Shaidrian Rios

Jimmy Beans

Julie Wynne - videos

Kapuster

angel smith

Nicky Tallon

Harini Sen

Vastralaya

Evan Shively (Perseus271)

Greg Fraser

Edgar Colt

Vitor Miguel

A lonely, talented teacher enjoys a flirtation with the (married) principal of the school, who returns her affections but is hampered by his family members. An eclipse enables the teacher and principal to steal several more fleeting moments.

In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him.

When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless. This is when she meets Matthew Slaughter. Matthew is an educated high school graduate with a great talent for fixing electronic devices, but he can't hang on to a job because of his principled attitude towards quality. When Maria accepts Matthew's offer to help her, they begin to form a relationship with each other in which both of them begin to change.

After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's father.

Nora Wilder is freaking out. Everyone around her is either in a relationship, married, or has children. Nora is in her thirties, alone with job she's outgrown and a mother who constantly reminds her of it all. Not to mention her best friend Audrey's "perfect marriage". But after a series of disastrous dates, Nora unexpectedly meets Julien, a quirky Frenchman who opens her eyes to a lot more than love.

An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.

Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film puts the four leading characters in a box and strips them apart.

Soon after moving in, Beth, a brainy, beautiful writer damaged from a past relationship encounters Adam, the handsome, but odd, fellow in the downstairs apartment whose awkwardness is perplexing. Beth and Adam's ultimate connection leads to a tricky relationship that exemplifies something universal: truly reaching another person means bravely stretching into uncomfortable territory and the resulting shake-up can be liberating.

Meet the Borgens. William Borgens is an acclaimed author who hasn't written a word since his ex-wife Erica left him 3 years ago for another man. In between spying on Erica and casual romps with his married neighbour Tricia, Bill is dealing with the complexities of raising his teenage children Samantha and Rusty. Samantha is publishing her first novel and is determined to avoid love at all costs - after all she's seen what it has done to her parents. In between hook ups, she meets "nice guy" Lou who will stop at nothing to win her over. Rusty, is an aspiring fantasy writer and Stephen King aficionado, who is on a quest to gain 'life experiences'. He falls for the beautiful, but troubled Kate and gets his first taste of love and a broken heart. A tale of family, love (lost and found), and how endings can make new beginnings. There are no rewrites in life, only second chances.

This a film version of the opera "The Tales of Hoffmann", however it is NOT just a film of a staged performance.

1951 film by Emeric Pressburger, Michael Powell

The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. The first part, 'Distant Voices', opens with grown siblings Eileen (Angela Walsh), Maisie (Lorraine Ashbourne) and Tony (Dean Williams), and their mother (Freda Dowie) arranged in mourning clothes before the photograph of their smiling father (Pete Postlethwaite). Soon after, the family poses in a similar tableau, but for a happier occasion - Eileen's wedding. While relatives sing at her reception, Eileen hysterically grieves for her dad, and recalls happy times of her youth. Tony and Maisie's memories, however, are more troubled. Davies intermingles and contrasts scenes like the family peacefully lighting candles in church with the brutal man beating his wife and terrorizing his young children. In 'Still Lives', set (and filmed) two years later, the siblings are settled in life, but not all happily. For Eileen, relief from her drab existence comes only when singing at the pub. With his skillfully composed frames and evocative use of music in place of dialogue, Davies creates a lovely, affecting photo album of a troubled family wrestling with the complexity of love.

At a café on a railway station, housewife Laura Jesson (Celia Johnson) meets Dr. Alec Harvey (Trevor Howard). Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible.

The English factory town is dreary but Joe Lampton has landed a job with a future. To have something to do at night, he joins a theatrical group. His boss's daughter Susan is playing ingenue roles on stage and in real life. She is attracted to Joe, who thinks about how much faster he will get ahead if he is the boss's son-in-law. This plan is complicated by his strong desire to be with an older woman who also belongs to the theatrical group; she is French and unhappily married. Joe believes he can get away with seeing both women.

In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous.

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart.

1948 film by Emeric Pressburger, Michael Powell

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle is not who she claims to be.

On the surface, twenty-five year old Bibiane Champagne has the perfect life. She is the daughter of the famed Flo Fabert. She co-owns a chain of boutiques in Quebec with her brother, Philippe. But Bibi's life is in shambles. She has just had an abortion. And the boutiques are failing because of her incompetence, which is the result of or has led to her substance abuse. It is also the result of the high expectations on her. Bibi's story is told by a fish awaiting decapitation on a butcher's block, the fish as narrator largely because of the singular and accidental encounter she has with fifty-three year old Norwegian fishmonger, Annstein Karlsen. That encounter leads to a further failed decision by Bibi and a meeting with Annstein's son, Evian Karlsen, who does not know the full extent of Bibi and his father's relationship. Bibi's time with Evian may provide some salvation to her crumbling life.

Maryse and her husband are desperate to sell a backhoe sitting abandoned in their suburban yard. Her brother, Benoit, is trapped in endless adolescence, sharing their childhood home with their invalid father. Benoit is enamoured with a single mom named Nathalie, and he's hoping to finally grow up by living with her... but Nathalie's son does not approve. A serious accident at the factory where Maryse works, a strange series of coincidences, and the arrival of a Man claiming to come from the future launch Maryse and Benoit on a life-changing road trip. Following up his acclaimed feature film Continental, a film without guns, filmmaker Stephane Lafleur once again brings us an ensemble of compelling characters, in a story where the ordinary and the fantastic collide.

A young girl whose father is an ex-convict and whose mother is a junkie finds it difficult to conform and tries to find comfort in a quirky combination of Elvis and the punk scene.

As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, obsessed with books, papers, and writing on bodies, and her sexual odyssey (and the creation of her own Pillow Book) is a "parfait mélange" of classical Japanese, modern Chinese, and Western film images.

Mk aster

This psychological thriller is true to its subjects as well as being complex, dynamic, and overly dramatic. How something so long ago, seemingly trivial, years later with more significant trauma, turns repressed emotions into a dysfunctional life and distorted thinking. This is all merged into a psychological menagerie that unfolds piece by piece to perfection.

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