Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

How to make use of Philosophy:“With regard to the philosophy for which you reproach me it teaches me how to suffer the indignities of Anitus and your reproaches. To love you despite your temper.”How to get rid of Philosophy:“Socrates is right. But he's wrong to be right so publicly.Where, after all, is the evil in poisoning a philosopher, especially when he's old and ugly?Anyway, it's late, we're wasting his time! To death, to death and no more discussion about it.”How to be resigned to Philosophy:SOCRATES: “I’ve been prepared for death for a long while. All that worries me now is that my wife, Xantippe may come trouble my last moments and interrupt the sweet composure of my soul: I mustn't be occupied except with the Supreme Being before whom I must soon appear. But here she is: I've got to be resigned to everything.”

I've carted this book about for twenty-six years. In earlier attempts to read to the end I've gotten so far as page 186, because, I suspect, I read on p.168: "[L]ittle by little, as the woman becomes Poet, biography must shift its principal focus from the person to that Voice of the verse, for it was in her poetry and not in the world that ED deliberately decided to 'live'." Of course, this is nonsense - from my perspective. I'm persuaded that ED did not lead a disembodied existence for the thirty-six years of earthly life that remained to her once she had chosen poetry as her vocation. Moreover, although I didn't witness the event, I believe that her family buried her earthly remains on May 19, 1886. And there was and is that rather annoying and off-putting presumption of the gatekeeper/Redeemer that Wolff adopts for the printed page, as in "No one cometh unto Miss Dickinson, but by me."But I am not now the same person who bought a copy of Wolff's book in 1986. And for that I am most grateful. Now I can just about ignore authorial arrogance - having labored sporadically with biography myself for nearly thirty years, I understand and accept that such hazards are realized - with certain notable exceptions - Richard Sewall, for example. And now I pose the question to myself: What biographical facts does Wolff's work establish? How can the results of Wolff's labor enhance the sense of ED that I have created for myself over the years of my engagement with that extraordinarily gifted and preternaturally brave person, as heroic as Homer's depiction of Odysseus.And that approach to Wolff's book has paid munificent dividends.My sense is that Wolff's reading of the poetry that ED composed before 1862 - from my perspective much fuller and richer than any reading that appears in Vendler's compendium - provides an entirely plausible explanation of ED's choice of vocation. It seems to me that one could select and integrate several hundred pages of Sewall and Wolff and thereby produce a book that documents highly persuasive answers to questions - how and under what conditions did ED choose poetry as vocation? Highly significant biographical questions, I would say. [I suspect, however, that choice had little to do with her actions. How could she have "chosen" differently? An impossibility, so far as I can tell.] Wolff's readings of all of ED's poetry might also serve as perfectly splendid hypotheses regarding the trajectory of ED's inner life. Her poems document certain events of her inner life - as do her letters. I say events, because her poems do not represent a complete transcript of the contents of her mind over time, but rather single events separated by more or less lengthy intervals that together might represent a "trajectory." [I do wish I could avoid this metaphor - but for now I'm at a loss to state what I think I mean by this word.]I note, however, that Wolff does not appear to be overly scrupulous with chronology. That's understandable because those who have been, first Johnson and then Franklin, have produced very different sequences of events - from the bits and pieces of evidence that they employed to give us the best numbering and dating that we have. As a result Wolff describes the course of ED's inner life that I can't believe entirely, because the poems she adduces as evidence of sequence don't correspond to events in time as Johnson, whose chronology she had but dismissed, described or as Franklin asserts in his revision of Johnson's chronology. So I suspect that ED's inner life was much more various and complex than Wolff's account allows. Hardly a surprise. And Wolff admits as much near the end of her book (p. 504): "In the days of her youth, ED's religious attitudes were surely dominated by defiance and anger, yet even in those early days there had been pensive moments of hope and trust in the Lord - never enough to suffuse her with faith or to conversion, but enough to find some expression in the poetry. In those early years the Voice of faith was faint in both religious and aesthetic terms ... As the years passed, however, the balance shifted, at first only slightly, but more and more as time went by. By the mid-1860s or early 1870s, well before Father's death, a new poetry of faith had emerged." Why then didn't this perspective inform nearly 300 pages of her reading of poems that ED composed in those early years? Oh, never mind. It's there, here and there. So now I am persuaded that someone could devote a lifetime of study to ED, the results of which could be a biography that traces and juxtaposes events in ED's inner and outer lives - with uncertainties admitted and plainly stated. Someone who would give us a biography of ED to stand with Joseph Frank's life of Dostoyevsky (five volumes) or Brian Boyd's Nabokov. As for me I have purchased Franklin's variorum edition of ED's poems, and I think I'll devote a substantial number of the years of this life that remain to me in the company of ED and H. D. Thoreau.Wouldn't it be paradise enough to spend an eternity or two listening to a conversation between ED and Margaret Fuller? But then again an eternity or two might not be long enough for ED to get a moment's free air time. Well, then three or four eternities.

It's the last day of school at a high school in a small town in Texas in 1976. The upperclassmen are hazing the incoming freshmen, and everyone is trying to get stoned, drunk, or laid, even the football players that signed a pledge not to.

The world of grunge. This documentary examines the Seattle scene as it became the focus of a merging of punk rock, heavy metal, and innovation. Building from the grass roots, self-promoted and self-recorded until break-out success of bands like Nirvana brought the record industry to the Pacific Northwest, a phenomenon was born. More than just an examination of the music, this is a look at how this artistic movement became a societal and fashion trend with a major effect on American culture.

A day in the life of the employees of Empire Records. Except this is a day where everything comes to a head for a number of them facing personal crises - can they pull through together? And more importantly, can they keep their record store independent and not swallowed up by corporate greed?

