Jaspreet Singh

Hector Jaime Oropesa

aasta Haukland

Jayden

Alokym ya Bassa

Joseph Greer

Catalina Olmos

George Balaskas

Ojasw Upadhyay

Taylor Robinson

Carly Hylton

Daniel Mariani

Jessica Stein is a single, straight, successful, journalist, part of a bonded Jewish family living in New York City, who finds herself not as straight as she thought when Jessica meets and begins an intense friendship with career woman Helen Cooper which ultimately leads to romance.

2001 film directed by Charles Herman-Wurmfeld

Johan (Cornelio Wall Fehr), a Mennonite living in Mexico, is tormented with guilt over his extramarital affair with Marianne (Maria Pankratz). His father (Peter Wall), best friend (Jacobo Klassen) and wife (Miriam Toews) know the truth, but Johan's suffering has to do with his faith, which he can't reconcile with his deeds.

Jane (Ellen Muth), a teenager, tries to deal with the realization that she is a lesbian after an intense friendship with another girl leads to her first sexual experience. Jane's mother, Janice (Stockard Channing), struggles with the revelation of her only daughter's sexuality.

Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but comes back to life. Simon does not want any further medical tests, but the couple are forced to grapple with the possibility of his death. They eventually tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide...

June 1984 to June 1985, from happy days to war to summer's return. A middle-aged doctor in Paris, Adrien, meets Manu, a young gay man from the provinces who lives with his sister, an opera singer. Adrien likes Manu, loves him even, in a Platonic relationship. Sarah, a writer, and Mehdi, a vice-squad cop, have an infant. Sarah discovers she has no taste for parenthood. Adrien bring Manu to Sarah's country cabin where Mehdi saves Manu from drowning. Back in Paris, an affair begins as a plague descends on Parisian gays. There are tests, illness, anger, relief, separations, and death. A year later, these friends meet again at the summer place. They are witnesses to how happiness has changed.

The stories of Nora during a brief period when her father falls ill and of Ismaël while involuntarily committed to a mental institution for observation. Nora's in her 30s and has loved four men - her son Elias, Elias's deceased father, her own father, and Ismaël, a musician given to odd behavior with whom she lived seven years. She will soon marry a businessman. Faced with her father's death, Nora seeks out Ismaël to ask that he reconnect with Elias; a great deal else roils from her past. Ismaël has his own challenges, not the least of which are his feelings toward adopting Elias and his meeting Arielle, another patient. Ismaël's surface shows a lot; Nora's, very little.

When two college students, Sam and Thea, meet Coles at a party, their mutual attraction is immediate, leading to a passionate and awkward night together, and the onset of an intensely charged bond. As they continue to push the sexual boundaries of their friendship, however, they are tested by Sam and Coles' incipient romance and Thea's increasing recklessness, until the relationship dissolves amid a cloud of fear, resentment and mistrust. Eight years later they reunite. An animator for a high-profile ad agency, Coles now lives with Claire, his girlfriend of five years. Thea is happily married to Miles, with whom she owns a flourishing restaurant. And Sam has just returned to Manhattan after working in London where she recently broke off her engagement. Yet upon reconnecting, the three are drawn back into the complicated dynamic that defined their relationship from the start and are forced to confront the true meaning of commitment and love.

This story follows Eva, a traveler who experiences some car trouble and ends up spending some time with a group of women in a hotel outside of town. These women gladly accept Eva into their home and help her to feel at home. Quickly Eva discovers the secret that unifies these seven interesting women she's met. As relationships are being formed, an even deeper relationship forms between Eva and Liz. As they go on different adventures, Liz's secret that she's kept from everyone is revealed and it takes a toll on everyone involved. . It is worthy to note that there are not many male characters in this film, which leaves room for these women to show their own strengths, capabilities and who they truly are as vibrant women living their lives.

