Elena Rainn

KRKY Y

Kyrsten Iris

Coen Van loo

_ eshago@uw.edu

Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character, Tender Is the Night is lyrical, expansive, and hauntingly evocative.

It's Copenhagen, 1968. Lise, a children's book writer and married mother of three, is becoming increasingly haunted by disembodied faces and taunting voices. Convinced that her housekeeper and husband are plotting against her, she descends into a terrifying world of sickness, pills and institutionalisation. But is sanity in fact a kind of sickness? And might mental illness itself lead to enlightenment?Brief, intense and haunting, Ditlevsen's novel recreates the experience of madness from the inside, with all the vividness of lived experience.

LA DONNA SUL FILOPhilippe Petit a spasso tra le Twin Towers, 7 agosto 1974.Raccolta fin troppo abbondante della produzione di racconti di Anita Desai, scrittrice in sospensione tra Oriente e Occidente sin dal concepimento (la mamma è di Berlino, il padre un bengalese): i 6/7 scritti tra il 1960 e il 1970 erano già stati pubblicati anni addietro dalle Edizioni E/O, e forse si potevano tralasciare.Perché la bellezza, e direi anche qualità, della lettura è viva e forte nei primi racconti, che sono quelli temporalmente più recenti: man mano che ci si inoltra nelle pagine, e si procede a ritroso nel tempo della scrittura, la forza del racconto scema.Come dicevo, il ponte tra le due grandi culture orientale e occidentale è palese e palpitante sia nella biografia di Desai che nella sua scrittura. Nella prima direzione aggiungerei per esempio il fatto che Desai divide l’anno con lunghi soggiorni in India e altrettanto lunghi in US, perché i suoi quattro figli vivono due da una parte e due dall’altra.Quando è in Occidente, risiede nei sobborghi di New York. Ma ha preso l’abitudine di affittare una casa in Messico per andare a scrivere: e qui si sente più a casa che nella Grande Mela, perché il Messico ha storia più antica, e perché è più facilmente scambiata per una locale.E quindi, è facile aspettarsi storie che sono a cavallo di popoli, geografie, culture, vicende d’immigrazione, spostamenti, spaesamento.Epperò, pur puntando l’occhio su storie diversissime, Salman Rushdie ha scritto:Quando penso ad Anita Desai, ne vedo distintamente la figura che si staglia, alla pari, accanto a Jane Austen, quell'altra grande scrittrice indiana.Come si conviene alla grande arte del racconto, Desai illumina il quotidiano, l’ordinario, isola un momento e ne mostra luce e ombra, descrive realtà che sembrano diverse, anche molto diverse, e a tratti invece diventano vicine, simili.Senza mai affrettare conclusioni, esprimere giudizi, men che meno condanne, senza enfatizzare conflitti e contrasti, puntando a riprodurre la complessità, sia orientale che occidentale, rispettosa delle diversità.Etnie e culture, giovani e vecchi, ricchi e poveri, uomini e donne, passato e presente, tradizione e novità.IstanbulNei racconti più recenti, però, Desai sembra cercare storie che sia più universali, che possano succedere un po’ ovunque, a prescindere dal background. Vedi quello intitolato “Il pianerottolo”, del 2007, dove forze sovrannaturali, forse fantasmi, sono percepite dalla nuova acquirente della casa, una donna: qui India o America non contano, la paura è insita in tutti, senza tenere conto del meridiano o del parallelo.Un altro racconto che mi è rimasto impresso è “Paesaggio invernale”, del 2000. Un giovane indiano che ha sposato una canadese e si è trasferito a vivere a Toronto riceve la visita della mamma e della zia, sorella della mamma, che lo ha praticamente allevato come se fosse lei la mamma – la giovane moglie canadese è piuttosto sconvolta da questo insolito triangolo affettivo – le due donne d’India a loro volta sono alle prese con un’altra novità, un inverno nordico, la loro prima nevicata…Nella produzione meno recente, invece, il confronto tra la patria di nascita e quella di adozione, tra tradizione e modernità è più marcato, e tra questi io ho colto meno bellezza, più deja vu (deja lu?).In tutti, e questo è probabilmente l’aspetto che mi affascina di più, percepisco l’impressione che saranno le donne a cambiare il mondo. Desai mi pare ne sia convinta. E di questo la ringrazio.

