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Julie Wynne - videos

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Evan Shively (Perseus271)

The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized—and sometimes outraged—millions of readers.First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.

The Dursleys were so mean and hideous that summer that all Harry Potter wanted was to get back to the Hogwarts School for Witchcraft and Wizardry. But just as he's packing his bags, Harry receives a warning from a strange, impish creature named Dobby who says that if Harry Potter returns to Hogwarts, disaster will strikeAnd strike it does. For in Harry's second year at Hogwarts, fresh torments and horrors arise, including an outrageously stuck-up new professor, Gilderoy Lockhart, a spirit named Moaning Myrtle who haunts the girls' bathroom, and the unwanted attentions of Ron Weasley's younger sister, Ginny.But each of these seem minor annoyances when the real trouble begins, and someone -- or something -- starts turning Hogwarts students to stone. Could it be Draco Malfoy, a more poisonous rival than ever? Could it possibly be Hagrid, whose mysterious past is finally told? Or could it be the one everyone at Hogwarts most suspects . . . Harry Potter himself?

You can find an alternative cover edition for this ISBN here and here.A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

The day after they moved in, Coraline went exploring....In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own. Only it's different. At first, things seem marvelous in the other flat. The food is better. The toy box is filled with wind-up angels that flutter around the bedroom, books whose pictures writhe and crawl and shimmer, little dinosaur skulls that chatter their teeth. But there's another mother, and another father, and they want Coraline to stay with them and be their little girl. They want to change her and never let her go. Other children are trapped there as well, lost souls behind the mirrors. Coraline is their only hope of rescue. She will have to fight with all her wits and all the tools she can find if she is to save the lost children, her ordinary life, and herself. Critically acclaimed and award-winning author Neil Gaiman will delight readers with his first novel for all ages.

Where the Sidewalk Ends turns forty! Celebrate with this anniversary edition that features an eye-catching commemorative red sticker. This classic poetry collection, which is both outrageously funny and profound, has been the most beloved of Shel Silverstein's poetry books for generations.Where the sidewalk ends, Shel Silverstein's world begins. There you'll meet a boy who turns into a TV set and a girl who eats a whale. The Unicorn and the Bloath live there, and so does Sarah Cynthia Sylvia Stout who will not take the garbage out. It is a place where you wash your shadow and plant diamond gardens, a place where shoes fly, sisters are auctioned off, and crocodiles go to the dentist.Shel Silverstein's masterful collection of poems and drawings is one of Parent &amp; Child magazine's 100 Greatest Books for Kids. School Library Journal said, "Silverstein has an excellent sense of rhythm and rhyme and a good ear for alliteration and assonance that make these poems a pleasure to read aloud."Shel Silverstein's incomparable career as a children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. In 1964, Shel's creativity continued to flourish as four more books were published in the same year—Don't Bump the Glump!, A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, and the beloved classic The Giving Tree. Later he continued to build his remarkable body of work with Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, The Missing Piece, The Missing Piece Meets the Big O, and Runny Babbit.

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

Strange Case of Dr Jekyll and Mr Hyde is the original title of a novella written by the famous Scottish author Robert Louis Stevenson that was first published in 1886. The work is commonly known today as The Strange Case of Dr Jekyll and Mr Hyde, Dr Jekyll and Mr Hyde, or simply Jekyll &amp; Hyde. It is about a London lawyer named John Gabriel Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde.

An intimate portrait of two men who cherish the slim bond between them and the dream they share in a world marred by petty tyranny, misunderstanding, jealousy, and callousness. Clinging to each other in their loneliness and alienation, George and his simple-minded friend Lennie dream, as drifters will, of a place to call their own—a couple of acres and a few pigs, chickens, and rabbits back in Hill Country where land is cheap. But after they come to work on a ranch in the fertile Salinas Valley of California, their hopes, like "the best laid schemes o' mice an' men," begin to go awry.Of Mice and Men also represents an experiment in form, as Steinbeck described his work, "a kind of playable novel, written in novel form but so scened and set that it can be played as it stands." A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. Steinbeck's tale of commitment, loneliness, hope, and loss remains one of America's most widely read and beloved novels.--front flap

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

Moral allegory and spiritual autobiography, The Little Prince is the most translated book in the French language. With a timeless charm it tells the story of a little boy who leaves the safety of his own tiny planet to travel the universe, learning the vagaries of adult behaviour through a series of extraordinary encounters. His personal odyssey culminates in a voyage to Earth and further adventures.

