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It's been six years since Ripley murdered Dickie Greenleaf and inherited his money. Now, in Ripley Under Ground (1970), he lives in a beautiful French villa, surrounded by a world-class art collection and married to a pharmaceutical heiress. All seems serene in Ripley's world until a phone call from London shatters his peace. An art forgery scheme he set up a few years ago is threatening to unravel: a nosy American is asking questions and Ripley must go to London to put a stop to it. In this second Ripley novel, Patricia Highsmith offers a mesmerizing and disturbing tale in which Ripley will stop at nothing to preserve his tangle of lies.

Maurice is heartbroken over unrequited love, which opened his heart and mind to his own sexual identity. In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.  Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).  Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

Since his debut in 1955, Tom Ripley has evolved into the ultimate bad boy sociopath, influencing countless novelists and filmmakers. In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

Heart of Darkness and Selected Short Fiction, by Joseph Conrad, is part of the Barnes &amp; Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes &amp; Noble Classics: * New introductions commissioned from today's top writers and scholars * Biographies of the authors * Chronologies of contemporary historical, biographical, and cultural events * Footnotes and endnotes * Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work * Comments by other famous authors * Study questions to challenge the reader's viewpoints and expectations * Bibliographies for further reading * Indices &amp; Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes &amp; Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.One of the most haunting stories ever written, Joseph Conrad’s Heart of Darkness follows Marlow, a riverboat captain, on a voyage into the African Congo at the height of European colonialism. Astounded by the brutal depravity he witnesses, Marlow becomes obsessed with meeting Kurtz, a famously idealistic and able man stationed farther along the river. What he finally discovers, however, is a horror beyond imagining. Heart of Darkness is widely regarded as a masterpiece for its vivid study of human nature and the greed and ruthlessness of imperialism. This collection also includes three of Conrad’s finest short stories: “Youth,” the author’s largely autobiographical tale of a young man’s ill-fated sea voyage, in which Marlow makes his first appearance, “The Secret Sharer,” and “Amy Forster.” Features a map of the Congo Free State.A. Michael Matin is a professor in the English Department of Warren Wilson College in Asheville, North Carolina. He has published articles on various twentieth-century British and postcolonial writers.

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

One by one the boys begin to fall…In 1914 a room full of German schoolboys, fresh-faced and idealistic, are goaded by their schoolmaster to troop off to the ‘glorious war’. With the fire and patriotism of youth they sign up. What follows is the moving story of a young ‘unknown soldier’ experiencing the horror and disillusionment of life in the trenches.

We were going out stealing horses. That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July.Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning would turn out to be different. What began as a joy ride on “borrowed” horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys. Set in the easternmost region of Norway, Out Stealing Horses begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.

Stacy Friedman is getting ready for one of the most important events of her young life--her bat mitzvah! All she wants is the perfect BCBG dress to wear, her friends by her side, and her biggest crush ever, Andy Goldfarb, to dance with her (and maybe even make out with her on the dance floor). But Stacy's well-laid plans soon start to fall apart..Her stressed-out mother forces her to buy a hideous sequined dress that makes her look like the bride of Frankenstein. Her mitzvahs are not going well at all. And then the worst thing in the entire world happens--causing Stacy to utter the words that will wreak complete havoc on her social life ...You are SO not invited to my bat mitzvah! 

Moral allegory and spiritual autobiography, The Little Prince is the most translated book in the French language. With a timeless charm it tells the story of a little boy who leaves the safety of his own tiny planet to travel the universe, learning the vagaries of adult behaviour through a series of extraordinary encounters. His personal odyssey culminates in a voyage to Earth and further adventures.

The narrator is a ten year old boy who lives with his grandparents in a Flemish village. His grandmother guards the family dead with fierce determination, arranging and re-arranging their photographs in a special cabinet, talking to them and arguing with them. The cabinet is an extension of heaven, with its own purgatory and hell: their place in his grandmother's favour is marked by their proximity to a statue of the Blessed Virgin. But, one image is always next to the Virgin: Marcel, who died young, far away and for whom there is no grave. How did he die? His laughing eyes, staring out from a face already obliterated by the sun, give nothing away. Only when the boy uncovers letters that hint at a hidden past, does he decide to learn who Marcel was, and why the circumstances of his death remain so painful.