From the twice Orange Prize longlisted author of BITTER SWEETS and THE FLYING MAN. Perfect for any reader of Booker Prize 2013 shortlisted Jhumpa Lahiri and Khamila Shamsie.Leaving home is one thing. Surviving is another.1940s Lahore, the Punjab. Two brothers and their two younger sisters are brought up to be 'good children', who do what they're told. Beaten and browbeaten by their manipulative mother, to study, honour and obey. Sully, damaged and brilliant, Jakie, irreverent and passionate. Cynical Mae and soft-hearted Lana, outshone and too easily dismissed.The boys escape their repressive home to study medicine abroad, abandoning their sisters to their mother and marriages. Sully falls in love with an unsuitable Indian girl in the States; Jakie with an unsuitable white man in London. Their sisters in Pakistan refuse to remain trophy wives, and disgrace the family while they strike out to build their own lives.As they raise their own families, and return to bury the dead, Sully and Jakie, Mae and Lana, face the consequences of their decisions, and learn that leaving home doesn't mean it will ever leave them.THE GOOD CHILDREN is a compelling story of discipline and disobedience, punishment and the pursuit of passion, following the children of a game-changing generation and the ties that bind them across cultures, continents and decades. Painful and sweet, tough and surprising, it is a landmark epic of the South Asian immigrant experience.

When Adela Quested and her elderly companion Mrs Moore arrive in the Indian town of Chandrapore, they quickly feel trapped by its insular and prejudiced 'Anglo-Indian' community. Determined to escape the parochial English enclave and explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz, a cultivated Indian Muslim. But a mysterious incident occurs while they are exploring the Marabar caves with Aziz, and the well-respected doctor soon finds himself at the centre of a scandal that rouses violent passions among both the British and their Indian subjects. A masterful portrait of a society in the grip of imperialism, A Passage to India compellingly depicts the fate of individuals caught between the great political and cultural conflicts of the modern world. In his introduction, Pankaj Mishra outlines Forster's complex engagement with Indian society and culture. This edition reproduces the Abinger text and notes, and also includes four of Forster's essays on India, a chronology and further reading.

Cat's Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, and artist, and woman—but above all she must seek release from her haunting memories. Disturbing, hilarious, and compassionate, Cat's Eye is a breathtaking novel of a woman grappling with the tangled knots of her life.

The year is 1969. In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family--their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.The God of Small Things takes on the Big Themes--Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic. --front flap

The beloved American classic about a young girl's coming-of-age at the turn of the century, Betty Smith's A Tree Grows in Brooklyn is a poignant and moving tale filled with compassion and cruelty, laughter and heartache, crowded with life and people and incident. The story of young, sensitive, and idealistic Francie Nolan and her bittersweet formative years in the slums of Williamsburg has enchanted and inspired millions of readers for more than sixty years. By turns overwhelming, sublime, heartbreaking, and uplifting, the daily experiences of the unforgettable Nolans are raw with honesty and tenderly threaded with family connectedness -- in a work of literary art that brilliantly captures a unique time and place as well as incredibly rich moments of universal experience.

In his highly acclaimed debut, A Pale View of Hills, Kazuo Ishiguro tells the story of Etsuko, a Japanese woman now living alone in England, dwelling on the recent suicide of her daughter. Retreating into the past, she finds herself reliving one particular hot summer in Nagasaki, when she and her friends struggled to rebuild their lives after the war. But then as she recalls her strange friendship with Sachiko - a wealthy woman reduced to vagrancy - the memories take on a disturbing cast.

In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel. A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of Mrs Dalloway. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.The Hours recasts the classic story of Woolf's Mrs Dalloway in a startling new light. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the worlds of three unforgettable women.

Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. Her new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement by Nobel Prize laureate Toni Morrison.

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. As Williams's first popular success, it launched the brilliant, if somewhat controversial, career, of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, Menagaerie has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by the editor of The Tennessee Williams Annual Review, Robert Bray, reappraises the play more than half a century after it won the New York Drama Critics Circle Award. This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." (back cover)

First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise, I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead...

This is an alternate cover ed. for ISBN 0679732241.The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys’s return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction’s most fascinating characters: the madwoman in the attic from Charlotte Brontë’s Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind.A new introduction by the award-winning Edwidge Danticat, author most recently of Claire of the Sea Light, expresses the enduring importance of this work. Drawing on her own Caribbean background, she illuminates the setting’s impact on Rhys and her astonishing work.

