Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.Works of Love is a deep and rich book, one that deserves to be widely read and reflected upon. However, the aim of Kierkegaard's labor is not to increase reflection, though that may itself be a work of love, but rather to increase the works of love directed to the flesh-and-blood neighbor, the walking-down-the-street variety of human being.

We have a marvelous, almost legendary image of the circumstances in which the composition of this great poem began. Rainer Maria Rilke was staying at Duino Castle, on a rocky headland of the Adriatic Sea near Trieste. One morning he walked out onto the battlements and climbed down to where the cliffs dropped sharply to the sea. From out of the fierce wind, Rilke seemed to hear a voice: Wer, wenn ich schriee, horte mich denn aus der Engel Ordnungen? (If I cried out, who would hear me up there, among the angelic orders?). He wrote these words, the opening of the first Duino Elegy, in his notebook, then went inside to continue what was to be his major opus—completely only after another ten, tormented years of effort—and one of the literary masterpieces of the century. Duino Elegies speaks in a voice that is both intimate and majestic on the mysteries of human life and our attempt, in the words of the translator David Young, “to use our self-consciousness to some advantage: to transcend, through art and the imagination, our self-deception and our fear.”

Librarian's Note: For an alternate cover edition of the same ISBN, click here.This beloved story -first published more than fifty years ago- introduces readers to Milo and his adventures in the Lands Beyond. For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

"Nothing happens, nobody comes, nobody goes, it's awful?" Estragon's complaint, uttered in the first act of "Waiting for Godot", is the playwright's sly joke at the expense of his own play - or rather at the expense of those in the audience who expect theatre always to consist of events progressing in an apparently purposeful and logical manner towards a decisive climax. In those terms, "Waiting for Godot" - which has been famously described as a play in which "nothing happens, twice"- scarcely seems recognizable as theatre at all. As the great English critic wrote "Waiting for Godot jettisons everything by which we recognize theatre. It arrives at the custom-house, as it were, with no luggage, no passport, and nothing to declare; yet it gets through, as might a pilgrim from Mars."

Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

Being &amp; Nothingness is without doubt one of the most significant philosophical books of the 20th century. The central work by one of the century's most influential thinkers, it altered the course of western philosophy. Its revolutionary approach challenged all previous assumptions about the individual's relationship with the world. Known as 'the Bible of existentialism', its impact on culture &amp; literature was immediate &amp; was felt worldwide, from the absurdist drama of Samuel Beckett to the soul-searching cries of the Beat poets.Being &amp; Nothingness is one of those rare books whose influence has affected the mindset of subsequent generations. Seventy years after its 1st publication, its message remains as potent as ever--challenging readers to confront the fundamental dilemmas of human freedom, choice, responsibility &amp; action.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

The book is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}

In 1903, a student at a military academy sent some of his verses to a well-known Austrian poet, requesting an assessment of their value. The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters — an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

