Sarah

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angel smith

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

The Fellowship was scattered. Some were bracing hopelessly for war against the ancient evil of Sauron. Some were contending with the treachery of the wizard Saruman. Only Frodo and Sam were left to take the accursed Ring of Power to be destroyed in Mordor–the dark Kingdom where Sauron was supreme. Their guide was Gollum, deceitful and lust-filled, slave to the corruption of the Ring. Thus continues the magnificent, bestselling tale of adventure begun in The Fellowship of the Ring, which reaches its soul-stirring climax in The Return of the King.

Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis.Published in 1965, it won the Hugo Award in 1966 and the inaugural Nebula Award for Best Novel. Dune is frequently cited as the world's best-selling sf novel.

A Tale of Two Cities is Charles Dickens’s great historical novel, set against the violent upheaval of the French Revolution. The most famous and perhaps the most popular of his works, it compresses an event of immense complexity to the scale of a family history, with a cast of characters that includes a bloodthirsty ogress and an antihero as believably flawed as any in modern fiction. Though the least typical of the author’s novels, A Tale of Two Cities still underscores many of his enduring themes—imprisonment, injustice, social anarchy, resurrection, and the renunciation that fosters renewal.

The war against Voldemort is not going well; even Muggle governments are noticing. Ron scans the obituary pages of the Daily Prophet, looking for familiar names. Dumbledore is absent from Hogwarts for long stretches of time, and the Order of the Phoenix has already suffered losses.And yet . . .As in all wars, life goes on. The Weasley twins expand their business. Sixth-year students learn to Apparate - and lose a few eyebrows in the process. Teenagers flirt and fight and fall in love. Classes are never straightforward, through Harry receives some extraordinary help from the mysterious Half-Blood Prince.So it's the home front that takes center stage in the multilayered sixth installment of the story of Harry Potter. Here at Hogwarts, Harry will search for the full and complete story of the boy who became Lord Voldemort - and thereby find what may be his only vulnerability.

Now available in a handsome paperback box set for the first time, these four paperback chapter books of "The Lion, the Witch and the Wardrobe" each have unique movie covers from the blockbuster Walt Disney Pictures and Walden Media film and black-and-white interior movie photographs. Each book tells the movie story of "The Lion, the Witch and the Wardrobe" from the perspective of one of the four Pevensie heroes: Peter, Susan, Edmund, and Lucy.

* The Hitchhiker's Guide to the Galaxy* The Restaurant at the End of the Universe* Life, the Universe and Everything* So Long, and Thanks for all the Fish* Mostly HarmlessSuppose a good friend calmly told you over a round of drinks that the world was about to end? And suppose your friend went on to confess that he wasn't from around here at all, but rather from a small planet near Betelgeuse? And what if the world really did come to an end, but instead of being blown away, you found yourself hitching a ride on a spaceship with your buddy as a travelling companion?It happens to Arthur Dent.An ordinary guy from a small town in England, Arthur is one lucky sonofagun: his alien friend, Ford Prefect, is in fact a roving researcher for the universally bestselling Hitchhiker's Guide to the Galaxy ... and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

A masterpiece of satire, this classic has entertained and enlightened readers the world over with its sly and ironic portrayal of human life from the vantage point of Screwtape, a senior tempter in the service of "Our Father Below." At once wildly comic, deadly serious, and strikingly original, C. S. Lewis gives us the correspondence of the worldly-wise old devil to his nephew Wormwood, a novice demon in charge of securing the damnation of an ordinary young man. The Screwtape Letters is the most engaging and humorous account of temptation—and triumph over it—ever written.Now, for the first time, The Screwtape Letters is presented with its full text alongside helpful annotations provided by Lewis enthusiast and dramatist Paul McCusker. The notes include literary, theological, and biographical information to enhance Lewis's core themes and demystify complex ideas. McCusker also guides readers to concepts and references from the beloved author's other treasured volumes to deepen and enrich this timeless classic. The annotated edition is the ultimate guide for understanding the heavenly truths buried in these epistles from below.

