Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

A thrilling and revelatory narrative of one of the most epic and consequential periods in 20th century history – the Arab Revolt and the secret “great game” to control the Middle East       The Arab Revolt against the Turks in World War One was, in the words of T.E. Lawrence, “a sideshow of a sideshow.”  Amidst the slaughter in European trenches, the Western combatants paid scant attention to the Middle Eastern theater.  As a result, the conflict was shaped to a remarkable degree by a small handful of adventurers and low-level officers far removed from the corridors of power.   Curt Prüfer was an effete academic attached to the German embassy in Cairo, whose clandestine role was to foment Islamic jihad against British rule.  Aaron Aaronsohn was a renowned agronomist and committed Zionist who gained the trust of the Ottoman governor of Syria. William Yale was the fallen scion of the American aristocracy, who traveled the Ottoman Empire on behalf of Standard Oil, dissembling to the Turks in order gain valuable oil concessions.  At the center of it all was Lawrence.  In early 1914 he was an archaeologist excavating ruins in the sands of Syria; by 1917 he was the most romantic figure of World War One, battling both the enemy and his own government to bring about the vision he had for the Arab people. The intertwined paths of these four men – the schemes they put in place, the battles they fought, the betrayals they endured and committed – mirror the grandeur, intrigue and tragedy of the war in the desert.  Prüfer became Germany’s grand spymaster in the Middle East.  Aaronsohn constructed an elaborate Jewish spy-ring in Palestine, only to have the anti-Semitic and bureaucratically-inept British first ignore and then misuse his organization, at tragic personal cost.  Yale would become the only American intelligence agent in the entire Middle East – while still secretly on the payroll of Standard Oil.  And the enigmatic Lawrence rode into legend at the head of an Arab army, even as he waged secret war against his own nation’s imperial ambitions. Based on years of intensive primary document research, LAWRENCE IN ARABIA definitively overturns received wisdom on how the modern Middle East was formed.  Sweeping in its action, keen in its portraiture, acid in its condemnation of the destruction wrought by European colonial plots, this is a book that brilliantly captures the way in which the folly of the past creates the anguish of the present.

"Diamond has written a book of remarkable scope ... one of the most important and readable works on the human past published in recent years."Winner of the Pulitzer Prize and a national bestseller: the global account of the rise of civilization that is also a stunning refutation of ideas of human development based on race.In this "artful, informative, and delightful" (William H. McNeill, New York Review of Books) book, Jared Diamond convincingly argues that geographical and environmental factors shaped the modern world. Societies that had a head start in food production advanced beyond the hunter-gatherer stage, and then developed writing, technology, government, and organized religion—as well as nasty germs and potent weapons of war—and adventured on sea and land to conquer and decimate preliterate cultures. A major advance in our understanding of human societies, Guns, Germs, and Steel chronicles the way that the modern world came to be and stunningly dismantles racially based theories of human history.Winner of the Pulitzer Prize, the Phi Beta Kappa Award in Science, the Rhone-Poulenc Prize, and the Commonwealth Club of California's Gold Medal

From the author of 1491—the best-selling study of the pre-Columbian Americas—a deeply engaging new history of the most momentous biological event since the death of the dinosaurs. More than 200 million years ago, geological forces split apart the continents. Isolated from each other, the two halves of the world developed radically different suites of plants and animals. When Christopher Columbus set foot in the Americas, he ended that separation at a stroke. Driven by the economic goal of establishing trade with China, he accidentally set off an ecological convulsion as European vessels carried thousands of species to new homes across the oceans. The Columbian Exchange, as researchers call it, is the reason there are tomatoes in Italy, oranges in Florida, chocolates in Switzerland, and chili peppers in Thailand. More important, creatures the colonists knew nothing about hitched along for the ride. Earthworms, mosquitoes, and cockroaches; honeybees, dandelions, and African grasses; bacteria, fungi, and viruses; rats of every description—all of them rushed like eager tourists into lands that had never seen their like before, changing lives and landscapes across the planet. Eight decades after Columbus, a Spaniard named Legazpi succeeded where Columbus had failed. He sailed west to establish continual trade with China, then the richest, most powerful country in the world. In Manila, a city Legazpi founded, silver from the Americas, mined by African and Indian slaves, was sold to Asians in return for silk for Europeans. It was the first time that goods and people from every corner of the globe were connected in a single worldwide exchange. Much as Columbus created a new world biologically, Legazpi and the Spanish empire he served created a new world economically.As Charles C. Mann shows, the Columbian Exchange underlies much of subsequent human history. Presenting the latest research by ecologists, anthropologists, archaeologists, and historians, Mann shows how the creation of this worldwide network of ecological and economic exchange fostered the rise of Europe, devastated imperial China, convulsed Africa, and for two centuries made Mexico City—where Asia, Europe, and the new frontier of the Americas dynamically interacted—the center of the world. In such encounters, he uncovers the germ of today’s fiercest political disputes, from immigration to trade policy to culture wars.In 1493, Charles Mann gives us an eye-opening scientific interpretation of our past, unequaled in its authority and fascination