I don’t know what to do with these stars anymore. I give stars to books and then I think, ‘god, you give five stars to everything, people will think you are terribly undiscriminating’ – so then I give four stars or even three stars to some books. Then I look back and it turns out that that I’ve given four stars to Of Human Bondage and honestly, how could I possibly have thought it was a good idea to give that book less than five stars? It is the absurdity of human conventions that has us doing such things.Now, that is what is called a segue, from the Italian ‘seguire’ – to follow. For the last thirty years I have studiously avoided reading this book. I have done that because for the last thirty years I have known exactly what this book is about and there just didn’t seem any point in reading it. In high school friends (one of them even became my ex-wife) told me it was a great book about a man condemned to die because he was an outsider. Later I was told that this book was a story about something much like the Azaria Chamberlain case. A case where someone does not react in a way that is considered to be ‘socially appropriate’ and is therefore condemned.But after 30 years of avoiding reading this book I have finally relented and read it. At first I didn’t think I was going to enjoy it. It didn’t really get off to the raciest of starts and the character's voice – it is told in first person – was a bit dull. He is a man who lives entirely in the present, how terribly Buddhist of him – although, really there doesn’t seem to be all that much to him.My opinion of the book began to change at his mother’s funeral. I particularly liked the man who kept falling behind in the march to the cemetery and would take short cuts. Okay, so it is black humour, but Camus was more or less French – so black humour is more or less obligatory.I really hadn’t expected this book to be nearly so funny as it turned out. I’d always been told it was a ponderous philosophical text – and so, to be honest, I was expecting to be bored out of my skull. I wasn’t in the least bit bored.A constant theme in my life at present is that I read ‘classics’ expecting them to be about something and they end up being about something completely different. And given I’ve called this a ‘constant’ theme then you might think I would be less than surprised when a read a new ‘classic’ and it turns out to be completely different to my expectations. I’m a little more upset about this one than some of the others, as I’ve been told about this one before, repeatedly, and by people I’d have taken as ‘reputable sources’ – although, frankly, how well one should trust one’s ex-wife in such matters is moot.I had gotten the distinct impression from all of my previous discussions about this book that the guy ends up dead. In fact, this is not the case – he ends up at the point in his life where he has no idea if he will be freed or not. The Priest who comes to him at the end is actually quite certain that he will be freed. Let’s face it, he is only guilty of having murdered an Arab, and as we have daily evidence, Westerners can murder Arabs with complete impunity. The main point of the book to me is when he realises he is no longer ‘free’. He needs this explained to him – because life up until then had been about ‘getting used to things’ and one can 'get used to just about anything'. But the prison guard helpfully informs him that he is being ‘punished’ and the manifestation of that punishment is the removal of his ‘freedom’. Interestingly, he didn’t notice the difference between his past ‘free’ life and his current ‘unfree’ one. The most interesting part of the book to me was the very end, the conversation with the priest. The religious often make the mistake of thinking that Atheists are one thing – I’ve no idea how they ever came to make this mistake, but make it they do. Given that there are thousands upon thousands of different shades of Christians – from Jesuit Catholics to Anti-Disney Episcopalians – it should be fairly obvious that something like Atheism (without any ‘organised’ church or even system of beliefs) could not be in anyway ‘homogeneous’.I am definitely not the same kind of Atheist as Camus. To Camus there is no truth, the world is essentially absurd and all that exists is the relative truth an individual places on events and ideas. This makes the conversation with the priest fascinatingly interesting. To the priest the prisoner who is facing death is – by necessity – someone who is interested in God. You can play around with ideas like the non-existence of God when it doesn’t seem to matter (life is long and blasphemy can seem fun) – but surely when confronted with the stark truth of the human condition any man would turn away from their disbelief and see the shining light.Not this little black duck. Now, if I was in that cell I would have argued with the priest too – but I would not have argued in the same way that Meursault argues. No, I do not believe in God, but I do believe in truth, and so Camus’ arguments are barred to me.Meursault essentially says, “Look, I’m bored, I’m totally uninterested in the rubbish you are talking – now go away”. Now, this is a reasonable response. What is very interesting is that the priest cannot accept this as an answer. The world is not allowed to have such a person in it – if such a person really did exist then it would be a fundamental challenge to the core beliefs of the priest. So, he has to assume Meursault is either lying to him or is trying to taunt him. But it is much worse – he is absolutely sincere, he is not interested in this ‘truth’.I don’t know that the world is completely meaningless, it is conventional rather than meaningless. That those conventions are arbitrary (decided by the culture we grew up in) doesn’t make them meaningless, it makes them conventional. I don’t think I would like to live in a world where people go up and kill Arabs pretty much at random and with impunity, but then again, we have already established this is precisely the world I do live in. My point is that it would be better if we did adhere to some sort of moral principles and that these should be better principles than ‘he should be killed because he didn’t cry at his mum’s funeral’. Camus is seeking to say that all of our ‘moral principles’ in the end come to be as meaningless as that – we judge on the basis of what we see from the framework of our own limited experience. And look, yes, there is much to this – but this ends up being too easy.The thing I like most about Existentialism, though it isn’t really as evident in this book as it is in the actual philosophy – although this is something that Meursault is supposed to have grown to understand (sorry, just one more sub-clause) even though this wasn’t something I noticed at all while reading the book, was the notion of responsibility. I didn’t think in the end Meursault was all that much more ‘responsible’ for his actions than he had been at the start. But I do think that ‘responsibility’ is a key concept in morality and one that seems increasingly to be ignored.Better by far that we feel responsible for too much in our lives than too little – better by far that we take responsibility for the actions of our governments (say) than to call these governments ‘them’. I’m not advocating believing in The Secret - but that if one must err, better to err on the side of believing you have too much responsibility for how your life has turned out, rather than too little.So, what can I say? I enjoyed this much more than I expected – but I’m still glad I waited before reading it, I really don’t think I would have gotten nearly as much out of it at 15 as I did now.

