Emo Nemo

Mily

Sarah

Shaidrian Rios

Jimmy Beans

miCCwatreSSop

Julie Wynne - videos

Kapuster

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

After reading a handful of The Dark Country stories, I began to think of the paintings of Edward Hopper. At first my reaction was a puzzle. I wonderer why. After all, Etchison writes vividly of Southern California in the late 70’s and early ‘80’s, of LA airports, highways and rest stops, of laundromats and convenience stores. Hopper, on the other hand, paints the East Coast in the ‘30’s and ‘40’s, depicting New York railway compartments, gas stations and chop suey joints, movie palaces, furnished rooms, and owl-wagons. But if Hopper is noir, then Etchison is neo-noir: in each, a severe scene and its human figures are circumscribed by a small patch of merciless light, a light which whispers of isolation and the lonely darkness beyond. Hopper’s light is incandescent, Etchison’s fluorescent, but both lights cut right through to the bone.I think my favorite group of tales is the strongly noir-ish: “It Only Comes Out at Night” (set in a desert rest stop with lots of cars and no people), “Sitting in the Corner, Whimpering Quietly” (a bizarre laundromat confession), “The Walking Man” (Double Indemnity/Body Heat, with a twist), “We Have All Been Here Before” (a police psychic with an agenda), “The Pitch” (a “Mr. Popiel” type pitchman with an agenda), “The Late Shift” (something is very, very wrong with those creepy late-night quickie mart clerks), and “The Dark Country” (a random homicide disrupts an American resort in Mexico). Still, the more mysterious, open-ended stories may be even better: “The Nighthawk” (a were-hawk and his human sister), “It Will Be Here Soon” (an old man listens to strange voices on used cassette tapes), “Death Tracks” (a couple finds that TV laugh-tracks are a way of communicating with the dead, and—perhaps best of all—the haunting “You Can Go Now” (a cross-country airplane odyssey by a man who may—or may not—have committed a terrible crime).I wasn’t a big fan of all these stories. A few (“The Daughter of the Golden West,” “Today’s Special”) were more gimmicky than ghastly, a few of the open-ended stories were more confusing than mysterious, and I didn’t much like “Transplant Trilogy,” even though Ramsay Campbell—who wrote the introduction is a better judge than I am—disagrees. These criticisms, however, are minor. The Dark Country is a book of well-crafted stories, touched with a beguiling ambiguity and capable of evoking genuine terror. I urge you to give Etchison a try.

Bizarre radio broadcasts luring dissolute souls into the dark woods of Western Massachusetts. Sinister old men in topcoats gathered at corners and in playgrounds. A long-dead sorcerer returning to obscene life in the form of an old buck goat. Welcome to Leeds, Massachusetts, where the drowned walk, where winged leeches blast angry static, where black magic casts a shadow over a cringing populace. You've tuned in to WXXT. The fracture in the stanchion. The drop of blood in your morning milk. The viper in the veins of the Pioneer Valley.

Entranced and terrified, the reader of The Other is swept up in the life of a Connecticut country town in the thirties—and in the fearful mysteries that slowly darken and overwhelm it.Originally published in 1971, The Other is one of the most influential horror novels ever written. Its impeccable recreation of small-town life and its skillful handling of the theme of personality transference between thirteen-year-old twins led to widespread critical acclaim for the novel, which was successfully filmed from Thomas Tryon's own screenplay.This edition features original artwork by surrealist artist Harry O. Morris.

Ben and Marian Rolfe are desperate to escape a stifling summer in their tiny Brooklyn apartment, so when they get the chance to rent a mansion in upstate New York for the entire season for only $900, it's an offer that's too good to refuse. There's only one catch: behind a strange and intricately carved door in a distant wing of the house lives elderly Mrs. Allardyce, and the Rolfes will be responsible for preparing her meals. But Mrs. Allardyce never seems to emerge from her room, and it soon becomes clear that something weird and terrifying is happening in the house. As the suspense builds towards a revelation of what really lies behind that locked door, the Rolfes will discover that their cheap vacation rental comes at a terrible cost . . .

