Elena Rainn

Zach P

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Karl Halmos-Westram

lonely loser

Ljsly Bernard

Miguel Barreto Carrillo

Leonel González

Tim M

After nearly twenty years of living in California, March Murray, along with her fifteen-year-old daughter, Gwen, returns to the sleepy Massachusetts town where she grew up to attend the funeral of Judith Dale, the beloved housekeeper who raised her. Yet returning to her hometown also brings her back to Hollis, March’s former soul mate and lover. March’s father had taken the teenaged Hollis, an abandoned child, and the product of a series of detention homes, into his house as a boarder, and treated him like a son. Yet March and Hollis’s passionate love was hardly a normal sibling relationship. When Hollis left her after a petty fight, March waited for him three long years, wondering what she had done wrong.Encountering Hollis again makes March acutely aware of the choices that she has made, and the choices everyone around her has made—including Mrs. Dale, who knew more of love than March could ever have suspected, and her brother Alan, whose tragic history has left him grief-struck, with alcohol as his only solace. Her attraction to Hollis is overwhelming—and March jeopardizes her marriage, her relationship with her daughter and her own happiness in an attempt to reclaim the past.

Clicca qui per l'edizione "Storie senza tempo".Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

In Othello, Shakespeare creates a powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual devotion and that ends precipitately with jealous rage and violent deaths. He sets this story in the romantic world of the Mediterranean, moving the action from Venice to the island of Cyprus and giving it an even more exotic coloring with stories of Othello's African past. Shakespeare builds so many differences into his hero and heroine—differences of race, of age, of cultural background—that one should not, perhaps, be surprised that the marriage ends disastrously. But most people who see or read the play feel that the love that the play presents between Othello and Desdemona is so strong that it would have overcome all these differences were it not for the words and actions of Othello's standard-bearer, Iago, who hates Othello and sets out to destroy him by destroying his love for Desdemona. As Othello succumbs to Iago's insinuations that Desdemona is unfaithful, fascination—which dominates the early acts of the play—turns to horror, especially for the audience. We are confronted by spectacles of a generous and trusting Othello in the grip of Iago's schemes; of an innocent Desdemona, who has given herself up entirely to her love for Othello only to be subjected to his horrifying verbal and physical assaults, the outcome of Othello's mistaken convictions about her faithlessness.

One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system. In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

WINNING MEANS FAME AND FORTUNE.LOSING MEANS CERTAIN DEATH.THE HUNGER GAMES HAVE BEGUN. . . .In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

A down on her luck woman goes on an Austen-inspired journey of self-discovery in Jones's middling debut. After Lily Berry loses her mother, gets dumped by her boyfriend, and is fired, she finds in her passion for all things Jane Austen (Jane, indeed, is Lily's imaginary friend) an escape route: she travels to England to participate in a Jane Austen re-enacting festival. Full of enthusiasm—but not acting talent—Lily is not embraced by many of the Janeites, but this doesn't prevent her from meeting a charismatic actor, contending with an impossible roommate, and struggling with dark family secrets, all while trying to find the courage to be the protagonist of her own story. While Jones does a credible job of creating a heroine in transition, Lily's process of self-realization isn't nearly as involving as the subplots, which is quite unfortunate, considering how much time is devoted to sussing out her issues.

A single day in Paris changes the lives of three Americans as they each set off to explore the city with a French tutor, learning about language, love, and loss as their lives intersect in surprising ways.Josie, Riley, and Jeremy have come to the City of Light for different reasons: Josie, a young high school teacher, arrives in hopes of healing a broken heart. Riley, a spirited but lonely expat housewife, struggles to feel connected to her husband and her new country. And Jeremy, the reserved husband of a renowned actress, is accompanying his wife on a film shoot, yet he feels distant from her world. As they meet with their tutors—Josie with Nico, a sensitive poet; Riley with Phillippe, a shameless flirt; and Jeremy with the consummately beautiful Chantal—each succumbs to unexpected passion and unpredictable adventures. Yet as they traverse Paris’s grand boulevards and intimate, winding streets, they uncover surprising secrets about one another—and come to understand long-buried truths about themselves.