For a Lost Soldier is an artfully told story of love and loss during wartime. The author skillfully creates the mood of uncertainty and lurking danger in the opening pages when eleven year old Jeroen is about to be separated from his family for the first time in his life, due to food shortages in German-occupied Amsterdam. The dangerous journey to Friesland, the homesickness he feels upon his arrival.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found.But these are dangerous times. When Liesel's foster family hides a Jew in their basement, Liesel's world is both opened up, and closed down.In superbly crafted writing that burns with intensity, award-winning author Markus Zusak has given us one of the most enduring stories of our time.

This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind.  Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it ﬁrst appeared in 1890, but though Wilde was attacked for the novel’s corrupting inﬂuence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.--khaledhosseini.com

April, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever."This is a staging that reconsiders a classic with such steely power that it chills brain, blood and bone." - The Times"[A] pitilessly brilliant retelling." - Guardian"This risk-taking adaptation of George Orwell's masterpiece is doubleplusgood." - Telegraph"A theatrical tour de force that has the destructive power of an earthquake." - The Stage"Skilfully brought to life.... This is a very neat theatrical telling of the classic dystopian parable which is more a study of internal tension and tiny acts of defiance as it is a political drama... a work of extraordinary quality and intensity." - IndependentEric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist and journalist, whose most famous works include the novella Animal Farm, and the classic dystopia 1984.Duncan Macmillan is an award-winning writer and director. Plays include: Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Platform (Old Vic Tunnels), Monster (Royal Exchange/Manchester International Festival), The Most Humane Way to Kill A Lobster (Theatre 503), I Wish To Apologise For My Part In The Apocalypse, So Say All of Us and Family Tree (all BBC Radio 4).Robert Icke was artistic director of the Arden Theatre Company in Stockton-on-Tees from 2003–7 and of the Swan Theatre Company in Cambridge from 2005–8, where he was awarded the Susie Gautier-Smith Prize for his contribution to theatre.

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

I hardly know where to begin bashing this book. Do I start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? The imperial measurements (miles, feet) despite the German setting? The German boy, raised in Berlin, who thinks that Der Führer is "The Fury" and Auschwitz is "Out-With," despite being corrected several times and seeing it written down? The other English-language idioms and mis-hearings, despite our being told that he speaks only German? And that he believes that "Heil Hitler!" is a fancy word for hello, because he understands neither "Heil" nor "Hitler"?So maybe these are fussy issues, and I shouldn't trash the book on these minor linguistic flaws. Instead, I can start with the plot holes big enough to drive a truck through: that Bruno, whose father is a high-ranking official in "The Fury"'s regime, doesn't know what a Jew is, or that he's living next door to a concentration camp. Or that the people wearing the "striped pajamas" are being killed, and THAT's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." Or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, AND that nobody would try to get OUT through this hole. Or that Bruno's friend Shmuel, a frail 9-year-old boy, would survive over a year in a Nazi camp. Or even the author's refusal to ever use the word "Auschwitz," in an effort to "make this book about any camp, to add a universality to Bruno's experience."That last is from an interview with the author that appears at the end of the audio version. I can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that Bruno is too innocent, too naive, and they are trivializing the message of this book." Um, no. I'm not trivializing the message; I'm objecting to his trivializing of the Holocaust. I find his treatment of the Holocaust to be superficial, misleading, and even offensive.As an audio recording, I'm pretty neutral. The narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. Other chapters had no music at all. Sometimes the music appeared in the middle of a chapter. Two other incidental notes: first, normally you can't say anything negative about a Holocaust-themed book without being an asshole, because the books are so tied in with the Holocaust itself. In this case, though, I feel like, due to the fictionalizing of it, the book is far enough removed from Auschwitz that it's okay to be negative about the book without being insensitive about the Holocaust. Second, this doesn't land on my "run away! Save yourself!" shelf, because that's more for books that are comically bad--books that I can bash with glee and mock with abandon. I can't find anything funny about what makes this book so bad; it's just plain offensive and shallow.