On a split of land cut off by the Gulf, three Victorian summer houses stand against the encroaching sand. Two of the houses at Beldame are still used. The third house, filling with sand, is empty...except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air.The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame.But they won't be alone. For something there, something they don't like to think about, is thinking about them...and about all the ways to make them die.

Nicholas is a would-be poet and video-store clerk with a weeping hole in his hand - weeping not blood, but a plasma of tears...It began with Nakota and her crooked grin. She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...

For the last few years, Veronica Croydon has been at the center of scandal, first as the younger woman for whom her famous professor left his wife, and then as the apparent widow of that man. When a writer staying at the same vacation home as Veronica has the chance to hear her story, he jumps at it. What follows takes him to the dark heart of a father's troubled relationship with his only son, in a story that stretches from a college town in the Hudson Valley to the battlefields on Afghanistan, from post-9/11 America to the height of Victorian England. It is a story that leads inexorably to the Belvedere House, the home Veronica shares with her husband, within whose walls a father's terrible words to his son echo and gain in awful force.  With nods to Peter Straub, H.P. Lovecraft, and Charles Dickens, House of Windows is a tense, frightening exploration of a marriage under strain from forces psychological and supernatural, a meditation on the ways loss haunts every one of us.

Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

A good friend had recommended this collection to me a year or so ago, but had also added at the time that he had mislaid his copy of it and wished he could read it again. Recently while searching for an ugly shirt to wear to a Hawaiian themed party I was fortunate enough to find a copy of this volume on sale for a dollar at a local thrift store. When I informed my friend of my good fortune I had to promise to lend it to him to re-read as soon as I was done with it. And now having completed the task of reading these stories I am glad to say that I can now understand his eagerness to return to this world. To truly begin this review I should point out that while the volume I read is title "The Complete book of Swords" it only actually compromises 3 books out of the dozen or so volumes which Saverhagen's website Berzerker.com lists as belonging to the Swords cycle: http://www.berserker.com/FredsSwords....So I take this to mean that I do have more to look forward to in this series down the road and that I should keep my eye out whenever I happen to be in a book browsing mood.This collection is split into three separate tales revolving, primarily, around a boy named Mark and his friend's Ben and Barbara and how their lives intertwine with the destines of 12 Magic Swords. The eponymous swords of the title are shown in the first chapter being forged by a god named Vulcan at the behest of a pantheon of other gods and goddesses who are drawn from the mythologies of varied cultures and nations. It shouldn't be too much of a spoiler to point out that although this story is in a fantasy setting it can be also categorized as science fiction as it is set approximately fifty thousand years in the future of our own world and there are hints that the magical property of the Swords is actually at least partially technological in origin and that the gods themselves may be a manifestation of the collective unconscious of humanity and therefore not truly immortals at all. Part of the fun of the stories comes from the Song of Swords given in the forward to the book. A series of 12 poems that describes the properties of the swords and acts as an introduction and a warning for those who would wish to wield the power granted by the blades. Each time a new Sword was mentioned, I found myself flipping back to the front of the book to re-read the poem and try to figure out exactly how each weapon would be used and what effects it would have on the progression of the story. The first book is a bit of a chase, wherein Mark is on the run with the sword named Townsaver after accidentally killing the cousin of a local ruler. The second book opens up the scope of the book further and a now twenty year old mark and his friend Ben become embroiled in a heist attempt against the Blue Temple, a religious order that worships wealth. This story will be a lot of fun for any Dungeons and Dragons aficionados who enjoy a good dungeon crawl.The third book picks up 4 or 5 years down the line as the great game of the gods who set these swords loose into the world begins to really heat up, and the armies of at least 4 different forces are marching to war to control the swords and the fate of the world.If you can find a copy of this or any of the other books in the series I recommend giving them a read.

