Vastralaya

Evan Shively (Perseus271)

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

For thirty-five girls, the Selection is the chance of a lifetime. The opportunity to escape the life laid out for them since birth. To be swept up in a world of glittering gowns and priceless jewels. To live in a palace and compete for the heart of gorgeous Prince Maxon.But for America Singer, being Selected is a nightmare. It means turning her back on her secret love with Aspen, who is a caste below her. Leaving her home to enter a fierce competition for a crown she doesn't want. Living in a palace that is constantly threatened by violent rebel attacks.Then America meets Prince Maxon. Gradually, she starts to question all the plans she's made for herself—and realizes that the life she's always dreamed of may not compare to a future she never imagined.

speculative fiction novel for young adults, 2012, first in the Selection series

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

She's All That is your typical high school prom king and queen story and the run in defending the star status in the upcoming election. High school hottie, Zack Siler is dumped by his prom-queen girlfriend, the equally attractive and extremely popular, Taylor Vaughan who fell for a second-hand world reject TV soap star who she met over the spring break. Having been publicly dumped, Zack defends his discomposure by stating that Taylor is all make-up and wonder-bra and he can make any ordinary girl a prom queen with a similar package. His high-school buddy, Dean Sampson, engages him in a bet following this statement and picks the geeky looking Laney Boggs out of the crowd as the girl Zack must transform into the new prom queen. Zack agrees since he has no option, but as time passes and Laney begins to transform, Zack begins to find her attractive. While all that falls beautifully in place, it's not your typical fairy-tale. Throw in Dean Sampson to complicate the situation, as when he first made the bet he never thought that Zack could rise to the challenge but looking at how Laney has transformed, it looks like Zack could be on a winning streak.

Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the President of the United States of America, Anna makes a deal with him: only two agents are allowed to guard her while she attends a concert in Prague. When her father backs out of his promise, Anna flies into a temper and goes on the run with Ben Calder, a handsome photographer she runs into outside of the music club. They travel together with the intention of going to the Love Parade in Berlin. Anna hasn't told Ben who she is but more importantly, Ben hasn't told her who he is. Under the orders of Anna's father, Ben is supposed to keep an eye on the rebellious girl but falling in love with her wasn't something he expected to do. Romance blossoms between the wild, sassy Anna and the cool, distant Ben as they backpack through Europe. Problem is, when it is time to go back and Anna finds out about Ben, what will happen to the two lovers?

Alyssa (a rich girl) and Amanda (an orphan) are two little girls who are identical, but complete strangers, that accidentally meet one day. Together they form a plan to try getting Alyssa's father to prevent making the biggest mistake of his life: marrying an awful woman.

Brett Blackmore is a high school senior whose exemplary GPA and college resume hides the fact that he's unintentionally sold his childhood for a future he's not even sure he wants. When his high-school senior prank goes wrong, his life crumbles before his eyes. In frustration he launches the F**k-It List - of all the things he wishes he'd done but was too afraid. The list goes viral and touches a nerve with teenagers everywhere, exposing the educational-industrial complex as a money-machine designed to encourage anxiety-ridden parents to sell their kids into years of Tiger-Mom style servitude. Brett decides he's going to break free - and make a run for a future of his own design.

In the years after the Civil War, Jo March (Saoirse Ronan) lives in New York City and makes her living as a writer, while her sister Amy March (Florence Pugh) studies painting in Paris. Amy has a chance encounter with Theodore "Laurie" Laurence (Timothée Chalamet), a childhood crush who proposed to Jo, but was ultimately rejected. Their oldest sibling, Meg March (Emma Watson), is married to a schoolteacher, while shy sister Beth (Eliza Scanlen) develops a devastating illness that brings the family back together.

The story is based on Jane Austen's novel about five sisters - Jane (Rosamund Pike), Elizabeth (Keira Knightley), Mary (Talulah Riley), Kitty (Carey Mulligan), and Lydia Bennet (Jena Malone) - in Georgian England. Their lives are turned upside down when wealthy young Mr. Bingley (Simon Woods) and his best friend, Mr. Darcy (Matthew Macfadyen), arrive in their neighborhood.

Holly and Eric were set up on a blind date by their married friends Peter and Allison, but it didn't go well. After Peter and Allison are killed in an accident, Holly and Eric learn that they have been named as the guardian of their late friends' infant daughter Sophie, so they move into their house and try their best to honor their friends' wishes. But raising a child cramps their style--and they still don't exactly get along.

Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development project near her childhood Coney Island home where her parents still live. Although Lucy is able to effect the type of change she wanted from this position, she finds she cannot deal with George's expectations of her, namely being his primary confidante and advisor at all hours of the day and night, mostly about issues she considers frivolous. As such, she gives him two weeks notice, although she promises to help George find her replacement. As Lucy begins to review resumes, George himself unilaterally decides to hire June Carver, a fellow Harvardite, but who seems to have her sights set on George as both a boss and personal partner. As June begins to replace Lucy in seemingly all aspects of George's life, Lucy begins to realize that she herself has fallen for George. However, Lucy's feelings for George and her attempts to re-ingratiate herself into George's life are placed into jeopardy when she learns of a Wade Corporation decision against her basic sensibilities.

Six strangers are given mysterious black boxes with tickets to an immersive escape room for a chance to win tons of money. Being locked in several rooms with extreme conditions, they discover the secrets behind the escape room and must fight to survive and to find a way out.

Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

When renowned crime novelist Harlan Thrombey (Christopher Plummer) is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc (Daniel Craig) is mysteriously enlisted to investigate. From Harlan's disfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death.

Five couples' intertwined lives are turned upside down by the challenges of impending parenthood. Over the moon about starting a family, TV fitness guru Jules and dance show star Evan find that their high-octane celebrity lives don't stand a chance against the surprise demands of pregnancy. Baby-crazy author and advocate Wendy gets a taste of her own militant mommy advice when pregnancy hormones ravage her body; while Wendy's husband, Gary, struggles not to be outdone by his competitive alpha-Dad, who's expecting twins with his much younger trophy wife, Skyler. Photographer Holly is prepared to travel the globe to adopt a child, but her husband Alex isn't so sure, and tries to quiet his panic by attending a "dudes" support group, where new fathers get to tell it like it really is. And rival food truck chefs Rosie and Marco's surprise hook-up results in an unexpected quandary: what to do when your first child comes before your first date?

Ronnie's (Miley Cyrus) and her younger brother, Jonah's, parents are divorced. They live with their mother until this summer when they are sent to live with their father (Greg Kinnear) in a small town on the beach. Ronnie resents her father and has no intention of being friendly or even talking to him for the summer. But after meeting a handsome guy and beginning to fall in love, Ronnie starts rediscovering her love for music, something she shares with her father. Reconnecting with music revives a kinship with her father which proves to be the most important relationship she may ever experience.

Two young assistants in New York City realize they can make their lives easier by setting up their workaholic bosses to date. While trying to perpetuate this romantic ruse between their nightmare bosses, the assistants realize they might be right for each other.

An American girl on vacation in Italy finds an unanswered "letter to Juliet" -- one of thousands of missives left at the fictional lover's Verona courtyard, which are typically answered by the "secretaries of Juliet" -- and she goes on a quest to find the lovers referenced in the letter.

"Camp Rock" centers on a teen girl who desperately wants to spend her summer at a prestigious rock camp but can only attend if she works in the kitchen as one of its cooks. When she's overheard singing (but not seen) by a teen pop star at the camp, he is completely taken and sets out to find the girl behind the beautiful voice. But first she must confront her fears, step out of the kitchen and into the spotlight.

Mia Thermopolis (Anne Hathaway) is the average teenager - sweet, a little geeky, and pretty much invisible to everyone with the exception of her mother, best friend Lilly (Heather Matarazzo) and Lilly's older brother Michael (Robert Schwartzman). Making it through high school without throwing up is a challenge in itself for Mia, so it doesn't come as welcome news when her estranged grandmother, Queen Clarisse Renaldi (Dame Julie Andrews), shows up out of the blue and calmly informs her that she is in fact the heir to the throne of a European country called Genovia. Suddenly Mia's life is thrown into complete overload. She's being taught about scarves, waves, and pears in order to become a perfect Princess, she gets a makeover and a tough looking, yet sweet bodyguard and limo driver called Joe (Hector Elizondo). Things get out of hand when the media gets a hold of the story and suddenly Mia is thrust into the spotlight in the newspapers and in school. On top of all of that, Mia has a choice to make. She must decide by Genovia's Independence Day Ball whether she longs to relinquish her claim on the throne or to become the Princess and heir to the throne her father, Philippe Renaldi (Rene Auberjonois), and grandmother want her to be.

When their dad dies on his 55th birthday, Beverly Hills sisters Mary and Nora find themselves destitute, forced by a grasping sister-in-law to move in with their aunt in East L.A. Mary, the younger sister, is mortified: spoiled by her dad, ignorant of Spanish, scared of the vatos. Her sister convinces her to finish college, and she promptly decides that one of her T.A.s will be her ticket back to Rodeo Drive. Elder sister Nora, a law student, gets a job as a legal intern, and her supervisor Edward, brother of the grasping sister-in-law, promptly falls for her. Slowly the sisters realize what a rich place the barrio is at the same time that they get bruised in the contact sport of love.

