Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humor, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oedipa in isolation on the threshold of revelation, awaiting the Crying of Lot 49.

Understanding North Korea through its propaganda What do the North Koreans really believe? How do they see themselves and the world around them?Here B.R. Myers, a North Korea analyst and a contributing editor of The Atlantic, presents the first full-length study of the North Korean worldview. Drawing on extensive research into the regime’s domestic propaganda, including films, romance novels and other artifacts of the personality cult, Myers analyzes each of the country’s official myths in turn—from the notion of Koreans’ unique moral purity, to the myth of an America quaking in terror of “the Iron General.” In a concise but groundbreaking historical section, Myers also traces the origins of this official culture back to the Japanese fascist thought in which North Korea’s first ideologues were schooled.What emerges is a regime completely unlike the West’s perception of it. This is neither a bastion of Stalinism nor a Confucian patriarchy, but a paranoid nationalist, “military-first” state on the far right of the ideological spectrum.Since popular support for the North Korean regime now derives almost exclusively from pride in North Korean military might, Pyongyang can neither be cajoled nor bullied into giving up its nuclear program. The implications for US foreign policy—which has hitherto treated North Korea as the last outpost of the Cold War—are as obvious as they are troubling. With North Korea now calling for a “blood reckoning” with the “Yankee jackals,” Myers’s unprecedented analysis could not be more timely.

In case anyone in Washington hasn't noticed, Americans are fed up with the status quo. In this, the first shot fired over the bow of the 2004 Presidential election, Michael Moore aims to unseat the man who slithered into the White House on tracks built by the bloody hands of Enron and greased with the oil of his daddy. As if an unelected, semi-literate president weren't problem enough, America's Democrats have managed to take the liberty out of "liberal," signing on with the G.O.P. for dirty corporate money and the ill-gotten gains of globalization. The "left" is just as satisfied as the right to stand idly by as the chasm between the haves and the have-nots grows wider and wider.  Thank god for Michael Moore because Dude, Where's My Country tells us precisely what went wrong, and, more importantly, how to fix things. In a voice that is fearless, funny, and furious, Moore takes readers to the edge of righteous laughter and divine revenge.

Now with more than three million copies sold, Oscar-winning filmmaker and political activist Michael Moore's bestseller Stupid White Men tells you everything you need to know about how the great and the good screw us over.It reveals - among other things - how 'President' Bush stole an election aided only by his brother, cousin and dad's cronies, electoral fraud and tame judges; how the rich stay rich while forcing the rest of us to live in economic fear; and how politicians have whored themselves to big business.Whether he's calling for United Nations action to overthrow the Bush Family Junta, calling on African-Americans to place whites-only signs over the entrances of unfriendly businesses, or praying that Jesse Helms will get kissed by a man, Stupid White Men is Michael Moore's Manifesto on Malfeasance and Mediocrity.A hilarious must-read for anyone who wants to know what the con is and how 'they' get away with it, Stupid White Men is only available uncensored because public pressure forced the original publishers to publish a book they felt was too hot to handle. Now it's time to find out why.'A really great, hilarious, rollicking, fantastic read'  Newsnight Review'Caustic, breakneck, tell-it-like-it-is ... He's a genuine populist; a twenty-first-century pamphleteer'  Observer'Furious and funny. A great book'  Time Out'Hysterically funny. The angrier Moore gets, the funnier he gets. Sensational'  San Francisco ChronicleAuthor of international bestsellers Stupid White Men and Dude, Where's My Country, Michael Moore's 2002 film Bowling for Columbine won the Anniversary Prize at the Cannes Film Festival and the 2002 Academy Award for Best Documentary. His 2004 film Fahrenheit 9-11 won the 2004 Palme d'Or at the Cannes Film Festival, and is the highest-grossing documentary of all time. Released in 2007, Moore's documentary Sicko, focused on the American healthcare system, was nominated for an Oscar.

In Breakfast of Champions, one of Kurt Vonnegut’s  most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.

