Edgar Colt

Vitor Miguel

Prisma Soulstorm

Serena

Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Cold Mountain is a novel about a soldier’s perilous journey back to his beloved near the Civil War's end. At once a love story &amp; a harrowing account of one man’s long walk home, Cold Mountain introduces a new talent in American literature.Based on local history &amp; family stories passed down by Frazier’s great-great-grandfather, Cold Mountain is the tale of a wounded Confederate soldier, Inman, who walks away from the ravages of the war &amp; back home to his prewar sweetheart, Ada. His odyssey thru the devastated landscape of the soon-to-be-defeated South interweaves with Ada’s struggle to revive her father’s farm, with the help of an intrepid young drifter named Ruby. As their long-separated lives begin to converge at the close of the war, Inman &amp; Ada confront the vastly transformed world they’ve been delivered.Frazier reveals insight into human relations with the land &amp; the dangers of solitude. He also shares with the great 19th century novelists a keen observation of a society undergoing change. Cold Mountain recreates a world gone by that speaks to our time.

This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love. Through Jean M. Auel's magnificent storytelling we are taken back to the dawn of modern humans, and with a girl named Ayla we are swept up in the harsh and beautiful Ice Age world they shared with the ones who called themselves the Clan of the Cave Bear. A natural disaster leaves the young girl wandering alone in an unfamiliar and dangerous land until she is found by a woman of the Clan, people very different from her own kind. To them, blond, blue-eyed Ayla looks peculiar and ugly--she is one of the Others, those who have moved into their ancient homeland; but Iza cannot leave the girl to die and takes her with them. Iza and Creb, the old Mog-ur, grow to love her, and as Ayla learns the ways of the Clan and Iza's way of healing, most come to accept her. But the brutal and proud youth who is destined to become their next leader sees her differences as a threat to his authority. He develops a deep and abiding hatred for the strange girl of the Others who lives in their midst, and is determined to get his revenge.

Sookie Stackhouse is a cocktail waitress in Bon Temps, Louisiana. She has only a few close friends, because not everyone appreciates Sookie’s gift: she can read minds. That’s not exactly every man’s idea of date bait – unless they’re undead; vampires and the like can be tough to read. And that’s just the kind of guy Sookie’s been looking for. Maybe that’s why, when she comes across a naked vampire, she doesn’t just drive on by. He hasn’t got a clue who he is, but Sookie has: Eric looks just as scary and sexy – and dead – as ever. But now he has amnesia, he’s sweet, vulnerable, and in need of Sookie’s help – because whoever took his memory now wants his life.

Cocktail waitress Sookie Stackhouse is having a streak of bad luck. First her co-worker is killed, and no one seems to care. Then she comes face to-face with a beastly creature that gives her a painful and poisonous lashing. Enter the vampires, who graciously suck the poison from her veins (like they didn't enjoy it).The point is: they saved her life. So when one of the bloodsuckers asks for a favor, she obliges - and soon Sookie's in Dallas, using her telepathic skills to search for a missing vampire. She's supposed to interview certain humans involved, but she makes one condition: the vampires must promise to behave and let the humans go unharmed. But that's easier said than done, and all it takes is one delicious blonde and one small mistake for things to turn deadly....

After reading a succession of more serious books, I felt the need to read something light and trashy. As I discovered from reading this book, you should be careful what you wish for. Light? Yes. Trashy? Oh yes. Oh yes, yes, yes. But not in a good way - just trash, trash, trash.It is hard to say what I disliked more about this book - the sophomoric writing, or the annoying, vapid, 2-d, Harlequin-romance-heroine-helpless-twit persona of Sookie Stackhouse. Sookie is a psychic, and this fact is used to explain everything from why she didn't do well at school and became a cocktail waitress to why she spends all of her free time sunbathing to why she can't see an obviously dangerous situation until she's up to her eyeballs in it. It does not, however, explain why she has such bad dress-sense (denim mini jumper dress with yellow bandana hair clip to impress the vampire who comes to dinner; Tweety Bird night gown that drives him wild with desire), or why her sexual naivete comes and goes like a rash - at times she is very confident about her sexual attractiveness (wearing "fuck me" red high heels etc) and other times wondering what Bill the vampire and all of the other men in Louisiana could possibly see in "l'il ole me".The sex scenes are either squirmingly bad or tedious. After reading two I just had to skip ahead a few pages any time sex with Sookie looked like it was going to rear its ugly and badly-written head.I know a lot of folks have enjoyed this series, and have devoured every book written by Charlaine Harris. From reading other reviews, it seems to be a very polarizing book. As for me, I could barely choke this one down and will look to satisfy my literary appetites elsewhere.3/28/10 - After having viewed the first two episodes of the HBO series "True Blood", I can now understand why people have gone bananas over this series of books. The show (what I've seen so far) is exceptionally good, thanks to a great cast and the writing talents of Alan Ball, who has turned a sow's ear into a silk purse. I can see how a reader might enjoy the books if they had viewed at least some of the series first and kept it in mind while reading Charlaine Harris's less than stellar prose. Unfortunately, that wasn't the case for me - and while I won't be reading any more of these books, I will continue to enjoy the show!