Cheech and Chong meet up by chance on the highway somewhere in California. They go in search of some dope and are accidentally deported to Mexico where in their desperation to get home they agree to drive a van back to the States so they can get back in time for a gig they are due to play. Unaware of the properties from which the van is constructed they make their way back having aquired a couple of female hitch-hikers whilst all the time avoiding the cops whom they are not even aware are following them.

ALMOST FAMOUS is a contemporary and relevant teen drama which faithfully describes the world of teenagers today, their language, relationship and the deep impact of social networks like Facebook and reality TV shows on their lives. The film sensitively unfolds the world of a gifted teenager for whom excelling is natural, but is willing to jeopardize it all in order to be popular and socially acceptable by her peers.

2017 Israeli film directed by Marco Carmel

Vince Lombardi High School keeps losing principals to nervous breakdowns because of the students' love of rock 'n' roll and their disregard of education. The putative leader of the students is Riff Randell, who loves the music of the Ramones. A new principal, the rock-music-hating Miss Evelyn Togar, is brought in and promises to put an end to the music craze. When Miss Togar and a group of parents attempt to burn a pile of rock records, the students take over the high school, joined by the Ramones, who are made honorary students. When the police are summoned and demand that the students evacuate the building, they do so, which leads to an explosive finale.

Four members of a high school band called Mystery do everything they can to attend a KISS concert in Detroit. In order to make it to the show they must steal, cheat, strip, deal with an anti-rock mom and generally do whatever it takes to see the band that has inspired them to be musicians.

After it looks as if she's left his life for good this time, Tom Hansen reflects back on the just over one year that he knew Summer Finn. For Tom, it was love at first sight when she walked into the greeting card company where he worked, she the new administrative assistant. Soon, Tom knew that Summer was the woman with whom he wanted to spend the rest of his life. Although Summer did not believe in relationships or boyfriends - in her assertion, real life will always ultimately get in the way - Tom and Summer became more than just friends. Through the trials and tribulations of Tom and Summer's so-called relationship, Tom could always count on the advice of his two best friends, McKenzie and Paul. However, it is Tom's adolescent sister, Rachel, who is his voice of reason. After all is said and done, Tom is the one who ultimately has to make the choice to listen or not.

Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.

Thirty-something Rob Gordon, a former club DJ, owns a not-so-lucrative used record store in Chicago. He not so much employs Barry and Dick, but rather keeps them around as they showed up at the store one day and never left. All three are vinyl and music snobs, but in different ways. Rob has a penchant for compiling top-five lists. The latest of these lists is his top-five break-ups, it spurred by the fact that his latest girlfriend, Laura, a lawyer, has just broken up with him. He believed that Laura would be the one who would last, partly as an expectation of where he would be at this stage in his life. Rob admits that there have been a few incidents in their relationship which in and of themselves could be grounds for her to want to break up. To his satisfaction, Laura is not on this top-five list. Rob feels a need not only to review the five relationships, which go back as far as middle school when he was 12, and try to come to terms with why the woman, or girl as the case may be, left him, but also, in the words of Charlie Nicholson, number four on the list, "what it all means" for why he has ended up where he is, which is nowhere, personally or professionally, close to what he envisioned. He also has to come to terms with what it means that Laura has moved on to Ian Raymond, a man for whom neither had any respect when they were together.

Canadian mathematician and composer who has performed as Manitoba, Daphni and Caribou

Hank Hill, a propane gas salesman in the fictional town of Arlen, Texas, is often besieged by the idiosyncrasies of society, but finds some serenity in his home life with his wife, substitute Spanish teacher Peggy, his awkward son Bobby, and his live-in niece-in-law Luanne Platter. Adding flavor were Hank's friends, divorcé military barber Bill Dauterive, paranoid Dale Gribble (with an obsession with government conspiracy theories), and gibberish-spouting Boomhauer.

Animated MTV series about two teenage heavy-metal music fans who occasionally do idiotic things because they're bored. For them, everything is "cool" or "sucks."

American adult animated sitcom created by Mike Judge

Eric Forman is a typical high school student growing up in Wisconsin in 1976 with his family and his friends. Together, they have the same kind of joys and sorrows that just about every teenager has while growing up. This show parodied many of the attitudes, events and fads of the 70s, along with those who grew up at the time.

Sick, twisted and politically incorrect, the animated series features the adventures of the Griffin family. Endearingly ignorant Peter and his stay-at-home wife Lois reside in Quahog, R.I., and have three kids. Meg, the eldest child, is a social outcast, and teenage Chris is awkward and clueless when it comes to the opposite sex. The youngest, Stewie, is a genius baby bent on killing his mother and destroying the world. The talking dog, Brian, keeps Stewie in check while sipping martinis and sorting through his own life issues.

Stan Smith, who works for the C.I.A. and is constantly on the alert for terrorist activity, will go to extremes to protect his beloved America from harm; as evidenced by the terror-alert color code on his fridge, and his frequent knee-jerk reaction of shooting holes in the toaster whenever the toast pops up. In addition to Stan's wife and teenage children, the Smith household has two rather unconventional members. There's Roger, the sarcastic space alien who rescued Stan from Area 51, who deeply resents the fact that he's not allowed to leave the house, and therefore, has been reduced to drinking wine and smoking cigarettes, and Klaus, a lascivious, German-speaking goldfish; the result of a C.I.A. experiment gone seriously wrong, where the C.I.A. tried to give a fish a German man's brain. Stan's son is a dorky teenager who tries to be cool. His wife has had a past life of sex and drugs.

music

movies

shows

books

Active tastebuds