Boba

Enes Buğra 

Jim Thomas

andres santamaría

Dad Is ar

Murat Dadaş

Marcus Hopson

Michael Walsh

ANDY

vision

Sheikha

In reality, Hiro Protagonist delivers pizza for Uncle Enzo's CosoNostra Pizza Inc., but in the Metaverse he's a warrior prince. Plunging headlong into the enigma of a new computer virus that's striking down hackers everywhere, he races along the neon-lit streets on a search-and-destroy mission for the shadowy virtual villain threatening to bring about infocalypse. Snow Crash is a mind-altering romp through a future America so bizarre, so outrageous… you'll recognize it immediately.

A millennium into the future two advances have altered the course of human history: the colonization of the Galaxy and the creation of the positronic brain. Isaac Asimov's Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together.Detective Elijah Baley is called to the Spacer world Aurora to solve a bizarre case of roboticide. The prime suspect is a gifted roboticist who had the means, the motive, and the opportunity to commit the crime. There's only one catch: Baley and his positronic partner, R. Daneel Olivaw, must prove the man innocent. For in a case of political intrigue and love between woman and robot gone tragically wrong, there's more at stake than simple justice. This time Baley's career, his life, and Earth's right to pioneer the Galaxy lie in the delicate balance. 

A shocking scientific discovery. A conspiracy of staggering brilliance. A thriller unlike any you've ever read....When a NASA satellite discovers an astonishingly rare object buried deep in the Arctic ice, the floundering space agency proclaims a much-needed victory—a victory with profound implications for NASA policy and the impending presidential election. To verify the authenticity of the find, the White House calls upon the skills of intelligence analyst Rachel Sexton. Accompanied by a team of experts, including the charismatic scholar Michael Tolland, Rachel travels to the Arctic and uncovers the unthinkable: evidence of scientific trickery—a bold deception that threatens to plunge the world into controversy. But before she can warn the President, Rachel and Michael are ambushed by a deadly team of assassins. Fleeing for their lives across a desolate and lethal landscape, their only hope for survival is to discover who is behind this masterful plot. The truth, they will learn, is the most shocking deception of all.

Golan Trevize, former Councilman of the First Foundation, has chosen the future, and it is Gaia. A superorganism, Gaia is a holistic planet with a common consciousness so intensely united that every dewdrop, every pebble, every being, can speak for all—and feel for all. It is a realm in which privacy is not only undesirable, it is incomprehensible. But is it the right choice for the destiny of mankind? While Trevize feels it is, that is not enough. He must know. Trevize believes the answer lies at the site of humanity's roots: fabled Earth . . . if it still exists. For no one is sure where the planet of Gaia's first settlers is to be found in the immense wilderness of the Galaxy. Nor can anyone explain why no record of Earth has been preserved, no mention of it made anywhere in Gaia's vast world-memory. It is an enigma Trevize is determined to resolve, and a quest he is determined to undertake, at any cost.[ Original description here: Горстка смельчаков пытается найти прародину человечества - Землю, чтобы получить разгадку тайн истории Галактики. = A handful of brave souls trying to find humanity's ancestral home—the Earth, to get answers to the mysteries of the history of the Galaxy.]

Children of the Mind (1996) is the fourth novel of Orson Scott Card's popular Ender's Game series of science fiction novels that focus on the character Ender Wiggin. This book was originally the second half of Xenocide, before it was split into two novels.At the start of Children of the Mind, Jane, the evolved computer intelligence, is using her newly discovered abilities to take the races of buggers, humans and pequeninos outside the universe and back instantaneously. She uses these powers to move them to distant habitable planets for colonization. She is losing her memory and concentration as the vast computer network connected to the ansible is being shut down. If she is to survive, she must find a way to transfer her aiúa (or soul) to a human body.