In the classic Mere Christianity, C.S. Lewis, the most important writer of the 20th century, explores the common ground upon which all of those of Christian faith stand together. Bringing together Lewis’ legendary broadcast talks during World War Two from his three previous books The Case for Christianity, Christian Behavior, and Beyond Personality, Mere Christianity provides an unequaled opportunity for believers and nonbelievers alike to hear this powerful apologetic for the Christian faith.

As soon as Anne Shirley arrives at the snug white farmhouse called Green Gables, she is sure she wants to stay forever . . . but will the Cuthberts send her back to to the orphanage? Anne knows she's not what they expected—a skinny girl with fiery red hair and a temper to match. If only she can convince them to let her stay, she'll try very hard not to keep rushing headlong into scrapes and blurting out the first thing that comes to her mind. Anne is not like anyone else, the Cuthberts agree; she is special—a girl with an enormous imagination. This orphan girl dreams of the day when she can call herself Anne of Green Gables.

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War.It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

you know what was the best part of these books? and i say books as in plural because there were so fucking many of them i can't sit still long enough to check them all off. and i DID read every single one. what else was there to do in middle school?anyway, the best part of these books was brian's description of food. it was magnificent. it didn't just make you hungry, it made you crave weird ass things that nobody would ever dream about eating in middle school. nutted cheeses and flan bread and berry cakes and what-not; almost makes you want to be a sword weilding ferret yourself.which was good because by the tenth book you started to realize there was a trend to the plotlines. something bad happens, small furry animals go on a quest. they fight a lot of little battles until one major battle which the good guys almost lose until, when all hope is lost, a giant contingent of allies created on the preceding journey show up to conquer evil: together.still, i always finished satisfied. and a little hungry.

The Golden Compass, The Subtle Knife, and The Amber Spyglass are available together in one volume perfect for any fan or newcomer to this modern fantasy classic series.These thrilling adventures tell the story of Lyra and Will—two ordinary children on a perilous journey through shimmering haunted otherworlds. They will meet witches and armored bears, fallen angels and soul-eating specters. And in the end, the fate of both the living—and the dead—will rely on them.Phillip Pullman’s spellbinding His Dark Materials trilogy has captivated readers for over twenty years and won acclaim at every turn. It will have you questioning everything you know about your world and wondering what really lies just out of reach.

“I may have lost my heart, but not my self-control.”Personally, I may have lost my self-control, but not my heart.My motivation to read this book stemmed from J.K. Rowling stating that this was one of her favourite books. A few years ago I read my first Jane Austen, which was Pride and Prejudice, and I really enjoyed it.I thought Emma couldn't be that bad, it's a popular classic and its rating is good. To be honest, it's not bad, exactly, but the fact that it took me one whole month to get through it says a lot. I had lots and lots of problems with this novel.1. Emma Such a vain and arrogant main character. I mean, I know she is supposed to be an unlikeable character for literary reasons. But that doesn't make it any easier.2. Miss Bates Why bother wasting so much ink and paper on nonsense. Numerous pages of nonsense.3. They way people are Wait. Let me guess. That character is - wait for it - pleasant? The nicest person in the world? Of such sweet disposition? So generous, exceptional, kind, satisfactory and pleasant. Please save me.4. The way people talk Hours could go by and Emma and her father could talk about nothing but the pig they owned and had slaughtered, and what they'll make of it for dinner, and how nice it was that they gave some of it to the Bates, and if it was the right part of the pig they gave away, or if they should have given something else, but no it is all fine and pleasant, and that was very generous of them, and they will surely be very gracious, since they gave away such fine piece of pork, and won't dinner be nice and kick me on the shin pleasant.5. The plotScratch 300 pages of nonsense and nervewracking pleasantness and this could have been a book I enjoyed.Find more of my books on Instagram

Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption. Stanley Yelnats is under a curse. A curse that began with his no-good-dirty-rotten- pig-stealing-great-great-grandfather and has since followed generations of Yelnats. Now Stanley has been unjustly sent to a boys' detention center, Camp Green Lake, where the warden makes the boys "build character" by spending all day, every day, digging holes: five feet wide and five feet deep. It doesn't take long for Stanley to realize there's more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption.