When first published in 1899, The Awakening shocked readers with its honest treatment of female marital infidelity. Audiences accustomed to the pieties of late Victorian romantic fiction were taken aback by Chopin's daring portrayal of a woman trapped in a stifling marriage, who seeks and finds passionate physical love outside the confines of her domestic situation.Aside from its unusually frank treatment of a then-controversial subject, the novel is widely admired today for its literary qualities. Edmund Wilson characterized it as a work "quite uninhibited and beautifully written, which anticipates D. H. Lawrence in its treatment of infidelity." Although the theme of marital infidelity no longer shocks, few novels have plumbed the psychology of a woman involved in an illicit relationship with the perception, artistry, and honesty that Kate Chopin brought to The Awakening.

In 1930s Italy, a carefree Jewish waiter named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.

On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations in Benjamin's diary are difficult for Caroline to read, especially as it relates to the time past this reconnection between Benjamin and Daisy, when Daisy gets older and Benjamin grows younger into his childhood years.

84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

After his death sometime in his 43rd year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Jane Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Jane also hates both her parents; the three suffer individually in silence in their home life. Jane tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change for Lester when he falls in love at first sight with Jane's more experienced classmate, Angela Hayes. Both Janie and Angela can see Lester's sexual infatuation with Angela, who courts such attention from any man as a sign that she is model material, she having once appeared in Seventeen and is a career to which she aspires. Lester's infatuation with Angela gives him a reenergized view on life, where he openly doesn't care anymore what anyone thinks about what he does, anyone except Angela. This infatuation coincides with the Fittses moving in next door: homophobic disciplinarian US Marine Colonel Frank Fitts who rules the house with a military fist (that fist being both figurative and literal), his semi-comatose wife Barbara Fitts, and their bright and quietly subversive 18-year-old son Ricky Fitts, who openly abides by his father's rules while behind the scenes lives by his own quite different perspective. Much like Lester's infatuation, Ricky immediately becomes infatuated with Jane; he considers girls like Angela as ordinary. The entry of Angela and the Fittses into the Burnhams' lives ultimately leads to each of the players confronting what is truly in his or her heart.

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

After the death of Jean Cadoret, his wife has returned to the life of opera singer and his daughter Manon has grown up and become a gorgeous lonely shepherdess. Ugolin is now a thirty year-old wealthy bachelor planting carnations. His grandfather Cesar Soubeyran presses him to get married to carry the name of their family since he is the last man alive. When Ugolin sees Manon on the fields, he falls in love with her. One day, Manon plots revenge against Ugolin and Cesar and the whole town is in despair.

1986 French language film directed by Claude Berri

England, 1959. Free-spirited widow Florence Green (Emily Mortimer) risks everything to open a bookshop in a conservative East Anglian coastal town. While bringing about a surprising cultural awakening through works by Ray Bradbury and Vladimir Nabokov, she earns the polite but ruthless opposition of a local grand dame (Patricia Clarkson) and the support and affection of a reclusive book loving widower (Bill Nighy). As Florence's obstacles amass and bear suspicious signs of a local power struggle, she is forced to ask: is there a place for a bookshop in a town that may not want one? Based on Penelope Fitzgerald's acclaimed novel and directed by Isabel Coixet (Learning to Drive), The Bookshop is an elegant yet incisive rendering of personal resolve, tested in the battle for the soul of a community.

In 1814, Regency-era London, Mary Wollstonecraft-Godwin is a 16 years old aspiring writer who works in the bookshop of her renowned father writer William Godwin, married in second terms after the passing of his first wife, philosopher Mary Wollstonecraft, with the too married by second time Mary Jane Clairmont, where Mary Jane's daughter of her first marriage Claire turns in a close and lovely stepsister for Mary. When Mary and Claire travel at the house of one of William's friends in Scotland, Mary meets the 21 years old poet Percy Bysshe Shelley, rising instantly a love interest between them. Returning to London little time later, Mary unexpectedly meets Percy again when he appears at her house in order to ask William to take him on as an apprentice. Fascinated by Percy, Mary begins a bohemian and torrid relationship with him despite the opposition of her father and her stepmother, especially after they discover that Percy is married with a little daughter whom he supports but he loves no longer. Determined to be free and live on her own terms, Mary flees with Percy to live together accompanied by Claire, who wants to get far from her abusive mother. Their initial happiness turns to tragedy due to the debts and poverty, in addition to the terrible loss of Mary and Percy's daughter, who dies only a few months after to born. Broken by suffering and pain, as well as a season living with the rich, eccentric and hedonist Lord Byron and doctor John Polidori, Mary turns into a shadowy being, becoming more and more obsessed with the idea of resurrecting the dead, while Claire lives a stormy and painful romance with the own Byron. All these events will lead Mary, motivated by a Lord Byron's bet about who can write the scariest horror novel, to find her own voice and exorcise her innermost demons by writing "Frankenstein; or The Modern Prometheus". But when prejudices of these times cause the novel to be attributed to Percy Shelley, it forces Mary to fight by claiming the novel as her own to prove that a woman can be the writer as she is.

