Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

This edition of The Yellow Wallpaper features historical materials which include nineteenth-century advice manuals for young women and mothers; medical texts discussing the nature of women's sexuality; social reform literature concerning women's rights, the working classes, and immigration; and excerpts from periodicals, diaries, and writers' notebooks that help give you a sense of the changing literary scene that Gilman entered.

Au village des Bastides Blanches, on hait ceux de Crespin. C'est pourquoi lorsque Jean Cadoret, le Bossu, s'installe à la ferme, des Romarins, on ne. lui parle pas de la source cachée. Ce qui facilite les manoeuvres des Soubeyran, le Papet et son neveu Ugolin., qui veulent. lui racheter son domaine à bas prix...Jean de Florette (1962), premier volume clé L'Eau des collines, marque, trente, ans après Pirouettes, le retour de Pagnol au roman. C'est l'épopée de l'eau nourricière sans laquelle rien n'est possible.Marcel Pagnol y développe l'histoire du père de Manon, évoquée sous forme de flash-back dans le film Manon des sources (1952). Les dialogues sont savoureux, et la prose aussi limpide que dans les Souvenirs d'enfance. Quant, au Papet et à Ugolin, à la fois drôles et terrifiants, ils sont parmi les créations les plus complexes de Pagnol.« Tu comprends, s'ils avaient bu l'eau de la citerne, c'est sûr qu'ils seraient morts tous les trois, et moi ça m'aurait embêté. D'avoir bouché la source, c'est pas criminel : c'est pour les oeillets. Mais si, à cause de ça, il y avait des morts, eh bien peut-être qu'après nous n'en parlerions pas, mais nous y penserions. »

Après la mort du Bossu et la vente des Romarins, Manon et sa mère s'installent dans la grotte de Baptistine. Quelques années plus tard, Manon trouve l'occasion de se venger...Pagnol s'est souvent adapté lui-même, passant aisément du théâtre au cinéma. Ici, il fait le chemin inverse, et adapte un film en roman : Manon des sources (1963), deuxième partie de L'Eau des collines, est la " mise en roman " du film éponyme, tourné dix ans plus tôt. On en retrouve tous les personnages, et on est émerveillé de voir que les dialogues, qui sont souvent, mot à mot, les mêmes, " s'entendent " aussi bien sur la page que sur l'écran. Manon des sources sera une sorte de testament : Pagnol ne réalisera jamais Jean de Florette et n'écrira plus de fiction. " Le murmure était plus fort, c'était une chanson tintante et cristalline... Elle s'arrêta, éleva la petite flamme au-dessus de sa tête, et vit sur le sol danser une étoile : comme elle se penchait, un visage monta vers elle, et c'était le sien. "

 The gripping international bestseller about motherhood gone awry.Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails. 

Clicca qui per l'edizione "Storie senza tempo".Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

Winner of the Whitbread Award for best novel and a finalist for the Man Booker Prize, The Accidental is the virtuoso new novel by the singularly gifted Ali Smith. Jonathan Safran Foer has called her writing “thrilling.” Jeanette Winterson has praised her for her “style, ideas, and punch.” Here, in a novel at once profound, playful, and exhilaratingly inventive, she transfixes us with a portrait of a family unraveled by a mysterious visitor.Amber—thirtysomething and barefoot—shows up at the door of the Norfolk cottage that the Smarts are renting for the summer. She talks her way in. She tells nothing but lies. She stays for dinner.Eve Smart, the author of a best-selling series of biographical reconstructions, thinks Amber is a student with whom her husband, Michael, is sleeping. Michael, an English professor, knows only that her car broke down. Daughter Astrid, age twelve, thinks she’s her mother’s friend. Son Magnus, age seventeen, thinks she’s an angel.As Amber insinuates herself into the family, the questions of who she is and how she’s come to be there drop away. Instead, dazzled by her seeming exoticism, the Smarts begin to examine the accidents of their lives through the searing lens of Amber’s perceptions. When Eve finally banishes her from the cottage, Amber disappears from their sight, but not—they discover when they return home to London—from their profoundly altered lives.Fearlessly intelligent and written with an irresistible blend of lyricism and whimsy, The Accidental is a tour de force of literary improvisation that explores the nature of truth, the role of chance, and the transformative power of storytelling.