The most important philosophical work of the 20th century, and a text whose influence will still be felt for some centuries to come, I am willing to reckon. Even if you are one of the many detractors, the fact remains that it is simply an outstanding monument to man's ability to think deeply, freshly, terrifyingly, and poetically about himself. Heidegger's main focus is on Being ; what does it MEAN to be? This is of course an old question, stemming from the days of Aristotle, but Heidegger is foremost a phenomenologist (i.e. 'To the phenomena themselves') and therefore refuses any recourse to anything that is outside the scope of what is immediately apparent in the one thing that human beings often overlook, that is to say, human existence itself. This means that the scope of ambition of Heidegger's project is staggering ; he intends to determine WHAT a human being IS, by HOW it is ; and this means that he not only takes on a nearly 2000-year-old philosophical tradition, but also a nearly 2000-year-old deeply embedded conception of what a human being is (and by extension, what a human being should be). It is a provocative assault, which may account for the polarizing reactions that Heidegger seems to evoke. But this also means that Being and Time is a primordially 'humane' book, for it was Heidegger who truly brought the existentialist consciousness to the fore of our developing consciousness as a species. Make no mistake, this is still hard-core philosophy, but it is a book about the many banalities of the average human life, and thus, about the many hidden profundities of the average human life. Appreciate Heidegger's phenomenal (see what I did there) insight into the human condition, and you will never look at life, time, the world, concern, other people, a hammer, language, reality, and death in the same way again. Now for the mandatory words of warning. This book is DIFFICULT. But it is difficult in the way the ending stages of a hard-fought chess game is difficult ; Being and Time' may be difficult, but it is NOT 'boring'. Stick with it, make the effort, and you will not be disappointed. You may even (as happened to me) slowly neglect the other distractions of your life and set aside a solid block of time to tackle the text (for me, 3 months), and not even be aware of anything like a sacrifice being made. You just feel like you've decided to venture a few steps deeper into the rabbit hole, is all. And with regards to the language, I actually love the language in 'Being and Time', leave alone finding it something to rail against. It has a kind of an austere beauty to it, a kind of 'mathematical poetry' if you will. For those who complain that Heidegger could have said what he wanted to say in 'easier' language, the answer is that, NO he could not have. Since his project was a radical rethinking of the nature of human existence, he needed a radically new vocabulary to describe the stages of his project. The usual words like 'soul', 'consciousness', and even 'human being' are too embedded in the tradition he is attacking, and have too much baggage. Once you appreciate this, and read the text with 'fresh eyes', then you appreciate the hidden intricacies of his language, as well as to the depths he takes these new terms too. And finally, this is most definitely not a book that a casual reader can 'dip into' ; this is hardcore philosophy that was meant to overthrow another philosophical tradition. So, these would (in my opinion) be the absolute prerequisites before any reader wishes to pursue 'Being and Time' ; 1)A general knowledge of philosophy and the history of philosophy, and at least a surface-level knowledge of what the major philosophers of the Western tradition had to say about life, the universe and everything. This is important, because this tradition represents 'substance metaphysics' or 'the metaphysics of presence' which Heidegger attacks throughout the entire text ; (these terms simply mean the positing of some kind of unit of 'stable timelessness' that 'stands behind' or 'hangs over' human existence, be it the 'soul', 'consciousness', 'God', 'Atman', 'Will', 'Forms' or what have you). A good introductory book on philosophy should do the trick, and in my knowledge, Will Durant's 'The Story of Philosophy' is still the best way to go, though of course, any equivalent book which goes over the main 'theme' of Western philosophy should do the trick2)An intuitive understanding of Nietzsche. His influence is present throughout the text of 'Being and Time', because he is the 'bad boy' cousin of Heidegger's who sounded the death knell of traditional philosophy ; a project which Heidegger systematizes, enhances, and pursues. Since Nietzsche is primarily a poet and a cultural critic rather than an actual philosopher (in addition to being a superb writer) a quick crash course of reading his main works (The Gay Science, Beyond Good and Evil, Twilight of the Idols, and if you can stomach the overblown prose, Zarathustra) would do you good here. 3)A good guide to Being and Time ; predictably, for a work of such complexity and importance, several guides have sprung up of varying quality. The one I used was Gelvin's 'Commentary' which is clear, friendly, excited, and straightforward. Everything that you need. 4)A surface understanding of phenomenology ; a Wikipedia search should do the trick, or any such introductory article. If you're seriously gung-ho then 'An Introduction to Phenomenology' by Sokolowski will ground you more than you strictly need to be grounded. And that's it, you're ready to go. This is not a book that you can read once, and I wonder if 'read' is even an appropriate word. For the same reason that you do not 'read' Finnegans Wake, but 'experience' it as if it wasn't a book but a sentient entity which would get insulted if you labelled it as a book, I think the same would go for 'Being and Time'. It is a profound exploration of the most primordial questions a man can ask about anything, and as such, it demands a steady commitment of your time, energy, your curiosity, and the latent profundities that lie within you and which will be awakened as you thumb through the master piece that is 'Being and Time'.

