and the school teacher Emma have been best friends since their childhood. They both are proposed to by their boyfriends on the same day and they plan their wedding parties in Plaza Hotel, using the services of the famous Marion St. Claire. However, due to Marion's secretary's mistake, their weddings are scheduled for the same day. None of them agrees to change the date and they become enemies, trying to sabotage the wedding party of the rival.

Charming, relatively poor, somewhat goofy Tom falls in love with haughty snob tycoon McNerney's spoiled daughter Sarah, who was destined for a more socialite match, such as slick Peter Prentiss. They still get married and fly to Europe for a romantic honeymoon Tom can't afford. Their love gets tested dangerously by misfortune of technical and other kinds all the way. Worse, Peter catches up with them on a mission to 'make Sarah see sense' just when the newlyweds are furious at each other.

Trentonian Stacy Holt's life has been guided by two general items. One is her father abandoning the family when she was young, leading to her and her mother turning to the music of

After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn, who changes his view and perspective of life.

Sparks fly and cultures collide in this romantic comedy about a casual night of passion that turns into the love of a lifetime. Alex Whitman is a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes, and some serious chemistry brings them together for one night. But Alex doesn't see Isabel again until three months later, when he learns she is pregnant. On a whim and prayer, he proposes. However, there's more to marriage than a Vegas chapel and an Elvis impersonator, as Alex and Isabel soon learn.

American singer, songwriter, actress and television personality (1984)

American rapper, record producer and actor (born 1972)

A raucous comedy about six dysfunctional thirty-something friends living in Chicago: shop owner Alex and her ex-fiance, Dave, who runs a food truck; crazy-in-love husband and wife duo Brad and Jane; Max, their perpetually unemployed friend, and singleton Penny, always in pursuit of the right guy.

2011-2013 American sitcom television series

Ben becomes a surprise dad to a baby girl when she's left on his doorstep by an ex-girlfriend. Ben decides to raise the baby with the help of his mother, his brother Danny, his friend Tucker and Riley the girl who is harboring a secret crush on him.

Ellen Morgan (Ellen DeGeneres) is a neurotic thirtysomething bookstore owner who tries to get by in life dealing with her various friends, including outgoing redhead Paige Clark (Joely Fisher), insecure photographer Adam Green (Arye Gross), her own unsure-of-himself cousin Spence Kovak (Jeremy Piven), coffee-shop guy Joe Farrell (David Anthony Higgins), and critical and obnoxious Audrey Penney (Clea Lewis). Her biggest challenge is being around her annoying, overbearing parents, Lois (Alice Hirson) and Harold (Steve Gilborn).

The complicated life of a modern-day first generation Indian American teenage girl, inspired by Mindy Kaling's own childhood.

Christine is divorced from Richard but continues to see him as a best friend, even when he becomes involved with a woman, also named "Christine." Living in an apartment with her son Ritchie, her brother Matthew rents a separate room in an outbuilding and the two of them feed off the insecurities of the other implanted by their mother during their upbringing. "Old" Christine runs a gym with her best friend Barb, whose name describes her wit. Christine's insecurities are not helped by the other parents at a posh school she and Richard send their son to, one that is generally thought to be beyond the means of regular working people.

Deb is a shallow model whose sudden demise results in her being reincarnated as Jane, a plus-size lawyer with astonishing intelligence. As Deb sees life through Jane's eyes, she realizes it doesn't matter how big you are, but how you accept it and know you're beautiful no matter what people say.

2009 American legal comedy-drama television series

Two sisters are at different stages in their respective relationships.

A former lawyer attends a community college when it is discovered he faked his Bachelor's degree. In an attempt to get with a student in his Spanish class, he forms a Spanish study group. To his surprise, more people attend the study group and the group of misfits form an unlikely community.

American comedy television series created by Dan Harmon

After being rescued from an underground bunker in which she lived the past fifteen years, Kimmy Schmidt decides to move to New York City to have a normal life. She makes friends with her new roommate Titus, and works as a babysitter for Jacqueline Voorhees, the wife of a billionaire with many issues. Even though many obstacles are thrown her way, Kimmy makes the best of her new life while having to adapt to the new world around her.