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

Librarian's note: An alternate cover edition can be found hereThis short novel, already a modern classic, is the superbly told, tragic story of a Cuban fisherman in the Gulf Stream and the giant Marlin he kills and loses—specifically referred to in the citation accompanying the author's Nobel Prize for literature in 1954.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.

Last night while I lay thinking here Some Whatifs crawled inside my ear And pranced and partied all night long And sang their same old Whatif song: Whatif I flunk that test?Whatif green hair grows on my chest?Whatif nobody likes me?Whatif a bolt of lightning strikes me?...This 20th anniversary of Shel Silverstein's A Light in the Attic includes a CD of highlights from his Grammy Award-winning album.Here in the attic of Shel Silverstein you will find Backward Bill, Sour Face Ann, the Meehoo with an Exactlywatt, and the Polar Bear in the Frigidaire. You will talk with Broiled Face, and find out what happens when Somebody steals your knees, you get caught by the Quick-Digesting Gink, a Mountain snores, and They Put a Brassiere on the Camel.From the creator of the beloved poetry collections Where the Sidewalk Ends and Falling Up, here is another wondrous book of poems and drawings.

WINNING MEANS FAME AND FORTUNE.LOSING MEANS CERTAIN DEATH.THE HUNGER GAMES HAVE BEGUN. . . .In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

Overflowing with sex, blood, and rock 'n’ roll, Lollipop Chainsaw is an un-deadly story of a sweet, killer zombie hunter and her mission to uncover the root o...

When 8 friends become trapped on a remote mountain getaway gone wrong, things quickly turn sinister and they start to suspect they aren’t alone. Gripped by fe...

Isolation is a first-person survival horror game which captures the fear and tension evoked by Ridley Scott’s 1979 classic film. Players find themselve...

While investigating the scene of a gruesome mass murder, Detective Sebastian Castellanos and his partners encounter a menacing and powerful force. After witness...

As Waylon Park, the whistleblower who emailed Miles Upshur, you’ll witness psycho killers and asylum security face off as all hell truly breaks loose. Survive...

In the desolate mountains of Colorado, horrors await inside Mount Massive Asylum. An abandoned home for the mentally ill, recently re-opened by the “research...

After years on the road facing threats both living and dead, a secluded school might finally be Clementine’s chance for a home. But protecting it will mean sa...

Our indecisive protagonist, Vincent, has been with his long-time girlfriend, Katherine, for five years. But instead of taking the next step into marriage, Vince...

Developed by the creators of Grand Theft Auto V and Red Dead Redemption, Red Dead Redemption 2 is an epic tale of life in America’s unforgiving heartland. The...

Layers of Fear is a psychedelic horror where you take control over an insane painter in his quest to finish his magnum opus....

Defy the god of death as you hack and slash your way out of the Underworld in this rogue-like dungeon crawler from the creators of Bastion and Transistor....

When Isaacs mother starts hearing the voice of God demanding a sacrifice be made to prove her faith, Isaac escapes into the basement facing droves of deranged e...

Outlast 2 is the sequel to the acclaimed survival horror game Outlast. Set in the same universe as the first game, but with different characters and a different...

Yakuza 4 returns for another round of open world adventure, this time with four main characters....

RISE LIKE A DRAGON. Become Ichiban Kasuga, a low-ranking yakuza grunt left on the brink of death by the man he trusted most. Take up your legendary bat and get...

Beneath the veneer of typical urban high school life, a group of teenagers mask their mysterious alter egos, their "phantom thief" side. Who are they? Why are t...

NieR Producer Yosuke Saito, director Taro Yoko and composer Keiichi Okabe return, teaming up with character designer Akihiko Yoshida and PlatinumGames to presen...

In Yakuza 6, Kazuma Kiryu will find out exactly how much people are willing to sacrifice for family -- be those ties through blood or bond -- when he investigat...