Famously referred to as one of the "Axis of Evil" countries, North Korea remains one of the most secretive and mysterious nations in the world today. In early 2001 cartoonist Guy Delisle became one of the few Westerners to be allowed access to the fortress-like country. While living in the nation's capital for two months on a work visa for a French film animation company, Delisle observed what he was allowed to see of the culture and lives of the few North Koreans he encountered; his findings form the basis of this graphic novel.Guy Delisle was born in Quebec City in 1966 and has spent the last decade living and working in the South of France with his wife and son. Delisle has spent ten years, mostly in Europe, working in animation, an experience that taught him about movement and drawing. He is now currently focusing on his cartooning. Delisle has written and drawn six graphic novels, including "Pyongyang," his first graphic novel in English.

Here, in one volume: Marjane Satrapi's best-selling, internationally acclaimed graphic memoir.Persepolis is the story of Satrapi's unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming--both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up.Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom--Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today.

First published over 50 years ago, J.R.R. Tolkien's 'The Hobbit' has become one of the best-loved books of all time. Now Tolkien's fantasy classic has been adapted into a fully painted graphic novel.'The Hobbit' is the story of Bilbo Baggins…a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim the dwarves' stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon Smaug.Illustrated in full colour throughout, and accompanied by the carefully abridged text of the original novel, this handsome authorised edition will introduce new generations to a magical masterpiece – and be treasured by Hobbit fans of all ages, everywhere.

The wisdom, poetic outlook, and deep humanity for which Gibran's best-known work, The Prophet, is famous are also amply present in The Forerunner, published just 3 years earlier. Heartfelt and compassionate, it is a memorable, internationally acclaimed collection of 24 morality tales dealing with universal human concerns. Five black-and-white illustrations by the author.