A common thief (Depardieu) breaks into the house of a professional dominatrix (Ogier), and begins to help her "train" her clients. Though this world is alien to his experience, he finds himself falling in love with her. Eventually he discovers that she does this in order to support her son, and he attempts to help her out of this life, which she is not sure she really wants to leave.

Paris shortly before World War I. Wealthy and self-satisfied, Jean Hervey is returning home from work, describing life with his wife of 10 years, Gabrielle; he values her as impassive and stolid. However, that day she's gone, leaving a letter that she's joining a man she loves. Jean is devastated, but within minutes she's returned, telling him that her resolve has failed. Over the next two days, he questions, demands, begs, and parries with her: why did she leave, why did she return, does she love him, did she ever love him, who is her lover, is she passionate with her lover? She's calm as alabaster, reserved. Is she in danger? When she makes an offer, how will he respond?

Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced and decides to move to Vancouver and join the household. Soon after, Lila is befriended by Judy, a transsexual about to undergo a sex-change operation. Complications ensue as the conservative Lila learns the truth about Maggie, Judy, and their diverse group of friends.

Anna (Alba Rohrwacher) has everything she thought she could ever need: a respectable career, a caring family, and a loving partner, Alessio. But when she meets Domenico (Pier Francesco Favino), a handsome, married waiter, her neatly ordered world begins to fall apart. They quickly fall into a heated affair, based on secret meetings, stolen caresses, cell phone fights, and endless lies. Anna's increasingly distant behavior goes unnoticed by Alessio, while Domenico's wife becomes steadily more suspicious of her husband. As the two lovers begin to fall deeper under the spell of passion, they are faced with a life-changing choice which neither is entirely prepared to make.

With her husband still missing since WWII, the voluptuous innkeeper, Miranda, runs the business by herself, somewhere in a small late-1940s town outside Venice. Refusing to remarry, Miranda insists on waiting for her lost husband to return; however, hers is an idle promise because, in the meantime, she enjoys keeping an affair with the young transporter, Berto, under the watchful eye of Tony, her secret admirer. With an ample supply of lovers, Miranda consoles herself for her loss by searching for the perfect substitute, and without any inhibition, she will submit them--one for each season--to her erotic trials, over a period of one year. But, sooner or later, the search will end, and then, who will be the lucky one standing next to Miranda, the beautiful and juicy prize, at the church?

Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.

17-year-old Carmen lives in a gypsy community in the suburbs of Madrid and works with her family in a street market. Like every other woman she has ever met, she is destined to live a life that is repeated generation after generation: getting married and raising as many children as possible. She gets engaged to Rafa. But one day she meets 16-year-old Lola, an uncommon gypsy girl who dreams about going to university, draws bird graffiti and likes girls. She also helps her family in the street market. They quickly develop a complicity with each other and discover a world that, inevitably, leads them to be rejected by their families.

When web-cam girl Jade visits Takeko's tattoo studio, she becomes entranced with the image of the spider lily--and with Takeko. In order to get closer to the object of her desire, Jade asks Takeko to give her the same lily tattoo, challenging Takeko's monastic existence and opening up memories which threaten to tear the two women apart.

Tru, 37, is a serial bed-hopping lesbian who cannot commit to a relationship or a job for long...that is, until she meets Alice, 60, a beautiful widow, who has come to town at the last minute to visit her daughter, Suzanne, 35, a too-busy corporate lawyer and Tru's friend. Alice and Tru begin to forge an unlikely friendship...and more. Suzanne, who has a deeply conflicted relationship with her mother and a complicated past with Tru, becomes increasingly alarmed at the growing bond between Tru and her mother. Tensions escalate after Suzanne witnesses an intimate moment between them. She tries to sabotage the budding romance, but it backfires, as Tru love is hard to contain.

A 2008 romance film adapted from a same name novel about a London-based Jordanian of Palestinian descent, Tala, who is preparing for an elaborate wedding. A turn of events causes her to have an affair and subsequently fall in love with another woman, Leyla, a British Indian.