Based on Gail Carson Levine's award winning novel, this is the story of Ella, a young woman who was given a "gift" of obedience by a fairy named Lucinda. She must obey anything anyone tells her to do. When her mother passes away, she is cared for by her thoughtless and greedy father who remarries a loathsome woman with two treacherous daughters. This modern-day, fantasy Cinderella story features fairies, ogres and elves...as well as a hero in the guise of Prince Charmont, whom Ella falls in love with. Unlike Cinderella though, she must depend on herself and her intelligence to get her through her troubles and find Lucinda in order for her "curse" to be broken!

Follows Charlotte Heywood's journey as she leaves her rural town behind for a fresh start in Sanditon, a tranquil fishing village with ambitions of becoming a seaside luxury resort. Based on Jane Austen's final (unfinished) novel, written shortly before her death in 1817.

By daylight, Marinette Dupain-Cheng and Adrien Agreste are ordinary teenagers, but unbeknownst to their family and friends, the two of them carry a huge secret...using the powers of magical creatures called Kwami, they transform into the superheroes Ladybug and Cat Noir. With a mission to protect the city of Paris from the evil Hawk Moth, the two of them must learn to cope with their new responsibilities, as well as ordinary troubles involving love, school, family, and friends. Most of all, they must learn to put their romantic feelings aside in order to perform their duty, unaware of each other's true identities.

French children's animated superhero television series

North and South is a four part adaptation of Elizabeth Gaskell's love story of Margaret Hale, a middle class southerner who is forced to move to the northern town of Milton.

The personal exploits of a 16-year-old girl and her family and friends during the Troubles in the early 1990s.

His Dark Materials is one of the supreme works of imaginative fiction for both children and adults published in the 20th century. Northern Lights introduces Lyra, an orphan, who lives in a parallel universe in which science, theology and magic are entwined. Lyra's search for a kidnapped friend uncovers a sinister plot involving stolen children, and turns into a quest to understand a mysterious phenomenon called Dust. In The Subtle Knife she is joined on her journey by Will, a boy who possesses a knife that can cut windows between worlds. As Lyra learns the truth about her parents and her prophesied destiny, the two young people are caught up in a war against celestial powers that ranges across many worlds and leads to a thrilling conclusion in The Amber Spyglass.

Set 30 years in the future, colonization in space is now a reality, and the Robinson family is among those tested and selected to make a new life for themselves in a better world. But when the new colonists find themselves abruptly torn off course en route to their new home they must forge new alliances and work together to survive in a dangerous alien environment, light-years from their original destination. Stranded along with the Robinsons are two outsiders who find themselves thrown together by circumstance and a mutual knack for deception. The charismatic Dr. Smith is a master manipulator with an inscrutable end game. And the roguish, but charming Don West is a highly-skilled, blue collar contractor, who had no intention of joining the colony, let alone crash landing on a lost planet.

2018 American science fiction television series

On the same day in October 1989, forty-three infants are inexplicably born to random, unconnected women who showed no signs of pregnancy the day before. Seven are adopted by Sir Reginald Hargreeves, a billionaire industrialist, who creates The Umbrella Academy and prepares his "children" to save the world. But not everything went according to plan. In their teenage years, the family fractured and the team disbanded. Now almost thirty years old, the six surviving members reunite upon the news of Hargreeves' passing. Luther, Diego, Allison, Klaus, Vanya and Number Five work together to solve a mystery surrounding their father's death. But the estranged family once again begins to come apart due to their divergent personalities and abilities, not to mention the imminent threat of a global apocalypse.

The world is divided into four elemental nations: The Northern and Southern Water Tribes, the Earth Kingdom, the Fire Nation, and the Air Nomads. The Avatar upholds the balance between the nations, but everything changed when the Fire Nation invaded. Only the Avatar, master of all four elements, can stop them. But when the world needs him most, he vanishes. A hundred years later Katara and Sokka discover the new Avatar, an airbender named Aang. Together they must help Aang master the elements and save the world.

The adventures of a young orphan girl living in the late 19th century. Follow Anne as she learns to navigate her new life on Prince Edward Island, in this new take on L.M. Montgomery's classic novels.

