Elena Rainn

KRKY Y

Kyrsten Iris

Fede Bonino

_ eshago@uw.edu

Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

It's a hot, lazy day, perfect for a cookout, until you see those strange dark clouds. Suddenly a violent storm sweeps across the lake and ends as abruptly and unexpectedly as it had begun. Then comes the mist...creeping slowly, inexorably into town, where it settles and waits, trapping you in the supermarket with dozens of others, cut off from your families and the world. The mist is alive, seething with unearthly sounds and movements. What unleashed this terror? Was it the Arrowhead Project---the top secret government operation that everyone has noticed but no one quite understands? And what happens when the provisions have run out and you're forced to make your escape, edging blindly through the dim light?

Alternate Cover Edition ISBN 0618260269 (copyright page ISBN is 0618346252 - different from back cover)One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkeness bind themIn ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit.In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.--back cover

so i DID like this, and i don’t really have anything cool or fun to say about it for a review. but i just realized that i forgot to mention the boob euphemism of choice for this book was JAHOOBIES. i just wanted you all to know that....ok bye4/12

"Remember that hope is a good thing, Red, maybe the best of things, and no good thing ever dies."Rita Hayworth and The Shawshank Redemption is subtitled 'Hope Springs Eternal' - and that perfectly sums up the soul of his book. It's hope that keeps you going - even after everything horrible that you can ever imagine has already happened to you, even after life has knocked you down over and over again, even after there seems to be nothing left. Hope is the last thing to die, they say. Andy Dufresne has taken that saying to heart, apparently.The Shawshank Redemption is a prime example of why Stephen King will always remain among my favorite authors. Branded a horror writer, a representative of a genre that is so easy and tempting to altogether judge and dismiss by book snobs lovers¹ (and I have been among them on more than one occasion, I must confess) results in way too frequent overlooking of his captivating storytelling skills and excellent character development that is the driving force behind his stories. His best books - and this is one of them, undeniably - are based on "what if?" approach, and then watching his characters try to find their way out of the "what if?" situation, shaping themselves in the process of writing into fully fleshed figures which are so much more than just the vehicles for necessities of plot development.¹ From Neil Gaiman's interview with King:"I was down here in the supermarket, and this old woman comes around the corner, this old woman – obviously one of the kind of women who says whatever is on her brain. She said, 'I know who you are, you are the horror writer. I don’t read anything that you do, but I respect your right to do it. I just like things more genuine, like that Shawshank Redemption.'And I said, 'I wrote that'. And she said, 'No you didn’t'. And she walked off and went on her way."\
The Shawshank Redemption is the story narrated by Red, a prisoner at the fictional Shawshank prison in Maine, immortalized by Morgan Freeman (what a fitting last name!) in a well-known Frank Darabont screen adaptation of this book. Red tells us the story of his fellow prisoner Andy Dufresne, falsely accused of a murder he did not commit and sentenced to a life behind bars as a result. Andy, a small calm level-headed former banker, who would seem to be destined for the role of perpetual victim in the place where brawn seems to be worth more than brains, where he has met violence and humiliation and senseless brutality from both guards and prisoners. It was a place destined to break Andy's spirit. It's supposed to do that to everyone. That's the point.And yet Andy Dufresne calmly refuses to be broken. Andy so fiercely clings to his humanity, to his hope that he becomes a legend. His demeanor - that of a free man even caged seemingly forever - is what gives hope to others, especially Red, his friend and narrator.\
  "So yeah - if you asked me to give you a flat-out answer to the question of whether I'm trying to tell you about a man or a legend that got made up around the man, like a pearl around a little piece of grit - I'd have to say that the answer lies somewhere in between. All I know for sure is that Andy Dufresne wasn't much like me or anyone else I ever knew since I came inside. He brought in five hundred dollars jammed up his back porch, but somehow that graymeat son a bitch managed to bring in something else as well. A sense of his own worth, maybe, or a feeling that he would be the winner in the end... or maybe it was only a sense of freedom, even inside these goddamned gray walls. It was a kind of light he carried around with him."\
Andy Dufresne meticulously and patiently clings to a bit of hope, so irrational and fickle that anyone would have given up. And it's this hope, so inherent to his nature, that allows him to retain his humanity and quiet but undeniable dignity in a place where neither is supposed to exist. Violence, corruption, power, greed, cruelty - Andy goes through it all with his unexpected backbone of steel, allowing all of it to only barely tarnish his amazing resilient spirit, winning his little victories against the system along the way, in his own way brightening the existence of those for whom there'd appear to be little left, patiently fighting his fight to keep little glimpses of humanity in the place where they are rarely seen.\
  "Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure."\
I first read this book as a fourteen-year-old teenage cynical know-it-all - and when I got to the end, I cried. Because it hit me then how, despite my teenage sense of invulnerability, the world can be cruel to you for no reason, and sometimes hope is all you have left. Now I'm twice that age, having seen a bit of the life's cruelty that King so frequently alludes to, and I no longer cry at the ending of this book; instead, I marvel with a feeling of sadness and quiet fascination at how aptly he captured the need to keep going despite all odds, even when it appears there is nothing left to live and hope for. Because hope dies last, and sometimes you just need to see it through to the end. And as long as you haven't lost yourself, your inner little sense of worth, there remains something to live and fight for.\
  "I find I am excited, so excited I can hardly hold the pencil in my trembling hand. I think it is the excitement that only a free man can feel, a free man starting a long journey whose conclusion is uncertain.I hope Andy is down there.I hope I can make it across the border.I hope to see my friend and shake his hand.I hope the Pacific is as blue as it has been in my dreams.I hope."\