I had removed this review, which violates Article 2 of the Terms of Use:You agree not to post User Content that: (i) may create a risk of harm, loss, physical or mental injury, emotional distress, death, disability, disfigurement, or physical or mental illness to you, to any other person, or to any animal.Looking at the comment thread, it is abundantly clear that the review not only may, but indeed has caused emotional distress to several Potter fans. I would like to offer my apologies to these unfortunate people, who had every right to expect better service from Goodreads. But, despite the above, I have decided on mature consideration that I will attempt an experiment: I am reinstating the original review, hiding the dangerous and inflammatory content inside a spoiler tag. If you are a person easily offended by negative comments about Harry Potter and still decide to click it, then you have only yourself to blame. You have been warned.(view spoiler)[I got into an argument the other day with an articulate 17 year old Harry Potter fan - let's call him D - who wanted to know why I was being so nasty in my review of Deathly Hallows. What was wrong with it? I offered various structural criticisms: the ending is abrupt and unconvincing, the subplot with the Horcruxes has not been adequately foreshadowed in the earlier volumes, and the book as a whole is overlong and boring. D expressed surprise that I could call Deathly Hallows boring, when I'd given five stars to Madame Bovary and Animal Farm, both of which he considered far duller. The discussion continued for some time. In the end, I said I would write a review summarising my objections to the series as a whole. Here it is.As I said to D, it's not the books or the author. The early Potter books are cute and entertaining, and J.K. Rowling seems like a nice person - if someone's going to scoop the literary Powerball jackpot, why not her? What I very strongly object to is the way the books have been marketed. About 10 years ago, it seems to me, some clever people figured out a new marketing strategy, which they first applied to Potter; when that came to an end, the same methods were used for Twilight. Both series have enjoyed a level of success which is utterly disproportionate to their quality, and which is also unprecedented in literary history. Twilight clearly follows Potter; I've had several discussions about what preceded Potter, and the answer, everyone seems to agree, is that there was no earlier success story of this kind. Before Potter, there was no YA series of dubious merit that absolutely everyone read. I think it's uncontroversial that Potter, in terms of literary quality, is better than Twilight, but Twilight has been even more successful. At one point, the four volumes occupied the top four spots in the New York Times bestseller list. On Goodreads, nearly half of the top 50 reviews are of Twilight books. This is an absurd and unnatural state of affairs. Even though Twilight may not be quite as bad as is sometimes made out - I'm one of many people who have tried to defend it - there's no way it deserves this level of attention.So why is everyone reading it, and why, before that, was everyone reading Potter? As I said, I think it's primarily about the marketing, though I wish I was more sure about the details. Here, at any rate, are some thoughts. First, the publishers are aggressively using economies of scale and deals with third parties. They print very large numbers of copies, and they work together with movie studios, game companies and merchandisers to cross-promote them. I think it's particularly important that a large proportion of the books are sold, not at bookstores, but at normal supermarkets. It's well known that the cover price is usually marked down to the point where the supermarket is not in fact making any profit; they have discovered that they can successfully treat it as a loss leader. This is causing great pain to independent bookstores. Some of them, I have read, have adopted the desperate expedient of buying copies at supermarkets and then reselling them. Second, let's look at the content and style. Even though Potter and Twilight are fairly different in some ways, they also have many strong similarities. Above all, they are extremely easy to read, at every level. The vocabulary is unchallenging; the sentences are short and simple; most characters are one-dimensional stereotypes; the story is uncomplicatedly plot-driven; there are few references to other works of literature. You can read these books if you're tired, if you're sleepy, if you have poor reading skills, if you've never read anything else. They consequently have a very large potential audience.Third, they describe a comforting, emasculated world in which most of the things that make our own world so difficult and unpleasant have been removed. Most strikingly, there is no sex; in Harry Potter, which is supposed to be about fairly normal teens, no one masturbates, no girls get pregnant, none of them are labelled sluts because they've had sex with more than one boy (sometimes one is enough, for that matter), no one gets their heart broken and drops out of school or starts taking drugs as a result, no one is stuck in a dead-end relationship that they wish they could escape from, but can't. The worst thing that happens in either series is the sequence in New Moon where Edward temporarily leaves Bella. Meyer notoriously doesn't describe Bella's feelings at all, but just leaves several pages blank. Once, in fact not so long ago, most adults would have been embarrassed to be seen reading YA literature of this kind; to start with, the comforting word "YA" hadn't been invented yet, and they would have been reading children's books. Somehow, there's been a shift in standards. You look around you on a bus to see what people are reading, and you can be pretty sure you'll see at least a couple of people over 20 engrossed in Potter or Twilight. It's odd that this has happened, and I wish I understood why.In conclusion, I couldn't help being struck by the two books D chose to contrast against Potter. D, Madame Bovary is going to outlast both of these authors because Emma is a real person who experiences the crazy and contradictory emotions that real people experience when they are very unhappy, and as a result she behaves in a crazy and contradictory way; also, Flaubert, unlike Rowling and Meyer, took a great deal of trouble over his prose, and created some of the most beautiful and ironic passages in world literature. There aren't many books I'd call masterpieces, but this is one of them. And finally, Animal Farm is indeed an allegory of the Russian Revolution. More importantly, though, it's about how smart, unscrupulous people manipulate trusting, weak people. Tens of millions of people are reading Potter and Twilight, not because the books are well-written or interesting, but because the readers have been manipulated into buying them by the Napoleons and Squealers of this world. That's what I'm objecting to. Think about it for a moment. (hide spoiler)]

Days before his release from prison, Shadow's wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break.Scary, gripping and deeply unsettling, American Gods takes a long, hard look into the soul of America. You'll be surprised by what - and who - it finds there...This is the author's preferred text, never before published in the UK, and is about 12,000 words longer than the previous UK edition.

Winner of the Hugo, Nebula, and Philip K. Dick AwardsCase was the sharpest data thief in the Matrix, until an ex-employer crippled his nervous system. Now a new employer has recruited him for a last-chance run against an unthinkably powerful artificial intelligence. With a mirror-eyed girl street-samurai riding shotgun, he's ready for the silicon-quick, bleakly prophetic adventure that upped the ante on an entire genre of fiction.Alternate cover for ISBN: 9780441569595

‘Armageddon only happens once, you know. They don’t let you go around again until you get it right.’People have been predicting the end of the world almost from its very beginning, so it’s only natural to be sceptical when a new date is set for Judgement Day. But what if, for once, the predictions are right, and the apocalypse really is due to arrive next Saturday, just after tea?You could spend the time left drowning your sorrows, giving away all your possessions in preparation for the rapture, or laughing it off as (hopefully) just another hoax. Or you could just try to do something about it.It’s a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon now finds themselves in. They’ve been living amongst Earth’s mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.And then there’s the small matter that someone appears to have misplaced the Antichrist…

This book challenges those who argue that we can change the world by changing the way people think. The author shows that no matter how bizarre a people's behavior may seem, it always stems from concrete social and economic conditions. It is by isolating and identifying these conditions that we will be able to understand and cope with some of our own apparently senseless life styles. In a devastating attack on the shamans of the counterculture, the author states the case for a return to objective consciousness and a rational set of political commitments.