Although Bradley set up much of Avalon and Britannia in The Mists of Avalon, the stories in Lady of Avalon actually take place beforehand, and Bradley spends the first third of the book describing Avalon as it was before it was closed off in mists, and Britannia before Christianity had really taken hold. Because there are actually three stories told within the context of one novel, Bradley must introduce the reader to the changes that have taken place over time at the beginning of each new tale. The book moves slowly, focusing much more on characters than on action. Bradley even introduces a puzzle aspect, asking the reader to try to determine which new character is the reincarnate from the first tale. This novel focuses partly on Goddess worship, giving preference to the female point of view, and as with The Mists of Avalon, has a feminist tone. However, she does not degrade men but instead acknowledges the importance of their roles in Avalon and Britannia. Avalon and Britannia are equally important settings, the politics of each affecting the other. Bradley puts a great deal of emphasis on rituals among the Priestesses and Druids in early British history, and the concept of ritual itself could be considered a character element. Although she does occasionally introduce humor and romance, Bradley instead instills a mood that varies from being bright, hopeful and positive to being sad and depressing, only to come back to hope again.

Blending archaeological fact and legend, the myths of the gods and the feats of heroes, Marion Zimmer Bradley breathes new life into the classic tale of the Trojan War-reinventing larger-than-life figures as living people engaged in a desperate struggle that dooms both the victors and the vanquished, their fate seen through the eyes of Kassandra-priestess, princess, and passionate woman with the spirit of a warrior.

Long-awaited final volume in the Avalon series by bestselling fantasy author, Marion Zimmer Bradley. As the Merlin of Britannia keeps his vigil atop the Tor of Avalon, Rian, the High Priestess of Avalon, dies giving birth to her fifth child. The girl, named Eilan with her mother's dying breath, takes life. From the stars the Merlin draws forth her prophecy: 'The child that was born at the Turning of Autumn, just as the night gave way to dawn, shall stand at the turning of the Age, the gateway between two worlds.' A prophecy of greatness, but it seems that she is destined to walk a path unlike any trod by a Priestess of Avalon before! Published posthumously, this spellbinding historical romance is the concluding volume in the Avalon series from Marion Zimmer Bradley, the author of the worldwide bestseller, The Mists of Avalon, who died in 1999.

The Forest House—prequel to The Mists of Avalon, Marion Zimmer Bradley’s beloved and enduring classic—is a mesmerizing epic of one woman’s mythic role at a turning point in history.In a Britain struggling to survive Roman invasion, Eilan is the daughter of a Druidic warleader, gifted with visions and marked by fate to become a priestess of the Forest House.But fate also led Eilan to Gaius, a soldier of mixed blood, son of the Romans sent to subdue the native British. For Gaius, Eilan felt forbidden love, and her terrible secret will haunt her even as she is anointed as the new High Priestess. With mighty enemies poised to destroy the magic the Forest House shelters, Eilan must trust in the power of the great Goddess to lead her through the treacherous labyrinth of her destiny.Take The Forest House Quiz!