For the first time in Stephen King's remarkable publishing history, the master storyteller presents an all-new, original tale written expressly for the television screen.They're calling it the Storm of the Century, and it's coming hard. The residents of Little Tall Island have seen their share of nasty Maine Nor'easters, but this one is different. Not only is it packing hurricane-force winds and up to five feet of snow, it's bringing something worse. Something even the islanders have never seen before. Something no one wants to see.Just as the first flakes begin to fall, Martha Clarendon, one of Little Tall Island's oldest residents, suffers an unspeakably violent death. While her blood dries, Andre Linoge, the man responsible sits calmly in Martha's easy chair holding his cane topped with a silver wolf's head...waiting.Linoge knows the townsfolk will come to arrest him. He will let them. For he has come to the island for one reason. And when he meets Constable Mike Anderson, his beautiful wife and child, and the rest of Little Tall's tight-knit community, this stranger will make one simple propoisition to them all: "If you give me what I want, I'll go away."

Thad Beaumont would like to say he is innocent. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad disown the ultimate embodiment of evil that goes by the name he gave it-and signs its crimes with Thad's bloody fingerprints?________________________Alternate cover editions:New English Library, 1990New English Library Early Export Edition, 1990

Roland and his tet have just returned to the path of the Beam when they discover that they are being followed by a group of inexperienced trackers. The trackers are from the town of Calla Bryn Sturgis, and they desperately need the help of gunslingers. Once every generation, a band of masked riders known as the Wolves gallop out of the dark land of Thunderclap to steal one half of all the twins born in the Callas. When the children are returned, they are roont, or mentally and physically ruined. In less than a month, the Wolves will raid again. In exchange for Roland’s aid, Father Callahan—a priest originally from our world—offers to give Roland a powerful but evil seeing sphere, a sinister globe called Black Thirteen which he has hidden below the floorboards of his church. Not only must Roland and his tet discover a way to defeat the invincible Wolves, but they must also return to New York so that they can save our world’s incarnation of the Dark Tower from the machinations of the evil Sombra Corporation.

The Wolves have been defeated, but our tet faces yet another catastrophe. Susannah Dean’s body has been usurped by a demon named Mia who wants to use Susannah’s mortal form to bear a demon child. Stealing Black Thirteen, Mia has traveled through the Unfound Door to 1999 New York where she plans to give birth to her chap, a child born of two mothers and two fathers who will grow up to be Roland’s nemesis. With the help of the time-traveling Manni, Roland and Eddie plan to follow Susannah while Father Callahan and Jake will find Calvin Tower, owner of the vacant lot where a magical rose grows: a rose that must be saved at all costs. But despite our ka-tet’s intentions, ka has its own plans. Jake, Callahan, and Jake’s bumbler companion are transported to New York to follow Susannah, while Eddie and Roland are tumbled into East Stoneham, Maine, where they are greeted by Eddie’s old enemy, the gangster Balazar. But it isn’t just bullets that Roland and Eddie must brave. Soon they will meet their maker, in the form of a young author named Stephen King.