Brilliant, illuminating, and immensely absorbing, Collapse is destined to take its place as one of the essential books of our time, raising the urgent question: How can our world best avoid committing ecological suicide?In his million-copy bestseller Guns, Germs, and Steel, Jared Diamond examined how and why Western civilizations developed the technologies and immunities that allowed them to dominate much of the world. Now in this brilliant companion volume, Diamond probes the other side of the equation: What caused some of the great civilizations of the past to collapse into ruin, and what can we learn from their fates?As in Guns, Germs, and Steel, Diamond weaves an all-encompassing global thesis through a series of fascinating historical-cultural narratives. Moving from the Polynesian cultures on Easter Island to the flourishing American civilizations of the Anasazi and the Maya and finally to the doomed Viking colony on Greenland, Diamond traces the fundamental pattern of catastrophe. Environmental damage, climate change, rapid population growth, and unwise political choices were all factors in the demise of these societies, but other societies found solutions and persisted. Similar problems face us today and have already brought disaster to Rwanda and Haiti, even as China and Australia are trying to cope in innovative ways. Despite our own society's apparently inexhaustible wealth and unrivaled political power, ominous warning signs have begun to emerge even in ecologically robust areas like Montana.Brilliant, illuminating, and immensely absorbing, Collapse is destined to take its place as one of the essential books of our time, raising the urgent question: How can our world best avoid committing ecological suicide?

"Diamond has written a book of remarkable scope ... one of the most important and readable works on the human past published in recent years."Winner of the Pulitzer Prize and a national bestseller: the global account of the rise of civilization that is also a stunning refutation of ideas of human development based on race.In this "artful, informative, and delightful" (William H. McNeill, New York Review of Books) book, Jared Diamond convincingly argues that geographical and environmental factors shaped the modern world. Societies that had a head start in food production advanced beyond the hunter-gatherer stage, and then developed writing, technology, government, and organized religion—as well as nasty germs and potent weapons of war—and adventured on sea and land to conquer and decimate preliterate cultures. A major advance in our understanding of human societies, Guns, Germs, and Steel chronicles the way that the modern world came to be and stunningly dismantles racially based theories of human history.Winner of the Pulitzer Prize, the Phi Beta Kappa Award in Science, the Rhone-Poulenc Prize, and the Commonwealth Club of California's Gold Medal

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001). Unforgettable!

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931 and published in 1932. Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

The delicate balance of the Triforce has been disrupted, and Hyrule Kingdom is once again being torn apart by a dark power, this time lead by Sorceress Cia. Now...

Get ready to play a near-infinite number of side-scrolling 2D Mario courses anytime, anywhere. Earn in-game medals in 100 built-in courses and access recommende...

Nintendo's all-star cast of combatants is back in Super Smash Bros. Melee, along with a new batch of brawlers ready to tear it up. The sequel to Super Smash Br...

The Mushroom Kingdom just got a whole lot more hectic as Mario and friends double up for furious kart racing. This time around, each kart holds two racers that...

The pink puff is backin HDand he's not alone. Kirby is backand he's finally on the Nintendo Switch console in HD. But this time, he's not alone. Recruit enemies...

Sonic Heroes brings the Sonic series to the PS2 and Xbox for the first time. Dr. Eggman is causing havoc again and it's up to you to maneuver a team of three...

The Wind Waker, and Link, Tetra and Tetra’s band of...

Carmageddon is visceral, violent, vehicular fun....

Ever been stuck in a traffic jam, dying to get out? Everyone wants to slam into the car in front of them and jet away. Now imagine you can destroy the cars that...

If you're not adverse to a little lowbrow humor and a lot of violence and mayhem, you'll find plenty of action and still more fun in Carmageddon II....

Duke it out with your favorite Nintendo characters in Super Smash Bros. for the Nintendo Wii U....

