Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

100,000 years ago, at least six human species inhabited the earth. Today there is just one. Us. Homo sapiens. How did our species succeed in the battle for dominance? Why did our foraging ancestors come together to create cities and kingdoms? How did we come to believe in gods, nations and human rights; to trust money, books and laws; and to be enslaved by bureaucracy, timetables and consumerism? And what will our world be like in the millennia to come? In Sapiens, Dr Yuval Noah Harari spans the whole of human history, from the very first humans to walk the earth to the radical – and sometimes devastating – breakthroughs of the Cognitive, Agricultural and Scientific Revolutions. Drawing on insights from biology, anthropology, paleontology and economics, he explores how the currents of history have shaped our human societies, the animals and plants around us, and even our personalities. Have we become happier as history has unfolded? Can we ever free our behaviour from the heritage of our ancestors? And what, if anything, can we do to influence the course of the centuries to come? Bold, wide-ranging and provocative, Sapiens challenges everything we thought we knew about being human: our thoughts, our actions, our power ... and our future.

First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion:"Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none."When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

MinaLima, the award-winning design studio behind the graphics for the Harry Potter film franchise and the creators of the illustrated Jungle Book and Peter Pan, reimagine the beloved French fairy tale The Beauty and the Beast in this deluxe unabridged edition illustrated with stunning full-color artwork and nine 3-D interactive features—published to coincide with the release of the blockbuster Disney live-action musical film starring Emma Watson, Ian McKellen, Josh Gad, Ewan McGregor, and Emma Thompson.Generations of readers have been bewitched by the epic love story of a beautiful young girl imprisoned in the magical castle of a monstrous beast. Now, the classic fairy tale is brought to life in this spectacular illustrated edition as originally envisioned by Gabrielle-Suzanne Barbot de Villeneuve in 1740.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.

From global phenomenon C. S. Pacat comes the first in her critically acclaimed trilogy—with a bonus story.Damen is a warrior hero to his people, and the rightful heir to the throne of Akielos. But when his half brother seizes power, Damen is captured, stripped of his identity, and sent to serve the prince of an enemy nation as a pleasure slave.Beautiful, manipulative, and deadly, his new master, Prince Laurent, epitomizes the worst of the court at Vere. But in the lethal political web of the Veretian court, nothing is as it seems, and when Damen finds himself caught up in a play for the throne, he must work together with Laurent to survive and save his country.For Damen, there is just one rule: never, ever reveal his true identity. Because the one man Damen needs is the one man who has more reason to hate him than anyone else…Includes an exclusive extra story!

The tranquillity of a cruise along the Nile is shattered by the discovery that Linnet Ridgeway has been shot through the head. She was young, stylish and beautiful, a girl who had everything - until she lost her life. Hercule Poirot recalls an earlier outburst by a fellow passenger: 'I'd like to put my dear little pistol against her head and just press the trigger.' Yet in this exotic setting, nothing is ever quite what it seems...

Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside.Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer—in case he or she decides to strike again.

Belgian Inspector Hercule Poirot has retired to the countryside in the small English village of King's Abbot. Dr. Sheppard, observing his new neighbor, is sure that he must be a former hairdresser. But the brutal murder of a local squire reveals the truth: the peculiar little man is actually a detective par excellence. The Murder of the wealthy industrialist Roger Ackroyd begins the night before with the suicide of Mrs. Ferrars, a wealthy widow. Her death is believed to be an accident, until Roger Ackroyd is stabbed to death in his locked study. There are rumors she poisoned her first husband, rumors that she was being blackmailed, rumors that her secret lover was Roger Ackroyd, a man who knew too much, but no one is sure.There's no shortage of suspects, all the members of the household stand to gain from his death, from Roger's neurotic sister-in-law who has accumulated personal debts, to a parlormaid with an uncertain history who resigned her post the afternoon of the murder. But the police focus on Ralph Paton, Ackroyd's stepson and heir, and the person with the most to gain from Roger's death. When sleuth Hercule Poirot, who is living quietly in King's Abbot, agrees to investigate, the case takes a completely different turn. Poirot exonerates all of the original suspects, and lays out a completely reasoned case that the clever and devious murderer is someone who had not come under suspicion at all - someone whose motive has nothing to do with money.