Jess, a bubbly, off-beat teacher, who is known to burst into song, catches her boyfriend with another woman. Newly homeless, she moves into a loft with three single guys she's never met before. Nick, a jaded, law-school dropout isn't the best of company. Schmidt is a flashy, eccentric businessman who believes he is Yahweh's gift to women. Winston is a former athlete who doesn't know what to do, but really needs a win. Can this dysfunctional group handle the adorkable new girl?

The series documents the evermore complicated yet heart warming life of Amy Juergens; a typical high-school student who is characterized by her ambition and musical Band talent. However, it is after one hormonal-driven night at Band Camp, that she is faced with a responsibility no 15-year-old wants to take; being a teen mom. The audience is taken on a journey with Amy as she confronts her problem and Rickey the father of her baby.

Michelle is a Las Vegas showgirl who would like to return to her true love - dancing. After a tumultuous experience at an audition for the musical Chicago, Michelle accepts a marriage proposal from an admirer. On impulse Michelle and Hubble get married and she relocates to a small town where she learns she will be sharing a house with her mother-in-law Fanny. Little to Michelle's knowledge, Fanny owns a dance studio in the back of the property and Michelle sees all these young ballerinas striving to reach their dreams. After an unexpected tragedy, Michelle's entire world will change.

When high school Spanish teacher Will Schuester (Matthew Morrison) becomes the director of the school's failing Glee club, New Directions, he hopes to be able to rejuvenate it. The club competes in the choir competition circuit. It's been called "a High School Musical for adults", the series follows the club and its mixture of oddball members as they try and restore it to its former glory. It is a musical comedy in which the eager and ambitious students not only compete to win the Nationals, but also have to deal with the tough and cruel realities of their school, McKinley High. At the same time, Will is trying to rejuvenate his failing love life while preventing the school's cheer leading coach Sue Sylvester (Jane Lynch) from sabotaging the choir.

American musical comedy-drama television series

Set in a small coastal, Massachusetts town named Capeside, Dawson's Creek tells the story of four teenagers as they struggle through adolescence. This is particularly true for 15-year-olds Dawson Leery, an introspective dreamer and Joey Potter, a precocious tomboy unaware of her beauty. Best friends since childhood, they are about to enter that confusing time in life where nothing is the way it was and nothing is as it seems.

1998 American teen drama television series

A teenage girl, just starting junior high and living in a modern corporate community, is accidentally contaminated by a secret chemical product of The Plant. She acquires mysterious abilities that allow her to change her shape, move objects with her mind, and zap people and objects with small electrical charges. The owners of The Plant continually seek to find out which of the local kids has been contaminated so they can experiment on her, but their employees are less than competent and the search is comedic and futile.

"Moesha" is a sitcom (which took more of a dramatic turn in later years) that follows the life of a black teenager living in the Leimert Park section of Los Angeles, California. For years since her mother's death, Moesha Mitchell has taken care of her father Frank and younger brother Myles. So when a teacher at her school, Dee, marries Frank, Moesha feels her territory being encroached upon by a new stepmother. As time goes on, the two females of the house learn to appreciate and cherish each other. Moesha's boy-crazy best friends Kim and Niecy and eternally-hungry neighbor and pal Hakeem are there to support her through all the drama in her life--and there's always plenty. Andell, a local smoothie-shop owner, is another close confidante of Moesha's, lending her wisdom to the teen when needed. Over the years, Moesha clashes the most with her father, who has difficulty watching his "pumpkin" grow up and often hates her boyfriends, especially "Q." Upon graduating from high school, Moesha attends "Cal U" with Hakeem and Niecy; meanwhile, the entire family struggles with a startling revelation about Moesha's cousin Dorian.

Raven Baxter is a teenager. She can see glimpses of the future. A lot of time her visions cause problems, because she doesnt see everything that will happen, only about 5 seconds of the future. She her friends, brother, and parents always get into trouble because of her visions.

American supernatural teen sitcom television series

Follow the dysfunctional Green family as the parents face a midlife crisis and the kids go through their teenage years.

People all over the U.S and the world start to realize they have special abilities, like telekinesis, healing abilities, flying powers, time travel, invisibility, and the ability to absorb other's abilities. One man, known as Sylar, wants to gain all the power of these "heroes" so he can be the most powerful and evolved human of all, and stops at nothing to gruesomely kill these people. In order to protect themselves from him, these people must help one another before Sylar can destroy them all, while they each deal with problems of their own.

American science fiction television drama series

An author returns to his hometown to face the people whom he based his book on.

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