The fifteenth century experienced the longest and bloodiest series of civil wars in British history. The crown of England changed hands violently seven times as the great families of England fought to the death for power, majesty and the right to rule. Dan Jones completes his epic history of medieval England with a new book about the the Wars of the Roses - and describes how the Plantagenets, tore themselves apart and were finally replaced by the Tudors.With vivid descriptions of the battle of Towton, where 28,000 men died in a single morning, to Bosworth, where the last Plantagenet king was hacked down, this is the real story behind Shakespeare's famous history plays.

The spellbinding story, part fairy tale, part suspense, of Gustav Klimt’s Portrait of Adele Bloch-Bauer, one of the most emblematic portraits of its time; of the beautiful, seductive Viennese Jewish salon hostess who sat for it; the notorious artist who painted it; the now vanished turn-of-the-century Vienna that shaped it; and the strange twisted fate that befell it. The Lady in Gold, considered an unforgettable masterpiece, one of the twentieth century’s most recognizable paintings, made headlines all over the world when Ronald Lauder bought it for $135 million a century after Klimt, the most famous Austrian painter of his time, completed the society portrait.   Anne-Marie O’Connor, writer for The Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron.   The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered “degenerate” in a society that believed women being out in the world went against their feminine “nature”). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her—simple pencil drawings on thin manila paper.   And O’Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours.    She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers’ grand palais; of the Austrian government putting the painting on display, stripping Adele’s Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, The Lady in Gold and proudly exhibited it in Vienna’s Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution.    The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine.   We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court’s decision had profound ramifications in the art world.    A riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, the Lady in Gold—the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

Pulitzer Prize winner Massie offers the tale of a princess who went to Russia at 14 and became one of the most powerful women in history. Born into minor German nobility, she transformed herself into an empress by sheer determination. Possessing a brilliant, curious mind, she devoured the works of Enlightenment philosophers, and reaching the throne, tried using their principles to rule the vast, backward empire. She knew or corresponded with notable figures of her time: Voltaire, Diderot, Frederick the Great, Maria Theresa of Austria, Marie Antoinette &amp; John Paul Jones. Wanting to be the “benevolent despot” Montesquieu idealized, she contended with the deeply ingrained realities of Russian life, including serfdom. She persevered, and for 34 years the government, foreign policy, cultural development and welfare of the Russian people were in her hands. She dealt with domestic rebellion, wars &amp; the tides of political change and violence inspired by the French Revolution. Her reputation depended on the perspective of the speaker. She was praised by Voltaire as like the classical philosophers. She was condemned by enemies, mostly foreign, as “the Messalina of the north.” Her family, friends, ministers, generals, lovers and enemies are vividly described. These included her ambitious, scheming mother; her weak, bullying husband, Peter (who left her sexually untouched for nine years after their marriage); her unhappy son &amp; heir, Paul; her beloved grandchildren; and her favorites—the young men from whom she sought companionship and the recapture of youth as well as sex. Here, too, is Gregory Potemkin, her most significant lover &amp; possible husband, with whom she shared a correspondence of love &amp; separation, followed by 17 years of unparalleled mutual achievement. All the qualities that Massie brought to Nicholas &amp; Alexandra and Peter the Great are present: historical accuracy, deep understanding, felicity of style, mastery of detail, ability to shatter myth &amp; a genius for finding and expressing a human drama.

For over three thousand years, the Mediterranean Sea has been one of the great centres of civilization. David Abulafia's The Great Sea is the first complete history of the Mediterranean, from the erection of temples on Malta around 3500 BC to modern tourism. Ranging across time and the whole extraordinary space of the Mediterranean from Gibraltar to Jaffa, Genoa to Tunis, and bringing to life pilgrims, pirates, sultans and naval commanders, this is the story of the sea that has shaped much of world history.

