music

Pianist
Chopin Superb
Italian

Music like Maurizio Pollini

Maurizio Pollini

Maurizio Pollini

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Maurizio Pollini (born January 5, 1942) is an Italian pianist. He is known for performances of compositions by Beethoven, Chopin and Debussy, among others. He has also championed and performed works by contemporary composers such as Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna. Works composed for him include Luigi Nono's ..... sofferte onde serene ..., Giacomo Manzoni's Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's Fifth Sonata.

Pollini was born in Milan to the Italian rationalist architect Gino Pollini, who has been said to be the first to bring Modernist architecture to Italy in the 1930s. Pollini studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won both the International Ettore Pozzoli Piano Competition in Seregno (Italy) in 1959 and the International Chopin Piano Competition in Warsaw in 1960. Arthur Rubinstein, who led the jury, declared Pollini the winner of the competition, allegedly saying: "that boy can play the piano better than any of us". Following his success at the competition, Pollini didn't perform for a year in order to expand his musical experience, leading to erroneous rumors that he had become a recluse. Soon afterwards, he recorded Chopin's Concerto No. 1 in E minor with the Philharmonia Orchestra under the Polish conductor Paul Kletzki for EMI, and taped performances of Chopin's etudes. When the Philharmonia offered Pollini a series of concerts, he experienced what EMI producer Peter Andry has called "an apparent crisis of confidence". After this, he studied with Arturo Benedetti Michelangeli, from whom he is said to have acquired "a precise technique and emotional restraint", although some have expressed a concern that Michelangeli's influence resulted in Pollini's playing becoming "mannered and cold". During the early 1960s, Pollini limited his concertizing, preferring to spend these years studying by himself and expanding his repertoire.

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