Fraa Erasmas is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the outside "saecular" world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities and governments have risen and fallen beyond the concent's walls. Three times during history's darkest epochs violence born of superstition and ignorance has invaded and devastated the cloistered mathic community. Yet the avout have always managed to adapt in the wake of catastrophe, becoming out of necessity even more austere and less dependent on technology and material things. And Erasmas has no fear of the outside—the Extramuros—for the last of the terrible times was long, long ago.Now, in celebration of the week-long, once-in-a-decade rite of Apert, the fraas and suurs prepare to venture beyond the concent's gates—at the same time opening them wide to welcome the curious "extras" in. During his first Apert as a fraa, Erasmas eagerly anticipates reconnecting with the landmarks and family he hasn't seen since he was "collected." But before the week is out, both the existence he abandoned and the one he embraced will stand poised on the brink of cataclysmic change.Powerful unforeseen forces jeopardize the peaceful stability of mathic life and the established ennui of the Extramuros—a threat that only an unsteady alliance of saecular and avout can oppose—as, one by one, Erasmas and his colleagues, teachers, and friends are summoned forth from the safety of the concent in hopes of warding off global disaster. Suddenly burdened with a staggering responsibility, Erasmas finds himself a major player in a drama that will determine the future of his world—as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet . . . and beyond.

The Three-Body Problem is the first chance for English-speaking readers to experience the Hugo Award-winning phenomenon from China's most beloved science fiction author, Liu Cixin.Set against the backdrop of China's Cultural Revolution, a secret military project sends signals into space to establish contact with aliens. An alien civilization on the brink of destruction captures the signal and plans to invade Earth. Meanwhile, on Earth, different camps start forming, planning to either welcome the superior beings and help them take over a world seen as corrupt, or to fight against the invasion. The result is a science fiction masterpiece of enormous scope and vision.

The artefact is a circular ribbon of matter six hundred million miles long and ninety million miles in radius. Pierson's puppeteers, the aliens who discovered it, are understandably wary of encountering the builders of such an immense structure and have assembled a team of two humans, a mad puppeteer and a kzin, a huge cat-like alien, to explore it. But a crash landing on the vast edifice forces the crew on a desperate and dangerous trek across the Ringworld.

The historians can’t seem to settle whether to call this one "The Third Space War" (or the fourth), or whether "The First Interstellar War" fits it better. We just call it “The Bug War." Everything up to then and still later were "incidents," "patrols," or "police actions." However, you are just as dead if you buy the farm in an "incident" as you are if you buy it in a declared war...In one of Robert A. Heinlein’s most controversial bestsellers, a recruit of the future goes through the toughest boot camp in the Universe—and into battle with the Terran Mobile Infantry against mankind’s most alarming enemy.

Was Robert A. Heinlein a dirty old man? Yes. But he was also a visionary who saw the trends of Western Civilization and expounded out into a foreseeable future, not just in terms of science fiction but also in regard to cultures, morals, sociology and ideology. Time Enough for Love demonstrates the fundamental attractiveness of science fiction, the eternal hope that things will get better. Dystopian fantasies aside, science fiction deals with the future, and that there are people in the future still carrying on everyday lives. At its heart, science fiction is about hope, hope that we’ll see a few more years ahead. Time Enough for Love goes one step further and introduces us to Lazarus Long (though he was in prior Heinlein novels) as the oldest living human, over 2,000 years old. Thus, Heinlein allows us to imagine an almost eternal existence, and without the need to live at night and drink blood. I like reading Heinlein because I like Heinlein, chauvinistic and militaristic as he may be; he is also a libertarian humanist who loves life and tells a good story. He’s not misogynistic, he clearly loves women and sees them as capable and wonderful people. Heinlein’s voice, whether Lazarus Long, or Jubal Hershaw, is that of Heinlein himself, his experience is cast upon science fiction of the future. The best thing about Heinlein is that he is a good writer, a great writer of science fiction. And that is demonstrated both in the positive and negative in TEFL. When he is telling a story, it is very good, but in the “in between sections” it drags poorly. The best section is the story about Lazarus and his marriage to short lived Dora and their pioneer life. If RAH made the “Tale of the Adopted Daughter” a full length novel, cutting out about 300 pages, this would have been a very good story. Ultimately, it’s just too long, Heinlein is too ambitious and throws too much in and it collapses under it’s own weight.