CONTAINS SPOILERS The main character comes across at first as a special ed kid, but as the story evolves we see that he is truly mentally disturbed. He’s an older teenager who is cast aside by his family. He has no father and his mother and older sister are good buddies, laughing, smoking, eating together, while he fends for himself on leftovers in his room. So he wanders the town stealing petty things and small amounts of money, getting into trouble and doing odd jobs for people. He’s the type who tells corny puns, repeats them and then says “do you get it” and still explains it to you. A minster with infinite patience tries to help steer the young boy straight.The boy hatches a plan to present a bizarre play in a local talent show. It’s a parody of a famous murderer who killed women in their baths --- just what you want at church-sponsored event in a small town. But with age he has become vicious; basically blackmailing people to get the props he needs for his play. He gets his blackmail material from what he has seen peering and listening through windows and spying around town. He knows why a son has ruined his parents by running off, never to come home again; he knows that the retired military commander has his eyes on the cub scouts at the beach; he knows which women regularly meet the local Lothario in the public restroom. (Thus the origin of the expression “Get a room!” although we know that unmarried people could not do that in those days in a small Irish town.) Two other main characters are a young girl and boy whose parents just married after the death of the man’s wife. The malicious kid concocts a story with just enough bits of truth that has them believing that the man, now their father, murdered his first wife. It’s a good read. Like other Trevor stories, it’s about lonely, listless people trapped in a stifling small town in Ireland a generation or more ago. My thanks to Nancy Oakes for recommending this book to me. photo from inroadsireland.com 

Read the Longman Simplified English version.This book is important because it's a window into the lifestyles of people living in the 18th century. I have to admit the dullness of the interactions mixed with the third person omniscient style (which lacks emotions) did not give me a good first impression of the novel. Yet, due to curiosity as to why this is a classic I decided to keep going. As far as petty drama goes I was pleasantly surprised upon reaching 3/4 of the book. (view spoiler)[When the youngest sister Lydia ran off with the sleazy Mr. Wickham the plot took an interesting turn which significantly changed my opinion. The title of the book is also very fitting. Pride = Mr. Darcy Prejudice = Elizabeth The story about two unlikely people that fall for each other while overcoming their flaws.  (hide spoiler)]

Patrick Bateman is twenty-six and he works on Wall Street, he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

Since his debut in 1955, Tom Ripley has evolved into the ultimate bad boy sociopath, influencing countless novelists and filmmakers. In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany.When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

Barcelona, 1945: A city slowly heals from its war wounds, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax's books in existence. Soon Daniel's seemingly innocent quest opens a door into one of Barcelona's darkest secrets--an epic story of murder, madness, and doomed love.--back cover

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it ﬁrst appeared in 1890, but though Wilde was attacked for the novel’s corrupting inﬂuence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

Scottish-born American naturalist and author (1838-1914)

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

Librarian's note: See alternate cover edition of ISBN 0571225381 here.In the summer of 1956, Stevens, a long-serving butler at Darlington Hall, decides to take a motoring trip through the West Country. The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

George Orwell's timeless and timely allegorical novel—a scathing satire on a downtrodden society’s blind march towards totalitarianism.“All animals are equal, but some animals are more equal than others.”A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.  When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

Fabien and Sylvie both knew their marriage wasn't working. But when Sylvie is involved in a fatal car accident, Fabien is stunned to discover she had a lover who died with her. Harbouring thoughts of revenge, he tracks down the lover's widow, Martine, and begins stalking her. Fabien is desperate to get Martine on her own. But that won't happen until he deals with her protective best friend, Madeleine...

Three students and a school teacher disappear on an excursion to Hanging Rock, in Victoria, on Valentine's Day, 1900. The movie follows those that disappeared, and those that stayed behind, but it delights in the asking of questions, not the answering of them. Even though both the movie and the book it was based on claim to be inspired by real events, the story is completely fictional.

In a remote 19th-century Danish village, two sisters lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one could have married a young army officer and the other, a French opera singer. Their father objected in each case, and they spent their lives caring for him. Many years later - their father is now deceased - they take in French refugee, Babette Hersant, who agrees to work as their servant. After winning the lottery, Babette wants to repay the sisters for their kindness and offers to cook a French meal for them and their friends on the 100th anniversary of their father's birth. It proves to be an eye-opening experience for everyone.