In 2007 I joined Goodreads and wrote reviews of some of the books that had most transformed me as a reader. I have since, over the years, taken an absurd amount of geek pride that my review of this book is (I think) the most popular one. And for everyone writing "GET OVER YOURSELF" in the comments, as a response to my using my own little corner of the internet to tell a story about how my life as a writer and a Catholic and a woman was shaped by this book, there were a dozen other women responding "OH MY GOD, ARE YOU ME?" I love that. I love this weird little internet mini-community we've built out of being weirdo outcast girls who felt inspired and empowered by this book about a weirdo outcast girl who becomes a raging badass. And then today I read this: http://www.teleread.com/writing/mario...And this: http://deirdre.net/marion-zimmer-brad...And this: http://deirdre.net/marion-zimmer-brad...And this: http://www.theguardian.com/books/2014...And about twenty more.Every consumer of art gets to decide for themselves how much the life of the artist matters to them. Sometimes brilliant creative geniuses are assholes. Sometimes they're criminals. Sometimes that makes a difference to how you read their work. Sometimes it doesn't. The words of twenty-six-year-old me, pouring forth my passionate love for MZB's words, remain untouched and unedited below. Because that story, of how I fell in love with that book as a child, is still a true story. I haven't decided whether I will re-read this book again, whether I will keep it or get rid of it, knowing the things I know now about the woman who wrote it. And I'm not telling you what you should do. But MZB's daughter says out loud not only that her mother abused her, but that part of the reason she hid that abuse was because of MZB's status in the SFF community as a champion of women. Because she didn't think anyone would believe her. Because this is an important feminist work. Because her mother's fans would be angry at her for accusing their icon of such horrors. And I won't be complicit in that. --Claire Willett (June 27, 2014)ORIGINAL REVIEW BELOW________________________________________You have to be a particular kind of girl to fall in love with this book the way I did.--You have to be in the sixth grade, a freakishly precocious reader, whose beloved sixth-grade teacher brings a box of her ten favorite books to class and sets them up on the chalkboard and leaves them there for weeks for you to look at, including one HUGE book that looks like it's a billion pages long with some cool fairy priestess chick on a horse on the cover.--You have to have grown up reading King Arthur stories and LOVE the movie "The Sword In the Stone."--You have to be so hopelessly nerdy that you would rather sit on the side of the playground reading than play kickball, never mind how much the other kids make fun of you about it.--You have to be Catholic enough to understand the mentality of the occasionally hateful Christian characters in the book (as well as to be baffled and perplexed by all the sexuality which will make a number of plot elements only make sense to you when you re-read the book as a college student and go, "Ohhhhh. Now I get it").--You have to be the kind of girl who loves and relates to the plain outcast Morgaine who is treated as a freak has to learn how to rely on herself alone. --You have to hate the shallow blonde princesses, even when they seem like they might be kind of nice people, and always root for the feisty brunette. --You have to be a fantasy geek who LOVES any book with swordfighting, magic, princesses, and doomed romance. --You have to be patient enough to read 800+ pages that cover one woman's entire lifetime from before her birth to old, old age.--You have to come to the end of the book and secretly wish that (despite your religious conviction in your Catholic upbringing) Britain had never been Christianized and we were all still witches. --You have to secretly wish you belonged to a mystical female cult where you had to have a blue crescent moon tattooed on your forehead.--You have to wish you knew how to ride a horse in a dress and look majestic, instead of falling off every time you were forced onto a horse at camp or on vacation and now you hate them and they scare you.

First published in 1903, The Call of the Wild is regarded as Jack London's masterpiece. Based on London's experiences as a gold prospector in the Canadian wilderness and his ideas about nature and the struggle for existence, The Call of the Wild is a tale about unbreakable spirit and the fight for survival in the frozen Alaskan Klondike.