When Alice Asher is murdered in Andover, Hercule Poirot is already on to the clues. Alphabetically speaking, it's one down, twenty-five to go.There's a serial killer on the loose. His macabre calling card is to leave the ABC Railway guide beside each victim's body. But if A is for Alice Asher, bludgeoned to death in Andover; and B is for Betty Bernard, strangled with her belt on the beach at Bexhill; then who will Victim C be?

The very first collection of superb short stories featuring Hercule Poirot and Captain Hastings…First there was the mystery of the film star and the diamond… then came the ‘suicide’ that was murder… the mystery of the absurdly cheap flat… a suspicious death in a locked gun-room… a million dollar bond robbery… the curse of a pharaoh’s tomb… a jewel robbery by the sea… the abduction of a Prime Minister… the disappearance of a banker… a phone call from a dying man… and, finally, the mystery of the missing will.What links these fascinating cases? Only the brilliant deductive powers of Hercule Poirot!1. The Adventure of The Western Star2. The Tragedy at Marsdon Manor3. The Adventure of The Cheap Flat4. The Mystery of Hunter's Lodge5. The Million Dollar Bond Robbery6. The Adventure of The Egyptian Tomb7. The Jewel Robbery at The Grand Metropolitan8. The Kidnapped Prime Minister9. The Disappearance of Mr. Davenheim10. The Adventure of The Italian Nobleman11. The Case of The Missing Will

And Then There Were None: A Mystery Play in Three Acts, Agatha Christie And Then There Were None is a mystery novel by English writer Agatha Christie, widely considered her masterpiece and described by her as the most difficult of her books to write. It was first published in the United Kingdom by the Collins Crime Club on 6 November 1939, as Ten Little Niggers, after the British blackface song, which serves as a major plot point. The US edition was not released until December 1939; its American reprints and adaptations were all re-titled: And Then There Were None, after the last five words in the nursery rhyme "Ten Little Indians". Ten guilty strangers are trapped on an island. One by one they are accused of murder; one by one they start to die.عنوانها: ده بچه زنگی؛ ده بومی کوچک؛ ده سیاهپوست کوچولو؛ دیگر کسی آنجا باقی نماند، و آنگاه دیگر هیچ؛ کسی نماند دیگر؛ و سپس هیچ کس نبود؛ تاریخ نخستین خوانش: روز بیست و سوم ماه ژوئن سال 1977میلادیعنوان: ده سیاهپوست کوچولو؛ نویسنده: آگاتا کریستی؛ مترجم: بهمن فرزانه، تهران، کتابهای جیبی، 1345، در 203ص؛ موضوع: داستانهای کارآگاهی از نویسندگان انگلیسی - سده 20معنوان: و آنگاه دیگر هیچ؛ نویسنده: آگاتا کریستی؛ مترجم: بهرا افراسیابی، تهران، سخن، 1372، در 204ص؛ چاپ دوم 1373؛عنوان: ده سیاهپوست کوچولو؛ نویسنده: آگاتا کریستی؛ مترجم: محمد قصاع، تهران، آبنوس، 1373، در 271ص؛ چاپ دیگر: تهران، صبورا، 1374، شابک 9649175109؛ چاپ دوم 130؛عنوان: دیگر کسی آنجا باقی نماند؛ نویسنده: آگاتا کریستی؛ مترجم: پروانه دادبخش، مشهد، جاودان خرد، 1375، در 279ص؛ عنوان: و سپس هیچکس نبود؛ نویسنده: آگاتا کریستی؛ مترجم: ثریا قیصری، تهران، سمیر، 1375، در 248ص؛ عنوان: ده بچه زنگی؛ نویسنده: آگاتا کریستی؛ مترجم: خسرو مهربان سمیعی، تهران، هرمس، 1378، در 245ص؛شابک: 9646641733؛ چاپ دوم 1379؛ چاپ سوم 1386، شابک 9789646641730؛ چاپ دیگر تهران، هرمس، چاپ پنجم 1392، چاپ ششم 1393؛عنوان: ده بومی کوچک؛ نویسنده: آگاتا کریستی؛ مترجم: ذبیح الله منصوری، تهران، دنیای کتاب، 1384، در 286ص؛ شابک 9643461947؛عنوان: کسی نماند دیگر؛ نویسنده: آگاتا کریستی؛ مترجم: سپیده حبیبی، تهران، نگارش کتاب الکترونیک، 1394، در 94ص؛ ای.بوک؛ مصور، شابک 9786008075509؛ده تن، هفت مرد، و سه زن، توسط افرادی به ظاهر متفاوت، دعوت می‌شوند، تا تعطیلات خود را، در جزیره‌ ای دور افتاده، به نام «جزیره ی زنگی» بگذرانند؛ بعضی از آن‌ها، پیشتر همدیگر را سر موضوعی می‌شناخته‌ اند؛ ولی بیشترشان، پیش از رفتن به جزیره، هیچ‌گاه یکدیگر را ندیده‌ بودند؛ این ده نفر، هر یک به گونه‌ ای، در گذشته ی خود، باعث قتل یک فرد شده‌ اند؛ پس از گذشت مدتی در جزیره، آن‌ها متوجه می‌شوند، که همه، از سوی یک فرد به آن جا دعوت شده‌ اند؛ فردی که، با اینکه در جزیره نیست، از راز همه ی آن‌ها آگاه است؛ و اوضاع آشفته می‌شود؛ «گاه که این فرد آغاز به کشتن و قتل، تک‌ تک آنها، به روشی عجیب می‌کند، و قربانیان خود را، با اقتباس از یک شعر کودکانه، به نام: ده سرخپوست کوچک، به قتل می‌رساند؛ ...؛ ا. شربیانی