On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all. On the eve of Armageddon, with the entire galaxy at war, seven pilgrims set forth on a final voyage to Hyperion seeking the answers to the unsolved riddles of their lives. Each carries a desperate hope—and a terrible secret. And one may hold the fate of humanity in his hands. A stunning tour de force filled with transcendent awe and wonder, Hyperion is a masterwork of science fiction that resonates with excitement and invention, the first volume in a remarkable new science fiction epic by the multiple-award-winning author of The Hollow Man.

The Earth's leaders have drawn a line in the interstellar sand—despite the fact that the fierce alien enemy that they would oppose is inscrutable, unconquerable, and very far away. A reluctant conscript drafted into an elite Military unit, Private William Mandella has been propelled through space and time to fight in the distant thousand-year conflict; to perform his duties without rancor and even rise up through military ranks. Pvt. Mandella is willing to do whatever it takes to survive the ordeal and return home. But "home" may be even more terrifying than battle, because, thanks to the time dilation caused by space travel, Mandella is aging months while the Earth he left behind is aging centuries.

At first, only a few things are known about the celestial object that astronomers dub Rama. It is huge, weighing more than ten trillion tons. And it is hurtling through the solar system at an inconceivable speed. Then a space probe confirms the unthinkable: Rama is no natural object. It is, incredibly, an interstellar spacecraft. Space explorers and planet-bound scientists alike prepare for mankind's first encounter with alien intelligence. It will kindle their wildest dreams... and fan their darkest fears. For no one knows who the Ramans are or why they have come. And now the moment of rendezvous awaits — just behind a Raman airlock door.

Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.This is one of those books that tells us more about the period it was written in than anything else, so it's important to note that it was first published in 1961 and later again in 1968 - when moon fever was running high and people seemed to have high expectations for human achievement. Events are set in an undisclosed future but the older characters seem to remember the first moon landing, so I wouldn't be surprised if Heinlein was thinking of it being set around about now. With a mix of very daggy technology like "stereo tanks" (TVs) and large, clumsy listening devices, alongside hover crafts and spaceships to Mars, the scope of the setting is hampered by a 50s' imagination. Stranger in a Strange Land is about Michael "Mike" Smith, the "Man from Mars", offspring of two of scientists on board the original mission to Mars, who was raised by Martians. He is more Martian than human, especially in his thinking and outlook and philosophy, when he is brought back to Earth. Heir to a shitload of money care of his parents' heritage, it's unsurprising that the bigshots on Earth are wanting to keep him locked up tight. A nurse at the hospital where he is first kept, Jill, offers him a glass of water and in that one action becomes a "water brother" - the highest accolade for Mike. She rescues him from the politicians with the help of her journalist friend Ben and takes him to the home of a grumpy, reclusive man, Dr Jubal Harshaw, who lives with three young women who serve as secretaries - Anne, Miriam and Dorcas - and two men who take care of the property - Duke and Larry. Mike's particular talents slowly reveal: he can vanish things, including people, if he recognises there is a "wrongness" in them; he can withdraw from his own body and shut down his body so there is no heartbeat; he can teleport and think telepathically; he can absorb books in minutes and regulate his own body, making it muscular and mature at will; and so on. All of this can be done with understanding of the Martian language, which Jill starts to learn. He's completely ignorant of human ways, of human concepts - things like jealousy, possessiveness etc. are all alien to him. He doesn't understand religions and he has never laughed.After months on the road with just Jill, learning and "grokking", he finally knows why humans laugh and how to do it himself, and gets the human condition. It leads him to start his own "church", though it's more of a way of life open to people of all religious denominations, with free love and open mindedness, and abilities gained through mastery of the Martian language. With Mike set up as a new Messiah, a prophet, there's only one logical conclusion for this story.As a story, Stranger in a Strange Land is enjoyable and original. Yet, as a story, it's also bogged down with sermons, with Heinlein's opinions, and a very out-of-date mentality. It reads very 60s and 70s, though it was written before then. Not as far-sighted as it would like to be! It's especially noticeable in the relations between men and women, which have that faintly liberated tinge that's all really lip service, and a great deal of sexist language. Which is ironic, really, considering Mike's free love cult. There's also an affectionate insult for a Muslim character who's nicknamed "Stinky" that I couldn't help but be offended by.It does make it hard to read, though, when you come across lines like this, as spoken by Jill very matter-of-factly: "Nine times out of ten, if a girl gets raped, it's partly her fault." (p304) While today the statistics are more like "nine of ten times, a woman's rapist is someone she knows", the idea that it's "partly her fault" is still considered true by way too many people. To hear this come out of Jill's mouth makes it especially awful.Another example is Jubal saying: "Pipe down, Anne. Close your mouth, Dorcas. This is not a time when women have the vote." (p382) Granted, they ignored him and did what they wanted anyway, but there're a lot of these flippant, dismissive remarks all through the book. Product of its times, sure: just not at all futuristic.Then we come to the proselytizing, which the book is rife with. Today, reading this book, the opinions shared are very "yes, so?" - old hat, in other words. Though it is fun to read the rants, the set-up is cringe-worthy. Jubal is the main lecturer, and the characters around him serve as props. There are a great many "Huh?"s from educated and knowledgeable people so that Jubal can share his abundant wisdom. One "huh?" is okay, but when each long paragraph of Jubal is responded to with a "huh?" it gets a bit silly. Frankly, it's bad writing. It reminded me somewhat of The Da Vinci Code, which also uses characters to expound the author's theories on religion etc. at great length. While these things did at times make it harder to read the book, essentially the book is easy to read and often quite fun too. Jubal's sermons (and when Jubal isn't around, other characters fill the role, like Ben and Sam) can be a bit heavy-handed and obvious but a lot of it I agree with, so it wasn't rubbing me up the wrong way. Mike is a challenging character to write, because in order to write a naive, ignorant character to this extent, you need to be incredibly self-aware. Heinlein has fairly good success here, and Mike's growth, maturation, development and resolutions fit the character and work. He has charisma and is definitely intriguing; yet because he lacks the human flaws, he's also somewhat unapproachable and alien: a good balance to achieve.