After the death of Jean Cadoret, his wife has returned to the life of opera singer and his daughter Manon has grown up and become a gorgeous lonely shepherdess. Ugolin is now a thirty year-old wealthy bachelor planting carnations. His grandfather Cesar Soubeyran presses him to get married to carry the name of their family since he is the last man alive. When Ugolin sees Manon on the fields, he falls in love with her. One day, Manon plots revenge against Ugolin and Cesar and the whole town is in despair.

1986 French language film directed by Claude Berri

In a rural French village an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, so are dismayed to hear the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts they think only of getting the water.

An American of German descent arrives in post-war Germany 1945. His uncle gets him a job on the Zentropa train line as a sleeping car conductor. The American's wish is to be neutral to the ongoing purges of loyalists by the Allied forces and do what he can to help a hurting country, but he finds himself being used by both the Americans and the influential family that owns the railroad. After falling in love with the railroad magnate's daughter, he finds that he can't remain neutral and must make some difficult choices.

In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.

John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.

During the 1973 Thanksgiving weekend, the Hoods are - relationship-wise, skidding out-of-control, isolated from each other; Benjamin reels from drink-to-drink, His wife, Elena's losing patience with Ben's incessant lies. Home for the holidays, their son, Paul, heads into Manhattan, in search of a rich girl from his prep school. Wendy, the teenage daughter, roams the neighborhood, exploring the liquor and lingerie of her friends' parents, looking for something - anything - new. Then, an ice storm hits, and their problems seem inconsequential, and nothing will ever be the same.

Gloria is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. While recovering from a suicide attempt, she gets the idea from a movie magazine to head for Hollywood to make it as an actress. Robert is a desperate Hollywood citizen trying to become a director, never doubting he'll make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the 1930's. The grueling dancing takes its toll on Gloria's already weakened spirit, and she tells Robert that she'd be better off dead, that her life is hopeless - all the while acting cruelly and bitterly, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don't they?

Texas greenhorn Joe Buck arrives in New York City for the first time. Preening himself as a real "hustler", he finds that he is the one getting "hustled" until he teams up with down-and-out but resilient outcast Ratso Rizzo. The initial "country cousin meets city cousin" relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend.

Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake's mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world. An exploration of regret, longing and the fragility of the human spirit, I'M THINKING OF ENDING THINGS is directed and written by Academy Award® winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Inspired by Iain Reid's bestselling namesake novel.

In 1986, In Brooklyn, New York, the dysfunctional family of pseudo intellectuals composed by the university professor Bernard and the prominent writer Joan split. Bernard is a selfish, cheap and jealous decadent writer that rationalizes every attitude in his family and life and does not accept "philistines" - people that do not read books or watch movies, while the unfaithful Joan is growing as a writer and has no problems with "philistines". Their sons, the teenager Walt and the boy Frank, feel the separation and take side: Walt stays with Bernard, and Frank with Joan, and both are affected with abnormal behaviors. Frank drinks booze and smears with sperm the books in the library and a locker in the dress room of his school. The messed-up and insecure Walt uses Roger Water's song "Hey You" in a festival as if it was of his own, and breaks up with his girlfriend Sophie. Meanwhile Joan has an affair with Frank's tennis teacher Ivan and Bernard with his student Lili.

Puppeteer Craig Schwartz and animal lover and pet store clerk Lotte Schwartz are just going through the motions of their marriage. Despite not being able to earn a living solely through puppeteering, Craig loves his profession as it allows him to inhabit the skin of others. He begins to take the ability to inhabit the skin of others to the next level when he is forced to take a job as a file clerk for the off-kilter LesterCorp, located on the five-foot tall 7½ floor of a Manhattan office building. Behind one of the filing cabinets in his work area, Craig finds a hidden door which he learns is a portal into the mind of

Larry and Carol are fairly normal New Yorkers who have sent their son off to college. They meet an elderly couple down the hall and later in the week find that the wife has suddenly died. Carol becomes suspicious of Paul who seems to be too cheerful and too ready to move on. She begins her investigation. Larry insists she is becoming too fixated on their neighbor as all of the irregularities seem to have simple non-homicidal explanations. Ted, a recently divorced friend helps her investigation and Larry begins to become jealous of their relationship and agrees to help her.