One of Three. The new volume chronicling the exploits of Wilhelmina Murray and her extraordinary colleagues, Century is an epic spanning almost a hundred years. Divided into three 80-page chapters -- each a self-contained narrative to avoid frustrating cliffhanger delays between episodes -- this monumental tale takes place in three distinct eras, building to an apocalyptic conclusion occurring in our own, current, twenty-first century.Chapter One is set against the backdrop of London, 1910, twelve years after the failed Martian invasion and nine years since England put a man on the moon. In the bowels of the British Museum, Carnacki the ghost-finder is plagued by visions of a shadowy occult order who are attempting to create something called a Moonchild, while on London's dockside the most notorious serial murderer of the previous century has returned to carry on his grisly trade. Working for Mycroft Holmes' British Intelligence alongside a rejuvenated Allan Quartermain, the reformed thief Anthony Raffles and the eternal warrior Orlando, Miss Murray is drawn into a brutal opera acted out upon the waterfront by players that include the furiously angry Pirate Jenny and the charismatic butcher known as Mac the Knife.

Lost in a new world, Lyra finds Will—a boy on the run, a murderer—a worthy and welcome ally. For this is a world where soul-eating Specters stalk the streets and witches share the skies with troops of angels.Each is searching—Lyra for the meaning of Dark Matter, Will for his missing father—but what they find instead is a deadly secret, a knife of untold power. And neither Lyra nor Will suspects how tightly their lives, their loves, and their destinies are bound together... until they are split apart.

The Golden Compass, The Subtle Knife, and The Amber Spyglass are available together in one volume perfect for any fan or newcomer to this modern fantasy classic series.These thrilling adventures tell the story of Lyra and Will—two ordinary children on a perilous journey through shimmering haunted otherworlds. They will meet witches and armored bears, fallen angels and soul-eating specters. And in the end, the fate of both the living—and the dead—will rely on them.Phillip Pullman’s spellbinding His Dark Materials trilogy has captivated readers for over twenty years and won acclaim at every turn. It will have you questioning everything you know about your world and wondering what really lies just out of reach.