Roland, Eddie, Susannah, Jake, and Jake’s pet bumbler survive Blaine the Mono’s final crash, only to find themselves stranded in an alternate version of Topeka, Kansas, one that has been ravaged by the superflu virus. While following the deserted I-70 toward a distant glass palace, they hear the atonal squalling of a thinny, a place where the fabric of existence has almost entirely worn away. While camping near the edge of the thinny, Roland tells his ka-tet a story about another thinny, one that he encountered when he was little more than a boy. Over the course of one long magical night, Roland transports us to the Mid-World of long-ago and a seaside town called Hambry, where Roland fell in love with a girl named Susan Delgado, and where he and his old tet-mates Alain and Cuthbert battled the forces of John Farson, the harrier who—with a little help from a seeing sphere called Maerlyn’s Grapefruit—ignited Mid-World’s final war.

A kingdom is in turmoil as the old king dies, murdered by a strange and horrible poison. While the land of Delain mourns, the evil wizard Flagg, hatches an unscrupulous plot, which sees the King's eldest son Peter imprisoned for his father's murder, and the youngest son inherit the throne. Only Peter knows the truth about his own innocence and the evil that is Flagg. Only Peter can save Delain from the horror that Flagg has in store. But first, he must escape from the high tower.

While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into the life of a different person living in contemporary New York. Here he links forces with the defiant young Eddie Dean and the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.Once again, Stephen King has masterfully interwoven dark, evocative fantasy and icy realism.

They were sisters, and the picture-perfect image of innocence. No one understood their brutal deaths, not even the man who killed them. But John Coffey is about to gain a new insight, about his life in prison, and about the one man who will walk him down that green mile . . . toward destiny.Prepare yourself for Stephen King's boldest exercise in nerve-twisting suspense. A multi-part serial novel that begins on death row and goes on from there to realms of revelation that make death seem sweet. This is Stephen King's most irresistible journey ever. To be continued . . . --back cover

Welcome to Derry, Maine ...It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real ...They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But none of them can withstand the force that has drawn them back to Derry to face the nightmare without an end, and the evil without a name.

I've re-read Gerald's Game several times since its 1992 publication, and have just finished listening to it as an audiobook. Here's what I know for sure: 1) this story has lost none of its power over me, despite the fact I know everything that's going to happen (quite an impressive feat for a largely plot-driven suspense piece) 2) it is without question, one of King's most underrated, overlooked novels. As of this writing its Goodreads rating is 3.26. Keeping it company in the basement is the much maligned Tommyknockers (incidentally another favorite of mine) and From a Buick 8 (also 3.26 but as this is my least favorite King novel I tend to agree with that number).3) finally, if you aren't already a raving fan of this book I'm not going to change your mind. That's fair. We can't all love the same thing, especially when it comes to books. What I hope I can do is capture just a smidge (like lightning in a bottle) the reasons why -- if you haven't yet -- you must give this book a chance. For a lot of Constant Readers, Gerald's Game will always be linked to its sister novel -- Dolores Claiborne -- as both books were released the same year and King meant them to be companion novels to one another. Their narratives are cleverly linked by a solar eclipse. As a literary device it is an interesting one, but for me it isn't what makes these novels so special or spectacular. In fact, you could remove that connection and neither novel would suffer from its absence. No, what makes each novel memorable is the writing, the characterization and most of all, King's sheer balls to the wall commitment to the delivery of the story and its outcome. As companion novels, there are some notable similarities; namely, the exploration of female abuse at the hands of male aggressors. There are painful descriptions of domestic battery and sexual molestation. King bravely (and quite successfully I would argue) enters the terrain of victim humiliation, degradation, and the lingering psychological effects such acts guarantee. In many ways, these are King's most feminist novels and I don't think it a coincidence that Gerald's Game is dedicated to his wife Tabitha and her five sisters.Yet for me, this isn't what defines Gerald's Game which I would argue has much more in common with Misery, King's Bachman novel The Long Walk, and his short story "Survivor Type". I say this because in all of these what King is really doing is looking at the human body under brutalizing physical duress... at the body in extremis and what humans are genetically hardwired to do to survive and go on living another day. Excruciating physical peril undeniably comes with a psychological component and no one writes that better than King using his own heady and addictive brew of storytelling. Jessie Burlingame -- our "damsel" in distress -- is facing certain death. She is trapped, chained in handcuffs to the bed she shares with her husband Gerald in their summer house on the lake. But it's not summer. It's fall, and the lake is empty. Everyone has gone home. There is no one to hear her scream or beg for release. One of the reasons I love Gerald's Game so much is the "solve the puzzle" locked room mystery of it. It's like one of those brain teasers (you know the one about the melted icicle?) In this case, you have one woman handcuffed to a bed. How do you get her out of them (playing fair, no tricks, no deus ex machina). How will she suffer? What demands will be placed on her body, on her mind? This is where King shines. (view spoiler)[One of my favorite scenes from the entire novel is Jessie's quest for the glass of water resting on the bed's headboard. It is agonizing suspense I almost couldn't stand it. Sheer mastery of the craft I tell you. It would have had Hitchcock foaming at the mouth to film it. (hide spoiler)]