Piers Anthony is the man who just can't let a good finished series lie. Initially a trilogy, the Apprentice Adept series ends with Phaze and Proton separated forever, with no possibility of renewed contact. Five years after finishing the first three books, Anthony returns to the series with another trilogy and a final stand-alone novel. I read the initial trilogy back in the early 90s, and re-read them in 2011 in preparation for finishing off the series with these later books. Although nearly two years since I finished Juxtaposition it has been 20 years within the story. Stile and Lady Blue have raised Bane; Citizen Blue and Sheen have produced and raised their robot child, Mach.The first chapter of the novel is almost entirely exposition, and not particularly well done exposition at that. I thought I had a pretty good handle on the ending of the previous trilogy and where everybody was, but reading the exposition in Out of Phaze made me doubt what I remembered and managed to confuse me no end. Robots now have serf status on Proton and aliens are also an accepted class of serf. The catch-up is presented to us as the young robot Mach explaining his world and his family to a new alien, Agape, he finds himself having to entertain at the game. Obviously, with the worlds split apart forever, Anthony has to find a way around his ending. This time, instead of any ability to physically move from one frame to another, we find that Mach and Bane – if they both want it and happen to be in the exact same place at the same time – are able to swap places psychically. Yeah, that's a lot of ifs, buts, conditions and coincidences.Initially, Mach is surprised to find himself in the Phaze frame, and the fact that he is almost unprepared to accept what has happened means that he comes close to dying a number of times almost immediately. Bane, however, we find out when we switch to his PoV was really the instigator for the switch. He had been using his magic and tracking a sort of psychic 'feeling' of Mach to home in on his location. Almost immediately, both Bane and Mach fall in love with their counterpart's female friends (strong flashbacks to the first trilogy here) – Bane with the alien Agape and Mach with the unicorn Fleta. As with seemingly all Piers Anthony, there's a strong undercurrent of sex in the story. Bane appears to have indulged in a reasonable amount of casual bestiality with both unicorns and vampires. Mach has to indulge in a fairly heavy bout of bestiality with Fleta while she is in heat, in order to stop her having to leave to find another herd to 'service' her. It's never quite clear whether all this sex is while she is in her unicorn or human shape, but I'm hoping it was the latter. Meanwhile Agape almost immediately expects Bane to 'teach her the ways of human love' and he doesn't waste a bunch of time.While the novel felt strongly that it was an attempt to extend the series beyond his original plan and consequently repeated a lot of those ideas, tweaked slightly. Somehow in spite of all its flaws, I enjoyed it.

When I was young and dumb--even dumber than I am now--I spent a summer as a live-in staff member at a prestigious, World's-Top-Hideaways-list-making New Zealand luxury lodge, waiting tables and working housekeeping. For a hundred bucks a week in my pocket. This is one of the numerous downsides to having incredibly shitty parenting; no one to tell you, when you are young and dumb, that it is illegal for employers to pay less than minimum wage, that legally the lodge was allowed to charge me 9% of my gross wage for room and board and not a cent more, and that I was about to be exploited all to hell. Ah, rich people. Before I arrived I dreamed of long summer evenings, hanging out with the other staff, swimming in the river, finding a cute local summer boyfriend, and having a great growth experience. Reality was slightly different. I was the only staff member living on site, no one hung out together, the lodge was a billion miles from civilisation (duh) and I only had a pushbike, all the male staff were married, and the locals were hostile (again, duh!).That was the first Christmas Day I spent without seeing another human being. Also without eating anything, because staff meals were in the kitchen, which was (triple duh) closed for the day, because the whole lodge was closed for the day, and this had not occurred to me, literally, until Christmas morning.Well, thank fuck for Alan Dean Foster's Spellsinger series. If I was prepared to turn myself into a sweat-dripping, overheated mess (and I was) I could cycle into the tiny local public library (where I BEGGED to be allowed to join, against all the residency rules: thank you, kind librarian), and I read my way through their entire fiction section (it was one wall). I lived for each week's Spellsinger volume. What could have been more apt for me than a story about a fish-out-of-water human with hidden magic talents, transported to a strange and hostile land. The hope that I too could be a speshul snowflake kept me from crying more than once a week (maybe twice . . . okay, three times). I have never tried to re-read the series, because I fear Spellsinger isn't actually objectively particularly amazing, but I still have an overstrong affection for the song Sloop John B, and call the tiny moving dots in the side of one's field of vision 'gneechees'. Thanks, ADF.

Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different ...From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew.