A shy lady's companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter (Sir Laurence Olivier). She and Max fall in love, marry, and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter (Joan Fontaine) clashes with the housekeeper, Mrs. Danvers (Dame Judith Anderson), and discovers that Rebecca still has a strange hold on everyone at Manderley.

Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happen at all.

In the aftermath of WWII, Nelly, a Jewish survivor of the Auschwitz concentration camp, horribly disfigured from a bullet wound in her face, undergoes a series of facial reconstruction surgeries and decides to find her husband Johnny who works at the Phoenix club in Berlin. Undoubtedly, Nelly is stunning, yet, her new self is beyond recognition, so Johnny, the man who may have betrayed her to the Nazis, will never imagine that the woman in front of him who bears an uncomfortable and unsettling resemblance to his late wife, is indeed her. Without delay, and with the intention to collect the deceased's inheritance, Nelly will go along with Johnny's plot and she will impersonate the dead woman, giving the performance of a lifetime before friends and relatives in a complex game of deceit, duplicity, and ultimately, seduction. In the end, during this masquerade, as the fragile and broken Nelly tries to find out whether Johnny betrayed her or not, she will have to dig deep into her wounded psyche and inevitably choose between revenge and forgiveness.

Christopher Foyle is a Detective Chief Superintendent in the Hastings Police. It is 1940 and England has its back to the wall in the war against Germany. With this constant threat as a backdrop, plus having to deal with political interference and prioritisation of the military, Foyle quietly goes about doing what he does best: solving murders.

A dead body is found in the middle of the Oresund Bridge, the bridge connecting Copenhagen in Denmark with Malmo in Sweden. Due to the location the Copenhagen and Malmo police need to collaborate to find the murderer. This brings together Saga Noren and Martin Rohde and the two could not be more dissimilar.

A metropolis in turmoil. From economy to culture, politics to the underworld--everything is in the grip of radical change. Speculation and inflation are already tearing away at the foundations of the still-young Weimar Republic. Growing poverty and unemployment stand in stark contrast to the excesses and indulgence of the city's nightlife and its overflowing creative energy. Gereon Rath, a young police inspector from Cologne, is transferred to Berlin to solve a criminal case: a porno ring run by the Berlin Mafia. What at first glance appears to be a simple extortion case soon turns out to be a scandal that will forever change the lives of both Gereon and his closest associates. With his partner Bruno Wolter and stenotypist Charlotte Ritter, Rath confronts a tangled web of corruption, drug dealing, and weapons trafficking that forces him into an existential conflict as he is torn between loyalty and uncovering the truth. Who is friend, who is foe? With the political unrest spurred by May Day demonstrations and rising National Socialism, even an institution like the "Rote Burg," Berlin's police headquarters and the center of democracy and the constitutional state, is increasingly becoming the melting pot of a democracy whose days are numbered.

German thriller TV series set in the Weimar Republic

Set in a divided Germany in 1983, during a peak period for Cold War tensions between East and West. Martin Rauch, a wide-eyed 24-year-old East German soldier plucked from obscurity, goes undercover as a West German soldier for the East German Secret Service.

Slough House is a dumping ground for members of the intelligence service who've screwed up: left a service file on a train, say, blown a surveillance, or become drunkenly unreliable. They're the service's poor relations, the slow horses and most bitter among them is River Cartwright, whose days are spent transcribing mobile phone conversations. But when a young man is abducted, and his kidnappers threaten to behead him live on the internet, River sees an opportunity to redeem himself. But is the victim who he first appears to be. And what's the kidnappers' connection with a disgraced journalist. As the clock ticks on the execution, River finds that everyone involved has their own agenda.

Follows criminal investigations in Paris from all the different points of view of those involved.

Existential detective Kurt Wallander must battle his own demons as he works to solve a series of bizarre crimes in southern Sweden. This series is made up of four distinct films, each one a mysterious journey into murder, deception, and baffling crimes. Follow disillusioned Everyman Inspector Kurt Wallander as he struggles against a rising tide of violence in the seemingly-sleepy backwaters in and around Ystad in beautiful southern Sweden. Brilliantly acted and visually dazzling, Wallander is based on the bestselling Swedish crime novels by Henning Mankell.

