Jaspreet Singh

Hector Jaime Oropesa

aasta Haukland

Jayden

Alokym ya Bassa

Joseph Greer

Catalina Olmos

George Balaskas

Ojasw Upadhyay

Taylor Robinson

Carly Hylton

Daniel Mariani

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer.2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed?Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.

The setting is East Texas, where Peggy, a young nurse, works at an institution for the criminally insane. After her husband Danny is mysteriously killed in a car accident, she convinces herself that it was murder… and she knows the murderer by name… Jasper Johnson. When she gets notice from Marbelle Johnson, Jasper’s mother, requesting an impromptu meeting, she discovers that the filthy rich oil baroness believes Danny to have been the bastard child of her deceased husband, Charles Johnson.  Peggy, irreparably damaged from childhood by religious fanaticism, reluctantly agrees to exhume Danny’s body. Reeling with doubt, all the while fearing betrayal by the Johnsons, she finds herself bordering on insanity.  Shackled in darkness, Peggy throws herself into her work only to find herself face to face with a blonde haired, blue eyed schizophrenic in a straitjacket. Quite by circumstance she discovers that this patient, Morgan Dubois, who as a child was found burrowed in the ground in the Piney Wood Thicket, has a link not only to her late husband, but also to the aberrations of her mind.  As secrets are revealed and it becomes apparent that something or someone wants to silence their tongues, Peggy is forced to seek refuge with the Johnsons. Together, as death finds them, one by one, they set upon a perilous journey in search of truth. Deep in the heart of the Piney Wood Thicket, they stumble upon Cypress Creek and discover an existence older than time itself. Peggy, caught in a maelstrom of emotions, torn between two worlds, finds herself in a desperate battle, not only for her life, but for that of all of mankind.

Download a FREE chapter sampler of The Whisper Man!In this dark, suspenseful thriller, Alex North weaves a multi-generational tale of a father and son caught in the crosshairs of an investigation to catch a serial killer preying on a small town.After the sudden death of his wife, Tom Kennedy believes a fresh start will help him and his young son Jake heal. A new beginning, a new house, a new town. Featherbank.But the town has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.Just as Tom and Jake settle into their new home, a young boy vanishes. His disappearance bears an unnerving resemblance to Frank Carter's crimes, reigniting old rumors that he preyed with an accomplice. Now, detectives Amanda Beck and Pete Willis must find the boy before it is too late, even if that means Pete has to revisit his great foe in prison: The Whisper Man.And then Jake begins acting strangely. He hears a whispering at his window...

'Misery' is a gruesome story of torture with blood, guts, and a psychopath. It's a well told tale, the characters are well developed and the fact that there are only two of them never gets boring. It's a real page turner, in fact I finished it tonight after getting off the subway on the platform before I walked home. But, this book is more than just a thriller, just like King is more than just a pulp writer.I read an article by the ever optimistic and cheerful Harold Bloom in college about how dismayed he was that young people like Stephen King so much. All the literature crtics I've read hate King and it seems like it's just because people actually enjoy reading his work. Yeah, Bloom, I said 'work' just like I would about Tolstoy's 'work' because Stephen King as damned hard worker. Think of all the books he's churned out over the last few decades. I'd like to see Harold Bloom show enough imagination to write fiction instead of just criticizing it all the time.I'm actually new to Stephen King's fiction. I've read a few of the essays and articles he's written and a really great graduation speech he gave at UMaine awhile ago in which he extolled the virtues of our mutual home state, but this is only my 3rd novel by him. I like this guy, and I know why too. It's not just because he makes me scream and I have a hard time putting his books down, it's because King loves writing. He has a real and self-aware relationship with what it means to be a writer. He knows he's not Tolstoy or Faulkner, he doesn't try to write that way. He knows how to tell a good god damned story and he has a passion for it. I appreciate his self awareness as a writer and the fact that he ackowledges how difficult the whole process is while not making us feel like he's somehow superior because he's figured out how to do it.In 'Misery' it's almost like we get to watch King write this story. He doesn't just set us up for a crazy story and watch us discover things about his characters, it feels like he actually comes with us and makes the discoveries at the same time we do. That's what makes a good storyteller. And I don't give a damn if Bloom likes him or not.

'The apparition had reached the landing half-way up and was therefore on the spot nearest the window, where, at the sight of me, it stopped short'Oscar Wilde called James's chilling The Turn of the Screw 'a most wonderful, lurid poisonous little tale.' It tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a sense of intense evil within the house, she soon becomes obsessed with the belief that malevolent forces are stalking the children in her care. Obsession of a more worldly variety lies at the heart of The Aspern Papers, the tale of a literary historian determined to get his hands on some letters written by a great poet-and prepared to use trickery and deception to achieve his aims. Both works show James's mastery of the short story and his genius for creating haunting atmosphere and unbearable tension.Anthony Curtis's wide-ranging introduction traces the development of the two stories from initial inspiration to finished work and examines their critical reception.