From the Flap:A solitary finger pokes out of a drain. Novelty teeth turn predatory. Flies settle and die on an old pair of sneakers in New York, and the Nevada desert swallows a Cadillac. Meanwhile the legend of Castle Rock returns . . . and grows on you. What does it all mean? What else could it mean? First there was Night Shift (1978), then Skeleton Crew (1985), and now Stephen King is back with a third collection of stories--a vast, many-chambered cave of a volume, with passages leading every which way to hell . . . and a few to glory.The long reach of Stephen King's imagination and the no-holds-barred force of his storytelling have never been so richly demonstrated. There's something here for readers of every stripe and predilection--classic tales of the macabre and the monstrous, cutting-edge explorations of the borderlands between good and evil, brilliant pastiches of Chandler and Conan Doyle, even a teleplay and a non-fiction bonus, a heartfelt piece of Little League baseball that first appeared in The New Yorker.In story after story, several published here for the first time, he will take you to places you've never been before, places that are both dark and vividly illuminated. Fair warning: You will lose a good deal of sleep. But Stephen King, writing to beat the devil, will do your dreaming for you.Can you believe? Then come . . .

Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King's epic work of fantasy -- what he considers to be a single long novel and his magnum opus -- has spanned a quarter of a century.Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King's most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement.Book IIn The Gunslinger (originally published in 1982), King introduces his most enigmatic hero, Roland Deschain of Gilead, the Last Gunslinger. He is a haunting, solitary figure at first, on a mysterious quest through a desolate world that eerily mirrors our own. Pursuing the man in black, an evil being who can bring the dead back to life, Roland is a good man who seems to leave nothing but death in his wake.This new edition of The Gunslinger has been revised and expanded throughout by King, with new story material, in addition to a new introduction and foreword.

"I believe there is another man inside every man, a stranger..." writes Wilfred Leland James in the early pages of the riveting confession that makes up "1922." the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness. In "Big Driver," a cozy-mystery writer named Tess encounters the stranger along a back road in Massachusetts when she takes a shortcut home after a book-club engagement. Violated and left for dead, Tess plots a revenge that will bring her face-to-face with another stranger: the one inside herself. "Fair Extension," the shortest of these tales, is perhaps the nastiest and certainly the funniest. Making a deal with the devil not only saves Dave Streeter from a fatal cancer but provides rich recompense for a lifetime of resentment. When her husband of more than twenty years is away on one of his business trips, Darcy Anderson looks for batteries in the garage. Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It's a horrifying discovery, rendered with bristling intensity, and it definitely ends a good marriage. Like Different Seasons and Four Past Midnight, which generated such enduring films as The Shawshank Redemption and Stand By Me, Full Dark, No Stars proves Stephen King a master of the long story form.(front flap)Contains:1922Big DriverA Fair ExtensionA Good Marriage

Rita Hayworth and Shawshank Redemption--the most satisfying tale of unjust imprisonment and offbeat escape since The Count of Monte Cristo.Apt Pupil--a golden California schoolboy and an old man whose hideous past he uncovers enter into a fateful and chilling mutual parasitism.The Body--four rambunctious young boys venture into the Maine woods and in sunlight and thunder find life, death, and intimations of their own mortality.The Breathing Method--a tale told in a strange club about a woman determined to give birth no matter what.source: stephenking.com

The Game is an epic role-playing adventure that will allow the user to befriend Stan, Kyle, Cartman and Kenny and explore the quiet little mountain...

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The Fractured but Whole empowers players to delve into the tender, crime-ridden underbelly of South Park with Coon and Friends. This dedicated group...

Five decades have passed since the events of Fable II, and Albion has matured into an industrial revolution, but the fate of the kingdom is at peril. In Fable I...

Set 500 years after the original, Fable II provides gamers with an epic story and innovative real-time gameplay, including a massive amount of freedom and choic...

BioWare completes the Mass Effect Trilogy with Mass Effect 3. Earth is burning. Striking from beyond known space, a race of terrifying machines have begun their...

The Mass Effect trilogy is a science fiction adventure set in a vast universe filled with dangerous alien life forms and mysterious uncharted planets. In this d...

Mass Effect is a science fiction action-RPG created by BioWare Corp., the commercially and critically acclaimed RPG developer of "Jade Empire," and "Star Wars:...