White Fang, Jack London White Fang is a novel by American author Jack London (1876–1916) — and the name of the book's eponymous character, a wild wolfdog. First serialized in Outing magazine, it was published in 1906. The story takes place in Yukon Territory and the Northwest Territories, Canada, during the 1890s Klondike Gold Rush and details White Fang's journey to domestication. It is a companion novel (and a thematic mirror) to London's best-known work, The Call of the Wild, which is about a kidnapped, domesticated dog embracing his wild ancestry to survive and thrive in the wild. Much of White Fang is written from the viewpoint of the titular canine character, enabling London to explore how animals view their world and how they view humans. White Fang examines the violent world of wild animals and the equally violent world of humans. The book also explores complex themes including morality and redemption.تاریخ نخستین خوانش: سال 1974 میلادیعنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: محمد قاصی؛ تهران، بنگاه مطبوعاتی صفیعلیشاه، 1332، در 221 ص؛ چاپ دوم: تهران، نیل، 1335، در 223 ص؛ چاپ دیگر: سازمامان کتابهای جیبی، 1340؛ در 207 ص؛ چاپ پنجم 1343؛ چاپ نهم: فرانکلین، 1354، در 258 ص؛ چاپ دیگر: هدایت، 1369، در 275 ص؛عنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: شاپور رزم آزما؛ تهران، آرمان، ؟، در 256 ص؛ عنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: محمد شاطرلو؛ تهران، دادجو، 1364، در 206 ص؛ چاپ دیگر: 1388، در 159 ص، شابک: 9789642621569؛ چاپ دیگر: تهران، راستی نو، پر پرواز، 1388، در 159 ص، شابک: 9789642646340؛ چاپ دیگر: تهران، یزدانیار، 1393؛ در 159 ص؛ شابک: 9786009184811؛عنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: خسرو شایسته؛ تهران، سپیده، 1364؛ چاپ چهارم 1370، در 111 ص؛ عنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: مژگان حائری؛ تهران، نهال نویدان، 1374؛ در 128 ص؛ عنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: بهار اشراق؛ ویراستار: پریسا همایون روز؛ تهران، قدیانی، 1386؛ در 302 ص؛ شابک: 9789645361981؛ چاپ سوم 1394؛ با همان شابکعنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: مهدی علوی؛ تهران، دبیر، اکباتان، 1389؛ در 112 ص؛ شابک: 9789642621743؛ عنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: کیومرث پارسای؛ تهران، چلچله، 1392؛ در 226 ص؛ شابک: 9789648329438؛ عنوان: سپید دندان؛ نویسنده: جک لندن؛ مترجم: سیدرضا مرتضوی؛ تهران، آفرینگان، 1394؛ در 64 ص؛ شابک: 9786006753881؛دنباله ی کتاب آوای وحش است، داستان در جریان تب طلای کلوندایک رخ می‌دهد. جک لندن زندگی سگی را که خون گرگی دارد، دنبال می‌کند. ایشان در این رمان به مسائل اخلاقی و تقابل وحشی‌گری و تمدن انسانی می‌پردازند. ا. شربیانی

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . . Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

What happens when the most beautiful girl in the world marries the handsomest prince of all time and he turns out to be...well...a lot less than the man of her dreams?As a boy, William Goldman claims, he loved to hear his father read the S. Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

Sing to me of the man, Muse, the man of twists and turnsdriven time and again off course, once he had plunderedthe hallowed heights of Troy.So begins Robert Fagles' magnificent translation of the Odyssey.If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.--Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

Edgar Allan Poe remains the unsurpassed master of works of mystery and madness in this outstanding collection of Poe's prose and poetry are sixteen of his finest tales, including "The Tell-Tale Heart", "The Murders in the Rue Morgue", "The Fall of the House of Usher," "The Pit and the Pendulum," "William Wilson," "The Black Cat," "The Cask of Amontillado," and "Eleonora". Here too is a major selection of what Poe characterized as the passion of his life, his poems - "The Raven," "Annabel Lee," Ulalume," "Lenore," "The Bells," and more, plus his glorious prose poem "Silence - A Fable" and only full-length novel, The Narrative of Arthur Gordon Pym.

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Alternate cover for this ISBN can be found herePercy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse - Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him. When Percy's mom finds out, she knows it's time that he knew the truth about where he came from, and that he go to the one place he'll be safe. She sends Percy to Camp Half Blood, a summer camp for demigods (on Long Island), where he learns that the father he never knew is Poseidon, God of the Sea. Soon a mystery unfolds and together with his friends—one a satyr and the other the demigod daughter of Athena - Percy sets out on a quest across the United States to reach the gates of the Underworld (located in a recording studio in Hollywood) and prevent a catastrophic war between the gods.

A number-one New York Times bestseller when it was originally published, THE SILMARILLION is the core of J.R.R. Tolkien's imaginative writing, a work whose origins stretch back to a time long before THE HOBBIT.Tolkien considered THE SILMARILLION his most important work, and, though it was published last and posthumously, this great collection of tales and legends clearly sets the stage for all his other writing. The story of the creation of the world and of the the First Age, this is the ancient drama to which the characters in THE LORD OF THE RINGS look back and in whose events some of them, such as Elrond and Galadriel, took part. The three Silmarils were jewels created by Feanor, most gifted of the Elves. Within them was imprisoned the Light of the Two Trees of Valinor before the Trees themselves were destroyed by Morgoth, the first Dark Lord. Thereafter, the unsullied Light of Valinor lived on only in the Silmarils, but they were seized by Morgoth and set in his crown, which was guarded in the impenetrable fortress of Angband in the north of Middle-earth. THE SILMARILLION is the history of the rebellion of Feanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeless despite all their heroism, against the great Enemy.This second edition features a letter written by J.R.R. Tolkien describing his intentions for the book, which serves as a brilliant exposition of his conception of the earlier Ages of Middle-earth.

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