You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.”And here’s what I’m thinking: I don’t want to be here.In this deeply suspenseful and irresistibly unnerving debut novel, a man and his girlfriend are on their way to a secluded farm. When the two take an unexpected detour, she is left stranded in a deserted high school, wondering if there is any escape at all. What follows is a twisted unraveling that will haunt you long after the last page is turned. In this smart, suspenseful, and intense literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, I’m Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel pulls you in from the very first page…and never lets you go.

This is a three-chapter sampler.Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

Une jeune fille se réveille dans un lit qui n'est pas le sien. Plus inquiétant : la chambre dans laquelle elle se trouve n'est qu'un décor reconstitué dans une cave dont elle est prisonnière. La panique monte. Comment a-t-elle atterri ici ? Et pourquoi ? Pendant ce temps, des promeneurs font une découverte macabre : le corps décomposé d'une femme sur une plage. La disparition de la victime remonte à plusieurs années sans jamais avoir été signalée : la famille continuait de recevoir des nouvelles via les réseaux sociaux et n'avait donc aucune raison de s'inquiéter.Pour la détective Helen Grace, c'est la preuve que le meurtrier qu'elle traque est pervers, mais aussi intelligent et manipulateur. L'heure tourne. Et quelque part, une autre femme lutte pour sa survie ...

When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

The electrifying, award-winning, internationally bestselling novel about a dystopian world in which animals have been wiped out, humans are being harvested for food, and society has been divided into those who eat and those who are eaten. Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think about how he makes a living. After all, it happened so quickly. First, it was reported that animals had been infected with a virus and their meat had become poisonous. Then governments initiated the Transition. Now, human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a specimen of the finest quality. He leaves her in his barn, tied up, a problem to be disposed of later. But she haunts Marcos. Her trembling body, her watchful, knowing eyes. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved. From Agustina Bazterrica, one of Latin America’s most celebrated and original new voices, Tender Is the Flesh is propulsive and profound, a searing cautionary tale about the cost of consumption and the ties that bind and break us.

Osamu Dazai's No Longer Human, this leading postwar Japanese writer's second novel, tells the poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title).Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima.Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

Beautifully spare and deeply strange, Dandelions—exploring love and madness—is Kawabata’s final novel, left incomplete when he committed suicide in April, 1972. The book concerns Ineko’s mother and Kuno, the young man who loves Ineko and wants to marry her. The two have left Ineko at the Ikuta Mental Hospital, which she has entered for treatment of a condition that might be called “seizures of body blindness.” Although her vision as a whole is unaffected, she periodically becomes unable to see her lover Kuno’s body: when this occurs, Ineko breaks down. Whether or not her condition actually constitutes madness is a topic of heated discussion between Kuno and Ineko’s mother… In this tantalizing book, Kawabata explores the incommunicability of desire as well as desire’s relation to the urge to hide. With Dandelions, Kawabata carries the art of the novel, where he always suggested more than he stated, into mysterious new realms.

Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

Just Dance 2014, the sequel to Just Dance 4, is bringing all new moves with features for every motion control platform and over 40 of the hottest tracks and dan...

The game involves players creating and destroying various types of blocks in a three dimensional environment. The player takes an avatar that can destroy or cre...

Constructing this film through random scenes, director Harmony Korine abruptly jettisoned any sort of narrative plot, so here we go: Solomon and Tummler are two bored teenage boys who live in Xenia, Ohio. A few years ago, a tornado swept through it, destroying more than half the town and killing the same amount, including Solomon's father. The film, from there, chronicles the anti-social adventures these two boys have. These include sniffing glue, killing cats, having sex, riding dirtbikes, listening to black metal, and meeting a cavalcade of quirky, bizarre, and scary people. These include a man who pimps his mentally ill wife to our anti-heroes, three sisters who play with their cat and practice becoming strippers, a black midget fending off the sexual advances of a troubled man (played by the director Harmony Korine), a 12-year-old gay transvestite who is also a cat killer, Solomon's mother who seems to be the only glimpse of sanity, two foul-mouthed six-year olds, and most importantly, a nymphlike skateboarder who walks around town wearing pink rabbit ears.

Christine "Lady Bird" McPherson (Saoirse Ronan) is a high school senior from the "wrong side of the tracks". She longs for adventure, sophistication, and opportunity, but finds none of that in her Sacramento Catholic high school. This movie follows the title character's senior year in high school, including her first romance, her participation in the school play, and most importantly, her applying for college.

When Miss Stevens chaperones three of her students - Billy, Margot and Sam - on a weekend trip to a drama competition, she discovers that coming of age stories aren't just for teenagers. Exploring the fine line between being a grown up and being a kid, MISS STEVENS looks at the moment you realize maybe you're the responsible adult in the room, and what comes after you find out you're not who you thought you'd be.

This movie follows a teenager named Stevie growing up in Los Angeles. He's struggling with his family, including his co-dependent single mom and his abusive older brother, and at school, where his richer friends seem to overlook him. When Stevie befriends a crew of skateboarders, he learns some tough lessons about class, race, and privilege.

Camille's life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self.