In Unravel 2, you play as two Yarnys (tiny magical creatures made of yarn and joined by a thread) in a puzzle-platforming adventure. Run, jump, swing, and solve...

[Playstation Network] The pioneers that brought you the award-winning PlayStation Network title "flOw" are back with another concept that challenges traditiona...

Layers of Fear is a psychedelic horror where you take control over an insane painter in his quest to finish his magnum opus....

The Unfinished Swan is a videogame about exploring the unknown. The player assumes the role of a young boy chasing after a swan who has wandered off into a surr...

[Xbox Live Arcade] Uncertain of his sister's fate, a boy enters LIMBO....

Yarny's mission is to mend broken bonds and the yarn represents the love and connection between people. The player will use Yarny's thread to do things such as...

Oxenfree is a supernatural thriller about a gaggle of friends who inadvertently open a ghostly rift. You assume the role of Alex, and you’ve just brought your...

Ori and the Blind Forest is a bit of a genremix – It’s a ‘Metroidvania‘, but with a stronger platforming focus and light RPG elements, all set within an...

Beyond the northern mountains, the borderlands of the Banuk tribe challenge all who dare enter to survive the extremes. But now this frozen wilderness harbors a...

The story opens after a 600-year journey to the Andromeda galaxy, as the crew begins searching for a new home for humanity. The dreams of easy settlement are qu...

Hearts of Stone features over ten hours of new adventures and introduces new characters, powerful monsters, unique romance, and an entirely new storyline shaped...

84 years later, a 100 year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

Jumanji, one of the most unique--and dangerous--board games ever, falls into the hands of the curious teen, Alan Parrish, in 1969. Mysterious and magical, the game strands the unsuspecting boy in the lush, savage forests of a mythical realm. Nearly three decades later, the game releases him before the awed eyes of the young orphaned siblings, Judy and Peter Shepherd. Now, the wild and incessant beat of the jungle's tribal drums is calling for the now-adult Alan and the other hesitant players, as the one who rolls the dice must never leave undone what the roll has started. Has anyone ever escaped from the game and Jumanji's formidable foes?

After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower's magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.

Fletcher Reede, a fast talking attorney, habitual liar, and divorced father is an incredibly successful lawyer who has built his career by lying. He has a habit of giving precedence to his job and always breaking promises to be with his young son Max, but Fletcher lets Max down once too often, for missing his own son's birthday party. But until then at 8:15 Max has decided to make an honest man out of him as he wishes for one whole day his dad couldn't tell a lie. When the wish comes true all Fletcher can do is tell the truth and cannot tell one lie. Uh-oh for Fletcher Reede.

Though Kevin (James McAvoy) has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher (Betty Buckley), there remains one still submerged who is set to materialize and dominate all of the others. Compelled to abduct three teenage girls led by the willful, observant Casey, Kevin reaches a war for survival among all of those contained within him -- as well as everyone around him -- as the walls between his compartments shatter.

After being kicked out of his rock band, guitarist slacker Dewey Finn faces a mountain of debts and depression. He shares an apartment with his best friend, Ned Schneebly, an old band member who is now a substitute teacher. Dewey accepts a job as a substitute teacher at a snobbish private elementary school where his attitude and hijinks have a powerful result on his students. He learns they are talented young musicians, and he decides to form a rock band with them to win the $10,000 prize money in a local band contest. Once Dewey wins a competition called "Battle of the Bands", the prize money would solve his financial problems and put him back in the rock music spotlight.

Snow White's mother, the Queen dies when she is born. Her father, the King, remarries a beautiful but vain lady. The new Queen has a magic mirror that she asks every day, who is the fairest one of all? When it answers Snow White, the Queen is furious. Will handsome Prince Charming and the Seven Dwarfs be able to save Snow White from the wicked Queen's wrath?

1955 German film directed by Erich Kobler

As she searches for allies and answers in the wake of the uprising, Tris and Four are on the run. Being hunted by Jeanine Matthews, the leader of the Erudite faction, Tris and Four will race against time as they try to figure out what Abnegation sacrificed their lives to protect, and why the Erudite leaders will do anything to stop them. Haunted by her past choices but desperate to protect the ones she loves, Tris faces one impossible challenge after another as she unlocks the truth about the past and ultimately the future of her world.

