Elena Rainn

KRKY Y

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

Lost in New York is a 1989 made for television film directed by Jean Rollin, which is one of his most personal films and has a runtime of just 52 minutes.

Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar's drug-fed hallucinations alter Tokyo's already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister's sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum's colors can be beautiful; it's people's colorless lives that can be ugly. And what of afterlife, is there more than a void?

Apartment concierge Cesar (Luis Tosar) is a miserable person who believes he was born without the ability to be happy. As a result, he decides his mission is to make life hell for everyone around him. A majority of the tenants are easy to agitate, but Clara (Marta Etura) proves to be harder than the most. So Cesar goes to creepy extremes to make this young woman mentally break down. Things get even more complicated in this twisted relationship when her boyfriend, Marcos (Alberto San Juan), shows up.

After the untimely death of 16-year-old Martin's father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven's perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin's honest intent. And then, unexpectedly, the idyllic family is smote by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.

Seven short films from different directors. Atsuko Fukushima's intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with "Happy Machine," his spin on a child's earliest year. Shinji Kimura's spookier "Deathtic 4," meanwhile, seems to tap into the creepier corners of a child's imagination and open up a toybox full of dark delights. Hideki Futamura's "Limit Cycle" conjures up a vision of virtual reality, while Yuji Fukuyama's "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with "Shanghai Dragon," takes the tropes and conventions of traditional anime out for very fun joyride.

It's the year 2010 on the planet of cats, where lies Meguro City, a megalopolis entirely controlled by the super-corporation Catty & Co. The nefarious influence of this corporate empire extends malignantly across the feline galaxy. Tamala, a carefree, one-year-old kitten, decides to flee this cruel reality and boards her spaceship in search of her planet of origin.

Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her androgynous, bisexual nymphomaniac lover, who's also a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model's casual sex partners begin disappearing. This increasingly bizarre scenario's observed by a lonely woman in the building across the street, a German scientist who's following the aliens, and an equally androgynous, drug-addicted male model (both models are played by Anne Carlisle). Darkly funny and thoroughly weird.

A drug dealer introduces one of his customers, a 'speed freak', to the man who runs the meth lab. A crazy three-day adventure ensues.

2002 crime film directed by Jonas Åkerlund

A group of drug users in the 1970's help finance their habit by robbing drug stores. Matt Dillon's character is very superstitious and eventually his luck runs out.

In Colorado, 900 years after a nuclear war in the USA, humanity's been sent back to the Stone Age lifestyle. Amazons are ruling the tribes, the men are dumb, either kept as slaves and sex partners, or are living wild as animals. Only Korvis and a friend are intelligent enough to flee and found a tribe of their own. Will they manage to teach the women love to men again?

A divorced father, he has custody of his 23-year-old slacker son Ben, who dreams of wealth and freedom but is too lazy to find a real job. Dr. Katz's receptionist is the acerbic Laura. He spends his free time in the bar "Jacky's 33" with his friends Stan and Julie, the bartender.

Pamela is the voice of Erotica Jones, a dancer at the local strip club, who always has time for her friends such as Persephone, a fellow stripper who is dating conjoined twins. But when duty calls Erotica becomes Stripperella an agent for T.H.U.G.G. and a superhero who fends off nasty villains such as Dr. Cesarean, a plastic surgeon whose evil plans involve giving unexpected women explosive breast implants made of nitroglycerin; Cheapo, a super-villain on a budget who makes his henchman share a gun; and Pushy Galore, a former genetic physicist who has learned to breed animals with designer logos on their skin and makes designer knockoffs out of her ex-husbands. Stripperella has the ability to float to safety from tall distances courtesy of her enhanced hair. Watch out for her patented move Scissor-ella which allows her to knock-out bad guys with her thighs (think Famke Jannsen as Xenia Onatopp in the James Bond film Goldeneye). If she allows you to touch her breasts then look out for trick because a gadget in the chest area of her outfit works as a lie detector and tells Stripperella if someone is lying when they touch it. But the most outragous gadget at her disposal has to be the digital scanner placed under her tongue which she can use to upload pictures to a computer.

2003-04 American superhero adult animated comedy series

John "Stroker" Strockmeyer and Hoop Schwartz are a duo of inept private investigators, living in contemporary Los Angeles. They dress in 1970s-fashion and face surreal mysteries.

Rodrigo Monteagudo

Intrigued by history but neglected by his parents, Kevin, an eleven-year-old schoolboy, gets the chance to make his dream come true when a band of six time-travelling dwarfs appears out of thin air in his bedroom. Having stolen the Supreme Being's one-of-a-kind map of time and space, the audacious time-bandits whisk Kevin off on an exciting journey to the depths of history, skipping from one era to another. Now, to further complicate matters, the dangerous arch-rival known as the Evil Genius is hot on their trail, bent on getting his hands on the precious map. But, who would have thought that Kevin's seemingly unexceptional room was the entrance to a mysterious wormhole and the portal to a marvellous world of adventure?

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