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Rob Thornton

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Picture of a musician: Bauhaus
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Bauhaus

Bauhaus are an English rock band, formed in Northampton, England, in 1978. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). The band were originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the pioneers of gothic rock, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia, and funk.

Their 1979 debut single, "Bela Lugosi's Dead" is considered one of the harbingers of gothic rock music and has been influential on contemporary goth culture. Their debut album, In the Flat Field, is regarded as one of the first gothic rock records. Their 1981 second album Mask expanded their sound by incorporating a wider variety of instruments—such as keyboards, saxophone and acoustic guitar—and experimenting with funk-inspired rhythms on tracks like "Kick in the Eye". Bauhaus went on to achieve mainstream success in the United Kingdom with their third album, The Sky's Gone Out, which peaked at No. 3 on the UK Albums Chart in 1982. That same year, they also reached No. 15 on the Singles Chart with a standalone cover of David Bowie's "Ziggy Stardust", earning them an appearance on Top of the Pops. During recording sessions for their next album, Murphy fell ill and spent much of his time away from the studio, leaving the rest of the band to compensate for his absence. This created a rift between the singer and his bandmates, culminating in the group's dissolution on 5 July 1983, one week before Burning from the Inside was released. Featuring the hit single "She's in Parties", it would be their final studio album composed entirely of new material for a quarter century.