* The Hitchhiker's Guide to the Galaxy* The Restaurant at the End of the Universe* Life, the Universe and Everything* So Long, and Thanks for all the Fish* Mostly HarmlessSuppose a good friend calmly told you over a round of drinks that the world was about to end? And suppose your friend went on to confess that he wasn't from around here at all, but rather from a small planet near Betelgeuse? And what if the world really did come to an end, but instead of being blown away, you found yourself hitching a ride on a spaceship with your buddy as a travelling companion?It happens to Arthur Dent.An ordinary guy from a small town in England, Arthur is one lucky sonofagun: his alien friend, Ford Prefect, is in fact a roving researcher for the universally bestselling Hitchhiker's Guide to the Galaxy ... and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

In an Arizona desert, a man wanders in a daze, speaking words that make no sense. Within twenty-four hours he is dead, his body swiftly cremated by his only known associates. Halfway around the world, archaeologists make a shocking discovery at a medieval site. Suddenly they are swept off to the headquarters of a secretive multinational corporation that has developed an astounding technology. Now this group is about to get a chance not to study the past but to enter it. And with history opened up to the present, the dead awakened to the living, these men and women will soon find themselves fighting for their very survival -- six hundred years ago.

In Bryson's biggest book, he confronts his greatest challenge: to understand—and, if possible, answer—the oldest, biggest questions we have posed about the universe and ourselves. Taking as territory everything from the Big Bang to the rise of civilization, Bryson seeks to understand how we got from there being nothing at all to there being us. To that end, he has attached himself to a host of the world’s most advanced (and often obsessed) archaeologists, anthropologists, and mathematicians, travelling to their offices, laboratories, and field camps. He has read (or tried to read) their books, pestered them with questions, apprenticed himself to their powerful minds. A Short History of Nearly Everything is the record of this quest, and it is a sometimes profound, sometimes funny, and always supremely clear and entertaining adventure in the realms of human knowledge, as only Bill Bryson can render it. Science has never been more involving or entertaining.