The Italian phrase Mai due senza tre–“never two without three”–forms the basis of Andrea Lee’s spellbinding novel of betrayal. Sophisticated and richly told, Lost Hearts in Italy reveals a trio caught in the grip of desire, deception, and remorse.When Mira Ward, an American, relocates to Rome with her husband, Nick, she looks forward to a time of exploration and awakening. Young, beautiful, and in love, Mira is on the verge of a writing career, and giddy with the prospect of living abroad.On the trip over, Mira meets Zenin, an older Italian billionaire, who intrigues Mira with his coolness and worldly mystique. A few weeks later, feeling idle and adrift in her new life, Mira agrees to a seemingly innocent lunch with Zenin and is soon catapulted into an intense affair, which moves beyond her control more quickly than she intends. Her job as a travel writer allows clandestine trysts and opulent getaways with Zenin to Paris, Monte Carlo, London, and Venice, and over the next few years, now the mother of a baby daughter, she struggles between resisting and relenting to this man who has such a hold on her. As her marriage erodes, so too does Mira’s sense of self, until she no longer resembles the free spirit she was on her arrival in theon her arrival in the Eternal City. Years later, Mira and Nick, now divorced and remarried to others, look back in an attempt to understand their history, while a detached Zenin assesses his own life and his role in the unlikely love triangle. Each recounts the past, aided by those witness to their failure and fallout.An elegant, raw, and emotionally charged read, Lost Hearts in Italy is a classic coming-of-age story in which cultures collide, innocence dissolves, and those we know most intimately remain foreign to us.From the Hardcover edition.

You might not be aware of Koji Suzuki, you might not be aware of Hideo Nakata who adapted his work for the screen, but I'm sure you know the American version of The Ring. It was the first American remake of a Japanese horror, and to this day it remains the best.Everyone knows The Ring movie, but not everyone knows that it was adapted from part one of a trilogy of novels. A few years ago, late summer, I got the first one and read it in two days. It intrigued me well enough to hunt down the other two and read them too. It was exciting reading; I have fond memories of it, and will no doubt read it again one day in the future. I don't know how it will hold up, but I remember the feeling these novels gave me. Dark Water has nothing to do with The Ring universe. It's a collection of seven short stories, with an additional prologue and epilogue. The running theme is, you guessed it, water. I love short stories and I got this just after completing Loop, the last of the Ring novels, but somehow never managed to get through it in its entirety. I did now, and here are my thoughts.Floating Water: This is the first story, and its the basis for a horror movie Dark Water which was remade for the American market in 2005. It's a quite simple story of a woman and her daughter who move to a new apartment, and find a kitty bag. It has little to do with the movie; when things start getting interesting the story peters out and ends. There is little creepiness factor and the premature conclusion doesn't add to the enjoyment.Solitary Isle: This one was much better. A guy boasts that he dumped his girlfriend on an abandoned island in the middle of Tokyo bay, and his friend sets forth to discover the truth for himself. It didn't turn out the way I thought it would, and had enough suspense and twists throughout to keep me interested.The Hold: Why does the fisherman have a headache all the time? And where has his wife gone? Even though it's a pretty standard horror tale, it's atmospheric enough to pull the average premise off. Enjoyable, if a bit formulaic.Dream Cruise: A young man is lured onto a yacht of two people who try to convince him to become a part of a pyramid scheme. Not bad, but it really could be so much more and pales in comparison with the next story, which is:Adrift: Similarly to the previous story, this one also takes place on a boat. A crew of fishermen finds an abandoned ship, and after consulting their discovery with the sea service they decide to haul it and met a rescue ship in the middle of their way to port. One of the fishermen decides to board the empty ship and stay there throughout the voyage.This is by far the best story in the volume. Taking a familiar premise, Suzuki spins his most atmospheric and creepy tale throughout the whole volume. This is the one that I've re-read, an wished he would expand on the idea.Watercolors: This seems to be an experiment that didn't work - at least for me. A strange story which might please some readers, but most will likely find it inferior to the previous story.Forest Under The Sea: This is the concluding story, and the only one in the collection not to have any supernatural elements whatsoever. Two spelunkers find an uexplored cave, and not surprisingly become trapped. The feeling of longing is prevalent throughout, and it ties nicely with the epilogue.Overall, I'm glad that I've read Dark Water. What I liked most about it was the quietness of it. Like with The Ring novels, Suzuki doesn't go for the gore and the skeletons jumping out of the closets; this collection is almost Zen-like with its calmness and restraint. The bad thing is that most stories just end up without any powerful twist or memorable conclusions; they just fade away, disappear. Maybe it has something to do with Suzuki's personal sentiments and his method of writing simplistic, straight-to-the marrow horror; something more elegant, more orient and distant. Some of the prose is clunky, and I fear that it's a classic case of things lost in translation.Still, this collection is pleasant enough reading of short horror tales for any horror aficionado, with one winner, Adrift, to which the film rights have already been optioned. Yay!