From the Trade Federation's "negotiations" with Obi-Wan Kenobi and Qui-Gon Jinn in The Phantom Menace to the space battle above Endor in Return of the Jedi, The...

The world can be a confusing and dangerous place, especially when there are two of you! Sonic must face the new, villainous Shadow but you choose how the story...

Battle. Dr. Eggman is causing trouble once again, and it's up to Sonic, Tails, and Knuckl...

Inklings from the Splatoon series, as well as returning Smash characters like Mario and Link will be making appearances in this classic Nintendo franchise's Swi...

Sonic celebrates his 15th anniversary by blazing his way onto the next-generation consoles, with his first adventure set in the human world. Featuring interacti...

The intrepid Captain Toad sets off on his own adventure for the very first time through a wide variety of tricky, enemy-infested, maze-like stages to find hidde...

Splatoon is a four-on-four multiplayer action game that drops players into a battle arena that two teams strive to claim as their own. Players of each team spra...

Super Mario Galaxy 2, the sequel to the galaxy-hopping original game, includes the gravity-defying, physics-based exploration from the first game, but is loaded...

Search for the ultimate paradise, Elysium, with your companion, Pyra. Explore an endless ocean of clouds, where the last remnants of civilization live on the...

Obsessed with the idea of overcoming the obstacle of death and determined to vindicate himself by backing up his theory, the ambitious medical student, Herbert West, arrives in New England, after the horrific incident at the Institute of Medicine in Switzerland. Before long, Herbert will pick up where he left off--at first, experimenting with dead feline tissue, and then, with fresh human cadavers--talking his sceptic roommate, Dan Cain, into joining his audacious project. Inevitably, as the two young scientists burrow deeper and deeper into uncharted territories, the campus will start brimming with West's reanimated corpses, catching the eye of his arch-nemesis, Dr Hill, who yearns to take credit for this astounding discovery. The dead will rise again, even with a bit of help; however, can the young re-animator harness the power of his phosphorescent green reagent?

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

In the dystopian world of 2027 London, humans have been incapable of reproducing for 18 year for an unknown reason, meaning the imminent extinction of the species. Britain is the one remaining civilized society on the planet, which has resulted in people wanting to migrate there, so it has become a police state to handle the immigrants, who are placed into refugee camps. Lowly government bureaucrat Theo Faron, once an activist, is approached by the Fishes, deemed a terrorist group, led by his ex-wife Julian Taylor, whom he hasn't seen in almost 20 years, since their marriage disintegrated after their infant son Dylan's death during the 2008 flu pandemic. Although the Fishes did use terrorist means in their on-going revolution against the state in the fight for immigrant rights, Julian vows that they now garner support solely by speaking to the people, and she wants Theo to use his connections to get transit papers for a young immigrant woman named Kee who needs to get to the coast. Although initially reluctant to do it because of the difficulty, Theo is able to grant Julian this favor, however with the change that he now needs to accompany Kee on her journey. As Theo and Kee progress on that journey, Theo learns more and more about what's going on, including the reason that Kee needs to get to the coast, the fact that no one in the group knows if their end destination even exists, and that his and Kee's lives are in greater danger than he believed when they started the journey. But Theo's sole mission becomes to help Kee at any cost for the survival of the species.

On the distant mining planet Sirius 6B ravaged by a decade of war in the year 2078, scientists have created the perfect weapon. The blade-wielding, self-replicating race of killing devices known as Screamers is designed for one purpose - to hunt down and destroy all enemy life forms. This so dubbed man's greatest weapon has continued to evolve without human guidance, and devised a new mission: to obliterate all life. Colonel Hendricksson (Peter Weller) commands a handful of Alliance soldiers still alive on Sirius. Betrayed by his own political leaders and disgusted by the atrocities of a never-ending war, Hendricksson decides to negotiate a separate peace with the New Economic Bloc's decimated forces. But to do so, he will have to cross a treacherous wasteland where the deadliest threat comes from the very weapons he helped to create.

A poetic guitarist Eric Draven is brought back to life by a crow a year after he and his fiancée are murdered. The crow guides him through the land of the living, and leads him to his killers: knife thrower Tin-tin, drugetic Funboy, car buff T-Bird, and the unsophisticated Skank. One by one, Eric gives these thugs a taste of their own medicine. However their leader Top-Dollar, a world-class crime lord who will dispatch his enemies with a Japanese sword and joke about it later, will soon learn the legend of the crow and the secret to the vigilante's invincibility.