Walt Kowalski (Clint Eastwood) is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao Lor (Bee Vang), a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood.

THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate secret affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn," and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life--this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another.

In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945,"

In this classic Agatha Christie detective story, former diplomat Charles Hayward has returned from Cairo to London to become a private detective. When Aristide Leonides, a wealthy and ruthless tycoon, is poisoned in his own bed, Detective Hayward is invited to solve the crime. As the investigation deepens he must confront the shocking realization that one of the key suspects is Aristede's beautiful granddaughter, his employer and former lover; and must keep a clear head to navigate the sultry Sophia and the rest of her hostile family.

2017 film directed by Gilles Paquet-Brenner

A widow discovers after her husband's suicide that he has mortgaged everything they own and the banks are ready to foreclose. Faced with impending doom and little working knowledge except her ability to grow plants, she struggles to save her home. Enter her gardener, who is struggling to make a few marijuana plants grow in a hidden location and suggests that she use her green house to help grow the plants and sell them to make the money both need. He is wanting to get married, but needs capital. What he doesn't know is that his girl friend is pregnant and thus fears that they will be busted for growing marijuana. While supposedly working, the whole village is well aware of the endeavor and is hoping for their success. When the plants come in, Grace takes the crop to London and tries to sell it to a ruthless, but charming drug dealer. Everything busts loose from there.

Walter Goodfellow (Rowan Atkinson), the vicar for the small English country parish of Little Wallop, has let his marriage to Gloria (Kristin Scott Thomas) go stale, and he is so detached from his family that he has not taken notice that his seventeen-year-old daughter Holly (Tamsin Egerton) is going through a succession of relationships with unsuitable boyfriends, and his son Petey (Toby Parkes) fears going to school, owing to being bullied. Out of desperation for affection, Gloria begins to fall for the advances of Lance (Patrick Swayze), an American golf pro who is giving her "private" lessons. The problems upsetting the family start to fade away after Grace Hawkins (Dame Maggie Smith), the new housekeeper, arrives and starts tending to matters as an older, and rather darkly mysterious version of Mary Poppins (1964).

A woman sets out to reclaim her life in this stirring, emotionally rich look at what it means to start over. Tara (Arterton), a housewife and mother in suburban London, is living a life that is no longer hers: it belongs to her loving but overworked and self-absorbed husband (Cooper), her young son and daughter and the numbing routine of housework and childcare. In desperate need of a change, Tara one day makes a bold decision. Armed with a one-way ticket to Paris, she leaves everything behind to rediscover herself in a new city - but walking out on your life isn't so simple.

In a remote area of Northern Kenya, activist Tessa Quayle is found brutally murdered. Tessa's companion, a doctor, appears to have fled the scene, and the evidence points to a crime of passion. Members of the British High Commission in Nairobi assume that Tessa's widower, their mild-mannered and unambitious colleague Justin Quayle, will leave the matter to them. They could not be more wrong. Haunted by remorse and jarred by rumors of his late wife's infidelities, Quayle surprises everyone by embarking on a personal odyssey that will take him across three continents. Using his privileged access to diplomatic secrets, he will risk his own life, stopping at nothing to uncover and expose the truth - a conspiracy more far-reaching and deadly than Quayle could ever have imagined.

