Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Susy was recently blinded and recently married. Susy's husband, Sam, is asked to hold a doll for a woman he doesn't know as they get off an airplane. The woman disappears. Later, she's found dead by her former associates, Mike and Carlino, small-time hoods, in Susy's basement apartment. (Both occupants of the apartment are then absent.) The doll woman's newer partner in crime, Harry Rote, who murdered her for self-dealing, presses Mike and Carlino into a scheme to recover the doll, which contains a fortune in smuggled heroin. After disposing of the body, the thugs return while Susy is present to continue their search. They assume Susy's blindness will enable them to search her apartment under her very nose for the doll. In Sam's absence, Mike pretends to be an old friend of Sam's, while the three together spin for Susy a story of a murder investigation of her husband from which only the finding of the missing doll can save him. Rote is a predator, and his stalking of Susy becomes ever more obvious as the blind woman's predicament becomes ever more desperate.

Joanna and her architect husband, Mark Wallace have been married for a decade, and their relationship's become very rocky. As they drive from their London home to St. Tropez for the unveiling of a house Mark has designed for his clients, Maurice and Francoise Dalbret, they recall the events - both happy and sad, which neither then to this point. Told in flashback they pair recall their first meeting, and memorable moments in their courtship and early wedded life, as well as the tensions they both felt which led them each to extramarital affairs. With a terrific score by Henry Mancini, this welli-loved Stanley Donnen film's a sparkling effervescent story which deals in an atypical way for films of this time - showing both the joyousness and pathos off love.

Basing himself in Paris for the purpose, American hack writer Richard Benson, with advance in hand, has been hired by movie producer Alexander Meyerheim to write the screenplay for his latest movie, Benson selling him only on the title, The Girl Who Stole the Eiffel Tower. Meyerheim, who knows about his drinking problem, has been assured by Benson that he is on the wagon. Benson hires Gabrielle Simpson through a secretarial service to be his typist. At the time she arrives for the job, Gabrielle learns that Benson has squandered away almost twenty weeks, with several drinks passing his lips over the course, without having written a word. With nary a story idea, Benson has only two days, on Bastille Day, until Meyerheim will be arriving from Cannes expecting a final product in Benson having continually implied he is near completion. Upon learning that Gabrielle originally came to Paris to experience life, Benson comes up with a brainchild to imagine the movie being a day, Bastille Day, in the life of someone like Gabrielle. As Benson and Gabrielle work through the screenplay, an espionage caper, they imagine themselves in the lead roles of "Rick" and "Gaby", they subconsciously and sometimes consciously steering the story in the direction of what they hope will happen between "Richard Benson" and "Gabrielle Simpson", both to the screenplay's benefit and detriment.

Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears...

In what's been called 'the best Alfred Hitchcock film which he didn't direct,' a man is thrown off a train, and when the police locate his wife, it turns out she knew nothing about him - not even his real name. After her are four men, who insist she's in possession of a huge amount of money which they believe to be theirs. If she doesn't give it to them, she'll be killed.

In Paris, wealthy Charles Bonnet is well known in the art world as a collector of rare pieces, mostly of the impressionist masters. He will on occasion sell paintings from his collection at auction. In reality, he is an art forger, he only reproducing those pieces known to have gone missing. His daughter, Nicole Bonnet, wants him to stop this business fearing that some day soon he will get caught. She is most concerned about he loaning out his Cellini Venus statue to the Kléber-Lafayette Museum, as she knows that technology can now test for things such as material age which would prove that the statue and by association he is a fraud. He ends up causing a problem for himself when he signs a $1 million insurance policy for the statue for the museum, which unwittingly allows them to test the piece for its authenticity. To save her father from jail, Nicole feels the only thing she can do is try to steal the statue from the gallery which may not be the easiest thing to do especially as the museum has installed an electronic security system around the piece to protect it above and beyond the regular security. She contacts the only person she knows who she believes can help her, namely a burglar named Simon Dermott. Nicole and Simon had only recently met when he broke into the Bonnet mansion to steal a Van Gogh painting, Nicole catching him in the process. Nicole could not call the police to report him for fear that her father's fraudulent life would be uncovered. Nicole not only has to convince Simon to help her without actually divulging the reason why she wants to steal her own statue, but they also have to come up with a plan to steal it. Complicating matters is an American art collector named Davis Leland who is not only wooing Nicole, but wants to add many of M. Bonnet's pieces to his own collection, most specifically the Venus. Within this collective, not all is as it appears on the surface.

Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work -- busily running the family corporate empire with no time for a wife and family. David is all play -- technically employed in the family business but never showing up for work, spending all his time entertaining, and having been married and divorced three times. Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but whom David hardly notices till she goes away to Paris for two years and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds she's captured David's attention, but just as she does so, she finds herself also falling in love with Linus, and she finds that Linus is also falling in love with her.

Maggie Prescott, the Editor-in-Chief of New York based Quality, a fashion magazine that sets trends i.e. leads instead of follows, has come up with her latest brainchild: to feature a model to be the Quality Woman, complete with successful Paris-based designer Paul Duval to devise a new collection inspired by her. The Quality Woman is not only to embody beauty, but also intellect. Against Maggie's initial judgment, she relents to the vision of her head photographer Dick Avery in choosing Jo Stockton rather than one of their in-house models as the Quality Woman, Jo the clerk they met in an impromptu photo shoot they did against her will in the Greenwich Village bookstore where she works. The marks against Jo are not only that she isn't a professional, but that she has what she even considers a funny looking face, something that Dick instead calls interesting. Jo, who abhors all that the world of fashion represents in she being an intellectual, ultimately agrees as the job would take her to Paris where she hopes to meet her idol, Professor Émile Flostre, the leading philosopher on the concept of empathicalism. But in Paris, the two worlds for Jo begin to collide in more ways than one, arguably the most important in she falling for Dick, his actions solely to get her to exude the emotions he wants for the photos.

Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her regimented life where she has no freedom and must always do and say the politically correct things, not what is truly on her mind or in her heart. In wanting just a little freedom, she seized upon a chance opportunity to escape from the royal palace where she was staying, albeit with no money in her pockets. Joe believes he can get an exclusive interview with her without she even knowing that he's a reporter or that he's interviewing her. As Joe accompanies "Anya Smith" - her name as she tells him in trying to hide her true identity - around Rome on her incognito day of freedom somewhat unaware that the secret service is searching for her, along for the ride is Joe's photographer friend, Irving Radovich, who Joe has tasked with clandestinely taking photographs of her, those photos to accompany the story. As the day progresses, Joe and Ann slowly start to fall for each other. Their feelings for each other affect what both decide to do, Ann with regard to her royal duties, Joe with regard to the story, and both with regard to if there is a future for them together.

After one of her frequent visits to Tiffany's--New York City's dazzling jewellery store--and the maximum security Sing-Sing prison for mobster Sally Tomato's weekly "weather report", Holly Golightly, Manhattan's elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly's superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly's beguiling allure. Even though they don't openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany's be the prelude to a breezy young love?

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