From a New York Times bestselling author comes a journey of loss and rebirth with a startling premise inspired by historical fact. Estrella is a Marrano: one of the Spanish Jews living double lives when those who refused conversion risked everything. Estrella's discovery that her family secretly practices the ancient way of wisdom known as kabbalah leads her to her true self and true love-but also to a devastating confrontation with unimaginable evil, unleashed by the betrayal of a friend. With themes of faith, friendship, and persecution, Alice Hoffman's tragic and beautiful novel resonates profoundly in our times.

An iridescent jewel of a novel that proves love is the mother of invention  In the early 1800s, a young Italian contessa, Carolina Fantoni, realizes she is going blind shortly before she marries the town's most sought-after bachelor. Her parents don't believe her, nor does her fiancé. The only one who understands is the eccentric local inventor and her longtime companion, Turri. When her eyesight dims forever, Carolina can no longer see her beloved lake or the rich hues of her own dresses. But as darkness erases her world, she discovers one place she can still see-in her dreams. Carolina creates a vivid dreaming life, in which she can not only see, but also fly, exploring lands she had never known. Desperate to communicate with Carolina, Turri invents a peculiar machine for her: the world's first typewriter. His gift ignites a passionate love affair that will change both of their lives forever. Based on the true story of a nineteenth-century inventor and his innovative contraption, The Blind Contessa's New Machine is an enchanting confection of love and the triumph of the imagination.

The Red Garden introduces us to the luminous and haunting world of Blackwell, Massachusetts, capturing the unexpected turns in its history and in our own lives. In exquisite prose, Hoffman offers a transforming glimpse of small-town America, presenting us with some three hundred years of passion, dark secrets, loyalty, and redemption in a web of tales where characters' lives are intertwined by fate and by their own actions.From the town's founder, a brave young woman from England who has no fear of blizzards or bears, to the young man who runs away to New York City with only his dog for company, the characters in The Red Garden are extraordinary and vivid: a young wounded Civil War soldier who is saved by a passionate neighbor, a woman who meets a fiercely human historical character, a poet who falls in love with a blind man, a mysterious traveler who comes to town in the year when summer never arrives.At the center of everyone's life is a mysterious garden where only red plants can grow, and where the truth can be found by those who dare to look.Beautifully crafted, shimmering with magic, The Red Garden is as unforgettable as it is moving.

A gritty, heart-wrenching novel about bruised innocence on the city's feral streets—the remarkable debut of a stunning literary talentHeather O'Neill dazzles with a first novel of extraordinary prescience and power, a subtly understated yet searingly effective story of a young life on the streets—and the strength, wits, and luck necessary for survival.At thirteen, Baby vacillates between childhood comforts and adult temptation: still young enough to drag her dolls around in a vinyl suitcase yet old enough to know more than she should about urban cruelties. Motherless, she lives with her father, Jules, who takes better care of his heroin habit than he does of his daughter. Baby's gift is a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. But her blossoming beauty has captured the attention of a charismatic and dangerous local pimp who runs an army of sad, slavishly devoted girls—a volatile situation even the normally oblivious Jules cannot ignore. And when an escape disguised as betrayal threatens to crush Baby's spirit, she will ultimately realize that the power of salvation rests in her hands alone.