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950's and 60's it was the novel that every teenage boy wants to read.

Soren Kierkegaard was a Danish philosopher, theologian, and religious author interested in human psychology. He is regarded as a leading pioneer of existentialism and one of the greatest philosophers of the 19th Century.In Fear and Trembling, Kierkegaard wanted to understand the anxiety that must have been present in Abraham when God commanded him to offer his son as a human sacrifice. Abraham had a choice to complete the task or to forget it. He resigned himself to the loss of his son, acting according to his faith. In other words, one must be willing to give up all his or her earthly possessions in infinite resignation and must also be willing to give up whatever it is that he or she loves more than God. Abraham had passed the test -- his love for God proved greater than anything else in him. And because a good and just Creator would not want a father to kill his son, God intervened at the last moment to prevent the sacrifice.

Thus Spoke Zarathustra is a foundational work of Western literature and is widely considered to be Friedrich Nietzsche’s masterpiece. It includes the German philosopher’s famous discussion of the phrase ‘God is dead’ as well as his concept of the Superman. Nietzsche delineates his Will to Power theory and devotes pages to critiquing Christian thinking, in particular Christianity’s definition of good and evil.

Day of Defeat is the latest online action experience from Valve, makers of "Half-Life" and "Counter-Strike." Stationed in the heat of WWII's European theater of...

Quake III Arena offers a complete deathmatch experience. The game features new 3D arenas, weapons, and character models....

Following a truck hijack in New York, five criminals are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?

Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope.

In the midst of the festive season, a Goan Catholic family discovers that they have lost their property to the Government and their family honour is at stake. Sanjit, the soldier son has to fight a different battle. As the tension and drama builds up, Sanjit finds himself pushed to the edge. His reaction leads to a gripping climax.

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (

This movie recounts the adventures of M. Gustave (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune - all against the backdrop of a suddenly and dramatically changing continent.

A touching tale of a wayward young man who struggles to find his identity, living in a world where he can solve any problem, except the one brewing deep within himself, until one day he meets his soul mate who opens his mind and his heart.

In 1937 Los Angeles, private investigator Jake 'J.J.' Gittes specializes in cheating-spouse cases. His current target is Hollis Mulwray, high-profile chief engineer for the Los Angeles Department of Water and Power, whose wife suspects him of infidelity. In following Mulwray, Gittes witnesses some usual business dealings, such as a public meeting for construction of a new dam to create additional water supply for Los Angeles, as fresh water is vital to the growing community during the chronic drought; Mulwray opposes the dam. Eventually Gittes sees Mulwray meeting with an unknown young woman who isn't his wife. Once news of the supposed tryst between Mulwray and this woman hits the media, additional information comes to light that makes Gittes believe that Mulwray is being framed for something and that he himself is being set up. In his investigation of the issue behind Mulwray's framing and his own setup, Gittes is assisted by Mulwray's wife Evelyn, but he thinks she isn't being forthright with him. The further he gets into the investigation, the more secrets he uncovers about the Mulwrays' professional and personal dealings, including Mulwray's former business-partnership with Evelyn's father, Noah Cross. The identity of the unknown woman may be the key to uncovering the whole story.