Robert Neville (Will Smith) is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made in this post-apocalyptic action thriller. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague - the Infected - lurk in the shadows - watching Neville's every move - waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered - and quickly running out of time.

On July 2nd, communications systems worldwide are sent into chaos by a strange atmospheric interference. It is soon learned by the military that a number of enormous objects are on a collision course with Earth. At first thought to be meteors, they are later revealed to be gigantic spacecraft, piloted by a mysterious alien species. After attempts to communicate with the aliens go nowhere, David Levinson, an ex-scientist turned cable technician, discovers that the aliens are going to attack major points around the globe in less than a day. On July 3rd, the aliens all but obliterate New York, Los Angeles and Washington, as well as Paris, London, Houston and Moscow. The survivors set out in convoys towards Area 51, a strange government testing ground where it is rumored the military has a captured alien spacecraft of their own. The survivors devise a plan to fight back against the enslaving aliens, and July 4th becomes the day humanity will fight for its freedom. July 4th is their Independence Day...

In 2035, techno-phobic homicide detective Del Spooner of the Chicago PD heads the investigation of the apparent suicide of leading robotics scientist, Dr. Alfred Lanning. Unconvinced of the motive, Spooner's investigation into Lanning's death reveals a trail of secrets and agendas within the USR (United States Robotics) corporation and suspicions of murder. Little does he know that his investigation would lead to uncovering a larger threat to humanity.

More than 10 years after 'Terminator 2', John Connor now exists only as a drifter - living 'off the grid', so no more Terminators from the future can hunt him down. Unfortunately, SkyNet does send another one back - and this one is called the T-X, even more powerful & advanced than the dreaded T-1000. However, another CSM-101 Terminator is also sent back to protect John against the T-X. Now, Skynet is patiently assuming control of civilian computer systems, under the guise of a computer virus. John has also met his future wife, Kate Brewster, whose father - a U.S. Air Force General - is in charge of the military computer systems & is leery of up linking SkyNet. However, when the SkyNet virus infects the U.S military computers & leaves the country open to attack, the machines begin their horrific takeover. Soon a nuclear war will result - and the war against the machines will begin. Can the outdated CSM-101 Terminator eliminate the highly advanced T-X - or will a darker future await man following the nuclear attack?

At the farthest reaches of the solar system, Ellen Ripley awakens on board the space station "Auriga". Her last memory is of her own fiery death. And yet she is somehow alive. Ripley discovers that her "resurrection" is a result of an incredible experiment which has altered both her and the creature she has been carrying. To combat the incalculable alien menace, she teams up with a renegade band of space smugglers.

Ellen Ripley (Sigourney Weaver) is the only survivor when she crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Once again, Ripley must face skepticism and the alien as it hunts down the prisoners and guards. Without weapons or modern technology of any kind, Ripley leads the men into battle against the terrifying creature.

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.

In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, out of love or loneliness, hitches a ride on the outside of the ship to rescue EVE. The ship arrives back at a large space cruise ship, which is carrying all of the humans who evacuated Earth 700 years earlier. The people of Earth ride around this space resort on hovering chairs which give them a constant feed of TV and video chatting. They drink all of their meals through a straw out of laziness and/or bone loss, and are all so fat that they can barely move. When the auto-pilot computer, acting on hastily-given instructions sent many centuries before, tries to prevent the people of Earth from returning by stealing the plant, WALL-E, EVE, the portly captain, and a band of broken robots stage a mutiny.

2008 American computer-animated romantic science fiction film directed by Andrew Stanton

The saga continues 200 years after Ripley sacrificed herself for the sake of humanity. Her erstwhile employers long gone, this time it is the military that resurrects the one-woman killing machine through genetic cloning to extract the alien from within her, but during the process her DNA is fused with the queen and then the aliens escape. Now Ripley must decide where her allegiance lies.