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Picture of a book: A Wizard of Earthsea
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Books
A Wizard of Earthsea
Ursula K. Le Guin
”The hunger of a dragon is slow to wake, but hard to sate.”\ \ The Folio Society edition is superbly illustrated by David Lupton.The boy is born on the island of Gont in the archipelago of Earthsea. This is a world infused with magic. Not everyone can control this magic, but those who know the right words and have a wizard soul can learn to utilize the power of the Earth to manipulate objects and events. The boy’s name is Duny; I can tell you that name because the name has no power over him. His true name is something he can only reveal to those he trusts absolutely beyond question.I know his true name, but fair reader, I’m not sure yet that I can share it with you. His aunt knows a few things, a handful of words, that can be used to bind things or call animals to her. Duny is particularly adept at calling falcons and other birds of prey. His agile mind soon surpasses what his aunt can teach him. He burns to know more. He is assigned to a mage, Ogion, who tries to teach him about the balance of magic with the Earth. There is always a cost for using magic. Understanding the levy for sorcery is the difference between being just impulsively talented and being wise about what you know. ”You must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard’s power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow….”If the flap of a butterfly wing in the Amazon can cause a hurricane in Florida, imagine what a wizard can do with power over the weather. It is kind of funny, but there is this one scene where wizards on different islands use spells to keep the clouds from raining on them. This storm bounces between them like a boiling stew pot. Now, a wizard like Ogion finds shelter under a tree and waits for the rain to stop. To Sparrowhawk, this type of restraint is ridiculous. If you have the power, why not use it? Duny is Sparrowhawk, and you might think that is his real name, but just because you’ve read a few paragraphs of this review doesn’t mean you’ve endeared yourself to me enough to tell you his real name. Sparrowhawk will suffice for now. Sparrowhawk becomes impatient with the restrained magic that Ogion teaches, so he is sent to magic school on the Island of Roke. There was a magic school in literature before Hogwarts? Indeed there was. The first time he goes to the dining hall to eat, there is only one table. The table, in a very Hogwarts’ fashion, expands to fit as many people who enter to eat. Sparrowhawk is soon recognized as one of the most gifted students. Spells and the names of things flow into his mind like lava, changing the landscape of his brain into something completely different. He becomes powerful.He becomes arrogant.He becomes vengeful on those who don’t appreciate his power. In a moment of hubris, he summons a dead woman from the distant past and, in the process, opens a rift that nearly kills him. It does kill the old mage who helps him close it. Something came through. Sparrowhawk is burned in mind, body, and spirit. He is guilty of a death. The shame and self-condemnation weigh heavily on him. He may become the great wizard he was intended to be, but the road will be much longer now. The shadow from another world that pursues him becomes the devil on his heels for the rest of the novel. This chase from island to island reminded me of Frankenstein and his pursuit of his monster to the North Pole. The interesting thing about this novel is that Ursula K. Le Guin’s publisher came to her and asked her to write a book for older kids. Young Adult wasn’t even a term yet in the late 1960s. She wasn’t sure she wanted to write such a book, but she was nagged by the idea of where do great wizards come from? We normally meet them when they are old sages in the vein of a Merlin or a Gandalf. She wanted G__ erhhh Sparrowhawk to be seen as more human, more fallible than how most wizards had been presented before. I liked the emphasis she puts on the importance of words in this novel and the power and magic that resides in knowing the names of things. I had trepidations about reading this book. I was reassured that I was in the capable hands of a writer I’ve enjoyed before. I have a bit of a knee jerk reaction to the term Young Adult because I’m not a Young Adult. I’m an old fuddy duddy who has a hard time watching commercials on TV geared towards youth. I certainly wince at the idea of spending hours trapped in a book intended for a younger audience. I’m somewhat alarmed at the number of ADULTS who read nothing but Young Adult. The evolution of a reader is for that person to move from picture books, then ride the escalator to Young Adult, and eventually find the elevator that will take them onwards and upwards to adult literature. I’m still pondering this. Is it an extended childhood? Why would someone always want to read about children or teenagers? Am I generationally challenged on this issue? I am happy that people are reading, and ultimately it is better that they read anything rather than nothing at all, but I do think that the more you read there should be some evolution in what you choose to read. I’m such an eclectic reader that it is difficult for me to understood people being so genre specific with their reading choices. Young Adult now dominates the publishing world. Writers are being encouraged to make changes to their novels so they can be marketed as YA. If I weren’t worried about this trend it would be fascinating. \ \ There are dragon battles, alluring women who try to seduce G_d to their own uses. There are friendships made and lost; there are painful realizations, and there is growth and acceptance of our own limitations. Most importantly, there is a wizard as wise and as powerful as Gandolf or Merlin, who emerges like a Phoenix from the flames of his own childish conceit. His name is Ged, but you must only whisper it, or better yet refer to him as Sparrowhawk, and keep in the locked box at the center of your heart who he really is. ”He hunted, he followed, and fear ran before him.”If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten
Picture of a book: Anathem
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Books
Anathem
Neal Stephenson
Fraa Erasmas is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the outside "saecular" world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities and governments have risen and fallen beyond the concent's walls. Three times during history's darkest epochs violence born of superstition and ignorance has invaded and devastated the cloistered mathic community. Yet the avout have always managed to adapt in the wake of catastrophe, becoming out of necessity even more austere and less dependent on technology and material things. And Erasmas has no fear of the outside—the Extramuros—for the last of the terrible times was long, long ago.Now, in celebration of the week-long, once-in-a-decade rite of Apert, the fraas and suurs prepare to venture beyond the concent's gates—at the same time opening them wide to welcome the curious "extras" in. During his first Apert as a fraa, Erasmas eagerly anticipates reconnecting with the landmarks and family he hasn't seen since he was "collected." But before the week is out, both the existence he abandoned and the one he embraced will stand poised on the brink of cataclysmic change.Powerful unforeseen forces jeopardize the peaceful stability of mathic life and the established ennui of the Extramuros—a threat that only an unsteady alliance of saecular and avout can oppose—as, one by one, Erasmas and his colleagues, teachers, and friends are summoned forth from the safety of the concent in hopes of warding off global disaster. Suddenly burdened with a staggering responsibility, Erasmas finds himself a major player in a drama that will determine the future of his world—as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet . . . and beyond.
Picture of a book: Black Sun Rising
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Books
Black Sun Rising
C.S. Friedman
Black Sun Rising; Or, How Ciani Got Her Groove Back.two major things to note in this sometimes absorbing, sometimes ridiculous science fantasy novel: a fascinatingly developed magic system and a head-smackingly stupid quest.regarding the stupidity, let's first clear the air with some extended ranting, so we can later speak on more pleasant things and end on an agreeably positive note. C.S. Friedman seems like an endearing author; her writing style can be lazy but it can also be interestingly quirky. so i feel we should spare the rod and spoil the child, a little bit at least. but only after a firm discussion!SLIGHT SPOILER: in the very beginning of the book, some creatures attack the lovely and saucy sorceress supreme Ciani and mind-suck her powers away. various characters assemble to journey into a sinister, uncharted land in order to find the nasty & subhuman culprits, deliver some payback, and so release Ciani's powers. okay, let's just get it out there: it is absolutely unacceptable that a bunch of random non-characters (including a father and his 2 daughters) and 1 major character have to die pretty horrific deaths, all so that some sexy enchantress can get her powers back. for chrissakes, her life was no longer in jeopardy! and PTSD that changes sex appeal into mousy forgetfulness just isn't a problem worthy of a body count. even worse, apparently the primary members of the party are automatically willing to just toss everything to the wayside and go on a deadly quest. things like a fiancée, religious orders, and a magical Forest... all because:(1) an Awesome Sorceress should never be parted from her Awesome Powers.(2) a couple evenings of flirty banter can really impress a warrior-priest. oh come on! it was just some nights of convo and fine dining. they didn't even bone. he just "has a feeling about her... could this feeling turn to love?" UGH! hey asshole, is your spiritual calling so fragile that you'd give up everything so some wizard you barely know can continue to remain extra-powerful? who cares? both the egalitarian and the God-lover in me freaked out about this whole rationale.(3) apparently some piddly promise to protect said sorceress, made by an immortal vampire-sorcerer to a pleasure demon (best 2 characters), is enough to just up and change your entire life and go on a dangerous quest and maybe die. this is a guy who mainly spends his time hunting down various virgins stranded in his magic forest (to feast on their fears etc), which no doubt keeps his hands full. it was just so nonsensical. hey Idiot Vampire! why are you even on this stupid quest? you prey on humans. Ciani barely even likes you pal, she's the warrior-priest's gal! so, anyway: awesome character; absurd character motivation.(4) as far as Ciani herself goes, apparently "She's Quite a Woman!" - at least that's what multiple character say repeatedly, much to my annoyance.so that's it for the eye-rolling parts. they are a big part of the novel, even enough to give it 2 stars. but there's a lot of intriguing stuff too. the novel is set on a far-flung world in the far-flung future, a world where some natural energy source called "the fae" literalizes everyone's dreams, fears, desires, etc. so on this world you have to exercise a lot of emotional/mental/spiritual control. supernatural creatures do exist, they gain lives and personalities, and often want your blood and/or booty. simple magical devices work if you really, really believe in them. things like guns are more problematic because if you have any doubts, your gun is just going to explode in your hand. and faith now truly and tangibly works. thousands of people believing in something can actually create something super-powerful - like an impregnable-to-demons church! or... HELL! Hell exists because people believe in it, uh oh. and so do pleasure demons, which isn't so bad. in this world, people have varying levels of ability to work the fae and some folks like The Amazing Chiani are born with natural aptitude. the fae itself is also fascinatingly divided into different sorts of fae, based on which type of natural energy source they derive from, and they each have their own unique properties, abilities, weaknesses. for instance, there is earth fae. and the fae that comes from light. or the absence of light. or even from tidal forces - my personal fave. it was all so interesting and carefully developed and new to me that - complaints aside - it all still sorta worked.