It's the early 1920s. Britons Adela Quested (Judy Davis) and her probable future mother-in-law Mrs. Moore (Peggy Ashcroft) have just arrived in Chandrapore in British India to visit Adela's unofficial betrothed, Ronny Heaslop (Nigel Havers), who works there as the city's magistrate. Adela and Mrs. Moore, who long for "an adventure" in experiencing all India has to offer, are dismayed to learn upon their arrival that the ruling British do not socialize, let alone associate, with the native population. Such people as the Turtons, Mr. Turton (Richard Wilson) being Ronny's superior, who openly thumb their noses at the idea in their belief that the Indians are an inferior people. They are further dismayed to see that Ronny adheres to that custom in not wanting to jeopardize his career. At the local white only club, Adela and Mrs. Moore find a like-minded Brit in the form of Richard Fielding (James Fox), the school master at government college, he who offers to organize a small, but truly inclusive, social gathering with some natives for them, unlike the large party the Turtons organize, where the natives are treated poorly, and are used more as window dressing for Adela and Mrs. Moore's benefit. In addition to Fielding's colleague, eccentric Brahmin scholar Professor Narayan Godbole (Sir Alec Guinness), Adela, and Mrs. Moore would like to invite Aziz Ahmed (Victor Banerjee), a young, widowed local physician with whom Mrs. Moore had a chance encounter. As Mrs. Moore is the first Brit who has ever treated him with kindness as she did at that encounter, Aziz is happy to attend. As Aziz wants to impress them by being what he thinks they want him to be, which is more western, he offers to organize an outing for this small collective to the Marabar Caves, which has some renown. The outing is despite Aziz never having been to the caves himself, and despite the expense to himself, that sum of money which he really can ill afford. Something that happens at the caves has the potential to bring the British-Indian bridge that has been forged within this small collective come crumbling down, that something which also threatens Aziz and Adela's lives in the process.

In early twentieth century Montana, Colonel William Ludlow (Sir Anthony Hopkins) lives in the wilderness with his sons, Tristan (Brad Pitt), Alfred (Aidan Quinn), and Samuel (Henry Thomas). Eventually, the unconventional, but close-knit, family encounters tragedy when Samuel is killed in World War I. Tristan and Alfred survive their tours of duty, but, soon after they return home, both men fall for Samuel's gorgeous fiancée, Susannah (Julia Ormond), and their intense rivalry begins to destroy the family.

A burned out businessman finds peace in an unexpected place.

Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs "Two-socks" and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man's ways.

A former lawyer attends a community college when it is discovered he faked his Bachelor's degree. In an attempt to get with a student in his Spanish class, he forms a Spanish study group. To his surprise, more people attend the study group and the group of misfits form an unlikely community.

American comedy television series created by Dan Harmon

Lord Robert Crawley, Earl of Grantham (Hugh Bonneville) sees his family heritage, especially the grand country home Downton Abbey, as his mission in life. The death of his heir aboard R.M.S. Titanic means distant cousin Matthew Crawley (Dan Stevens), a Manchester lawyer, suddenly is next in line and accepts moving onto the vast estate with his even more modernist, socially engaged mother, who clashes with his Lordship's domineering, conservative mother, the dowager countess. Marrying off the daughters is another concern. Meanwhile, the butler presides over a staff which serves the family, but also lead most of their entire lives in the servants' quarters, intriguing amongst themselves.

British historical drama television series

The numerous adventures of a friendly staff at a country veterinarian practice in 1930s to 1940s Yorkshire.

Follows Tony, whose life is turned upside down after his wife dies from breast cancer. He contemplates suicide, but instead decides to live long enough to punish the world for his wife's death by saying and doing whatever he wants. Although he thinks of this as his "superpower," his plan is undermined when everyone around him tries to make him a better person.

British dark comedy web television series

A Christmas reunion becomes a gateway to the past in this three-part series that explores the intimate complexities of one family's history.

In 19th-century Canada, a psychiatrist weighs whether a murderess should be pardoned due to insanity.

The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.

Rebecca Pearson once had a difficult pregnancy with triplets. The resulting births occurred on the same day as her husband Jack Pearson's thirty-sixth birthday. The lives of Rebecca, Jack and their three offspring - Kevin, Kate and Randall - are presented at different points in time. The Rebecca and Jack stories generally take place during the early stage of their marriage, surrounding the birth of the three children or at different phases of the children's upbringing, which was not always smooth sailing for any of the five. Separate stories concerning Kevin, Kate and Randall are also presented in their adult years, each who has his or her own baggage resulting from that upbringing: Kevin who was generally the neglected one because he had no outward issues; Kate who has always had weight issues; Randall, the gifted one, being the visible outsider and being the "non-K" child. These stories may demonstrate the emotional ties that exist not only because of being family, but also because of four of them having the same birthday and some of them having always been together, meaning since conception.

A dry-witted woman, known only as Fleabag, has no filter as she navigates life and love in London while trying to cope with tragedy. The angry, grief-riddled woman tries to heal while rejecting anyone who tries to help her, but Fleabag continues to keep up her bravado through it all. Comic actress Phoebe Waller-Bridge stars as the titular character on the series, which is based on Waller-Bridge's 2013 one-woman show of the same name.