Wealthy entrepreneur Bruce Wayne (Adam West) and his ward Dick Grayson (Burt Ward) lead a double life: they are actually the crime-fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon (Neil Hamilton) summons the Dynamic Duo on the Batphone with the latest emergency threatening Gotham City. Racing to the scene of the crime in the jet-powered Batmobile, Batman and Robin must (with the help of their trusty utility-belts) thwart the efforts of a rogues gallery of flamboyant archvillains, including The Joker (Cesar Romero), The Penguin (Burgess Meredith), The Riddler (Frank Gorshin) and the Catwoman (Julie Newmar and Eartha Kitt).

Dilbert is a cubicle dwelling employee for a large soulless corporation. Along with his cynical and under-motivated co-workers, he labors fruitlessly under the bone-headed leadership of the Pointy-Haired Boss. Occasionally Dogbert, Dilbert's super-intelligent dog, gets Dilbert caught up in another wild money-making scheme, to Dilbert's regret.

The Aqua Teen Hunger Force debuted on episode 92 "Baffler Meal" of the cartoon talk-show "Space Ghost Coast to Coast" According to TVtome.com, Master Shake is portrayed as being a chocolate milkshake in this episode, although he's a pistachio shake in the series

Deep below the ocean's surface, looms a vast, magnificently high-tech compound: Sealab. A multi-national scientific station with an annual budget in the trillions, dedicated to the research and exploration of man's final frontier - Sealab's crew is charged with exploring the possibility of underwater colonization. As the Earth's surface, by this time, has gotten just generally crowded, hot, and icky. However, as most government-funded agencies usually are, Sealab is manned by a motley collection of malcontents and screw-ups who were unfit for work in the private sector. They really don't get any research done, but instead spend their time bickering among themselves. Or just plain goofing off. The crew have manipulated their luckless leader, Captain Murphy, into submission, and are content to ride the government clock, raking in fat, hazardous-duty paychecks.

American animated television series (2000-2005)

Jay Sherman is an overweight and somewhat snobbish New York TV movie critic who is forced to review the most pathetic films to which is he always says, "It stinks." In addition to the film parodies, the show also deals with his professional life working for his tyrannical media mogul boss and his personal life with his friends and family. In a world that seems determined to snub him both in the asinine arts he has to endure and his own difficult relationships, Jay gets along as best he can, while enjoying life's bright spots.

Nick Sax awakes on a hospital gurney. He's a hit man who used to be a cop; it's all part of the job. What's troubling Sax isn't his serious injury, but the seriously perky flying blue horse that claims it is the imaginary friend of someone who is in serious trouble. The horse's name? Happy, of course. Adapted from a Grant Morrison story.

Follows a group of teenage 7th graders, including best friends Nick Birch and Andrew Glouberman, as they navigate their way through puberty with struggles like masturbation and sexual arousal all in the Westchester County suburbs of New York City. Acting as over-sexualized shoulder angels are the hormone monsters: Maurice (who pesters Andrew and Matthew and occasionally Nick), Connie the hormone monstress (who pesters Jessi and Nick and occasionally Missy) and Mona (who mainly pesters Missy). Throughout the series, the kids interact with people and objects who are often personified and offer helpful, yet confusing, advice in their puberty-filled lives including the ghost of Duke Ellington, a French-accented Statue of Liberty, a pillow capable of getting pregnant, a bar of Adderall, and even Jessi's own vulva. They seek out their destiny as puberty destroys them mentally and physically.

Sick, twisted and politically incorrect, the animated series features the adventures of the Griffin family. Endearingly ignorant Peter and his stay-at-home wife Lois reside in Quahog, R.I., and have three kids. Meg, the eldest child, is a social outcast, and teenage Chris is awkward and clueless when it comes to the opposite sex. The youngest, Stewie, is a genius baby bent on killing his mother and destroying the world. The talking dog, Brian, keeps Stewie in check while sipping martinis and sorting through his own life issues.

Hank Hill, a propane gas salesman in the fictional town of Arlen, Texas, is often besieged by the idiosyncrasies of society, but finds some serenity in his home life with his wife, substitute Spanish teacher Peggy, his awkward son Bobby, and his live-in niece-in-law Luanne Platter. Adding flavor were Hank's friends, divorcé military barber Bill Dauterive, paranoid Dale Gribble (with an obsession with government conspiracy theories), and gibberish-spouting Boomhauer.