The Outsiders is about two weeks in the life of a 14-year-old boy. The novel tells the story of Ponyboy Curtis and his struggles with right and wrong in a society in which he believes that he is an outsider. According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser.Librarian note: This record is for one of the three editions published with different covers and with ISBN 0-140-38572-X / 978-0-14-038572-4. The records are for the 1988 cover (this record), the 1995 cover, and the 2008 cover which is also the current in-print cover.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

When his self-reliant mother dies unexpectedly, Atticus flees deep into the forests surrounding his Catskills home. Wandering the woods in shock, relying on what meager food and shelter he comes across, Atticus' grasp on reality begi

The Nature of Nicholas is a surreal fable that follows twelve-year-old Nicholas as he struggles with an intense attraction to his best friend, Bobby. Nicholas is obsessed with his friend Bobby. Bobby's feelings are less clear. At tim

A fatherless boy whose fixation on a mysterious stranger leads him blindly into a tragedy that is to mark him for life.

Follows Stevie, a thirteen-year-old in 1990s-era Los Angeles who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.

A widowed single mother, raising her violent son alone, finds new hope when a mysterious neighbor inserts herself into their household.

Two popular teen boys, best friends since childhood, discover their lives, families, and girlfriends dramatically upended after an unexpected incident occurs on the night of a 17th birthday party.

2018 Canadian film directed by Keith Behrman

Hidden Kisses (French: Baisers cachés) is a 2016 French television film directed by Didier Bivel about the coming out process of two gay teenagers.Teenager Nathan and his single father Stéphane drive cross-town to their new apartment, due to Nathan's transferral to another school mid-term. Nathan's dad is a policeman and does not want a gay son. Their once close relationship grows cold and distant after Stéphane learns Nathan is gay. However, Stéphane later finds a beaten Nathan in his room, crying. Stéphane realizes he was wrong and begins to support his son, and comforts him by repeating, “I’m here.” Nathan is insecure and expresses concern about his openness with his homosexuality. His father encourages him to be himself and not care what people say.

Leo is 22 and sells his body on the street for a bit of cash. The men come and go, and he stays right here - longing for love. He doesn't know what the future will bring. He hits the road. His heart is pounding.

A businessman makes a regular arrangement with a Ukrainian prostitute, despite the youngster's involvement in a controlling street gang.

A grieving man meets his lover's family, who were not aware of their son's sexual orientation.

Tommy, 10 years old, is well known by Social Services. He is considered a danger to society. Gilles, his guardian at this halfway house, sees potential for redemption in this kid driven by violence.

2010 Canadian drama film directed by Daniel Grou

A young boy begins to experience the adult world as he enters adolescence.

A Brooklyn teenager spends his days experimenting with drugs and looking online for older men to meet with.

2017 American drama film directed by Eliza Hittman

A rebellious two-spirit teenager runs away from home to find his birth mother and reclaim his Mi'kmaw heritage.

South Africa, Free State region, isolated stronghold to the Afrikaans white ethnic minority culture. In this conservative farming territory obsessed with strength and masculinity, Janno is different, secretive, emotionally frail. One

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Irish teenager political activist and future writer Brendan Behan is befriended in a British borstal (reformatory) by a liberal warden.

A queer "Oliver Twist" update set in the hustler district of modern-day Toronto.

2003 Canadian drama film directed by Jacob Tierney

Two 13-year-old boys have always been incredibly close but they are drift apart after their relationship is questioned by schoolmates. When tragedy strikes, one is forced to confront why he distanced himself from his closest friend.

A tale of the tender relationship between a twelve-year-old boy and the upperclassman who is the object of his desire. All set in the rigid atmosphere of a Jesuit-run school.

Teenager Callie Jacob is placed in a foster home with a lesbian couple and their blend of biological, adoptive, and foster children.

Explores the early relationship between renowned psychiatrist Hannibal Lecter and a young FBI criminal profiler who is haunted by his ability to empathize with serial killers.

Paper Girls is an American science fiction drama television series created by Stephany Folsom. It is based on the 2015–2019 comic book series of the same name written by Brian K. Vaughan and illustrated by Cliff Chiang. The series premiered on Amazon Prime Video on July 29, 2022. In September 2022, the series was canceled after one season.

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