Set over three days; two very different women who fall in love with each other. Jasmine is a successful fashion editor living with her fiancé in Toronto. On a Friday night while out in the city with her best friend Claire, she meets Dallas, a female roofer recently out of a relationship. Surprised by the confidence with which the two very different women connect, Jasmine becomes infatuated with the mysterious woman who is working with a crew on the house next door to hers. The chance meeting soon turns into desire that ignites in Jasmine when she becomes more acquainted with Dallas which leads her to accompany Dallas to her low-rent loft where the two women soon engage in passionate sex. As much as she struggles with her feelings over being sexually involved with another woman, she fears her tryst with Dallas might ruin her engagement with her fiancé should it ever become known.

The first real professional success for famed French actress Maria Enders was twenty years ago as the co-lead in writer Wilhelm Melchoir's play and subsequent movie "Maloja Snake", he who picked Maria, then an unknown, personally. She played Sigrid, an opportunistic eighteen year old in an emotionally dependent lesbian relationship with forty year old Helena, who was at a vulnerable stage of her life. Maria has turned down the play's upcoming London revival in which she would now play Helena, it remounted by director Klaus Diesterweg. Her reasons for turning down the role are many including: being at a vulnerable stage of her own life going through a painful divorce; remembering the suicide of Susan Rosenberg, the original Helena, following the original run of the play, the suicide purportedly mirroring what happens to Helena; and the painful memories of the production in still having hard feelings toward who was her older male costar, Henryk Wald, with who she had an affair at the time. Maria reconsiders and accepts the role when Wilhelm unexpectedly passes away, she hearing the news en route to the Zurich Film Festival where she was to accept an award on recluse Wilhelm's behalf. Maria begins to regret her decision, largely due to having to work with nineteen year old Jo-Ann Ellis as Sigrid, Jo-Ann a trained actress whose Hollywood lifestyle is making her self-destruct, this behavior which Maria, who hates the Internet and the Hollywood gossip on it, did not know before signing the contract. But what may be most difficult for Maria is the role opening up her own professional relationship and friendship with her younger American personal assistant, Valentine, the two who are staying at Wilhelm's mountain retreat in Sils Maria in the Swiss Alps, where Maria is preparing for the play and where many of the locations were inspiration for the play's themes.

Octavian Hota

Julien Janvier lost his mother young, drifted apart from his working class father and ever closer to confident Sophie Kowalsky, the Polish class outsider. Their dares game, symbolized by an interchanged music-box, grows ever bolder, regardless of harm to others and each-other. In his college years, it even suspends their relationship and toys with their marriages, but they are drawn back to each-other irresistibly.

Numerous New York City dwellers come to the exclusive club Shortbus to work out problems in their sexual relationships. Rob and Sophia are a happily married couple, except for the fact that she has never experienced sexual climax. This irony follows her to work because she is a couples counselor who frequently has to deal with the sexual issues other couples have. Two of her patients are Jamie and James, a gay couple who have been monogamous for five years and counting. James wants to bring other men in to the relationship, and his own history with depression may hint at an ulterior motive. Ceth (pronounced Seth) may be the perfect addition to their family, but Caleb, a voyeur from across the street, may have his own ideas about that. Sophia visits Severin, a dominatrix with secrets of her own to reveal.

In 1951, Laura Brown (Julianne Moore), a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel "Mrs. Dalloway". Clarissa Vaughan (Meryl Streep), a modern woman living in present times is throwing a party for her friend Richard (Ed Harris), a famous author dying of A.I.D.S. These two stories are simultaneously linked to the work and life of Virginia Woolf (Nicole Kidman), who's writing the novel mentioned before.

Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one another's family lives. This bizarre dichotomy underscores their alienation # the result of suburban ennui, a teenager's inherent sense of melodrama, and the disturbing nature of their home environments.

2002 film directed by Larry Clark and Edward Lachman

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