Former CIA agent Jack Morgan runs Private, a renowned investigation company with branches around the globe, for maximum force and maximum discretion. Already deep into the investigation of a multimillion-dollar NFL gambling scandal and the unsolved slayings of eighteen schoolgirls, he learns his best friend's wife, Jack's former lover, has been killed.  The secrets of the most influential men and women on the planet come to Jack daily—and his staff of investigators use the world's most advanced forensic tools to make and break their cases. But Jack doesn't have to play by the rules.

Alyss of Wonderland?When Alyss Heart, newly orphaned heir to the Wonderland throne, flees through the Pool of Tears to escape her murderous Aunt Redd, she finds herself lost and alone in Victorian London. Befriended by an aspiring author named Lewis Carrol, Alyss tells the violent, heartbreaking story of her young life. Alyss trusts this author to tell the truth so that someone, somewhere will find her and bring her home. But he gets the story all wrong. He even spells her name incorrectly!Fortunately, Royal Bodyguard Hatter Madigan knows all too well the awful truth of Alyss' story - and he's searching every corner of our world to find the lost princess and return her to Wonderland, to battle Redd for her rightful place as the Queen of Hearts.The Looking Glass Wars unabashedly challenges our Wonderland assumptions of mad tea parties, grinning Cheshire cats, and a curious little blond girl to reveal an epic battle in the endless war for Imagination.

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel's story is about to be completely rewritten.Insightful, bold, irreverent, and raw, The Fault in Our Stars is award-winning author John Green's most ambitious and heartbreaking work yet, brilliantly exploring the funny, thrilling, and tragic business of being alive and in love.

“I dreamed a dream of angels. I saw them and heard them in a great and endless galactic night. I saw the lights that were these angels, flying here and there, in streaks of irresistible brilliance . . . I felt love around me in this vast and seamless realm of sound and light . . . And something akin to sadness swept me up and mingled my very essence with the voices who sang, because the voices were singing of me . . . ”Thus begins Anne Rice’s lyrical, haunting new novel, a metaphysical thriller of angels and assassins that once again summons up dark and dangerous worlds set in times past. Anne Rice takes us to other realms, this time to the world of fifteenth-century Rome, a city of domes and rooftop gardens, rising towers and crosses beneath an ever-shifting layer of clouds; familiar hills and tall pines . . . of Michelangelo and Raphael, of the Holy Inquisition and of Leo X, second son of a Medici, holding forth from the papal throne . . . And into this time, into this century, Toby O’Dare, former government assassin, is summoned by the angel Malchiah to solve a terrible crime of poisoning and to search out the truth of a haunting by an earthbound restless spirit—a diabolical dybbuk.O’Dare soon discovers himself in the midst of dark plots and counterplots surrounded by a darker and more dangerous threat as the veil of ecclesiastical terror closes in around him.As he embarks on a powerful journey of atonement, O’Dare is reconnected with his own past, with matters light and dark, fierce and tender, with the promise of salvation and with a deeper and richer vision of love.

Anne Rice returns to the mesmerizing storytelling that has captivated readers for more than three decades in a tale of unceasing suspense set in time past—a metaphysical thriller about angels and assassins.The novel opens in the present. At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”Into O’Dare’s nightmarish world of lone and lethal missions comes a mysterious stranger, a seraph, who offers him a chance to save rather than destroy lives. O’Dare, who long ago dreamt of being a priest but instead came to embody danger and violence, seizes his chance. Now he is carried back through the ages to thirteenth-century England, to dark realms where accusations of ritual murder have been made against Jews, where children suddenly die or disappear . . . In this primitive setting, O’Dare begins his perilous quest for salvation, a journey of danger and flight, loyalty and betrayal, selflessness and love.

Collect and categorize