"Everybody is a book of blood; wherever we're opened, we're red." For those who only know Clive Barker through his long multigenre novels, this one-volume edition of the Books of Blood is a welcome chance to acquire the 16 remarkable horror short stories with which he kicked off his career. For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes:  I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago.  These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

In me are the memories of a boy's life, spent in that realm of enchantments. These are the things I want to tell you.... Robert McCammon delivers "a tour de force of storytelling" (BookPage) in his award-winning masterpiece, a novel of Southern boyhood, growing up in the 1960s, that reaches far beyond that evocative landscape to touch readers universally. Boy's Life is a richly imagined, spellbinding portrait of the magical worldview of the young -- and of innocence lost. Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson -- a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake -- and a desperate rescue attempt brings his father face-to-face with a terrible, haunting vision of death. As Cory struggles to understand his father's pain, his eyes are slowly opened to the forces of good and evil that surround him. From an ancient mystic who can hear the dead and bewitch the living, to a violent clan of moonshiners, Cory must confront the secrets that hide in the shadows of his hometown -- for his father's sanity and his own life hang in the balance....

Among a group I read about on Goodreads for great scary-house Halloween books, The Good House certainly lived up to that billing and then some. It is a fine horror novel, with wonderful, well-developed characters, especially the feminine half of this family. Grandma Marie and her granddaughter Angela are powerful spiritual guides for voodoo magic, but Grandma used her power for ill intent in the past and a demon has come to exact revenge on the family and only Angela can save it and her small town from this curse.The Good House is the repository of the good and the evil that has taken hold. Some of the images of the horror are quite chilling, especially one involving a tower of leaves that I won't describe, but left me unsettled. Also the demon or "baka" and his abilities are grotesque, he is able to "ride" a person, effectively taking them over, until that person has vanished and nothing is left but the baka.One thing that was very intriguing is that the characters are multi-faceted; Tariq, Angela's ex-husband and father to her only child Corey, is a troubled figure. He is trying to overcome childhood abuse, but has a temper that is barely leashed and has come close to hitting Angela and has called her a bitch in front of Corey before. He also has a drug habit, even though he holds down a high-ranking, professional job. Also, Corey is not a perfect son. He mirrors his father's treatment of his mother, in being a whiny, aggressive teenager. At one point, I thought why is Angela trying so hard to save this family, when father and son seemed barely worth it.There is a lovely twist at the end that I didn't see coming and ties everything up quite well.

A once-respected college professor and novelist, Dale Stewart has sabotaged his career and his marriage -- and now darkness is closing in on him. In the last hours of Halloween he has returned to the dying town of Elm Haven, his boyhood home, where he hopes to find peace in isolation. But moving into a long-deserted farmhouse on the far outskirts of town -- the one-time residence of a strange and brilliant friend who lost his young life in a grisly "accident" back in the terrible summer of 1960 -- is only the latest in his long succession of recent mistakes. Because Dale is not alone here. He has been followed to this house of shadows by private demons who are now twisting his reality into horrifying new forms. And a thick, blanketing early snow is starting to fall ...

