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Numéro deux

1975, Jean-Luc Godard

Number Two (French: Numéro deux), by Jean-Luc Godard and Anne-Marie Miéville, is a 1975 experimental film about a young family in a social housing complex in France. The film's distinct style involves presenting two images on screen simultaneously, leading to multiple interpretations of the story and to comments on the film-making and editing process.

The film is divided into two parts. For the first third of the movie, Godard discusses what it takes to make a film (money) and describes how he got the money. Numéro deux begins with a long monologue by Jean-Luc Godard, in an editing suite. Godard discusses his move to a smaller place from Paris, the finances required to make a film and alludes to the relationship between machines and people, bodies as factories and landscapes and the idea that a film studio is a factory in which he is both worker and the boss. He says that creating his movies has become like working in a factory for him: "Now there are only machines. I am the boss, but I am also the worker. There are other factories: in Los Angeles, called Fox and Metro, in Moscow, in Algeria." During this opening sequence of the film, viewers are presented with television monitors featuring characters who will return in the main section of the film.

If you like Numéro deux, you might also like Films Directed By Jean-luc Godard, French Avant-garde And Experimental Films, French Documentary Films, and 1970s French-language Films.

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