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TasteDive Official

Salmaa Osman

I would've loved if someone made this list for me because it would have saved so much of my time (btw MOST OF THE GUYS IN HERE ARE HOT)

Made of Honor revolves around Tom and Hannah, who have been platonic friends for 10 years. He's a serial dater, while she wants marriage but hasn't found Mr. Right. Just as Tom is starting to think that he is relationship material after all, Hannah gets engaged. When she asks Tom to be her "maid" of honor, he reluctantly agrees just so he can attempt to stop the wedding and woo her.

Two things about Jane: she never says no to her friends (she's been a bridesmaid 27 times and selflessly plans friends' weddings), and she's in love with her boss, George, nurturing dreams of a lovely, romantic wedding of her own. She meets Kevin, a cynical writer who finds her attractive, and that same week her flirtatious younger sister Tess comes to town. Jane silently watches George fall for Tess, a manipulative pretender. Worse, Jane may be called upon to plan their wedding. Meanwhile, Kevin tries to get Jane's attention and has an idea that may advance his career. Can Jane uncork her feelings?

Here's the thing! Viola's soccer team at Cornwall gets cut. She wants to join the boys' team, but they do not allow girls. So she thinks, "If you can't beat them, join them". So she does! She disguises herself as her twin brother, Sebastian and goes out for the rival school, Illyria Boys' Soccer Team and makes it. Unfortunately, she didn't plan falling in love with her roommate Duke. But Duke has his eyes on Olivia. What makes matters worse is that Olivia starts to fall for Sebastian because he/she has a sensitive side. If things couldn't get more problematic, the real Sebastian (who was in London working on his music) comes home early. He arrives on campus and has no clue that he was replaced by his twin sister.

For three years, Andrew Paxton has slaved as the assistant to Margaret Tate, hard-driving editor at a New York publisher. When Margaret, a Canadian, faces deportation for an expired visa, she hatches a scheme to marry Andrew - he agrees if she'll promise a promotion. A skeptical INS agent vows to test the couple about each other the next Monday. Andrew had plans to fly home that weekend for his grandma's 90th, so Margaret goes with him - to Sitka, Alaska - where mom, dad, and grams await. Family dynamics take over: tensions between dad and Andrew, an ex-girlfriend, Andrew's dislike of Margaret, and her past color the next few days, with the INS ready to charge Andrew with fraud.

The best mix of rom coms and chick flicks 

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best period dramas

tv show

I just know you're looking for your next show to binge so take a look at these! (some of these are only good until season 3/4 tho)

For Emma Swan, life has been anything but a happy ending. But when she's reunited with Henry - the son she gave up for adoption ten years ago - on the night of her 28th birthday, everything changes. The now 10-year-old Henry is in desperate need of Emma's help because he believes from reading a book of fairy-tales that she's the daughter of Snow White and Prince Charming - who sent her away from the Enchanted Forest to be protected from a curse that was enacted by the Evil Queen. Emma initially refuses to believe a word of Henry's story but soon finds that his hometown of Storybrooke, Maine is more than it seems. Because it's in Storybrooke that all of the classic characters we know are frozen in time with no memories of their former selves - except for the Evil Queen, who is Storybrooke's mayor and Henry's adoptive mother Regina Mills. Now, as the epic "Final Battle" for the future of both worlds approaches, Emma will have to accept her destiny and uncover the mystery behind a place where fairy-tales are to be believed.

The Good Place is a town where those who have been good throughout their lives go once they have passed away. Michael (Danson) is the architect who oversees the town--and this is the first one he has been in charge of creating. Eleanor (Bell) arrives at the Good Place and realizes they have her name right, but everything else is wrong. She isn't meant to be there at all. With the help of Chidi, her soul mate (Harper), Eleanor tries to right her wrongs, seeking to finally earn her spot in the Good Place.

2016 American fantasy comedy television series

REALLY GOOD UNDERRATED TV SHOWS

Yes, this does NOT include any movies from the 1900s that I'm sure you keep seeing when you search what to watch with friends. Every single one of these movies is enjoyable so just watch one of them!

Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold-out Las Vegas show with a bank apparently robbed for real. This puts F.B.I. Agents Dylan Rhodes and Interpol Agent Alma Dray on the case to find out how they did it. However, this mystery proves to be difficult to solve, even with the insights of professional illusion exposer Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems to be, with illusions, dark secrets, and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see.

A young man becomes infected with a ferocious parasite.

All of us have made certain efforts so our in-laws will like us, but Grace is going to have to give it her all if she wants to fit in with her brand new husband's wealthy dynasty, who require her to follow a brutal tradition: for the bride to try to survive her wedding night while the rest of them hunt her down. The class struggle stuff hits the proverbial fan in this extremely black satire starring a brilliant

2019 film by Matt Bettinelli-Olpin and Tyler Gillett

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