Kate Macer leads a Phoenix based kidnap response unit for the FBI. Following Kate's team leading a raid on a known drug den in nearby Chandler, Kate is recruited to work on a special ops team led by Matt Graver of the CIA, he who is on special assignment for the Department of Defense. They recruited her because they wanted someone with tactical procedures knowledge. Outwardly, the team's mission, which works behind a Delta Force team as its primary gun power as required, is to decapitate a Mexican drug cartel by capturing or dismembering the workings of the main players, cartel head Manuel Díaz, his second in command Guillermo Díaz (Manuel's brother), and drug lord Fausto Alarcón. Kate agrees to the assignment as she feels the work of this team would be more effective in stopping the drug trade in the US than the piecemeal work of her current kidnap response unit. The third on the team is a mysterious Hispanic or Latino man Kate only knows as Alejandro, and who she does not fully trust as she can tell that he is suffering from a very traumatic past. When Kate and the team arrive in El Paso for their first mission, Kate learns that the team's workings are not all they appear on the surface - many of the proceedings which would not be considered above board or legal - despite the end goal being as she knows it to be. Still largely in the dark and only given information on a need to know basis, Kate decides to stick it out with the team if only to discover all that she is not told while still believing in the end goal. She may have changing or at least mixed emotions as she learns more and more about what is going on, including the specific reason why she was recruited.

Set in 2031, the entire world is frozen except for those aboard the Snowpiercer. For seventeen years, the world's survivors are on a train hurtling around the globe creating their own economy and class system. Led by Curtis (Chris Evans), a group of lower-class citizens living in squalor at the back of the train are determined to get to the front of the train and spread the wealth around. Each section of the train holds new surprises for the group who have to battle their way through. A revolution is underway.

Lucas is a Kindergarten teacher who takes great care of his students. Unfortunately for him, young Klara has a run-away imagination and concocts a lie about her teacher. Before Lucas is even able to understand the consequences, he has become the outcast of the town. The hunt is on to prove his innocence before it's taken from him for good.

NIGHTCRAWLER is a thriller set in the nocturnal underbelly of contemporary Los Angeles.

In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..

How far would you go to protect your family? Keller Dover is facing every parent's worst nightmare. His six-year-old daughter, Anna, is missing, together with her young friend, Joy, and as minutes turn to hours, panic sets in. The only lead is a dilapidated RV that had earlier been parked on their street. Heading the investigation, Detective Loki arrests its driver, Alex Jones, but a lack of evidence forces his release. As the police pursue multiple leads and pressure mounts, knowing his child's life is at stake the frantic Dover decides he has no choice but to take matters into his own hands. But just how far will this desperate father go to protect his family?

Trevor Reznik is a machinist in a factory. An extreme case of insomnia has led to him not sleeping in a year, and his body withering away to almost nothing. He has an obsessive compulsion to write himself reminder notes and keep track of his dwindling weight, both scribbled on yellow stickies in his apartment. The only person he lets into his life in an emotional sense is Stevie, a prostitute, although he has an infatuation with Maria, a single mother waitress working in an airport diner. His co-workers don't associate with and mistrust him because of not knowing what is going on in his life that has led to his emaciated physical appearance. A workplace incident further alienates him with his coworkers, and in conjunction with some unfamiliar pieces of paper he finds in his apartment, Trevor believes that someone or some people - probably one or some of his coworkers - are out to get him, using a phantom employee named Ivan as their front. As Trevor goes on a search for evidence as to Ivan's schemes and whereabouts, Trevor may come to a true understanding of what has caused his insomnia.

Reon is a pretty girlfriend of a man and has a job. All is well. Except until it is not. Her boyfriend dumps her and moves on. Her boss fires her and moves on. It is cruel and unjust world. Reo is a chief executive officer and gets girls. Reon and Reo literally run into each other. One becomes the other. They have to put up with their new bodies, personas and handle the interactions. It does not help that they have no love for their new existences.

Brodie Bruce, a Sega and comic book obsessed college student, and his best friend, TS Quint, are both dumped by their girlfriends on the same day, and to deal with their loss, they both go to the local mall. Along the way, they meet up with some friends, including Willam, a guy who stares at Magic Eye pictures, desprately trying to see the hidden image; Gwen, one of TS's ex-girlfriends; and Jay & Silent Bob, of Clerks fame. Eventually, they decide to try and win back their significant others, and take care of their respective nemesises (TS's girlfriend's father, and a store clerk who hates the two for not having any shopping agenda).

A regular girl, Veronica, tries to survive the social jungle of high school by sticking with the three most popular girls at school who are all called Heather. As she meets a sociopath named JD, her life spirals into a continuous cycle of hate, unintentional murder and indifference, as she exacts revenge on her enemies, also known as her best friends.

