Vastralaya

Josh Brannock

Connor Harris

Evan Shively (Perseus271)

vanessa

Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War.It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

‘An Equal Music’ is indeed a musical story. The language is immensely beautiful. Throughout the book, one sees how much time human beings spend tuning ‘things’ so that they can live in harmony. In this story, the characters struggle with notes, compositions, and life. Both music and life demand the same things, it is only in certain moments the right notes of joy, bliss, and happiness are struck. The central character in the story, not only in the practice sessions but in real life too, searches for ‘an equal music.’While Seth dedicates the book – through a beautifully worded poem– to his intimate friend Philippe Honore. In addition to this, the book opens with the following luminous lines of John Donne.“And into that gate they shall enter, and in that house they shall dwell, where there shall be no cloud, nor sun, no darkness nor dazzling, but one equal light, no noise nor silence, but one equal music, no fears nor hopes, but one equal possession, no foes nor friends, but one equal communion and identity, no ends nor beginnings, but one equal eternity.”These lines, in some very significant ways, clarify Us to ourselves. All of us, knowingly or unknowingly, strive to attain that space of ‘one equal eternity.’ For some, such quests are even more daunting. The story of Michael, at least in the beginning, reads like the story of a homosexual man. In the first thirty pages, he is seen playing, practicing music, talking to friends, but his real love– Julia– appears much later. He sees her through his window seat. With his current girlfriend, Michael is hardly at ease; and the one he truly loves is nowhere in sight. So what he really has is himself: his walks, his music, his books, his thoughts, these are the things that actually sustain him. In a way, this acute loneliness and search for ‘balance’ run throughout the novel. There are small instances in the book that mirrors ‘experiences’ central to gay lives. For instance, once while walking, Michael feels that someone is walking behind him. He describes it thus; “the anonymous person seemed to have made up his mind and walked with renewed energy and overtook Michael– indicating lack of interest.” In yet another instance, Michael talks randomly with a man on one ‘wintry’ evening. The whole scene reads as if he were cruising. One man is seen taking a dip in icy water, the other, being lonely, wandering for no particular reason. Both searching for ‘something.’Anybody who likes western classical music would love reading this book. Even though I am not particularly familiar with it, I loved how seamlessly the story is entwined with the language of music.However, the quest for home and love is eternal. One can live ‘bliss’ in moments, one can glimpse it many times, but one cannot inhabit it fully and forever. This quest is more difficult when the world around is hostile. A world that still tries to stifle certain ‘kinds of love.’ In such a hostile setting, the search for the ‘unspeakable love’ is exhausting. The book ends on a hopeful note, justifying the title and the story. There is no reason to despair.“Music, such music is a sufficient gift. Why ask for happiness; why hope not to grieve? It is enough, it is to be blessed enough, to live from day to day and to hear such music– not too much, or the soul could not sustain it– from time to time.”

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

'If life had no love in it, what else was there for Maggie?'Brought up at Dorlcote Mill, Maggie Tulliver worships her brother Tom and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother, a close friend who is also the son of her family's worst enemy, and a charismatic but dangerous suitor. With its poignant portrayal of sibling relationships, The Mill on the Floss is considered George Eliot's most autobiographical novel; it is also one of her most powerful and moving.In this edition writer and critic A.S. Byatt provides full explanatory notes and an introduction relating Mill on the Floss to George Eliot's own life and times.Edited with an introduction and notes by A.S. BYATT

Taking place in the years leading up to the First Reform Bill of 1832, Middlemarch explores nearly every subject of concern to modern life: art, religion, science, politics, self, society, human relationships. Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's rich comic vein.

I won’t describe what I look like. Whatever you’re thinking, it’s probably worse. August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. WONDER, now a #1 New York Times bestseller and included on the Texas Bluebonnet Award master list, begins from Auggie’s point of view, but soon switches to include his classmates, his sister, her boyfriend, and others. These perspectives converge in a portrait of one community’s struggle with empathy, compassion, and acceptance.Alternate Cover Edition ISBN 0375869026 (ISBN13: 9780375869020)

Harry and Sally meet when she gives him a ride to New York after they both graduate from the University of Chicago. The film jumps through their lives as they both search for love, but fail, bumping into each other time and time again. Finally a close friendship blooms between them, and they both like having a friend of the opposite sex. But then they are confronted with the problem: "Can a man and a woman be friends, without sex getting in the way?"

Two-time Oscar®-winner Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighborhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his skepticism, learning about empathy, kindness, and decency from America's most beloved neighbor.