I don't think one can truly rate Ghost Story as a novel without acknowledging the fact that it's a literary homage to the classics of the genre. Indeed, two characters bear the surnames of Hawthorne and James.This is my introduction to the work of Peter Straub. Having read The Talisman and Black House which he co-authored with Stephen King I was anxious to know how he writes on his own, and Ghost Story came recommended by virtually everyone who has read it. As mentioned in the first paragraph, Ghost Story is a homage to the old masters who paved the road of fright for future generations. Peter Straub himself says that "[Ghost Story] started as a result of my having just read all the American supernatural fiction I could find". It is noticeable; the first part is largely a reworking of The Turn of The Screw. The theme of a story within a story is everpresent, as the work deals with a group of old men who tell themselves ghost stories on regular meetings. Shades of Lovecraft, Poe and Hawthorne brood in the corners of the rooms they sit in.The men find themselves terrorized by terrible, realistic nightmares. Terrible things start happening in the small, sleepy town of Millburn.They remember the crime they had committed years before...and wonder if the time of retribution has finally arrived.What's not to like? Several things. first of all, the pace: the book is monstrous slog. A chore to get through. Straub switches between several narrative viewpoints (much like Stoker in Dracula) and the plot plods frequently and slows down so much that reading soon becomes a challenge. There's no doubt that Straub is a great writer - some of his passages I've read several times, because I simply enjoyed them so much - but he becomes lost in what he tries to do, the references he includes so subtly vanish in the detail he describes so voraciously.The protagonists discuss ghost stories they tell to each other, but for some reason refuse to talk about the one they all share even when darkness has fallen upon their city. Instead of trying to scheme how to fight or at least delay the danger, they remain passive. No one fights back. No one things of moving away and running from the deadly force. The passivity, the stupidness of their actions drastically slows down the plot and kills any tension that might have emerged. It would be understandable if the novel featured only one protagonist who witnessed these events and who would be afraid to entrust his story to others (in fear of being considered insane) - but Ghost Story features a group of men who believe each other, and do nothing.The theme of a town besieged by malevolent forces or beings has been done previously, most notably by Peter Straub's fellow writer and friend Stephen King in Salem's Lot. Straub acknowledges the influcence: "I wanted to work on a large canvas. 'Salem's Lot showed me how to do this without getting lost among a lot of minor characters. Besides the large canvas, I also wanted a certain largeness of effect."However, while Salem's Lot was swift, fast-paced and competent in dealing with the theme, Ghost Story doesn't quite deliver. The town of Millburn is described as a small town, but it completely lacks any awareness and interaction. The characters seem to be detached from reality - everyone walks everywhere, and there's little mention of pop culture - music, television and such. The novel is supposed to take time in the 1970s, but for all we are shown it might just as well be the 1870s.Last, the Evil with a capital E. While the concept of the Evil is really interesting, the Evil is really inconsistent and incompetent. There's no sense of looming presence of Evil, ready to fall upon the heads of innocent people and end their lives at any moment, like in Salem's Lot or Phantoms. Evil seems to be employed when it is needed by the narrative, and then pushed back, only to be called again later. I don't want to spoil anything, but the nature of the Evil and it's actions don't follow any pattern of logic and reason. Evil is at times omniscient and capable of incredible power, only to have its abilities reduced to humanlike status, and then go back to the supernatural and all-powerful again. Evil capable of everything is boring - why, it'd take a snap of fingers to eliminate a human being, much like a child breaking a twig in two - but one might wonder why the author chose to grant his menace that priviledge, only to take it back...and then allow it to be all poweful again, several times.Overall, I'm sad to say that Ghost Story doesn't live up to the hype that surrrounds it. While it is a complex, multilayered work, a homage to the creators of the genre, It's not very compelling and in fact is pretty easy to put down and leave unfinished. The concept, the idea of the novel - the premise, the prose, the situations - everything works, but not as a whole. I think I like the idea of the book better than the book itself - Peter Straub tends to be meandering and repetitive. There are sections of Ghost Story that are narrated brilliantly, but there are sections that are stale and uninteresting. For each flash of suspense and atmosphere, there's a whole lot of mundane and ordinary. The idea of the novel deserves five stars, but I can't give the novel itself more than three - I liked it, but I liked analysing the text more than reading it. Nevertheless, Peter Straub is an ambitious writer who's much more "literary" than most horror authors - his prose and style easily rivals the so-called "serious" writers - and I most certainly will read his other novels.

It's the summer of 1960 in Elm Haven, Illinois, and five 12-year old boys are forming the bonds that a lifetime of changes will never erase. But then a dark cloud threatens the bright promise of summer vacation: on the last day of school, their classmate Tubby Cooke vanishes. Soon, the group discovers stories of other children who once disappeared from Elm Haven. And there are other strange things happening in town: unexplained holes in the ground, a stranger dressed as a World War I soldier, and a rendering-plant truck that seems to be following the five boys. The friends realize that there is a terrible evil lurking in Elm Haven...and they must be the ones to stop it.

In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

When junior manager Frank Dominio is suddenly demoted and then sacked it seems there was more than a grain of truth to his persecution fantasies. But as he prepares to even the score with those responsible for his demise, he unwittingly finds an ally in a dark and malevolent force that grants him supernatural powers. Frank takes his revenge in the most ghastly ways imaginable - but there will be a terrible price to pay once his work is done.Destined to be a cult classic, this tale of corporate horror and demonic retribution will strike a chord with anyone who has ever been disgruntled at work. Also contains the stories "I Have A Special Plan For This World" and "The Nightmare Network".