An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven.

Caleb, a 26 year old programmer at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.

Nada, a down-on-his-luck construction worker, discovers a pair of special sunglasses. Wearing them, he is able to see the world as it really is: people being bombarded by media and government with messages like "Stay Asleep", "No Imagination", "Submit to Authority". Even scarier is that he is able to see that some usually normal-looking people are in fact ugly aliens in charge of the massive campaign to keep humans subdued.

An offbeat, laugh track-lacking sitcom about a bizarrely dysfunctional family, the center of which is Malcolm, the middle of the two brothers who still live at home. His eldest (and favorite) sibling, Francis, boards at military school because his parents believe it will reform him and keep him out of trouble. Malcolm often has a hard time coping with his family life, but he has more troubles to contend with when he starts receiving special treatment at school after being diagnosed as an intellectually advanced genius.

After starring in the popular sitcom "Horsin' Around" in the late 80s and early 90s, BoJack Horseman struggles with his deteriorating popularity, depression, addiction, and maintaining the relationships with those he cares about, but can't seem to stop hurting, all while living in the satirical, pun-filled city of Hollywood, California.

Rocko is a wallaby who has emmigrated to America from Australia. He lives in O Town and tries to get through life but, of course, comes across a multitude of dilemmas and misadventures he must get through. Other characters include Rocko's best friend, Heffer, a steer who has been raised by wolves, Filbert, an easily upset turtle, and Ed Bighead who detests Rocko and hates having him for a next door neighbor. On this show, Rocko has such adventures as trying to adapt to a new vacuum cleaner, having Heffer move in temporarily after his parents kick him out, and going to a movie theater.

Dethklok is the biggest, baddest, and most famous heavy metal band in the world. The quintet, consisting of Americans Nathan Explosion (vocals), William Murderface (bass), and Pickles the Drummer, along with Scandinavian guitarists Toki Wartooth and Skwisgaar Skwigelf, have to deal with their fame and other situations in their lives, all the while being monitored by a government organization out to destroy them.

The warped misadventures of a former boy adventurer turned washed-up, middle-aged mad scientist Dr. Rusty Venture; his moronic teenage sons; their maniac bodyguard; and the Doctor's arch-nemeses, incompetent super villain The Monarch and his masculine sounding paramour, Dr. Girlfriend.

In a surreal world, a large maximum security prison, which houses thousands of dangerous inmates is run by an eccentric warden and his equally odd staff.

At an international spy agency, global crises are merely opportunities for its highly-trained employees to confuse, undermine, betray, and royally screw one another. At the center of it all is suave master spy Sterling Archer, whose less-than-masculine code name is "Duchess." Archer works with his domineering mother Malory, who also is his boss. He must also deal with his ex-girlfriend, Agent Lana Kane, and her new boyfriend, comptroller Cyril Figgis, as well as Malory's lovesick secretary Cheryl.

A psychological thriller that examines the lives of two hunters. One is a serial killer who stalks his victims in and around Belfast and the other is a talented Detective Superintendent from the MET who is brought in to catch him.

Hank Moody- a self loathing, narcissistic author struggles to overcome writer's block while balancing his occasional drug use, alcoholism, and borderline sex addiction all the while trying to get back together with his girlfriend and raise his teenage daughter.

The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876.

The streets of Baltimore as a microcosm of the US's war on drugs, and of US urban decay in general. Seen not only through the eyes of a few policemen and drug gang members but also the people who influence and inhabit their world - politicians, the media, drug addicts and everyday citizens.

A news team attempts to create a news show that reports the news in an ethical and reasonable way. They take real, newsworthy events from our world as they're happening (such as bin Laden's justified killing, NSA spying, etc) and report on them as if they were an actual news station that followed rational and moral guidelines, in a biting criticism of our popular press and a clever blurring of art and reality.

American television political drama series

The adventures of a Ragnar Lothbrok: the greatest hero of his age. The series tells the saga of Ragnar's band of Viking brothers and his family as he rises to become King of the Viking tribes. As well as being a fearless warrior, Ragnar embodies the Norse traditions of devotion to the gods: legend has it that he was a direct descendant of Odin, the god of war and warriors.

Canadian-Irish historical drama television series

Explores the early relationship between renowned psychiatrist Hannibal Lecter and a young FBI criminal profiler who is haunted by his ability to empathize with serial killers.

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