In Lowestoft UK, Jack Malik is a frustrated musician whose musical career is going nowhere despite the faith that his friend/manager Ellie Appleton has in him. However, on the night Jack decides to give up, the whole world is momentarily hit with a massive blackout during which Jack is hit by a bus. Upon regaining consciousness, Jack learns to his astonishment that he is apparently now the only one who knows the music of the Beatles. Realizing this improbable opportunity, Jack begins playing the music of one of the world's greatest rock bands, being forced to claim it as his own. It pays off quickly and Jack becomes a worldwide musical sensation. However, Jack finds himself drifting away from Ellie, only realizing his love for her when she has become intimidated by his success, which depends on a blatant plagiarization that no one could find out. Now, Jack must make a fundamental moral decision about his music to satisfy his conscience as he decides what he truly needs.

A kaleidoscope of color and culture clash humorously as an Indian family in London tries to raise their soccer-playing daughter in a traditional way. Unlike tarty elder sister Pinky, who is preparing for an Indian wedding and a lifetime of cooking the perfect chapatti, Jess' dream is to play soccer professionally like her hero David Beckham. Wholeheartedly against Jess' unorthodox ambition, her parents eventually reveal that their reservations have more to do with protecting her than with holding her back. When Jess is forced to make a choice between tradition and her beloved sport, her family must decide whether to let her chase her dream...and a soccer ball.

A correspondence begins between Juliet Ashton (Lily James) and members of The Guernsey Literary and Potato Peel Pie Society, with them sharing their experiences of Nazi-occupied Guernsey Island. When an idea for a book catches Juliet, she goes to visit the island, making life-long friends and taking life changing steps along the way. This book is told by way of letters, and as the reader, you become enchanted by the writers of them and the love Juliet comes to feel for each of the Islanders; Dawsey Adams (Michiel Huisman), Amelia Maugery (Dame Penelope Wilton), Isola Pribby (Katherine Parkinson), Eben Ramsey (Sir Tom Courtenay), Kit (Florence Keen), and Elizabeth McKenna (Jessica Brown Findlay).

The family of talented cook, Hassan Kadam (Manish Dayal), has a life filled with both culinary delights and profound loss. Drifting through Europe after fleeing political violence in India that killed the family restaurant business and their mother, the Kadams arrive in France. Once there, a chance auto accident and the kindness of a young woman, Marguerite (Charlotte Le Bon), in the village of Saint-Antonin-Noble-Val inspires Papa Kadam (Om Puri) to set up a Indian restaurant there. Unfortunately, this puts the Kadams in direct competition with the snobbish Madame Mallory's acclaimed haute cuisine establishment across the street where Marguerite also works as a sous-chef. The resulting rivalry eventually escalates in personal intensity until it goes too far. In response, there is a bridging of sides initiated by Hassan, Marguerite, and Madame Mallory (Dame Helen Mirren), both professional and personal, that encourages an understanding that will change both sides forever.

October 1944 in war torn Italy. Hana (Juliette Binoche), a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English, and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio (Willem Dafoe), part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely intact, and that he is running away from his past, in part, or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which was interrupted by the war. He may not be running from his work as a spy for the Germans as Caravaggio believes, but rather the memory of an affair he had with married Katharine Clifton (Dame Kristin Scott Thomas), the love of his life, and the memory of a promise not totally fulfilled. Hana may also test her theory of her fates with love and death as she embarks on a relationship of her own with Kip Singh (Naveen Andrews), a Sikh from India, whose unit has camped on the now overgrown lawn of the church. Their work entails sweeping for and diffusing mines, the discovery of one such mine which had earlier saved her life.

The Theory of Everything is the story of the most brilliant and celebrated physicist of our time, Stephen Hawking, and Jane Wilde, the arts student he fell in love with while studying at Cambridge in the 1960s. Little was expected from Hawking, a bright but shiftless student of cosmology, after he was given just two years to live following the diagnosis of a fatal illness (ALS) at 21 years of age. He became galvanized, however, by the love Jane Wilde, and went on to be called the "successor to Einstein," as well as a husband and father to their three children. Over the course of their marriage, however, as Stephen's body collapsed and his academic renown soared, fault lines were exposed that tested the resolve of their relationship and dramatically altered the course of both of their lives.

Louise is working in a diner as a waitress and has some problems with her boyfriend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police.