Nathaniel Hawthorne's THE SCARLET LETTER reaches to our nation's historical and moral roots for the material of great tragedy. Set in an early New England colony, the novel shows the terrible impact a single, passionate act has on the lives of three members of the community: the defiant Hester Prynne; the fiery, tortured Reverend Dimmesdale; and the obsessed, vengeful Chillingworth.With THE SCARLET LETTER, Hawthorne became the first American novelist to forge from our Puritan heritage a universal classic, a masterful exploration of humanity's unending struggle with sin, guilt and pride.

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

Fletcher Reede, a fast talking attorney, habitual liar, and divorced father is an incredibly successful lawyer who has built his career by lying. He has a habit of giving precedence to his job and always breaking promises to be with his young son Max, but Fletcher lets Max down once too often, for missing his own son's birthday party. But until then at 8:15 Max has decided to make an honest man out of him as he wishes for one whole day his dad couldn't tell a lie. When the wish comes true all Fletcher can do is tell the truth and cannot tell one lie. Uh-oh for Fletcher Reede.

Karen Davis, an American Nurse, moves to Tokyo and encounters a supernatural spirit who is vengeful and often possesses its victims. A series of horrifying and mysterious deaths start to occur, with the spirit passing its curse onto each victim. Karen must now find a way to break this spell, before she becomes its next victim.

To be a Pet Detective, you have to understand both the criminals and animals. Ace Ventura goes even further... He behaves like a criminal animal. When a football team's mascot (a dolphin) is stolen just before the Superbowl, Ace Ventura is put on the case. Now, who would want to steal a dolphin, and why?

Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob -- knowing that her decision has the potential to ignite the struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.

Everything seems to be going great for the Fantastic Four. Reed and Sue are finally getting married, and things couldn't seem better. However, when the mysterious Silver Surfer crashes things, they learn that they will have to deal with an old foe, and the powerful planet eating Galactus.

Marty McFly has only just gotten back from the past, when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his own son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.

Stranded in 1955, Marty McFly receives written word from his friend, Doctor Emmett Brown, as to where can be found the DeLorean time machine. However, an unfortunate discovery prompts Marty to go to his friend's aid. Using the time machine, Marty travels to the old west where his friend has run afoul of a gang of thugs and has fallen in love with a local schoolteacher. Using the technology from the time, Marty and Emmett devise one last chance to send the two of them back to the future.

Three years ago, NYPD detective Max Payne's wife and baby were murdered. Max gets himself transferred to the cold case office where he can continue searching for the killer who got away. He's a loner, but two people reach out to him during a fateful week: Alex, his ex-partner who may have found a clue, and BB, the security chief at the pharmaceutical company where Max's wife worked. Meanwhile, bodies are piling up, some as a result of a drug on the street that is highly addictive and, for many who take it, brings hideous hallucinations. When one of the bodies is a woman Payne was the last to see alive, her sister comes looking for him armed to the teeth; Max must move fast.

In the sewers of gotham city to the rooftops of the gotham city the penguin wants to know where he came from well in his villain ways catwoman plans to kill rich man of gotham max shreak but as he battles with millionaire Bruce Wayne both ladies men have their own secrets Bruce Wayne is back as Bat man trying to stop the penguin Max is helping penguin steal gotham city while selina Kyle/catwoman tries to help penguin not knowing her man murder target also her murder is helping him but all four men have their goals taking gotham from crime winning gotham city assassination for two men and more money to be gotham citys number one rich man.

1992 superhero film directed by Tim Burton

Douglas Quaid is haunted by a recurring dream about a journey to Mars. He hopes to find out more about this dream and buys a holiday at Rekall Inc. where they sell implanted memories. But something goes wrong with the memory implantation and he remembers being a secret agent fighting against the evil Mars administrator Cohaagen. Now the story really begins and it's a rollercoaster ride until the massive end of the movie.

Journalist Jenny Lerner is assigned to look into the background of Secretary Alan Rittenhouse who abruptly resigned from government citing his wife's ill health. She learns from his secretary that Rittenhouse was having an affair with someone named Ellie but when she confronts him, his strange reaction leads her to reconsider her story. In fact, a comet, discovered the previous year by high school student Leo Biederman and astronomer Dr. Marcus Wolf, is on a collision course with the Earth, an Extinction Level Event. A joint US-Russian team is sent to destroy the comet but should it fail, special measures are to be put in place to secure the future of mankind. As the space mission progresses, many individuals deal with their fears and ponder their future.