Catherine is a no-nonsense police sergeant who heads up a team of officers in a rural Yorkshire valley. When a staged kidnapping spirals out of control turning into a brutal series of crimes, Catherine finds herself involved in something significantly bigger than her rank, but unknowingly close to home.

After six years of undercover work in Syria, French intelligence officer Malotru returns home, where he struggles to forget his undercover identity, train a young recruit, and investigate when a colleague disappears in Algeria.

French espionage and political thriller TV series

Billy Mcbride is going through a rough patch. He has been fired from the law firm he helped build, his wife has left him, and he's now a down on his luck ambulance chaser. A lady (Patty) approaches him to represent her in a wrongful death case. After reluctantly accepting to take on the case, a series of strange events befall Billy. Through death threats, harassment, and trumped up arrests, Billy embarks on obtaining justice, and it is one hell of a ride. Additional unique cases eventually come Billy and Patty's way, making the ride even more entertaining.

American legal drama web television series

In a remote town in Iceland, Police desperately try to solve a crime as a powerful storm descends upon the town.

In close cooperation with Ingrid and Joachim Wall, Head of Homicide Jens Møller and Chief Prosecutor Jakob Buch-Jepsen, Tobias Lindholm has created an authentic, nerve-racking and deeply touching series about the challenging and crucial work done by police officers, divers, Swedish cadaver dogs, marine scientists and volunteers to solve the killing of Swedish journalist Kim Wall. It is about the substantial and complicated task subsequently faced by the prosecution to convict the perpetrator.

The Legacy is a modern family portrait. A description of the '68 generation and their children. A narrative about the sharp traces and consequences left by an intense time of upheaval upon modern family life - whether it takes place in a seemingly liberated and progressive artist's home or in a more traditional community-oriented, provincial and handball-minded environment. The serial plays out at the legendary manor Grønnegaard, southern Funen, where the internationally renowned artist Veronika Grønnegaard has lived an eccentric and colorful life since the wild sixties. The serial follows Veronika's four adult children whose free and chaotic childhood at Grønnegaard has left its mark on them in very different ways. They live scattered to the four winds until Veronika dies and they gather to wind up the estate. Just before she dies, Veronika leaves the manor to her daughter Signe, who was given up for adoption. Signe lives with her partner in a quiet residential area in the local town and has never known the truth of her parentage. What was meant to be a quick and painless estate division becomes the start of a journey into secrets and lies that turn their lives upside down and forces them to look at each other and themselves with new eyes.

This Danish drama series follows the intricate, complicated lives of the politicians, media spinners, and reporters who feed off their triumphs and failures in 'Borgen' (the Castle)--the nickname for Denmark's parliamentary building. In the first episode, Denmark is preparing for parliamentary elections and Birgitte Nyborg, facing her first election as party leader, decides at the last minute to head in her own direction.

Danish one-hour political drama television series (2010-2013, announced for 2022)

An Englishman, Jonathan Pine (played by Tom Hiddleston), is working as the night manager of a Cairo hotel. He gets involved with a local woman who is the girlfriend of a local gangster. Through her relationship with the gangster she has acquired information linking illegal international arms sales with Richard Roper (Hugh Laurie), an English billionaire. She is soon found dead, murdered due to her having this information. Fearing for his own life, Pine flees, ending up working at a remote hotel in Switzerland. Four years pass, and then Roper visits the Swiss hotel. This rekindles Pines thirst for revenge, and he is enlisted by British Intelligence to spy on Roper. What follows is a very dangerous game of intrigue and deception.

BBC miniseries about an undercover hotel manager bringing down a kingpin

Line of Duty follows Detective Seargent Steven "Steve" Arnott (

The brutal murder of a young girl launches an extended police investigation. Detective Sarah Lund is supposed to leave for a new life in Sweden, but can't leave the case behind. The girl's parents and friends struggle to cope with their loss. Troels Hartmann is campaigning to be mayor of Copenhagen, but struggles when links are revealed between City Hall and the murder. Over a 20-day time-span, suspect upon suspect is sought out as violence and political pressures cast their shadows over the hunt for the killer. Two more seasons follow, about a series of killings of soldiers and the abduction of an industrial magnate's daughter.

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