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A high school student and his friend find a strange, orb-like piece of equipment to use as a science project, but must stop it when it begins to threaten mankind.

A spoof 1950s science-fiction movies, interspersed with various comedy sketches concerning late-night television.

1987 film directed by Peter Horton, Carl Gottlieb, Joe Dante, Robert K. Weiss, John Landis

An electric surge causes a serial killer's soul to end up in a computer system.

It is based on a musician who exaggerates her own polarizing online persona and depressed by her pandemic lifestyle in Los Angeles, she breaks quarantine for London, England, and the hospitality of a former band mate.

In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific.

A team of Vatican investigators descend upon a church in a remote area to demystify the unusual happenings, but what they discover is more disturbing than they had first imagined.

Five friends are stalked by a group of mysterious and disturbed individuals while on a road trip looking for the ultimate haunted house attraction.

Erotic horror anthology series where the hosts Terence Stamp (in season 1) and David Bowie (in season 2) eccentrically introduce each of the steamy, erotic and often supernatural tales of power, sex, lust, and driving urges.

A storyteller (Sir Michael Gambon) in a labyrinth tells his dog (Brian Henson) the stories of Perseus (Jeremy Gilley) and Medusa (Frances Barber), Icarus (Ian Hawkes) and Daedalus (Sir Derek Jacobi), Theseus (David Morrissey) and the

An old storyteller tells European folk tales to his sarcastic dog.

Following an accident, young Jay Ziegler falls into a coma. While his family and friends must continue their lives in the Real World, Jay finds himself in the magical Downworld on a quest to return home.

adventure-fantasy television series from 1992 to 1994

Twelve-year-old Bastian Balthazar Bux had lost the wonderful imagination he had as a child somewhere between growing older, watching TV, going to school and playing with his Gameboy. But when his mother dies suddenly, Bastian's limit

An anthology of urban legends (3 per episode), each presented with a different narrator and animation style. All stories begin and end with the line, "This is a true story happened to a friend of a friend of mine...".

Two teenage friends come of age while going through life's struggles together.

Growing up is hard enough but, for Zack Greenburg, it's harder, especially when supernatural and paranormal events effect his life. Fortunately, he has his best friends Cam Dunleavey, Spencer Sharpe and Gwen Killerby to help him thro

Five kids and their science teacher have a variety of preternatural adventures at "Black Hole High," a mysterious boarding school.

Jesse, an alien exiled to Earth, finds himself in Los Angeles. His only companion is a floating, orb-shaped robotic parole officer named Control. Doomed to stay on Earth until Jesse can show compassion, Control helps him lead as norm

A multi-national corporation attempts to take over America while small pockets of resistance hold out against rampant technology.

1993 television miniseries by Keith Gordon

Young woman Sidney works in a telephone company and she is sure that her father, doctor Bloom, and sister died after an accident. Sidney's hobby is to play with virtual reality. She has found an ability in herself to enter into the h

Lt. Hobbes is sent into a VR wargame simulation where he is to terminate a renegade General who has taken control of the program.

In a futuristic society where reaching the age of 30 is a death sentence, a rebellious law enforcement agent goes on the run in search of Sanctuary.

The adventures of an idealistic mad scientist and his field team of superpowered outcasts.

2019 American superhero television series

Nick and his best friend, Allegra, hunt down the Key of Galidor and try to save the Outer Dimension.

A British horror/fantasy anthology series where each story involves, to some extent, the supernatural and features lead actors from UK television.

A quiet, seemingly-quaint small town is ruled over by its charming yet evil sheriff who uses his demonic powers to remove anyone who dares to stand in his way. The only one he fears is a young boy he fathered through rape.

Set in the late 1980's Hap and Leonard is a darkly comic swamp noir of two best friends, one femme fatale, a crew of washed up revolutionaries, a pair of murderous psycho killers, some lost loot, and the fuzz.

Picks up 25 years after the inhabitants of a quaint northwestern town are stunned when their homecoming queen is murdered.

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