Years before meeting Shrek and Donkey, the adorable but tricky Puss in Boots must clear his name from all charges making him a wanted fugitive. While trying to steal magic beans from the infamous criminals Jack and Jill, the hero crosses paths with his female match, Kitty Softpaws, who leads Puss to his old friend, but now enemy, Humpty Dumpty. Memories of friendship and betrayal enlarges Puss' doubt, but he eventually agrees to help the egg get the magic beans. Together, the three plan to steal the beans, get to the Giant's castle, nab the golden goose, and clear Puss' name.

"The Croods" are an eccentric family of cavemen, who survive the harsh terrain by living accordingly to a strict set of rules. But when their home is destroyed in the wake of an impending disaster known as "The End", they are forced to leave their home of shelter and security, and into the wilderness of the unknown to find a new home.

2013 American computer-animated adventure comedy film

The famous race car Lightning McQueen and his team are invited to compete in the World Grand Prix race. There, McQueen's best friend Mater finds himself involved in international espionage, and alongside two professional British spies attempts to uncover a secret plan led by a mysterious mastermind and his criminal gang, which threatens the lives of all competitors in the tournament.

2011 computer-animated film directed by John Lasseter

In the walled city of Thneed-Ville, where everything is artificial and even the air is a commodity, a boy named Ted hopes to win the heart of his dream girl, Audrey. When he learns of her wish to see a real tree, Ted seeks out the Once-ler, a ruined old businessman outside of town in a stark wasteland. Upon hearing of how the hermit gave into his greed for profits and devastated the land over the protests of the Lorax, Ted is inspired to undo the disaster. However, the greedy Mayor of Thneed-Ville, Aloysius O'Hare, has made his fortune exploiting the environmental collapse and is determined to stop the boy from undermining his business.

2012 animated film directed by Chris Renaud

Flint Lockwood thinks he's a genius. But none of the things he invented are things that make sense or are useful. However, he has the support of his mother but when she dies, he's left alone with his father who thinks he should give it up. When the community that he lives in is in an economic crisis because their primary source of income, a sardine cannery, was shut down, Flint decides to try his latest invention, a machine that can turn water into food. But something goes wrong and the machine ends up in the atmosphere. Later it starts raining food. The shifty mayor tries to use this as a way to help their community, but when Flint senses something wrong with the machine, the mayor convinces him to ignore it. However, as Flint predicts, chaos ensues.

2009 American computer-animated science fiction comedy film

After super-villain Megamind (Ferrell) kills his good-guy nemesis, Metro Man (Pitt), he becomes bored since there is no one left to fight. He creates a new foe, Titan (Hill), who, instead of using his powers for good, sets out to destroy the world, positioning Megamind to save the day for the first time in his life.

Mike Wazowski (Billy Crystal) and James P. "Sully" Sullivan (John Goodman) are an inseparable pair, but that wasn't always the case. From the moment these two mismatched monsters met, they couldn't stand each other. This movie unlocks the door to how Mike and Sully overcame their differences and became the best of friends.

2013 American animated film directed by Dan Scanlon

Wreck-It Ralph longs to be as beloved as his game's perfect Good Guy, Fix-It Felix. Problem is, nobody loves a Bad Guy. But they do love heroes... so when a modern, first-person shooter game arrives featuring tough-as-nails Sergeant Calhoun, Ralph sees it as his ticket to heroism and happiness. He sneaks into the game with a simple plan -- win a medal -- but soon wrecks everything, and accidentally unleashes a deadly enemy that threatens every game in the arcade. Ralph's only hope? Vanellope von Schweetz, a young troublemaking "glitch" from a candy-coated cart racing game who might just be the one to teach Ralph what it means to be a Good Guy. But will he realize he is good enough to become a hero before it's "Game Over" for the entire arcade?

With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts, and James "Rhodey" Rhodes at his side, must forge new alliances - and confront powerful enemies.

The three Halliwell sisters discover that they are descendents of a line of female witches. Each has a special ability (stopping time, moving objects, seeing the future), and they can also combine their abilities into the "Power of Three" to fight demons, warlocks, and other evils.

American supernatural drama / fantasy television series (1998–2006)

The FBI teams up with a formerly-institutionalized scientist - who was performing experiments on the fringe of real science - and his son to investigate weird crimes that are seemingly part of a larger pattern, and may be connected with a global company called Massive Dynamic.

American science fiction television series

The series follows the life of anti-social, pain killer addict, witty and arrogant medical doctor Gregory House (Hugh Laurie) with only half a muscle in his right leg. He and his team of medical doctors try to cure complex and rare diseases from very ill ordinary people in the United States of America.