Sandy, upon discovering her husband's infidelity while watching her son's birthday video, leaves the suburbs and moves into the city. She gets an apartment that's above a coffee house where she befriends one of the workers, Aram, a guy whose wife only married him so she could get a green card. Aram's family thinks he's wasting his life and education by working in the coffee house. Soon after moving into the apartment, Sandy hires Aram to be her nanny while she takes on work for the first time since her children were born. It isn't long when Aram and Sandy find they get along wonderfully and start to date. But the question is: is their relationship real or is it, in fact, just a rebound for both of them?

Evelyn Couch is having trouble in her marriage, and no one seems to take her seriously. While in a nursing home visiting relatives, she meets Ninny Threadgoode, an outgoing old woman, who tells her the story of Idgie Threadgoode, a young woman in 1920's Alabama. Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny.

Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father's mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real-life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective - she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the "ghost," a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades - she finds out that she is disregarding her own life and damaging her quest for love. Amélie then discovers she must become more aggressive and take a hold of her life and capture the beauty of love she has always dreamed of.

Visionary Sheikh Muhammed bin Zaida bani Tihama (Amr Waked) believes his passion for the peaceful pastime of salmon fishing can enrich the lives of his people, and he dreams of bringing the sport to the not so fish-friendly desert. Willing to spare no expense, he instructs his representative to turn the dream into reality, an extraordinary feat that will require the involvement of Britain's leading fisheries expert, Dr. Alfred "Fred" Jones (Ewan McGregor), who happens to think the project both absurd and unachievable. That is, until the Prime Minister's overzealous press secretary, Patricia Maxwell (Dame Kristin Scott Thomas) latches on to it as a "good will" story. Now, this unlikely team will put it all on the line and embark on an upstream journey of faith and fish to prove the impossible, possible.

Peter Colt, an English tennis player in his thirties whose ranking slipped from 11th to 119th in the world, considers he never really had to fight for anything as his wealthy but all but close family easily put him through studies and allowed him to pursue his tennis ambitions, bravely exchanges jokes with his German sparring partner Dieter Prohl, in a similar position, but feels it's about time to admit he's getting too old to compete with fitter coming men (or boys) and intends, after a last Wimbledon, to take a job with the prestigious tennis club instead. Just then, by accident, he bumps into Lizzie Bradbury, the American rising star of female tennis, falls in love with her and finds her interest in him changes his entire perception, even gives him the strength to win again. But where will it lead them, especially when her overprotective father-manager Dennis Bradbury proves determined to nip their relationship in the bud, believing it detrimental to her career?

Cissy (Pauline Collins), Reggie (Sir Tom Courtenay), and Wilf (Sir Billy Connolly) are in a home for retired musicians. Every year, on October 10, there is a concert to celebrate Composer Giuseppe Verdi's birthday and they take part. Jean (Dame Maggie Smith), who used to be married to Reggie, arrives at the home and disrupts their equilibrium. She still acts like a diva, but she refuses to sing. Still, the show must go on, and it does.

In the days before the July 19, 1969 space mission that marked humankind's first steps on the moon, NASA was working with a group of Australian technicians who had agreed to rig up a satellite interface. That the Aussies placed the satellite dish smack dab in the middle of an Australian sheep farm in the boondocks town of Parkes was just one of the reasons that NASA was concerned. Based on a true story, The Dish takes a smart, witty, comical look at the differing cultural attitudes between Australia and the U.S. while revisiting one of the greatest events in history.

In the decaying steel mill town of Sheffield in Northern England, friends Gaz and Dave, both now unemployed and on the dole after the closure of most of the town's steel mills, steal scrap metal from the closed mills to supplement their meager income, often with Gaz's twelve year old son, Nathan, on the days Gaz has custody. Still, Gaz is behind in child support payments to his ex-wife, Mandy. When Mandy threatens to sue for full custody in that Gaz can't support Nathan in any way, Gaz, seeing the long line up of women clamoring to get in to see a touring Chippendales styled dance troupe, thinks he can solve his financial and thus custody problems by forming his own male exotic dance troupe with some of his fellow un- or underemployed ex-mill workers. In addition to Dave, he has in mind middle-aged Gerald, their former foreman who has not told his spending-happy wife Linda that he has been unemployed for six months, and Lomper, a mild-mannered security guard who they just met in the act of him trying to commit suicide in his depression. The obvious problem is that with the exception of Gerald who knows how to ballroom dance, they are not generally stripper material, either in looks, skill or temperament, with especially slightly overweight Dave having body image issues, he believing his wife, Jean, having a wandering eye because of what he considers his unappealing looks. In an open casting among those at the employment office, they are able to recruit further misfits Horse, an older man who does know the contemporary dances of his era, and younger Guy, who can't dance and can't sing but loves

movies

books

Active tastebuds