Andy Barber has been an assistant district attorney in his suburban Massachusetts county for more than twenty years. He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student. Every parental instinct Andy has rallies to protect his boy. Jacob insists that he is innocent, and Andy believes him. Andy must. He's his father. But as damning facts and shocking revelations surface, as a marriage threatens to crumble and the trial intensifies, as the crisis reveals how little a father knows about his son, Andy will face a trial of his own - between loyalty and justice, between truth and allegation, between a past he's tried to bury and a future he cannot conceive.

When Madeline and Celeste take new-in-town single mom Jane under their wing, none of them realize how the arrival of Jane and her inscrutable little boy will affect them all. Big Little Lies is a brilliant take on ex-husbands and second wives, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive.

The adventures of a young orphan girl living in the late 19th century. Follow Anne as she learns to navigate her new life on Prince Edward Island, in this new take on L.M. Montgomery's classic novels.

The story of young teenagers and pupils on Hartvig Nissens upper secondary school in Oslo, and their troubles, scandals and everyday life. Each season is told from a different person's point of view.

When high school Spanish teacher Will Schuester (Matthew Morrison) becomes the director of the school's failing Glee club, New Directions, he hopes to be able to rejuvenate it. The club competes in the choir competition circuit. It's been called "a High School Musical for adults", the series follows the club and its mixture of oddball members as they try and restore it to its former glory. It is a musical comedy in which the eager and ambitious students not only compete to win the Nationals, but also have to deal with the tough and cruel realities of their school, McKinley High. At the same time, Will is trying to rejuvenate his failing love life while preventing the school's cheer leading coach Sue Sylvester (Jane Lynch) from sabotaging the choir.

American musical comedy-drama television series

He's smart, he's good looking, and he's got a great sense of humor. He's Dexter Morgan, everyone's favorite serial killer. As a Miami forensics expert, he spends his days solving crimes, and nights committing them. But Dexter lives by a strict code of honor that is both his saving grace and lifelong burden. Torn between his deadly compulsion and his desire for true happiness, Dexter is a man in profound conflict with the world and himself. Golden Globe winner Michael C. Hall stars in the hit SHOWTIME Original Series.

Cha Eun Ho is a successful and handsome writer who is also the youngest chief editor at a publishing company. He has a calm demeanor and remains reasonable at work. He then becomes involved in the life of his childhood friend, Kang Dan Yi who was once a popular copywriter. She is now divorced, a single mother, unemployed and struggling in life though still attempts to find a job, but even with her once good career, she cannot. However, in a desperate attempt to find a job, she lies about her background and begins to work as a temporary worker in the same building under none other than Cha Eun Ho. As they become involved in each other's life more than often, a love story begins to unfold.

5 college students, from different walks of life end up living together in a fictional house share called Belle Epoque

A young, smart and wise woman named Betty Suarez goes on a journey to find her inner beauty. The only problem is that it's hard for a slightly less attractive woman to find her beauty surrounded by tall skinny models at a fashion magazine but Betty doesn't let this stop her or her positive attitude towards her work.

A lawyer is forced to take care of one of New York City's wealthiest families.

Twelve year old Tui Mitcham, daughter of the local drug lord, is pulled from the freezing waters of a South Island lake in New Zealand. She is discovered to be pregnant and won't say who the father is. Then she disappears. Robin Griffin is a gutsy but inexperienced detective called in to investigate. But as Robin becomes more and more obsessed with the search for Tui, she slowly begins to realise that finding the girl is tantamount to finding herself - a self she has kept well-hidden.

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Emma Woodhouse is a congenial young lady who delights in meddling in other people's affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightly.

A family tree with Zeek (Craig T. Nelson) and Camille Braverman (Bonnie Bedelia) serving as the patriarch and matriarch. After forty-six years of marriage, they've managed to keep their foundation intact by burying their problems underneath the surface for the sake of their now-adult children. Adam (Peter Krause) is the first-born and the ripest apple the tree has to offer. He runs a shoe company, has a supportive wife, two children (boy and girl) and a beautiful home to share with them. He's a dog short of "The American Dream". Sarah (Lauren Graham), is the unstable daughter returning home at thirty-eight years of age with her rebellious daughter and sensitive son to live with Zeek and Camille. Crosby (Dax Shepard), is a happy-go-lucky bachelor living in the now, on a docked boat. He has no idea that his frivolous life is about to change tremendously. Then there is Julia (Erika Christensen). She is the bread-winning shot-calling lawyer, whose husband mans the stay-at-home-dad duties. Each family will face their own challenges, but how they propose to deal with them is what will keep them together or tear them apart.

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