For Emma Swan, life has been anything but a happy ending. But when she's reunited with Henry - the son she gave up for adoption ten years ago - on the night of her 28th birthday, everything changes. The now 10-year-old Henry is in desperate need of Emma's help because he believes from reading a book of fairy-tales that she's the daughter of Snow White and Prince Charming - who sent her away from the Enchanted Forest to be protected from a curse that was enacted by the Evil Queen. Emma initially refuses to believe a word of Henry's story but soon finds that his hometown of Storybrooke, Maine is more than it seems. Because it's in Storybrooke that all of the classic characters we know are frozen in time with no memories of their former selves - except for the Evil Queen, who is Storybrooke's mayor and Henry's adoptive mother Regina Mills. Now, as the epic "Final Battle" for the future of both worlds approaches, Emma will have to accept her destiny and uncover the mystery behind a place where fairy-tales are to be believed.

A former lawyer attends a community college when it is discovered he faked his Bachelor's degree. In an attempt to get with a student in his Spanish class, he forms a Spanish study group. To his surprise, more people attend the study group and the group of misfits form an unlikely community.

American comedy television series created by Dan Harmon

The inspiration behind this series is the Thracian Gladiator Spartacus, who led a slave uprising against the Roman Republic. The Thracians had been persuaded by Claudius Glaber to serve as auxiliaries in the Roman legions in a campaign against the Getae, who had often plundered Thracian lands. However after Glaber reneges on the deal and switches his attentions from the Getae to attack Mithridates in Asia Minor, the Thracians feel betrayed and mutiny. Captured by Glaber, Spartacus is condemned to death as a Gladiator, whilst his wife Sura is condemned to slavery. Spartacus, however, proves to be a formidable gladiator, and defeats the four gladiators tasked with executing him. He becomes a favorite of the crowd, leading Senator Albinius to commute his death sentence to a life of slavery. Spartacus is purchased by Batiatus for gladiator training, who promises to help him find Sura if he proves himself in training. As the series develops, the story follows the betrayals and machinations of Roman life and a tale of one man's heroic quest for vengeance.

Face Off is a competition/elimination series exploring the world of special-effects make-up artists and the unlimited imagination which allows them to create amazing works of living art. Not only will the show incorporate effects make-up, it will include a wide range of skill sets including prosthetics, 3-D design, animatronics, sculpting, eye enhancers, puppeteering, casting and molding. Each episode involves reveals of the competitors' finished work, and it all culminates in one winner and one grand prize that will launch a career.

Hosted by rock legend Dave Navarro and judged by icons of the tattoo world, Chris Nunez and Oliver Peck, 10 of the country's most creative and skilled tattoo artists descend on NYC to compete for a hundred thousand dollars and the title of "INK MASTER". The stakes couldn't be higher with 'Living Canvasses' donating their skin to be permanently marked in this adrenalized competition elimination.

TV series contest revolving around tattooing

Follows the transformation of Bruce Jenner from a man to Caitlyn Jenner, a woman, by showing the struggles and publicity of changing gender.

American transgender reality TV show about Caitlyn Jenner

An hour-long competition show that seeks to find the most talented and versatile body painters in the country.

An offbeat, laugh track-lacking sitcom about a bizarrely dysfunctional family, the center of which is Malcolm, the middle of the two brothers who still live at home. His eldest (and favorite) sibling, Francis, boards at military school because his parents believe it will reform him and keep him out of trouble. Malcolm often has a hard time coping with his family life, but he has more troubles to contend with when he starts receiving special treatment at school after being diagnosed as an intellectually advanced genius.

A shadowy organization uses mind-wiped humans known technically as "actives" and colloquially as "dolls" who are imprinted with false memories and specialized skills for various tasks on behalf of paying clients. When they are not on assignments, they live in an underground "Dollhouse", a facility that protects and provides for their needs, including food, exercise and sleeping pods little bigger than coffins. One of the dolls, a young woman called Echo by her handlers, is slowly becoming aware of herself and what is going on. Meanwhile, at least two different people on the outside are trying to bring down the Dollhouse, one by finding Echo and the other by using her.

A Seattle family takes in an amnesiac teen (Dallas), whom they eventually learn has mysterious powers and psychic abilities, the result of a secret human cloning experiment conducted years earlier. The family helps teach Kyle human behaviors such as anger, joy and love, and guards him against forces who seek to use Kyle for their own nefarious purposes.

Jericho is a drama about what happens in the aftermath of a nuclear explosion in the once peaceful town of Jericho. Following the battle with New Bern, the citizens of Jericho begin reconstruction efforts to restore the town's power and communication with the outside world. As the country's new leaders, the Cheyenne government, attempt to establish their stronghold in the region, Jericho's citizens become suspicious of their new leaders and question why their community is so important to this newly formed government.