When Tiro, the confidential secretary (and slave) of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events that will eventually propel his master into one of the most suspenseful courtroom dramas in history. The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Marcus Cicero—an ambitious young lawyer and spellbinding orator, who at the age of twenty-seven is determined to attain imperium—supreme power in the state. Of all the great figures of the Roman world, none was more fascinating or charismatic than Cicero. And Tiro—the inventor of shorthand and author of numerous books, including a celebrated biography of his master (which was lost in the Dark Ages)—was always by his side. Compellingly written in Tiro's voice, Imperium is the re-creation of his vanished masterpiece, recounting in vivid detail the story of Cicero's quest for glory, competing with some of the most powerful and intimidating figures of his—or any other—age: Pompey, Caesar, Crassus, and the many other powerful Romans who changed history. Robert Harris, the world's master of innovative historical fiction, lures us into a violent, treacherous world of Roman politics at once exotically different from and yet startlingly similar to our own—a world of Senate intrigue and electoral corruption, special prosecutors and political adventurism—to describe how one clever, compassionate, devious, vulnerable man fought to reach the top.

In this groundbreaking work of science, history, and archaeology, Charles C. Mann radically alters our understanding of the Americas before the arrival of Columbus in 1492.Contrary to what so many Americans learn in school, the pre-Columbian Indians were not sparsely settled in a pristine wilderness; rather, there were huge numbers of Indians who actively molded and influenced the land around them. The astonishing Aztec capital of Tenochtitlan had running water and immaculately clean streets, and was larger than any contemporary European city. Mexican cultures created corn in a specialized breeding process that it has been called man’s first feat of genetic engineering. Indeed, Indians were not living lightly on the land but were landscaping and manipulating their world in ways that we are only now beginning to understand. Challenging and surprising, this a transformative new look at a rich and fascinating world we only thought we knew.

In the LAPD's Open-Unsolved Unit, not many murder victims die almost a decade after the crime. So when a man succumbs to complications from being shot by a stray bullet nine years earlier, Bosch catches a case in which the body is still fresh, but any other evidence is virtually nonexistent.Now Bosch and his new partner, rookie Detective Lucia Soto, are tasked with solving what turns out to be a highly charged, politically sensitive case. Starting with the bullet that's been lodged for years in the victim's spine, they must pull new leads from years-old information, which soon reveals that this shooting may have been anything but random.

Cervantes, of the "Don Quixote" fame, was in one of these battles. He was a 24-year-old volunteer.Now I know that hundreds of years ago the Mediterranean Sea and its surrounding land areas were considered the center of the world and were a battleground for two great conflicting forces: the Muslims (Turks/the Ottoman Empire) and the Christians (the French, Spaniards, Venetians, the war-waging Popes, etc.). The Muslims and Christians call each other "infidels" and had a deep desire for each other's extinguishment. There were also pirates on both sides of this religious divide which the author preferred to call "corsairs."They already had guns and cannons on those days. The gun was called "arquebus" which was fatal only at short distances. Warships were powered by rowers done by galley slaves often chained to their rowing benches to prevent escape or suicide. Gut-wrenching were the descriptions of battles and pillages, but it was no less so of these poor, miserable creatures:"In the heyday of Venetian sea power in the fifteenth century, galleys had been rowed by volunteers; by the sixteenth, the muscle power was generally conscripted. The Ottoman navy relied heavily on an annual levy of men from the provinces of Anatolia and Europe, and everyone employed chain labor--captured slaves, convicts, and, in the Christian ships, paupers so destitute they sold themselves to the galley captains. It was these wretches, chained three or four to a foot-wide bench, who made sea wars possible. Their sole function was to work themselves to death. Shackled hand and foot, excreting where they sat, fed on meagre quantities of black biscuits, and so thirsty they were sometimes driven to drink seawater, galley slaves led lives bitter and short. The men, naked apart from a pair of linen breeches, were flayed raw by the sun; sleep deprivation on the narrow bench propelled them toward lunacy; the stroke keeper's drum and the overseer's lash--a tarred rope or a dried bull's penis--whipped them beyond the point of exhaustion during long stretches of intensive effort when a ship was trying to capture or escape another vessel. The sight of a galley crew at full stretch was as brutal as any a man could wish to be spared. 'That least tolerable and most to be dreaded employment of a man deprived of liberty,' wrote the eighteenth-century English historian Joseph Morgan, conjuring up the vision of 'ranks and files of half-naked, half-starved, half-tanned, meagre wretches, chained to a plank, from whence they remove not for months at a time...urged on, even beyond human strength, with cruel and repeated blows, on the bare flesh, to an incessant continuation of the most violent of exercises.' 'God preserve you from the galleys of Tripoli,' was a customary valediction to men putting to sea from a Christian port."Disease could decimate a fleet in weeks. The galley was an amoebic death trap, a swilling sewer whose stench was so foul you could smell it two miles off--it was customary to sink the hulls at periodic intervals to cleanse them of shit and rats--but if the crew survived to enter a battle, the chained and unprotected rowers could only sit and wait to be killed by men of their own country and creed. The nominally free men who made up the bulk of the Ottoman rowing force fared little better. Levied by the sultan in large numbers from the empire's inland provinces, many had never seen the sea before. Inexperienced and inefficient as oarsmen, they succumbed in large numbers to the terrible conditions."One way or another the oared galley consumed men like fuel. Each dying wretch dumped overboard had to be replaced--and there were never enough..."When a town, settlement, fortress or city is captured--always after a siege long or short--there wouldn't be just a change of government. The victors would loot and ransack the place, take whole able-bodied populations as slaves, and those whom they find no need for (like the sick or the very young or the very old) they would hack to pieces or have their skulls split open.In one battle there was a negotiated surrender. The leaders were offered safe passage by the victorious Ottoman chief. But his Christian counterpart exhibited haughtiness even in defeat. So the Ottoman had the latter's ears and nose lopped off. Then he ordered him skinned alive. He died only after half of his body's skin was gone.A great historical narrative helped a lot by the fact that those warring forces were the world's superpowers at those times and had each other's atrocities faithfully recorded to show how great human beings and their religions were, with their deeds of valor watched by their common god they call by different names.