Toys can be more than simply children's playthings, the biggest ones can say so much about popular culture and the generations raised in it. This series covers the history of the major toylines of the post-World War II generations, the media franchises they represented, and how they reflected their times and how they changed with them.

Unwrap the real stories behind these iconic Christmas blockbusters, thanks to insider interviews and behind-the-scenes peeks.

The shadow government and the dysfunctional team whose daily grind is committing the world's conspiracies. From convoluted coverups to secret societies to masked orgy etiquette, navigating office culture at Cognito Inc. can be tricky, especially for anti-social tech genius Reagan Ridley. Even in a workplace filled with reptilian shapeshifters and psychic mushrooms, she's seen as the odd one out for believing the world could be a better place. Reagan thinks she can make a difference, if only she could manage her unhinged, manifesto-writing father, her irresponsible coworkers, and finally snag the promotion she's been dreaming about.

Captain Ray Holt takes over Brooklyn's 99th precinct, which includes Detective Jake Peralta, a talented but carefree detective who's used to doing whatever he wants. The other employees of the 99th precinct include Detective Amy Santiago, Jake's over achieving and competitive partner; Detective Rosa Diaz, a tough and kept to herself coworker; Detective Charles Boyle, Jake's best friend who also has crush on Rosa; Detective Sergeant Terry Jeffords, who was recently taken off the field after the birth of his twin girls; and Gina Linetti, the precinct's sarcastic administrator.

Thirty years after their final confrontation at the 1984 All Valley Karate Tournament, Johnny Lawrence is at rock-bottom as an unemployed handyman haunted by his wasted life. However, when Johnny rescues a bullied kid, Miguel, from bullies, he is inspired to restart the notorious Cobra Kai dojo. However, this revitalization of his life and related misunderstandings find Johnny restarting his old rivalry with Daniel LaRousso, a successful businessman who may be happily married, but is missing an essential balance in life since the death of his mentor, Mr. Miyagi. Meanwhile, even as this antipathy festers, it finds itself reflected in their protegees as Miguel and his comrades are gradually poisoned by Cobra Kai's thuggish philosophy. Meanwhile, while Daniel's daughter, Samantha, finds herself in the middle of this conflict amidst false friends, Johnny's estranged miscreant son, Robby, finds himself inadvertently coming under Daniel's wing and flourishes in ways worthy of Mr. Miyagi.

American television series taking place after the original The Karate Kid films

This is an animated sitcom about the antics of a dysfunctional family. Homer is the oafish unhealthy beer loving father, Marge is the hardworking homemaker wife, Bart is the perpetual ten-year-old underachiever (and proud of it), Lisa is the unappreciated eight-year-old genius, and Maggie is the cute, pacifier loving silent infant.

American animated sitcom created by Matt Groening

Daria Morgendorffer is an intelligent, unpopular, and quite sarcastic teenager tolerating life among the idiots at Lawndale High.

Animated clay figures Johnny Gomez and Nick Diamond host this show, which features a series of no holds barred, to-the-death wrestling matches between animated celebrities. Past matches include Marilyn Manson vs. Charles Manson, The Three Tenors vs. the Three Stooges, Howard Stern vs. Kathy Lee Gifford, and Mary-Kate vs. Ashley. The referee for each match is the unflappable Judge Mills Lane.

Eric Duckman (Jason Alexander) isn't your average suave, sophisticated private eye. In fact, he's rude, ignorant, slovenly, and hasn't had a date in years. With the help of his infinitely more capable sidekick, Cornfed Pig (Gregg Berger), Duckman manages to solve enough cases to cover his alimony payments and cable television bills.

Animated MTV series about two teenage heavy-metal music fans who occasionally do idiotic things because they're bored. For them, everything is "cool" or "sucks."

American adult animated sitcom created by Mike Judge

At an international spy agency, global crises are merely opportunities for its highly-trained employees to confuse, undermine, betray, and royally screw one another. At the center of it all is suave master spy Sterling Archer, whose less-than-masculine code name is "Duchess." Archer works with his domineering mother Malory, who also is his boss. He must also deal with his ex-girlfriend, Agent Lana Kane, and her new boyfriend, comptroller Cyril Figgis, as well as Malory's lovesick secretary Cheryl.

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