Hellboy is a supernatural being who is the son of a fallen angel. He came to our world in 1944 as a result of a mystical ritual. The Occultists of the Third Reich had long tried to gain an advantage in the war, hoping to attract the ideal soldier to the ranks of the fascist army. Hellboy was exactly the one they needed, but they never managed to make their plans a reality. The demon from hell fell into the hands of Americans and began to serve them, protecting the world from mysterious threats. This time he is sent to England to meet face to face with Merlin's wife. Just a battle with the Blood Queen will lead to the end of the world, which the monster tried to avoid all his life.

Bruce Nolan, a television reporter in Buffalo, N.Y., is discontented with almost everything in life despite his popularity and the love of his girlfriend Grace . At the end of the worst day of his life, Bruce angrily ridicules and rages against God and God responds. God appears in human form and, endowing Bruce with divine powers, challenges Bruce to take on the big job to see if he can do it any better.

Charlie Baileygates (Jim Carrey) is a Rhode Island state trooper with multiple personalities. He is otherwise mild-mannered and non-confrontational until somebody or something pushes him a little too far. That's when his maniacal alter-ego, Hank, takes over. Charlie is assigned on a routine mission to return alleged fugitive Irene Waters (Renée Zellweger) back to upstate New York, but they wind up on the run from corrupt Police Officers. And their escape would be a lot simpler on everybody involved if Hank didn't keep stepping in at the most inopportune times.

2000 comedy film by Peter and Bobby Farrelly

Having already missed his wedding to his beautiful sweetheart, Sara, twice, the happy, absent-minded professor, Dr Phillip Brainard, is struggling to come up with a brilliant invention to save Medfield College from closure. However, as good things come to those who wait, the eccentric inventor stumbles upon an innovative but highly unstable formula for "Flubber", a mysterious rubber-like hybrid elastomer that can lift objects, bouncing and stretching as if it had a mind of its own. Of course, this unique but untamed creation catches the attention of a ruthless rival who is bent on getting his hands on the extraordinary substance. But first, he will have to catch it. Can Dr Brainard protect his invention?

Dr. Evil uses a device he calls a "Time Machine" to travel back to 1969 and remove Austin Powers' mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil's personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs "Mini-Me". The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either "The Death Star" or "Alan Parson's Project," depending on which name is available.

He's found his mojo, baby, and now Austin Powers is back again in this shagadelic comedy-adventure. The "sshhh!" hits the fan when Dr. Evil and Mini-Me escape from prison. Joining forces with the superfreaky Goldmember, they kidnap Austin's father, master spy Nigel Powers, in a dastardly time-travel scheme to take over the world. Before you can say "Shake Your Booty", Austin cruises to 1975 and teams up with sexy Foxxy Cleopatra to stop Dr. Evil and Goldmember from their mischievous mayhem.

2002 American spy comedy film directed by Jay Roach

Set in the 1970s in a metropolis called "Bay City," this is the tale of two police detective partners, Ken "Hutch" Hutchinson, and Dave Starsky, who always seem to get the toughest cases from their boss, Captain Dobey, rely on omniscient street informer Huggy Bear and race to the scene of the crimes in their souped-up 1974 Ford Torino hot rod, telling the story of their first big case (as a prequel to the TV show), which involved a former college campus drug dealer who went on to become a white collar criminal.

Scottish DJ, singer, songwriter, and record producer

English singer, songwriter and television personality

The FBI teams up with a formerly-institutionalized scientist - who was performing experiments on the fringe of real science - and his son to investigate weird crimes that are seemingly part of a larger pattern, and may be connected with a global company called Massive Dynamic.

American science fiction television series

The character-driven cartoon chronicles the nautical and often nonsensical adventures of SpongeBob, an incurably optimistic and earnest sea sponge, and his underwater friends. Dwelling a few fathoms beneath the tropical isle of Bikini Atoll in the sub-surface city of Bikini Bottom, SpongeBob lives in a two-story pineapple. Instead of taking the logical approach to everyday challenges, SpongeBob approaches life in a wayward and unconventional way. Whether searching for the ultimate spatula to perfect his burger flipping technique at the Krusty Krab or just hanging out with his best friend Patrick (an amiable starfish), SpongeBob's good intentions and overzealous approach to life usually create chaos in his underwater world.