In the long-awaited follow-up to her Pulitzer Prize-winning Gulag, acclaimed journalist Anne Applebaum delivers a groundbreaking history of how Communism took over Eastern Europe after World War II and transformed in frightening fashion the individuals who came under its sway.At the end of World War II, the Soviet Union to its surprise and delight found itself in control of a huge swath of territory in Eastern Europe. Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.

James A. Garfield was one of the most extraordinary men ever elected president. Born into abject poverty, he rose to become a wunderkind scholar, a Civil War hero, and a renowned and admired reformist congressman. Nominated for president against his will, he engaged in a fierce battle with the corrupt political establishment. But four months after his inauguration, a deranged office seeker tracked Garfield down and shot him in the back. But the shot didn’t kill Garfield. The drama of what hap­pened subsequently is a powerful story of a nation in tur­moil. The unhinged assassin’s half-delivered strike shattered the fragile national mood of a country so recently fractured by civil war, and left the wounded president as the object of a bitter behind-the-scenes struggle for power—over his administration, over the nation’s future, and, hauntingly, over his medical care. A team of physicians administered shockingly archaic treatments, to disastrous effect. As his con­dition worsened, Garfield received help: Alexander Graham Bell, the inventor of the telephone, worked around the clock to invent a new device capable of finding the bullet. Meticulously researched, epic in scope, and pulsating with an intimate human focus and high-velocity narrative drive, The Destiny of the Republic will stand alongside The Devil in the White City and The Professor and the Madman as a classic of narrative history.

In 1954, up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he thinks he's been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity.

Since birth, a big fat lie defines the well-organised but humdrum life of the kind-hearted insurance salesman and ambitious explorer, Truman Burbank. Utterly unaware of the thousands of cleverly hidden cameras watching his every move, for nearly three decades, Truman's entire existence pivots around the will and the wild imagination of the ruthlessly manipulative television producer, Christof--the all-powerful TV-God of an extreme 24/7 reality show: The Truman Show. As a result, Truman's picturesque neighbourhood with the manicured lawns and the uncannily perfect residents is nothing but an elaborate state-of-the-art set, and the only truth he knows is what the worldwide television network and its deep financial interests dictate. Do lab rats know they are forever imprisoned?

In the end of the nineteenth century, in London, Robert Angier, his beloved wife Julia McCullough, and Alfred Borden are friends and assistants of a magician. When Julia accidentally dies during a performance, Robert blames Alfred for her death, and they become enemies. Both become famous and rival magicians, sabotaging the performance of the other on the stage. When Alfred performs a successful trick, Robert becomes obsessed trying to disclose the secret of his competitor with tragic consequences.

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible, inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea, but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.

Emma Woodhouse seems to be perfectly content, to have a loving father for whom she cares, friends, and a home. But Emma has a terrible habit: matchmaking. She cannot resist finding suitors for her friends, most of all Harriet Smith. Emma is desperate for Harriet to find happiness, but every suitor she finds for her friend ends up attracted to Emma. But is Emma so focused on Harriet's happiness that she is not considering her own happiness in love?

After ex-soldier Shaun Emery's (Turner) conviction for a murder in Afghanistan is overturned due to flawed video evidence, he returns home a free man to his young daughter. But when CCTV footage from a night out in London comes to light, Shaun's life takes a shocking turn and he must soon fight for his freedom once again. With DI Rachel Carey (Grainger) drafted in to investigate Shaun's case, she quickly learns that the truth can sometimes be a matter of perspective. Should she trust Shaun Emery?

movies

shows

books

Active tastebuds