This book was about a girl named Lucy. Lucy and her 2 brothers and older sister went to a house with a professor far way. While lucy and her 2 brothers and sister were playing hide and go seek lucy decided to hide in a wardrobe. When lucy was ready to go out she found out that somehow she was in the woods in the wardrobe and there she met the faun. Later in the story the kids get tricked by the witch (the queen) and then lucy met a lion who helped them free everyone and kill the witch. When the day came and they had victory Lucy and her 2 brothers and sister became the princesses and prince of Narnia. And they helped to save the faun. I would recommend this book to people who like fairy tales that sound like real life.

This collection spans Lovecraft’s literary career, and charts the development of his ‘cosmicist’ philosophy; the belief that behind the veil of our blinkered everyday lives lies another reality, too terrible for the human mind to comprehend. In stories written in the gothic tradition, narrators recount their descent into madness and despair. Through their investigations into the unexplained, they tug at the thin threads that separate our world from another of indescribable horror. ‘“ Great God! I never dreamed of THIS!”’ screams occultist Harley Warren in ‘The Statement of Randolph Carter’, as he begs his companion to bury him alive. Another early piece, ‘The Outsider’ – a tragic and emotive evocation of loneliness and desolation – follows a man’s escape from his castle in a desperate search for human contact, but the loathsome truth he discovers destroys his mind.In later tales, such as the iconic ‘The Call of Cthulhu’ and ‘The Whisperer in Darkness’, Lovecraft reaches into the cosmos, bridging the divide between horror and science fiction. The extra-terrestrial ‘gods’ and cursed histories that would emerge from these stories now form the cornerstones of Lovecraft’s unique mythology: the Cthulhu Mythos. This fictional universe, built in large part by his friend and most ardent supporter August Derleth, has in the years since been reimagined in myriad forms, and continues to act as a haunted playground for countless illustrators, fans and authors.This edition, based on its sister limited edition, marries Lovecraft’s best-known fiction with two modern masters of the macabre, the acclaimed artist Dan Hillier and author Alan Moore. In his beautifully crafted new preface, Moore finds Lovecraft at once at odds with and integral to the time in which he lived: ‘the improbable embodiment of an estranged world in transition’. Yet, despite his prejudices and parochialisms, he ‘possessed a voice and a perspective both unique in modern literature’.Hillier’s six mesmerising, portal-like illustrations embrace the alien realities that lurk among the gambrel roofs of Lovecraft’s landscapes. By splicing Victorian portraits and lithographs with cosmic and Lovecraftian symbolism, each piece – like the stories themselves – pulls apart the familiar to reveal what lies beneath.The edition itself shimmers with Lovecraft’s ‘unknown colours’, bound in purple and greens akin to both the ocean depths and mysteries from outer space. The cover is embossed with a mystical design by Hillier, while a monstrous eye stares blankly from the slipcase.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

A gripping tale of human unrelieved horror, of survival and resilience, and of the ways in which humankind confronts death, The Plague is at once a masterfully crafted novel, eloquently understated and epic in scope, and a parable of ageless moral resonance, profoundly relevant to our times. In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

Friedrich Nietzsche's Beyond Good and Evil is translated from the German by R.J. Hollingdale with an introduction by Michael Tanner in Penguin Classics.Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a 'slave morality'. With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own 'will to power' upon the world.This edition includes a commentary on the text by the translator and Michael Tanner's introduction, which explains some of the more abstract passages in Beyond Good and Evil.Frederich Nietzsche (1844-1900) became the chair of classical philology at Basel University at the age of 24 until his bad health forced him to retire in 1879. He divorced himself from society until his final collapse in 1899 when he became insane. A powerfully original thinker, Nietzsche's influence on subsequent writers, such as George Bernard Shaw, D.H. Lawrence, Thomas Mann and Jean-Paul Sartre, was considerable.If you enjoyed Beyond Good and Evil you might like Nietzsche's Thus Spoke Zarathustra, also available in Penguin Classics."One of the greatest books of a very great thinker." —Michael Tanner

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A team of wildly talented high school girls soccer players who become the (un)lucky survivors of a plane crash deep in the Ontario wilderness.

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