The 4400 explores the travails of the 4400 people who all at once returned in a ball of light to Earth; though the returnees had not aged physically, many of them reappeared with dramatic abilities ranging from enhanced reflexes to precognition. NTAC (National Threat Assessment Command) is the government agency responsible for keeping track of the returnees and investigating all things related to the 4400.

2004 American science fiction television series

Fast-talking New Yorker and brand-new doctor Zoe Hart has it all figured out: after graduating top of her class from medical school, she'll follow in her father's footsteps and become a cardio-thoracic surgeon. But when her dream falls apart, Zoe decides to accept an offer from a stranger, Dr. Harley Wilkes, to work with him at his small practice in Bluebell, Alabama. Zoe arrives in this small Gulf Coast town only to find that Harley has passed away and left his half of the medical practice to her in his will.

Carrie Bradshaw is in her junior year of high school in the early 1980s. She asks her first questions about love, sex, friendship and family while navigating the worlds of high school and Manhattan.

Set in the fictional town of Rosewood, Pennsylvania, the series follows the lives of four girls, Aria Montgomery, Hanna Marin, Emily Fields, and Spencer Hastings, whose clique falls apart after the disappearance of their leader, Alison DiLaurentis. One year later, the estranged friends are reunited as they begin receiving messages from a mysterious figure named "A", who threatens to expose their deepest secrets, including ones they thought only Alison knew. At first, they think it's Alison herself, but after her body is found, the girls realize that someone else is planning on ruining their not so perfect lives.

American teen drama mystery-thriller television series.

Annie and Dixon Wilson move from Kansas to the very wealthy area of Beverly Hills, and begin attending the famed West Beverly High School in the 90210 zip code. They quickly encounter queen bee Naomi, rebel Silver, troubled Adrianna and others as the drama unfolds in 90210.

2008 American teen drama television series

The series documents the evermore complicated yet heart warming life of Amy Juergens; a typical high-school student who is characterized by her ambition and musical Band talent. However, it is after one hormonal-driven night at Band Camp, that she is faced with a responsibility no 15-year-old wants to take; being a teen mom. The audience is taken on a journey with Amy as she confronts her problem and Rickey the father of her baby.

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Pamela

Set back in the late 1800s in a Victorian village, a man and woman by the names of Victor Van Dort and Victoria Everglot are betrothed because the Everglots need the money or else they'll be living on the streets and the Van Dorts want to be high in society. But when things go wrong at the wedding rehearsal, Victor goes into the woods to practice his vows. Just as soon as he gets them right, he finds himself married to Emily, the corpse bride. While Victoria waits on the other side, there's a rich newcomer that may take Victor's place. So two brides, one groom, who will Victor pick?

2005 British-American stop-motion-animated dark fantasy film

He's smart, he's good looking, and he's got a great sense of humor. He's Dexter Morgan, everyone's favorite serial killer. As a Miami forensics expert, he spends his days solving crimes, and nights committing them. But Dexter lives by a strict code of honor that is both his saving grace and lifelong burden. Torn between his deadly compulsion and his desire for true happiness, Dexter is a man in profound conflict with the world and himself. Golden Globe winner Michael C. Hall stars in the hit SHOWTIME Original Series.

When chemistry teacher Walter White is diagnosed with Stage III cancer and given only two years to live, he decides he has nothing to lose. He lives with his teenage son, who has cerebral palsy, and his wife, in New Mexico. Determined to ensure that his family will have a secure future, Walt embarks on a career of drugs and crime. He proves to be remarkably proficient in this new world as he begins manufacturing and selling methamphetamine with one of his former students. The series tracks the impacts of a fatal diagnosis on a regular, hard working man, and explores how a fatal diagnosis affects his morality and transforms him into a major player of the drug trade.

To celebrate Rob's massive promotion, his lover, Beth, and friends, decide to throw a massive surprise farewell party, now that he is about to move to Japan. However, a deafening explosion and the arrival of an enormous scaly and gangly creature will abruptly interrupt the festivities, as all hell breaks loose in New York City, and the Statue of Liberty is decapitated. As the reptilian behemoth levels Manhattan, a daring dash to rescue Beth begins, while at the same time, everything is recorded through the lens of a hand-held camcorder, amid mayhem and destruction. In the end, where did this relentless invader come from, and above all, is there a chance of survival? As they go to investigate, an adventure deep into the streets of New York begins, as the friends are determined to rescue Rob's true love.

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