Kazuma Kiryu thought his Tojo Clan days were behind him. He and his young ward, Haruka Sawamura, have built a peaceful life from the ashes of conflict. All it t...

After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue.

1985 American science fiction horror film by Stuart Gordon

After moving to a new town, two brothers discover that the area is a haven for vampires.

1987 film by Joel Schumacher, Richard Donner

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

1999 American drama film directed by Sam Mendes

Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding the unborn child.

2007 American comedy-drama film directed by Jason Reitman

A family determined to get their young daughter into the finals of a beauty pageant take a cross-country trip in their VW bus.

2006 film by Jonathan Dayton and Valerie Faris

Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.

1976 American supernatural horror film directed by Brian De Palma

Three backpackers head to a Slovak city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.

A newly possessed high school cheerleader turns into a succubus who specializes in killing her male classmates. Can her best friend put an end to the horror?

Interview with the Vampire is a 1994 American gothic horror vampire film directed by Neil Jordan, based on Anne Rice's 1976 novel of the same name, and starring Tom Cruise and Brad Pitt. It focuses on Lestat (Cruise) and Louis (Pitt), beginning with Louis's transformation into a vampire by Lestat in 1791. The film chronicles their time together, and their turning of ten-year-old Claudia (Kirsten Dunst) into a vampire. The narrative is framed by a present-day interview, in which Louis tells his story to a San Francisco reporter. The supporting cast features Christian Slater, Antonio Banderas, and Stephen Rea.The film was released in November 1994 to generally positive reviews and was a commercial success. It received Oscar nominations for Best Art Direction and Best Original Score. Kirsten Dunst was additionally nominated for a Golden Globe for Best Supporting Actress for her role in the film. A stand-alone sequel, Queen of the Damned, was released in 2002, with Stuart Townsend replacing Cruise as Lestat.

Little Billy witness his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18, and out of the orphanage, and he has just become Santa, himself.

Angela Baker, a shy, traumatized young girl, is sent to summer camp with her cousin. Shortly after her arrival, anyone with sinister or less than honorable intentions toward her gets their comeuppance.

A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.

1981 Canadian horror film by George Mihalka

The lone survivor of an onslaught of flesh-possessing spirits holes up in a cabin with a group of strangers while the demons continue their attack.

A journalist must investigate a mysterious videotape which seems to cause the death of anyone one week to the day after they view it.

A pragmatic paleontologist visiting an almost complete theme park is tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose.

Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate.

Affable hillbillies Tucker and Dale are on vacation at their dilapidated mountain cabin when they are mistaken for murderers by a group of preppy college students.

The Gremlins are back, and this time, they've taken control of a New York City media mogul's high-tech skyscraper.

1990 horror comedy film directed by Joe Dante

A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.

Teenage friends find their lives upended by the wonders and horrors of puberty.

The misadventures of a dumb blond egomaniac who is deluded about his own manliness.

An anthology series exploring a twisted, high-tech multiverse where humanity's greatest innovations and darkest instincts collide.

A family of former child heroes, now grown apart, must reunite to continue to protect the world.

Ordinary people find themselves in extraordinarily astounding situations, which they each try to solve in a remarkable manner.

A rude, crude, and scruffy curmudgeon named Dan tries to get revenge on anyone and anything that angers him. His misadventures are coupled with his best friend and summer camp buddy, Chris, and occasionally the skills of Chris's secr

American Flash animated television series

The comical seafaring adventures of a young, enthusiastic boy, his pirate captain mentor, and the talking whale that raised him from birth.