Cosmos has 13 heavily illustrated chapters, corresponding to the 13 episodes of the Cosmos television series. In the book, Sagan explores 15 billion years of cosmic evolution and the development of science and civilization. Cosmos traces the origins of knowledge and the scientific method, mixing science and philosophy, and speculates to the future of science. The book also discusses the underlying premises of science by providing biographical anecdotes about many prominent scientists throughout history, placing their contributions into the broader context of the development of modern science.The book covers a broad range of topics, comprising Sagan's reflections on anthropological, cosmological, biological, historical, and astronomical matters from antiquity to contemporary times. Sagan reiterates his position on extraterrestrial life—that the magnitude of the universe permits the existence of thousands of alien civilizations, but no credible evidence exists to demonstrate that such life has ever visited earth.

Stephen Hawking’s phenomenal, multimillion-copy bestseller, A Brief History of Time, introduced the ideas of this brilliant theoretical physicist to readers all over the world.Now, in a major publishing event, Hawking returns with a lavishly illustrated sequel that unravels the mysteries of the major breakthroughs that have occurred in the years since the release of his acclaimed first book.

With more than ten million copies sold, Frank Herbert's magnificent Dune books stand among the major achievements of the human imagination. In this, the fifth and most spectacular Dune book of all, the planet Arrakis--now called Rakis--is becoming desert again. The Lost Ones are returning home from the far reaches of space. The great sandworms are dying. And the children of Dune's children awaken from empire as from a dream, wielding the new power of a heresy called love...

Nel Gi

Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King's epic work of fantasy -- what he considers to be a single long novel and his magnum opus -- has spanned a quarter of a century.Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King's most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement.Book IIn The Gunslinger (originally published in 1982), King introduces his most enigmatic hero, Roland Deschain of Gilead, the Last Gunslinger. He is a haunting, solitary figure at first, on a mysterious quest through a desolate world that eerily mirrors our own. Pursuing the man in black, an evil being who can bring the dead back to life, Roland is a good man who seems to leave nothing but death in his wake.This new edition of The Gunslinger has been revised and expanded throughout by King, with new story material, in addition to a new introduction and foreword.

Several months have passed, and Roland’s two new tet-mates have become proficient gunslingers. Eddie Dean has given up heroin, and Odetta’s two selves have joined, becoming the stronger and more balanced personality of Susannah Dean. But while battling The Pusher in 1977 New York, Roland altered ka by saving the life of Jake Chambers, a boy who—in Roland’s where and when—has already died. Now Roland and Jake exist in different worlds, but they are joined by the same madness: the paradox of double memories. Roland, Susannah, and Eddie must draw Jake into Mid-World then follow the Path of the Beam all the way to the Dark Tower. But nothing is easy in Mid-World. Along the way our tet stumbles into the ruined city of Lud, and are caught between the warring gangs of the Pubes and the Grays. The only way out of Lud is to wake Blaine the Mono, an insane train that has a passion for riddling, and for suicidal journeys.

I could say that I love Dick, but that would be weird. I do very much enjoy Philip K. Dick's writing and though this is not one of his best, the "Pizza and Sex Rule" applies to him; ie. just as even bad pizza and / or sex is still pretty good, bad PKD is as well. And this is not bad at all. The first mistake that a new reader would make is to watch Blade Runner and expect a novelization of that film; it was LOOSELY based upon the book. I'm a big fan of the Ridley Scott film starring Harrison Ford and Rutger Hauer, but the movie diverged from Phillip K. Dick's literature early on. The book is far more bleak than the film, if you can believe that, and much more intricate and complicated. Blade Runner benefits from a simplified storyline. The author was far ahead of his time both in the complexity of his story and the perspective from which he writes. There are elements of Brave New World, I, Robot, and Dune; but the author has a unique voice and the story is an original. It is not an excellent work, as there are gaps and inconsistencies and many loose ends that are never tied in, but the concept and provocation are superb.One element of the book that was completely left out of the film was a sub-plot involving a Christ-like messiah and a faith system based upon what could have been a hoax. First published in 1968, this was one of his more theological based novels, and a trend that would continue steadily becoming more frequent and invasive until the end of his writing.A MUST read for PKD fans as well as SF/F fans period.

It is now six years since the secret disaster at Jurassic Park, six years since the extraordinary dream of science and imagination came to a crashing end – the dinosaurs destroyed, the park dismantled, the island indefinitely closed to the public.There are rumors that something has survived....

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