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

This is an animated sitcom about the antics of a dysfunctional family. Homer is the oafish unhealthy beer loving father, Marge is the hardworking homemaker wife, Bart is the perpetual ten-year-old underachiever (and proud of it), Lisa is the unappreciated eight-year-old genius, and Maggie is the cute, pacifier loving silent infant.

American animated sitcom created by Matt Groening

Nathan, Kelly, Simon, Alisha and Curtis were expecting their community service to be boring. However after a freak thunderstorm they discover that it is anything but dull. Bestowed with strange powers, the five very different teens realize they have a lot more to worry about than just picking up litter, especially as they discover that they are not the only ones who have been given strange powers. Secrets will be revealed, feelings brought to the surface and relationships formed and broken. But hey, its only 12 weeks of community service; what's the worst that could happen?

A scrawny, 11-year-old chicken named Chicken reluctantly watches out for his beefy "little" sister, a 7-year-old cow named Cow. The unconventional offspring of two human parents, the two young animals navigate their way through suburbia, encountering problems not only at school, but with the devilish schemes of the Red Guy, a crimson-colored antagonist of many guises whose singular intent is to make the siblings' lives miserable. If the character design and offbeat humor of "Cow and Chicken" cause viewers to recall "

Two New Zealander friends experience life, love, friendship, all the usual stuff, while trying to make their lives as a rock band. A rock band that can only schedule a performance at the local aquarium, is run by an eager and overambitious New Zealand buddy, and has only one fan.

A documentary series that follows four of 16 & Pregnant's first season stars, Farrah, Maci, Amber and Catelynn as they face the challenges of motherhood.

American reality television series broadcast by MTV

A group of aliens has come to Earth to learn about its population, customs, et cetera. To avoid detection, they have taken on human form, which gives them human emotions, physical needs, et cetera, without the understanding of what they mean nor the inhibitions normally present in humans. Their leader takes the position of a college professor, their military expert as his sister, their intelligence expert, supposedly the oldest of group, takes the form of his teenage son. The uninhibited reactions turn everyday events into unusual situations.

TV series about the life of Brendon Small, an eight-year-old visionary who, using his friends Jason and Melissa as actors, have managed to direct over a thousand homemade films. His parents are divorced, but it doesn't feel strange since so many other kids' parents are divorced. His friend Jason actually feels upset because his parents are still together. At school, he is taught soccer by his coach John McGirk, or as he calls him, "that weird Irish guy".

American adult animated television sitcom

Action-packed adventures of Danny Fenton, who straddles two worlds as a shy freshman at Casper High and a heroic phantom-fighter with ghostly superpowers. With his best friends, techno-geek Tucker and free-thinking Goth girl Sam, he thwarts the misdeeds of menacing ghosts; and stumbles through daily social hurdles.

In Marzipan City, the young, excitable food-loving Chowder is the apprentice of Mung Daal, a very old chef who runs a catering company with his wife, Truffles and assistant, Shnitzel.

Half-hour stories with many themes, including; horror, twists, black-magic, and science fiction Introduced by a puppet called "The Crypt Keeper". A cross between The Twilight Zone (1959) and modern horror movies. Not suitable for the very young or squeamish.

American horror anthology television series

Nickelodeon's Ned's Declassified School Survival Guide chronicles the wacky adventures of Ned Bigby and his best pals Moze and Cookie at James K. Polk Middle School, as "every-kid" Ned shatters the fourth wall to share tips and tricks on navigating middle school or junior high hurdles. Ned's not super cool, and he has no superpowers. He is, however, witty, well-groomed, upbeat and self-aware. Moreover, with more than a little help from his two best friends, he's equipped to conquer middle school minefields. From crushing bullies to crushes, from off- the-wall, mean and cool teachers to pop quizzes, elections and detentions, Ned knows that nothing, including the seventh grade, is as bad as it seems, and friendship matters most.

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