The Grim Adventures of Billy & Mandy is an American animated television series created by Maxwell Atoms for Cartoon Network and distributed by Warner Bros. Domestic Television. It follows Billy, an extremely dimwitted, happy-go-lucky boy, and Mandy, a cynical, remorseless girl, who, after winning a limbo game to save Billy's pet hamster, gain Grim, the mighty Grim Reaper, as their "best friend forever". Grim, who is reluctant to serve the two children, has access to supernatural items, spells, and other abilities that often lead Billy and Mandy to interact with otherworldly environments, characters, or situations.Billy & Mandy began as a series of segments on Grim & Evil, from which it was a spin-off, along with sister series Evil Con Carne, on August 24, 2001. Although the 2003 episodes were produced for Grim & Evil, the show ran as a separate series from June 13, 2003, to November 9, 2007, on Cartoon Network. Two made-for-TV movies, Billy & Mandy's Big Boogey Adventure, which aired on March 30, 2007, and Billy & Mandy: Wrath of the Spider Queen, which also aired on July 6, 2007. A crossover special with fellow Cartoon Network series, Codename: Kids Next Door, entitled "The Grim Adventures of the KND", aired on November 11, 2007. One more made-for-TV movie, Underfist: Halloween Bash, intended to serve as a pilot for a new spin-off series, aired on October 12, 2008. During its run, the series won two Emmy Awards and one Annie Award, with nominations for one Daytime Emmy Award, three Golden Reel Awards, and two other Annie Awards. Billy & Mandy has also been made into a video game as well as various licensed merchandise.

Follows the misadventures of four irreverent grade-schoolers in the quiet, dysfunctional town of South Park, Colorado.

Two brothers find themselves lost in a mysterious land and try to find their way home.

Adventure Time is an American fantasy animated television series created by Pendleton Ward for Cartoon Network and distributed by Warner Bros. Domestic Television. The series follows the adventures of a boy named Finn (Jeremy Shada) and his best friend and adoptive brother Jake (John DiMaggio)—a dog with the magical power to change size and shape at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with Princess Bubblegum (Hynden Walch), the Ice King (Tom Kenny), Marceline (Olivia Olson), BMO (Niki Yang), and others. The series is based on a 2007 short film that aired on Nicktoons. After the short became a viral hit on the Internet, Nickelodeon's executives passed on its option before Cartoon Network commissioned a full-length series from Fred Seibert and Ward, which was previewed on March 11, 2010. The same year, the series premiered on Cartoon Network on April 5, and ended its eight-year run on September 3, 2018.

Twin siblings Dipper and Mabel Pines spend the summer at their great-uncle's tourist trap in the enigmatic Gravity Falls, Oregon.

A smart and cynical girl goes through teenage life as a proud outsider in a world of mainly idiotic adolescents and condescending adults.

BoJack Horseman was the star of the hit television show "Horsin' Around" in the '80s and '90s, but now he's washed up, living in Hollywood, complaining about everything, and wearing colorful sweaters.

Devilman Crybaby is a 2018 Japanese original net animation (ONA) series based on Go Nagai's manga series Devilman. The web anime is directed by Masaaki Yuasa, produced by Aniplex and Dynamic Planning, animated by Science SARU, and released by Netflix. Yuasa was offered the opportunity to create a Devilman project by Aniplex, and envisioned Devilman Crybaby. Announced in 2017 to mark Nagai's 50th anniversary as a creator, Crybaby was made available for worldwide streaming on January 5, 2018 as a Netflix original series.

In a sad town a clan of sorcerers use its people to experiment with the dark arts.

spunker

Queerness and queer horror — which is to say horror that is about or aestheticizes queerness, otherness, sexual deviancy, as experience, metaphor, dream, and nightmare — are embedded in the history of the genre, from Bram Stoker’s novel Dracula to James Whale’s 1935 film The Bride of Frankenstein. From a masked killers (one of which uses a dildo knife) to genderqueer dolls, the films selected for this program elaborate upon and extrapolate from queerness not merely as identity but as aesthetic impulse, rooted in subversion, confrontation, camp, an understanding of queerness as a tool to challenge, or deconstruct, normative ideas in art and society. Drenched in blood, paranoia, and forbidden desire, horror is queer down to the bone. 

An eccentric scientist changes the world with his teleportation technology: when his experiment seems to be going well, Dr. Seth Brundle tests his mac

Nerdy, reserved bookworm Needy Lesnicki, and arrogant, conceited cheerleader Jennifer Check are best friends, though they share little in common. They

Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room s

2008 Swedish horror romance film directed by Tomas Alfredson

When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for a

1987 horror film directed by Clive Barker

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