From a screenplay by Shia LaBeouf, based on his own experiences, award-winning filmmaker Alma Har'el brings to life a young actor's stormy childhood and early adult years as he struggles to reconcile with his father through cinema and dreams. Fictionalizing his childhood's ascent to stardom, and subsequent adult crash-landing into rehab and recovery, Har'el casts Noah Jupe and Lucas Hedges as Otis Lort, navigating different stages in a frenetic career. LaBeouf takes on the daring and therapeutic challenge of playing a version of his own father, an ex-rodeo clown and a felon. Artist and musician FKA Twigs makes her feature-film debut, playing neighbor and kindred spirit to the younger Otis in their garden-court motel home. Har'el's feature narrative debut is a one-of-a-kind collaboration between filmmaker and subject, exploring art as medicine and imagination as hope.

Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse and recovery in a family coping with addiction over many years.

David desperately tries to keep his family of six together during a separation from his wife. They both agree to see other people but David struggles to grapple with his wife's new relationship.

A woman (Jacobson) learns her brother (Franco) has relapsed on heroin.

Bill and Kate are in an emotionless marriage with their only son away at college. They knew he didn't sound happy but then comes the news that he was the mass murderer at his school killing 17 professors, fellow students and himself. They try to move on with their lives but they are held back by their own grief and the fact that the media and everyone around them view them as monsters. The more they fight it, they realize they only have each other.

A gay teenage prostitute and another teen, both from the same small town in Kansas, narrate separate stories from their childhoods. The prostitute's story is about a disturbing homosexual encounter with his pedophile baseball coach, and the other teen's story revolves around an amnesia blackout during which he thinks he may have been abducted by aliens. Later, the second teen finds clues linking the gay prostitute (now living in New York City) to his possible alien abduction, so he tracks him down to finally seek out the truth.

Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thus, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own.

At the edge of adolescence, Tracy is a smart straight-A student--if not a little naive (it seems...she smokes and she cuts to alleviate the emotional pain she suffers from having a broken home and hating her mom's boyfriend, Brady.) When she befriends Evie, the most popular and beautiful girl in school, Evie leads Tracy down a path of sex, drugs and petty crime (like stealing money from purses and from stores). As Tracy transforms herself and her identity, her world becomes a boiling, emotional cauldron fueled by new tensions between her and her mother--as well as, teachers and old friends.

Based on the novel written by Stephen Chbosky, this is about 15-year-old Charlie (Logan Lerman), an endearing and naive outsider, coping with first love (Emma Watson), the suicide of his best friend, and his own mental illness while struggling to find a group of people with whom he belongs. The introvert freshman is taken under the wings of two seniors, Sam and Patrick, who welcome him to the real world.

A popular high school girl is harassed by a delinquent boy until they are placed in creative writing class together. Through written words, they create a bond, but tragically a bond that cannot withstand her social pressures or his brutal home life.

The Education of Charlie Banks is a coming of age tale that spans from the playgrounds of lower Manhattan to the idyllic greens of a fictional liberal arts college in upstate New York. Set during the eighties, it is a story about change, inevitability, and ultimately, about facing one's fears.

Daisy Winters is about an eleven year-old girl's unconventional, yet deeply loving relationship with her mother and what happens when this essential mother/daughter bond is harshly broken. Along her journey, including her quest to discover her father, the courageous, resourceful, precocious Daisy learns how to embrace every moment with determination and an unrelenting belief in herself .

Ellen is a 20 year old woman struggling with anorexia nervosa. In the midst of family problems and her own fears, she is accepted into a group home run by an unusual doctor. Through the people she meets and the journey she takes, Ellen follows a path of self discovery and acceptance that will lead her to a surprising place she never would have thought possible

Bruised, abused, and on the verge of collapse, heroin-addled Molly shows up at the house of her heartbroken, long-suffering mother, Deb, seeking help. But ten painful years of estrangement, drug use, and addiction have taken a toll on the already fragile mother-and-daughter relationship. Because, so far, Molly has been through detox more than a dozen times, yet she still shows no signs of recovering. Now, a doctor offers Molly a shred of hope--a monthly shot of an opioid antagonist, a potent agent that prevents toxic substances from binding to the central nervous system. However, there's a catch: Molly must stay clean for four long, excruciating, faith-challenging days to receive the promising treatment. The question is, can Molly respond to Deb's tough love?

Two people who let a road rage incident burrow into their minds and slowly consume their every thought and action.

nevaeh perez

After workaholic Kevin has a drunken one night stand with the beautiful train-wreck Madeline, he's horrified to discover that she's actually his boss' jilted ex-mistress. When she takes a bottle of sleeping pills, Kevin is forced to keep her awake... and over the course of the night the two begin to fall for each other.

romance

movie

A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. However two of the students plan to do something that the student body won't forget.

trauma

coming of age

and i love her

music artist

Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time.

In 1954, up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he thinks he's been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity.

After the untimely death of 16-year-old Martin's father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven's perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin's honest intent. And then, unexpectedly, the idyllic family is smote by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

psychological

On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife?

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